Never for Nothing - CCM Record Reviews archive M
MAC POWELL : New Creation. (Mac Powell Records/Capitol CMG)
Here is the long awaited solo album from former Third Day frontman, Mac Powell. I’ve got to admit to always enjoying Mac’s vocals, and I was keen to hear this release. Kicking off with the rousing ‘River of Life,’ it certainly gets off to a good start. The title track talks about Jesus’s spirit “living inside of me, I am a new creation.” It’s another good song, but I couldn’t shake the feeling that it sounded very much like something I’d heard before. A quieter song is the delicate little number called ‘Love is the Reason.’ No guessing for what the song is about, but it’s really nicely put together. ‘1991’ is a very personal song to Mac, as it was the year he found Jesus…….or was it, Jesus found him! The track races along with lyrics that will resonate with many of us. I simply love the line; “On a Sunday morning, Jesus got a hold of me!” Songs like ‘Joy of It All’ and ‘Jesus you Are’ are quite ordinary, but the anthemic ‘Everlasting Arms’ picks things up again. Closing the album, Mac is joined by Matt Maher on the mid-tempo ‘Baptized.’ The album’s theme is one of positivity of what God can do in your life, and that’s no bad thing. Musically, there are some good and some, not so good, songs. But, I’m still ready to give this album an 8/10. (November 2021)
MAC POWELL : Live From Red Rocks. (Sparrow Records)
This live project was captured at the legendary Red Rocks Amphitheatre, Live From Red Rocks. The seven-song album was recorded last August during the 2022 K-Love Presents Live At Red Rocks. "While I love making records, my favourite part of this job has always been touring and singing along with fans in person," shares Mac Powell. "I've played Red Rocks four times throughout my career, but last year was the first time I performed at the historic venue as a solo artist AND I got to play with my daughter, son, and son-in-law. It was such a special night that I wanted to share it with everyone. I’m so excited for you to relive this special night with us at Red Rocks." I’ve always been a fan of Mac’s vocals, so I was keen to hear this min-album. I knew the first song straight away – ‘Soul on Fire.’ It’s been a favourite of mine since I first heard it, and it really drives along. ‘New Creation’ follows in similar style, while Mac and his band indulge themselves in some uptempo country on ‘Flood Waters.’ A strange sound for a live recording sees Mac ask the audience to request a Third Day song from their last concert in 2018. Yes, it works if you were at the live recoding but for a listener like me? Not sure. Then, we get a rocky version of Fleetwood Mac’s ‘Don’t Stop.’ I wasn’t sure that the track should work alongside the other songs but, somehow, it does! The final track is ‘River of Life.’ Undeniably, Mac will always be associated with Third Day’s albums, and most of the songs here, carry on that style of music. The downside of this album is that there’s only 7 tracks, running just over 30 minutes. 7/10. (August 2023)
MAC POWELL : Christmas. (Mac Powell Records)
Here’s another festive release. This time, it’s from former Third Day frontman, Mac Powell. 5 tracks on this EP, kicking off with the throwaway ‘Christmas Time Again My Friend.’ It’s a jolly sounding ditty that reminded me of Michael Buble, with lyrics such as; “Silver Bells and Let it snow; Bing Crosby on the radio; Christmas time is here again my friend. “ There’s also mentions of Rudolph and Charlie Brown, as the singer looks at what Christmas means to him now. From there , we move to a jazz gospel number Called ‘I Pray on Christmas.’ It’s a timely reminder that we need to keep praying all year round. ‘Jesus Christ is born’ gets a more uptempo outing, with some nice keyboard sounds adding quality to the song. After, yet another version of “Have Yourself A Merry Christmas,’ the final song is a slow moving number called ‘Living Proof.’ Sung as a praise song, it’s an impassioned cry for all to know Christ in their lives. It’s nice to hear some new festive songs with the unmistakable voice of Mac Powell. 7/10. (December 2023)
MAC POWELL : Like It’s Nothing. (Capitol CMG)
“I know it may sound crazy, but I still believe in miracles,” shares Mac Powell of the new song’s inspiration. “All of these amazing things that we read about in the scriptures – from God parting the Red Seas, Elijah calling down fire from Heaven, to Jesus healing with just a touch – I truly believe these things, in some ways, still happen. And God does not grow tired or weak in doing these mighty things. I pray we all will continue to have the kind of faith that sees God working today!” Beginning with a machine-gun drum intro, a blues guitar soon joins in. As Powell sings, he’s accompanied by a full sound, complete with a funky keyboard, too. In fact, once the backing singers join in, the song moves into rock gospel territory. Mac sings of God moving mountains and the fact that there’s nothing He can’t do. Sadly, the song is less than two and a half minutes long. Just as it gets going, it stops! There’s nothing wrong with the vocal quality, it’s typical Mac Powell, but not the best thing he’s ever recorded. 6/10. (May 2024)
THE MACCABEES : 21st Century Spin. (www.spiritmusic.co.uk)
I never heard a single thing from this band when they were known
as Dissident Prophets, so I'm not able to say if and how their
music has changed. The press release says "think Velvet Underground,
The Ramones, and Lamb all thrown together." Well, I can definitely
hear the Ramones influences, especially in "Run For Your
Life" and the absolutely brilliant title track. The song
is pure gold. Simple lyrics that tell of how we're brainwashed
into following today's culture, instead of the truth's of Jesus.
I've played it so many times that, it just has to be a radio hit
- are reading this Cross Rhythms?. The band have obviously worked
very hard at putting this album together and the finished product
is first class. As well as those previously mentioned, I thought
there was a bit of the late lamented Television in songs like
"Keep My Lamp Burning", and the jangly pop of "Do
You Know Love At All". Not quite my album of the month, but
pretty close. 9/10. (August 2003)
It's three years since their last offering gained runner's up spot in NFN's independent album of the year, and I wondered if the guys could match the excitement of that release. With "Modern Man", they've not only matched it's excellence, but moved on musically too. They do have an individual sound, thanks in the main to Andy Jennings' vocals and guitar work, but now they've encompassed the style of, say, Franz Ferdinand with 70's punk band, Television. "Same Way" starts things off with a hypnotic beat, followed by an energetic and powerful title track. The scene is set, and track after track attacks the listener's ear with lyrics of questions and thoughts about a spiritual life in the 21st century. "Rome" is a strange little beast, with the vocals sounding almost Dylanesque in delivery. "Company Store" has a 60's sound to it, while TV evangelists get a hammering in the appropriately named "Wolves". Then, when you just thought you knew what was coming next, "Television" leaps from your speakers. It's the best track, and has some superb guitar riffs. Not sure why it's taken three years for this album to arrive, neither am I sure why one of the big labels haven't offered them a contract. The Maccabees are a here and now band, with so much to offer. 9/10. (February 2006)
MACK BROCK : This is Your Promise. (Capitol CMG)
Mack Brock’s vocals have become instantly recognisable over the last few years, as he’s presented some cracking worship songs. With this new EP, he says; “Over this moment, In every season, This is Your promise, Jesus You reign. He still has authority. He still has power. He still walks through the fire with us. The promises of God are real and we need to embrace them more than ever right now. These songs are a reminder of that.” There’s a modern, contemporary sound throughout, and it all begins with “I Lift My Eyes.” Guitar driven, the song is just pure worship. “You Reign” wasn’t my favourite track. Some people will like the fact that it concentrates on few words, but not me. Quite the opposite is “Even the Impossible.” The song lifts praise to the Lord for all His miracles, and the power in Jesus’ name. Lyrically, I found this song to be excellent, and a great song overall. Finally, on “I Am Loved,” Mack continues to exalt God His unconditional love, and bringing him to new life. With songs like these, I’m sure that we’ll be hearing more by Mack for many years to come. 9/10. (July 2020)
MACK BROCK : Café Sessions (Sparrow Records)
Mack Brock will be a name familiar to many as a founder of Elevation Worship, the musical arm of Elevation Church in North Carolina where he was also a music producer and key worship leader for over 10 years. Having served there for over a decade, Matt sensed God calling him a couple of years back to move on to other ministry projects which led to him beginning his solo career in 2018. The “Café Sessions” follows hot on the heels of his most recent live worship album “Space” released in late 2020. This EP is a collection of acoustic material produced in conjunction with Worship Together, featuring songs released within the last year or so including tracks from the aforementioned Space album. Having heard laid-back, acoustic versions of songs and albums many times in the past which for me haven’t always worked too well, I approached this release with a mild sense of trepidation but from the opening track titled ‘Come Now’ my fears thankfully subsided. It’s a fairly gentle guitar and piano-led track with the words creating a tangible sense of expectation of what God is doing and can do. As tends to be the formula for many modern worship tracks, it starts pretty low key and builds towards the mid-section with some subtle but noticeable bass and percussion, fading away again towards the end. The opening guitar riff of ‘Even the Impossible’ has echoes of some of Brenton Brown / Vineyard’s older material which for me is great as it’s the stuff I grew to love in the earlier days of my faith. The female harmonies are smooth, well balanced with Mack’s voice and give the song great atmosphere. The following ‘Song of Heaven’ is the longest track on the EP and is just a little more low-key overall but still atmospheric, although for me a little long in isolation. I did especially enjoy ‘Prophesy your Promise’ which was co-written with Jesus Culture’s Bryan and Katie Torwalt. The opening lines of “I found you in the middle of my mess, you’ve been there all along” I can sure relate to right now but this is a song of great hope and truth about who we are in Christ…powerful stuff many of us will benefit from being reminded of now and again! Some lovely female harmonies (possibly Katie Torwalt) adding great texture and real feeling to the words. ‘You Reign’ follows on which I can imagine being included in a large-scale worship set. ‘Bless the One’ was produced in collaboration with Matt Maher who features on vocals and is a gentle track with prominent vocals and reduced instrumentation which is followed up with what are probably the most lively tracks from the EP ‘Saviour of the World’ and ‘Your Church is Alive’, ending on an upbeat note of Christ’s victory. Café Sessions does, I think, achieve what it sets out to do which is take us away from the busyness of life and reconnect us with the gospel and some of the truths therein. One I can imagine listening to again whilst in the kitchen cooking…just better be careful I don’t get carried away and come out with a burnt offering! 9/10 Simon Redfern (March 2021)
MACK BROCK : The Love of Jesus. (Capitol CMG)
Mack says; “I’ve been taught my entire life that 'Jesus loves you…' and yet it’s still something I wrestle to receive. I wrote The Love of Jesus as a simple reminder that from the beginning of time, from the moment God created the heavens and the earth and Adam and Eve… His love was readily available and abundantly poured out on me. It’s the most life altering, earth shaking, freedom giving thing in the world. My hope is this song will remind you of that love and help you receive it in a way you haven’t before.” Well, for me, this is one of the best songs that Mack has ever produced! Beginning with a worshipful, piano led verse, I got a real tingle in the back of my neck, as the chorus burst from the speakers. “Oh the love of Jesus, boundless and free; Oh the love of Jesus, poured over me. How it’s captured my soul, how sweet just to know. Oh the love of Jesus, is all I’ll ever need.” It’s just one of those songs that stands out from the crowd. Jangling guitars and great percussion, as well as terrific backing vocals too. I’ve already played this song four times in a row! 10/10. (January 2022, Record of the Month)
THE MADDY LEIGH BLUES BAND : Nickles & Dimes. (CD £10.95
from: Maddy Leigh Ellison, 29 Chapel Lane, Walton, Liverpool,
England, L9 2BY)
Well, it's taken some time but this album has finally winged it's
way to NFN towers. The question is, was it worth the wait? Fronted
by Maddy Leigh herself, the band name sort of gives away the type
of thing to expect. It's 60's blues with a millennium twist. Take,
for instance, the opening "Faith to Follow". Great Hammond
organ from Ted Gardner, and extreme slide guitar on the part of
Jeff Scheetz. "Impossible Things" sounds like a jam
session rather than anything previously rehearsed but the result
is quit epleasing. "Heaven Sent" gives you visions of
being in a New Orleans bar, as Maddy's vocals tastefully praise
God's gift of Jesus to all. You know when you hear people moan
who never seem to be satisfied with what they've got? "Moan,
moan, moan" asks those people if they'll ever be happy. Marc
Ellison plays some catchy guitar riffs throughout and he's backed
by some quality muso's. I felt that, once or twice, the songs
were a little too samey, although "Takin' It Easy" seemed
to owe a lot to the Beautiful South's "Rotterdam". Oh
yes, before I forget, and I wish I could, please don't make me
listen to the version of "Amazing Grace" again. Apart
from that, yes, this album was worth the wait, and is a must for
serious blues fans. 8/10. (April 2003)
MAGNIFY : In Wonder. (Parachute Records - PMD 029)
This debut album for New Zealand based Magnify kicks off with four extremely strong and engaging songs. The opener "Glorious" has as catchier a chorus as you are likely to hear and contrasts well with the more hard-edged title track "In Wonder". "Love Divine" (not the traditional hymn) takes the tone down a notch before the band returns with all guns blazing in "Blown Away", complete with rap interlude. After that, it changes direction and becomes a more Vineyardesque affair, somewhat confusing in a sense and leaving me wondering just exactly what is the sound of this band? At times, its Y-Friday, other times Delirious all with a vocal style reminiscent of Bono in the higher phrases. Having said that, this is a good album and I found myself singing these songs after just a few listens - always a good sign. Lyrically, its pretty light, with simple sentiments succinctly expressed but they still have room for the odd great line, like the one in the song "Fallen for You" - 'Your heart is an ocean of love and devotion'. So I'm still going to rate this album highly because, even though it might not be entirely original or completely coherent, it is a great listen and one to keep playing. 9/10 Robin Thompson. (July 2006)
MAINSTAY : Well Meaning Fiction. (BEC : BED74433)
Mainstay are made up of Justin Anderson, Ryan Deyounge, and Dan Ostebo. They've been together for a few years and were influenced by the punk scene in the home city of Minneapolis - where they also went to college. There's still traces of that punk element on this recoding, but on the whole, it's a smoother, more rounded affair that greeted my ears. In fact, I thought they sounded a lot like Savage Garden. "These Pages" is a melodic, guitar pop song about how the rest of the world see Jesus. "Yesterday" has the same kind of beat, but "This Could Be" speeds things up a bit, with some catchy hooks. There's some nice guitar work on "Overnight on Nicollet", while "Danger" takes a look at the grace of God. The album's produced by Aaron Sprinkle, who's previously worked with Kutless and Pedro the Lion, and there's a certain polish to the finished product. My only complaint is that the some of the songs tend to drift into one another as they sound very much alike. It's a pleasant listen, without being terrific. 7/10. (August 2006)
MAIRE BRENNAN : Perfect Time. (Word : 7019965601).
The voice behind Clannad releases her first Christian album, using
the sound and formula that has made them so renowned throughout
the world. From the opening moments of the first track "The
Big Rock" you are simply carried along by the wonder and
beauty of God's gift of music. The title track tells of His perfect
timing in your life, while "The Light On the Hill" can
only be described as terrific. (Excuse me while I play it again).
All the famed styles of Clannad are there including the predominantly
vocal "Na Paisti", sounding a little like "Harry's
Game". The pipes, the whistles, and fiddles are all to be
heard, as well as Maire's moving harp playing on the instrumental
"Doon Well". I don't posess a single Clannad album in
my collection yet, after the first play, I couldn't wait to play
"Perfect Time" again. All too often, the CCM release
of a well known secular artist falls a long way short of it's
hype. On this occasion, the album more than lives up to the press
release. Buy it, and prepare yourself for something special.
10/10. (April 1998, Album of the Month)
MAIRE BRENNAN : Whisper To the Wild Water. (Word ; 7012632267)
Building on the success of her last album, plus the Top 10 UK
hit in collaboration with Chicane, Maire releases another crop
of Celtic style music. In all honesty, there's no surprises in
the resulting album, it's all cleverly produced and in the same
winning formula that has proved so poular with fans the world
over. "Follow the Word" is a good opening piece and
sounds as if it should be a film score, rather than just another
song. It's medium pace is soon slowed down the "Where I Stand"
and "Hard to Break the Seal" - more haunting in melody.
"Ageless Messengers" moves the pace on again and I found
myself re-playing this track more than any other on the album.
As I say, "Whisper…" doesn't break any new ground
for Maire but, then, why disappoint the fans? 8/10. (December 1999)
THE MAKER & THE INSTRUMENT : Instrumental Songs of Worship. (Riverside Holdings)
Chris Tomlin and Tommee Proffit have teamed up to create an instrumental project called The Maker & The Instrument and just released a full album of songs called Instrumental Songs of Worship. The record is a collection of instrumental worship songs created intently to carry a listener to deeper places of worship through prayer and praise. There’s a mixture of well-known and, not so, well-known songs covered here. The mix between quieter and fuller sounds is almost 50/50 and I’ve got to admit to enjoying the former, more than the latter. A piano is the main instrument used on “Good, Good Father” and “How Great is Our God” – both sounding very nice. I particularly liked the production on “What a Beautiful Name.” It begins with a gentle acoustic guitar, before leading into a more powerful sound, late on. “This is Amazing Grace” suffers from the some of the worst sounding electronic drums that I’ve heard for some time. Very thin and tinny. FX guitars are used on a pleasant rendition of “10,000 Reasons,” while ethereal female vocals make a brief appearance on the “We Fall Down/Angus Dei” medley. The closing “Famous One” suffers from too many instruments being played at once, in my opinion, and the main tune is lost along the way. I always like the idea of an instrumental album of praise and worship tunes and, at times, this one works well. 6/10. (November 2019)
MALACHI’S MINISTRY : For the Most High. (Ridge Recording)
Malachi’s Ministry is the artistic expression of vocalist, teacher and minister, Joe Malachi. Through upbeat music, Malachi shares positive messages with his lyrics while reflecting on his own life and relationship with God. “This is a powerful project for me, as my mission is to use songs to provide a spiritual experience to each listener that they might be moved and uplifted.” The first song on this EP is called ‘Praise Be,’ which begins with some atmospheric sounds. Joe speaks the lyrics, rather than singing them. On a couple of occasions there’s a rather off-tone guitar solo, which sounded rather odd against the rest of the song. ‘Mercy’ is a more uptempo number, with some chunky rhythms. Lyrically, Joe looks at God’s creation and how he sees it in the current state of the world. This track certainly works better than the first. Things get a bit rocky with ‘Christ Alive’ which centres around the singer having a heart full love, due to Christ being alive in him. From there, Joe gives his best performance on the smooth RnB feel of ‘God Alone.’ Closing the listing is ‘Psalm 57’ which is a spoken word track, over some simple musical phrases. All in all, this release is a bit of a mixed bag. Joe certainly has some interesting song ideas, but a little tightening of the overall production would be a positive move. 6/10. (January 2024)
MALI MUSIC : The Book of Mali. (RCA Inspiration)
Mali Music is an artist who is described as a “dynamic musical genius” and “an anointed force of nature.” I wasn’t sure what to expect as I started to listen, and the opening “Intro” didn’t give me any clues. The following “Blessed” features a sampled female voice, as the man breaks into hip-hop style akin to Social Misfits and Lecrae. “Cry” sees the vocalist shout, over just an acoustic guitar later, joined by some Hendrix FX. The lyrics, were easy to hear but, try as I may, I couldn’t understand what the song was about. Much better was the slower number called “My Blessings.” Mali Music sings “I know that You [God] love me,” with real feeling. I must admit that when Mali Music hasn’t got his “hip-hop” head on, I found the songs quite pleasant. “Yin & Yang” being one such number. “I know that He watches me, I’m included like apostrophe’s” are just some of the words from “World Record.” Other lyrics in this song are; “In a stiletto glass please, I’ll take it all in cash please; I want mine on the floor, you can put it on the dash please.” Now, can you see why I’m confused? I really hope that this man’s music appeals to fans of this genre, and I invite them to send their own thoughts. But, for me, I doubt that I’ll be playing this one again. 5/10. (November 2020)
God Alone is off Mama Tee’s debut album “Nothing is Impossible” released in 2021, and features Emmanuel Awipi on the keys and Rume as the main vocalist. Gently, the track opens with just vocals and a piano. The instrument backing is then joined by some nice string sounds. The chorus is simple, but doesn’t lack feeling despite its repetitive use of “You are God alone; For ever you are God.” Rume has a lovely voice and caresses every word deliciously. Towards the end of the number, she’s joined by more voices, which work well. A lovely song of praise & worship, reminding us that God is always by your side in every difficult situation, or feeling lost. 8/10. (July 2023)
MANAFEST : The Chase. (BEC Recordings : 829982115195)
I have a love/hate relationship with Christian Rap. I love the fact there are Christians out there providing a welcome antidote to the negative and potentially destructive subject matter often associated with its secular counterpart but hate the style of music. However, this album might just be the one to fix that. As with much of the genre in recent years there are distinct rock overtones, the crunching riff on "Supernatural" being a prime example and I can definitely hear shades of Kutless and Relient K throughout the whole cd. This provides the album with a colour and variety and prevents it from becoming overly tedious. There are some great hooks in the refrains and Manafest demonstrates that he's a half-decent singer. "Married in Vegas" seems the obvious hit to me and, though he has already enjoyed limited US chart success with "Avalanche", and also released "Np Plan B", I think there are better tracks on here that could and should, if there is any justice, do even better. 10/10 Robin Thompson (September 2010, Album of the Month)
MANAFEST : Words Are Weapons. (Manafest Productions)
Christopher Scott Greenwood (born July 19, 1979), known by his stage name Manafest, is a Canadian Christian rapper and rock artist from Pickering, Ontario, Canada. He has won multiple awards for the GMA Canada Covenant Awards, GMA Dove Awards, and has been nominated for multiple Juno Awards. Now, I’m not a rap fan, but something about this artist led me to give it another chance. The title track is a spoken word conversation between Manafest and Garrett J White. There is a musical backdrop, and it’s quite hypnotic. The talk seems to focus on a call to arms to fight for God. The artists ask “Will you choose [God]” even when people persecute you because of your faith? “ It’s an interesting form of rap that I’ve not heard before. ‘Do It Afraid’ continues the theme, complete with tuneful musical phrases. Again, Manafast takes the theme of “fighting” in God’s army. His vocal delivery on ‘You Can’t Move Me’ is one that sounds like an army leader getting his troops ready for battle. In this case, the battle is against satan. If, like me, you wonder how to describe this EP, each track has the feel of an evangelistic talk put to a simple, looped, soundscape. Has Manafest changed my opinion of rap music? Well, I’m not sure. However, it was great to actually hear all the lyrics/spoken words – and that’s a plus! He’s certainly pitched something a little different, and should be commended for that. 6/10. (July 2023)
MANCHESTER VINEYARD: Reach. (ICC : ICCD63830)
Manchester Vineyard was planted in 1989. Their goal - ministry
to young adults. Described as an exciting, vibrant place to worship
God and to be challenged by his word. Looking at their website
I notice that this is a very active church involved in various
ministries and especially with young people. This is an excellent
C.D. Vocals, music and lyrics superb, and consistent throughout.
These were all new songs to me, and after having listened to the
album a few times can do no other than give it a good review,
which it well deserves. It has been put together very professionally.
The style of Manchester Vineyard is very similar to that of the
Vineyard Music Group. If this is the style of music you like,
then I would recommend this album to you. My favourite tracks
are:- No.2. All I Can Bring - female vocals and heartfelt worship
and praise; No.4. Your Love O Lord - male vocals, a praise song,
and No.8. Who May Climb - male vocals, worship and praise. I notice
that most of the songs have been written by members of this very
talented music group. The lyrics say everything. An excellent
worship and praise album. Pam Robinson 10/10 (June 2002, Album of the Month)
THE MANDATE : All For Jesus (Kingsway : KMCD2166)
Now I have to admit that I'm not a worship CD lover as quite often
the atmosphere of the occasion isn't captured on the recording,
and this one is no exception. The Mandate was a conference for
men held at the Waterfront in Belfast, and the worship was led
by Robin Mark, Northern Ireland's premier worship leader. All
the way through the album, the arrangements are very Irish folk
with an accent on accoustic guitar, fiddle and penny whistle -
a kind of male Corrs playing worship songs and hymns! Particularly
good are 'There Is A Place Of Commanded Blessing' and the medley
which immediately follows it of 'Amazing Grace/No Not By Might/AreYou
Washed?'. As the album progressed however, I found that each song/hymn
was given the same treatment - moderate to slow, folky sound which
dragged. The only exception was one of Robin's own, 'As Sure As
Gold (Revival)'. I was beginning to wonder why Barry Bynum was
credited with lead guitar, but I could just hear him on this track.
It seems to have been a tremendous evening live, but just doesn't
make it onto CD. Of course, I'll not be able to go to the next
one, it's all men. Now there's a thought ... 6/10 Julie Lord.
(May 1999)
MANDISA : Overcomer – The Greatest Hits. (Capitol CMG)
Mandisa’s singing career really took off after competing in the American Idol competition in 2006. In 2013 she won the Best Contemporary Christian Music Album for Overcomer at the 56th Grammy Awards. This is the first time that I’ve really heard a collection of her songs, so I listened, expecting great things. The title track is absolutely stunning. The message is “don’t quit, don’t give in, you’re an overcomer,” and the exciting beat reminded me of songs from Ariana Grande. “Bleed the Same” is a song that joyous reminds us that, whatever our skin colour, we are all the same inside. On this tracks, Mandisa shares the vocals with Toby Mac and Kirk Franklin. “Unfinished” and “Stronger” carry on the excellent quality of songs on show, and these are followed by the feel good track “Good Morning.” Celebrating waking to to a brand new day, with Jesus by your side,” Mandisa’s vocals soar, while Toby Mac provides a rap mid-song. I never liked the song “Shackles (Praise You”) and Mandisa’s version didn’t change my mind. Of the rest, “He is With You” is a nice reminder of God’s love, while “Voice of a Saviour” is a ballad that closes the album perfectly. Why I’ve never had the chance to review Mandisa’s music before, I don’t know. But, better late than never, and I’m impressed. 8/10. (March 2020)
MANIFESTO : We Believe. (Integrity : 00076850712)
Here's another collection of modern worship songs for today's church. Rather infuriating, again, is the fact that there are no artist credits given - why do they do that? 'Awaken Me' praises the King of Glory and it's a tune that really gets into your head. On the downside, it's a rather lengthy number, as is the title track. I find that when songs are strung out for too long, they lose their impact somewhat, but that may be a personal thing. 'Your Great Name', written by Michael Neale and Krissy Nordhoff is a powerful song, and is equaled in it's intensity by a great ballad called 'O The Blood'. On 'Rooftops' there's a fine female vocal performance by someone, who's name escapes me. She has a rather annoying, nervous laugh at the end of some of the lines of the song, and that can be quite off-putting. Some of the songs, I would find difficult to join in with for worship, as they sound more like a performance than an act of worship. However, there should be something here for most lovers of modern, contemporary worship. 7/10. (October 2012)
MANSION OVER THE HILLTOP - A Tribute to the Legendary Ira Stanphill. (Daywind Records : DAY 1288D)
I'm not really sure who this Ira Stanphill is, but he's not legendary
around North Yorkshire as far as I know, so I was expecting another
collection of sickly American worship songs. However there are
enough different styles of music on here to keep it interesting,
ranging from acapella gospel choirs To jazz bands and most things in between. There are several different
people playing on this album, including various members of the
Stanphill family. However the only one that I have heard of before
is Johnny Cash, who does a track called Suppertime, apparently
this is the original recording. Most of the tracks on the CD are
in a different order to the sleeve, so it's a bit awkward to work
out who is doing what, especially with the instrumental tracks,
but this is an advance copy, so I guess they will have sorted
that out on the release version. Most of the songs are a bit corny
to be honest where the lyrics are concerned, but despite this
it's still worth a listen just for the contrasting styles. 6/10
Andy Sayner. (January 2004)
MARANATHA MUSIC : Communion.
Before I begin, I will confess to knowing next to nothing about
Marantha Music, apart from being something akin to the Vineyard
Music Group. This pre-release copy came with no sleeve or any
other details. Initially, when I put this CD on I was a little
taken aback as I really didn't think that this was quite my taste
in music at all. My husband had very similar thoughts. The first
track is verty traditional, male voice choir, Holly, Holy, Holy.
But, then, the second track "I Will Remember Thee" has
a celtic touch to it. This change of traditional to contemporary
runs throughout the album. As I continued to listen to the album
I found myself quite enjoying these different styles. This CD
is quite unique to me and has been put together very professionally.
The vocals, instruments and lyrics are all excellent. My favourite
track is "My Soul Finds Rest" and has a Middle Eastern
flavour. I doubt that this collection would appeal to the younger
generation but, otherwise, there is something for everyone. I
like this CD very much. 9/10. Pam Robinson. (July 2001)
MARANDA CURTIS : Die to Live. (Fair Trade Services)
Known for her melodic tones and her natural flow in worship, Maranda is a leading voice in the gospel music industry. According to her website; Maranda lives by the belief, “Worship is not a matter of skill; it’s a lifestyle!” The opening ‘Never Die’ consist of a very long, musical introduction, before vocals are provided by the backing singers. The track stops abruptly, before Maranda finally launches into ‘Freedom Song.’ It soon became apparent, that this lady has quite a set of vocal pipes! Of course, on a song about being set free, she sings about God ‘breaking the chains.’ The singer follows this with a sumptuous song called ‘To Know Me.’ Starting off in ballad style, mid-song Maranda bursts into a powerful performance, praising the Lord. I’m pretty sure that most (if not all) of this album was recorded live, as there’s lots of applause and shouts at the beginning and end of most songs. ‘Lazarus’ is a typical, high energy gospel number, while the title track is one of those big ballads. The seven minute ‘Amazing God’ didn’t really float my boat at all. The song became quite repetitive, and rather tedious. But, on other songs like the ballad ‘Run’ and the Southern Gospel style ‘Sparrow,’ Maranda’s voice shines through. A new name to me, despite a glowing reputation, I found most of this album quite enjoyable. 7/10. (April 2022)
MARC JAMES : Surrender. (Survivor : SURCD5169)
Just in case you don't recognise the name, Marc James is the lead singer for the rock band Verra Cruz. This is his first solo album, and it's style is pop/rock, compared with the heavier stuff of his aforementioned band. The opening 'I Worship You Now' rocks things up from the start, declaring the "You (God) are high and lifted up". In 'Father Above', Marc takes part of the Lord's Prayer for the chorus, and moulds it well into a fine song. The title track was, apparently, written some 11 years ago, but it sounds very fresh to me. I really enjoyed the searing guitar within the song and it took me back to the heady days of Bon Jovi in the charts. Marc is also a worship leader in the Vineyard Church, and you may well catch him this summer at various Soul Survivor Events. If you do, I'm sure that there will be a good helping of songs from this album on show. 'Your Love Endures forever' and 'Blessed Rain' are good songs, but 'Everything That I Am' has a great beat, and celebrates God's love and mercy. I must say, that I found a lot of the songs to be uplifting, and that's not often that a rock album does that these days. 9/10 (August 2010)
MARCIE : The Son Still Shines. (Bethseda Records)
Marcie is from Oakland California and has served as lead soloist, choir directress, praise and worship leader, songwriter, play writer, and stage director, minister of music, and vocal coach. She released two original singles -Waterfall” and “He Nailed It” in November 2019. Her Freshman Album; H20, under the Independent label, Bethesda Records, which she co-owns with G. Pace, will release in January 2020. This new single begins with a newscast about Corona Virus and the effects that it has had on the world. To combat the doom and gloom that the media portrays, Marcie reminds us all that after the cloudy days the “the Son still shines!” She sings of finding joy in Jesus. “You’ve gotta remember. No matter what it looks like, Jesus’ shines on.” It’s actually, great to hear so an uplifting gospel song for these troubled times. I’ve not come across Marcie’s music before, but I’m fairly impressed with this song. 8/10. (December 2020)
MARGARET BECKER : What Kind of Love. (Sparrow : 7243 85171628)
Whenever I see the name of Margaret Becker, my mind wanders back
to one of the first CCM albums I ever bought, her debut called
"Never For Nothing". From it, not only spawned the idea
for this fanzine but, two roc k bands. The next two or three years
saw further excellent releases but, since then, the product quality
does seem to haveslipped somewhat. Unfortunately, this collection
of brand new songs is nothing out of the ordinary. With her sleek,
smooth voice, Margaret delivers light soul music that is perfect
for playing in the background. "Friend For Life" is
the first track, and there's no big kick to launch the album.
No, this is Margaret at her best, gently bringing thelistener
closer to God. The title number slips by without notice while
"I Won't Be Persuaded" shows what soul music is all
about. There's more of a groove feeling to "Hope in a Hopeless
World", that reminded me of several Simply Red numbers, while
the odd jazz and folk elements shine through on others. With this,
her tenth album , Margaret Becker will still disappoint fans of
her ealry work. 6/10. (January 2000)
MARGARET BECKER : My Refuge. (Kingsway : KMCD2492)
Readers with long memories will, no doubt, remember all the times
that I've mentioned that an effect Margaret Becker's first album
had on my early Christian life. The title track became the inspiration
for this publication, and another spawned the Hull based band
Giants Will Fall. Since then, I've longed for another one of her
albums to have that same effect. "Immigrant's Daughter"
came close but since then, nothing. This album sees her respond
to requests for an acoustic type recording, featuring some of
her songs from the last 10years. As much as I'd love to wax lyrical
about it, this album doesn't do much for me at all. It was, however,
nice to hear one of my personal favourites again, "Just Come
In", but in this form, it's lost a lot of quality. There
is a good version of "Hear All Creation" - which featured
on the New Irish Hymns collaboration, but those are two highlights
in an, otherwise, disappointing affair. 3/10. (July 2003)
MARGARET BECKER, MAIRE BRENNAN, JOANNE HOGG : New Irish Hymns. (Kingsway : KMCD2329)
With the pedigree of these three ladies, you know that by putting
them together, the result is going to be something quite astounding.
Composer, Keith Getty, is the man responsible for most of the
music, while each of the singers contribute to the words. It's
sometimes a little difficult to tell the voices apart but that
didn't stop me enjoying the opening "Your Hand O God Has
Guided", nor the following upbeat "With the Early Morning".
If I tell you that the musicians include Terl Bryant, Tim Harries,
Phil Keaggy and Troy Donockley, you'll also understand just how
good the sound is. As it's written by her, I'm sure that it's
Becker's lovely vocals that take the lead on the lament "Jesus
Draw Me Ever Nearer" - 4 minutes of pure joy. "Hear
All Creation" picks up the pace again while "In Christ
Alone" builds into a crescendo of celtic beauty. Each track
could be described individually for it's wonderful content, such
is the quality of this release. It's one of those collaboration
albums that comes along every so often and is truly a gift of
God. 10/10. (December 2001, Album of the Month)
MARGARET BECKER, JOANNE HOGG, KRISTYN LENNOX : New Irish Hymns 2 - Father, Son & Holy Spirit. (Kingsway : KMCD2490)
The first of this series was a storming success. Now, Keith Getty
presents a follow up that is bound to follow in it's predecessors
footsteps. There's no Mairre Brennan this time, but the voice
of Kristyn Lennox more than makes up for that loss. I had to listen
to the first album again to confirm that this one begins with
much more power in it's presentation. Co-written with Stuart Townend,
Getty let's the heaven's open with "See What a Morning -
the Resurrection Hymn. I've used this word a few times lately,
but this song is truly awesome. Then, it's "I Will Trust",
lots of energy and reminded me of something from Riverdance. "Join
All the Glorious names" swings along nicely before we, finally,
pause for breath with the gentle lament "My Heart is Filled".
Both musically and vocally, I can't fault this recording, it's
been a real listening pleasure. 10/10. (December 2003, Album of the Month)
MARGARET BECKER, KRISTYN GETTY, & JOANNE HOGG : New Irish Hymns 3 - Incarnation. (Kingsway : KMCD2564)
As a fan of the first two albums in this series, I was really
looking forward to hearing this one, dedicated to Christmas. I
was slightly put off by the opening prologue, but settled down,
undaunted, to listen. The striking thing about those previous
albums has been the spark of life contained within each song,
that dances effortlessly through your mind. Sadly, on this release,
that spark seems to have been lost. What I did find is that a
lot of the tunes from the first releases have been re-sampled
to give an air of newness but, to the well trained ear, it's fooling
no-one. "Holy Child…" is an acoustic based tune
that is gentle in both spirit and presentation but I found the
rest of the album to lack any real passion. Certainly, there's
no feel of a joyous Christmas, and I cannot commend this album
to be on par with that of it's predecessors. 3/10. (December 2004)
MARGARET BECKER, KRISTYN GETTY & JOANNE HOGG : New Irish Hymns 4. Kingsway : KMCD2650)
Here we are, then, with the 4th release of this series. I must admit, that I thought the last album was sounding a little tired so I wasn't sure what to expect this time. What you do get, is a collection of 12 songs that range from the power ballad sound of "The Power of the Cross", to the worshipful "Speak O Lord". "Your Glory Be Ever Known" has a typical Irish/celtic feel to it, but the song is rather short in length. "When Trials Come" lends more than a passing nod to the tune of "Be Thou My Vision", while "Light of God" commands great respect as a hymn. The vocal talents of the three singers are unquestionable, but I do think that Keith Getty is slowly running out of ideas. "Every Promise" shows that the man can diversify with his sound, a slow march which tells you to stand on every promise of God's word. I have a minor moan about the printed lyrics, which are almost ureadable, being of red print on gold background. 7/10 (April 2006)
MARGARET BECKER, MAIRE BRENNAN, JOANNE HOGG & KIRSTEN GETTY : New Irish Hymns - The Complete Works. (Kingsway : KMCD2858)
With four releases before this one in the 'New Irish Hymns' series, here we have a 3CD compilation of the previous tracks. More than 'hymns', think in terms of female-vocal-led, superbly written, performed and produced 'new Irish pop ccm' and you get the idea. Keith Getty is the co-composer throughout, tracks varying from rock-pop to slow and reflective - all with high class instrumental/orchestral arrangements. The four vocalists have outstanding though quite different voices, but unfortunately the songs are not individually credited - so to know who is singing what, you need to be familiar with them. Margaret Becker first made a name for herself as a solo artist, more recently joining the 'Out of the Grey' duo to become part of Ashton, Becker and Denté. Máire Brennan and Joanne Hogg became famous as the lead singers of Clannad and Iona respectively. Kristyn Getty issued a cassette and CD as Kristyn Lennox before marrying Keith Getty four years or so ago. Stand-out tracks for me from CD1 were 'In Christ Alone' (probably Keith's most famous co-composition, with Stuart Townend), 'Join all the glorious names', and 'Oh for a heart'. Favourites on CD2 were 'Prologue', the waltz-time 'Over fields of green', and 'See what a morning'. By the time I reached CD3 I was getting a bit tired(!) but found the rocky 'Hear all creation' to be particularly strong. It is worth checking out www.gettymusic.com. All very good, worth 9/10. David Deeks (June 2008)
Zambian born Margaret took a break from recording from 2005, as she got married and then had two beautiful girls in quick succession. Last year, she released the EP “I Turn To You,” and now she’s back with “The Jesus Project.” I must admit that I don’t get many UK gospel acts to review, so this was a welcome addition. First of all, let me say that Margaret has a terrific vocal range. On the ballad “Jesus I Turn to You” she really belts out the words, whilst at other times, she can be soft and gentle with her voice. From the off, you can tell that you’re listening to a very well-produced album. The sound is first class and the gospel choir backing is nothing short of wonderful. With “Free” Margaret’s vocals soar, while she gives glory and praise to Jesus on “He Reigns.” There’s a call for God to send His sprit on “Holy Ghost”, with the plea to “Move among us, revive us.” “Lift Up His Name” finds Margaret with a more uptempo tune, that has quite a modern dance feel to it, while “No Other Name” is quite a catchy number. If I have to be picky, “Victory” didn’t quite match up to the other tracks, in my opinion. Perhaps the sound was a little too much like one of the previous songs, I don’t know. What I do know is that Margaret’s new release will be a blessing for those who love gospel music that communicates Jesus’ love for us all. 8/10. (August 2016)
Maria Gilpin is a talented singer songwriter from Portadown, Northern Ireland, and leads worship alongside her husband Mark at Portadown Elim Church. Drawing influences from artists such as The Civil Wars, Foy Vance and The Lumineers they travel from place to place with their music, hoping that people can relate to the songs they sing. Maria says; “Through our music we hope and pray that people will find peace in Jesus and see that they aren’t in their journey alone.” This 5 track EP gives a taste of what to expect from a live performance, kicking off with the title track. It’s a piano led song that tells of surrendering all to Jesus to find a new life. “You Give Life” follows that theme with a light, shuffling rhythm. You can hear real feeling in Maria’s voice during this song, which is accompanied by some nice acoustic guitar sounds. On Lead My Way”, she attacks the song vocally, and her delivery reminded me of classic Alanis Morrisette tones. Plodding on at pedestrian pace is “Fashioned By”, my least favourite track. I couldn’t quite put my finger on it, but I found the song to be less appealing than the rest. Finally, the closing “Overflow” sees Maria tackling a big, powerful ballad, and she comes out on top. Vocally perfect, as she sings “Take my heart and let it overflow,” it’s a good end to a nice recording. 7/10. (November 2016)
Prophetic worship leader and singer Maria Gilpin returns with her first release since 2016’s ‘Giving It All’ EP. ‘Beckoning’ is based around Psalm 25 v 14 – There’s a private place reserved for the devoted lovers of Yahweh, where they sit near Him and receive the revelation – secrets of His promises. I remembered that Maria’s vocal had quite depth to it, and so it continues with this song. She sings from God’s standing, calling to us, as He reveals His promises. It’s one of those songs where the production builds in power, both musically and vocally. Hopefully, Maria won’t leave us another 6 years before her next release. 8/10. (August 2022)
This is Mariette’s second UK release, following a debut album that was nominated for Best Classical Album, almost 10 years ago. She is a prophetic worship singer, with an emphasis on soaking music. Indeed, the phrase “soaking music” sums up the music on this album completely. As soon as I listened to the opening “Jesus Is,” I scribbled down those two words. The song tells that Jesus loves you, and that He’ll do anything to get it through to you.” Some of the songs were written, following her mother’s miraculous healing. One of those songs is “My Rescuer,” which tells of the power of prayer and God’s word. Mariette’s voice effortlessly caresses the lyrics of each song, showing great dexterity in range, too. A mention, here, for the nice guitar sounds, which fit so well with the rest of the music. “All I Wanna Do” is a pretty little song, with just piano for backing, while the more uptempo “Rhythm of His Heartbeat” has a certain “Eastern” flavour about it. My favourite song is the melodic “I Belong to You.” Here, Mariette praises Jesus as ‘Saviour of the World’ and worships Him beautifully with the song title. Closing the track listing are “Behold the Christ” and “Fall on Your Knees,” with sympathetic music provided by piano and orchestral sounds. I don’t think that you can’t fully appreciate this recording in one hearing. I, certainly, found that the more I listened to the album, the more I enjoyed that “soaking” feeling. Listening to Mariette, I’m reminded of Misty Edwards at times – another prophetic worship singer. Saying that, this is lovely album in its own right, and well worth a rating of 9/10. (July 2020)
MARILLA NESS : How Can I Keep From Singing. (Video) (Merciful Love Music).
Every Christmas, there seems to be a new Foster & Allen, or
Daniel O'Donnell video for us to buy our respective parents. Sound
familiar? In a similar mould comes the sweet sound of Marilla
Ness, whom we meet for the first time in NFN, despite 5 album
releases. This video would never win prizes for it's originality
but, nevertheless, it does the job. Marilla is seen, and interviewed,
at various locations in both Northern Ireland and Cheshire singing
such well known songs as 'Be Still' and 'Jesus We Enthrone You'.
There's also some new songs there, 'What Colour is the Wind' being
one of my favourites. Christian music videos are few and far between
and Marilla Ness should be congratulated and encouraged by this
release. 8/10. (December 1996)
MARILLA NESS : From Where I Stand. (Merciful Love Music :MLM118)
After seeing, and hearing, just how much my own relations had
enjoyed Marilla's 1996 album and video, I was full of high expectations
for her latest release. I'm pleased to say that I have not been
disappointed, as here is a collection of old and new songs that
have been given the full Marilla Ness treatment, resulting in
a brilliant album. From the moment 'Make My Heart...' opens, you
can literally relax and enjoy the soft, gentle vocals of this
talented p&w vocalist. Most of her songs have the feel of
Irish folk and the beautiful acoustic guitar playing on numbers
like 'As Gentle As Silence' is almost perfection. 'Abba Father'
has rarely been sung better and the country tinged 'Jesus the
Healer' is just another of the list of high points on show. Delirious?
or WWMT fans probably wouldn't give this lady the time of day
but, for many others, 'From Where I Stand' it will be an essential
purchase. 10/10. (November 1997, Album of the Month)
MARILLA NESS : Resting in Love. (Merciful Love Music : MLM120)
Album number 10 finds Marilla Ness, ministering in song the only
way she knows how. With gentle, easy listening tunes she delivers
12 beautiful tracks in typical Marilla fashion. From a personal
point of view I can only tell you of the spiritual joy and uplifting
her previous releases have given to various members of my own
family. Here, using songs written by the likes of Tom Paxton,
Michael Cameron and Robin Mark, her voice is only made more outstanding
by the excellent musical backing. Stve Hindalong is a name from
the CCM past, and his "Beautiful Scandalous Night" is
an early highlight. When I heard that other writing credits included
ex-Pogue Shane McGowan, I was a little worried. However, any fears
were quickly squashed by the excuisite "You're the One".
"Don't Give Up On Me", Gently She Carried", "I
Will Love You", are just 3 more of a track listing of which
I can find no fault. Long may her wonderful ministry continue.
10/10. (October 1999, Album of the Month)
MARILLA NESS : On Holy Ground. (Merciful Love Music : MLM302) - Video
By now, regular readers of NFN will have learnt that I AM a Marilla
Ness fan. In the three, or so, years I have listened to her music
I've been constantly amazed at the way she can deliver such beautiful
numbers such as "Holy Is His Name" and "Jesus the
Healer". Both tracks are now featured on this video which
joins Marilla on a trip through the Holy Land. Here, she sails
on the Sea of Galilee, wanders through the garden of Gethsemane,
and many other historic places which help to depict the life of
Christ. As well as the fifteen songs, there's readings from the
Gospels, plus her own thoughts, to gently take you on a memorable
journey. One of my favourite songs "Beautiful Scandalous
night" is included, as are "I Am the Bread of Life"
and "Holy Ground", all sung as only Marilla can. 80
minutes of pure bliss that finishes with the triumphant "Alleluia
He Is Coming", signifying our risen Lord to all. What more
can I say? This video will minister to many, in countless ways,
as well as aiding personal worship. 10/10. (April 2000)
MARILLA NESS : Jesus My Joy. (Merciful Love Music : MLM126).
My local newspaper recently, rather unkindly, described the listeners
to this type of music as the "grey cardigan brigade"
- presuming that they all fall into the Over 60 category. Artists
falling into that category included Daniel O'Donnell, Charlie
Landsborough, and, of course, Marilla Ness. But, why do people
have a problem with this style of easy listening music? Certainly
not I, as I can testify after attending one such concert and feeling
so inspired and touched by God's spirit. And, in the same way,
I can only say, once again, just how Marilla's recordings have
brought such joy and pleasure to my family over the last few years.
Everyone knows her style, typified by that gentle voice and warmth
that carefully caresses each song. Backed by her superb musicians,
Marilla sings songs old and new on this latest release. "Goin'
Home" is sung to the tune of Dvorak's "Morning",
and the medley of "I Want to Worship" and "Come
Lord Jesus" is simply beautiful. From the Gaither stable
comes "Because He Lives" and this song, I found particularly
excellent. "Do You Love Me", "Softly & Tenderly",
and Robin Mark's "Days of Elijah" are all included by
an artist who never fails to deliver. While I don't possess a
grey cardigan, I do find great comfort in knowing that this music
will minister to many. 10/10 (September 2001, Album of the Month)
MARILLA NESS : Your Song To Me (Merciful Love Music)
It's an old cliche I know but, in a world that's constantly changing,
it's a real blessing to have the soothing, constant ministry of
Marilla Ness. After initially joining the local prayer group,
Marilla first bought a guitar and taught herself three chords
so that she could accompany them in song. As she later sang at
healing services, members of the congregations began to ask if
she could record her music for them. From that initial recording,
Marilla has now recorded more than a dozen albums, complimented
with a couple of videos and a song book. A minor surprise this
time is the introduction of three country tinged songs. All are
classics in their own right but "One Day At a Time",
"What A Friend We Have in Jesus" and "Amazing Grace"
are all given a new lease of life with a fresh sound. "Guardian
Angel" was written by an Irish nun and, therefore, it won't
surprise you when I tell you just how gentle and peaceful the
song is. "At the End of the Day" is filled with simple,
beautiful truth, and "Lady of Knock" re-kindles fond
memories, for me, of an old Dana recording. For lovers of this
style of music, I thank God for likes of Marilla and husband Brian.
10/10. (April 2003)
MARILLA NESS : Love Beyond Measure. (Merciful Love Music :MLM138)
If you'd seen the look of happiness on the lady's face after winning
a copy of this album, you'd know just how much the musical ministry
of Marilla Ness is loved. As that same lady passed the Cd around
to her friends to admire, I heard her add "She's such a lovely
singer". Indeed, Marilla is a lovely singer and her albums
of easy listening songs give much pleasure to countless thousands
all over the world. This latest offering does, perhaps, lend to
a time of meditation whilst listening and I, for one, found the
whole thing very relaxing. Gems include the Andy Park number "Only
You", Dan Francisco's "Come Holy Spirit", and Amy
Grant's "Do You Remember the Time". I can't remember
when I first heard the song, but "Mary's Song" has always
been a favourite of mine. Singing as though Mary herself, Marilla
gently portrays a view through a loving mother's eyes. Once more,
Marilla has served a dish of delights for listeners old and new.
9/10. (November 2004)
MARILLA NESS : The Psalms. (Merciful Love Music : MLM140)
It's a great testament to this lady that she is one of the most requested artists on BBC Radio Humberside's Sunday Breakfast programme. Her gentle vocals give great joy to countless listeners and her albums have proved most popular over the years. This release includes gospel meditations and songs, all linked to the book of Psalms. For instance, Marilla relates how Psalm 6 is the cry of a broken heart, while Psalm 34 tells how the Lord promises to rescue us from our afflictions. These thoughts are then centred with a lovely version of the well known song "As the Deer". Similarly, Psalm 57 reveals David's prayer whilst hiding from Saul. Marilla reads passionately and then sings the beautiful song "The Light in You". It's a simple recipe that she uses yet, somehow, Marilla has just the right song for each reading. Difficult to pick favourite tunes on this occasion but, perhaps, "Oh the Word of My Mouth" and "With A Clean Heart", stand out. A most valuable tool for reflection, meditation, and personal prayer. 9/10. (September 2005, album of the month)
MARILLA NESS : I Believe In You. (Merciful Love Music : MLM143)
It should come as no surprise that this album becomes our Album of the month for May. Over the years, I have had the great privilege of reviewing many albums from Marilla and have yet to be disappointed. This new release is no different and as soon as she begins to sing the title track, there's a warmth and glow that I feel inside. It's a love song to Jesus and says so much that I want to say myself. 'Surely the Presence/Alleluia' is such a simple song but, to me, it brings great peace. Similarly, 'How Beautiful' is just full of joy. Marilla has been blessed with a smooth and engaging vocal sound, which seems to improve which each passing year. I find all the songs so fulfilling that I found it very hard to choose a favourite. Many lift you up and bring you closer to God, and that is very important. 'You Raise Me Up', made popular by Westlife, gets a gentle delivery, while 'Holiding God in My Arms' is sung like a lullaby. There are twelve superb tracks on this album and it finds Marilla at her very best. 10/10 (May 2008, Album of the Month)
MARILLA NESS : Best Ever Songs of Worship and Adoration. (www.marilla.com)
Just receiving this album brought a smile to my face. Some 15 years have passed since I first reviewed a Marilla Ness album, and I have yet to be disappointed. There’s something quite comforting about her warm vocal tones and, as soon as the opening song began I was, once more, transported to that place. To be perfectly honest, I had forgotten just how beautiful ‘Abba Father’ was. Marilla caresses each word, with worshipful musical backing. All the songs come under the banner of ‘worship and adoration’ and include titles such as ‘Dwelling Places’, ‘God of Comfort’ and ‘Tender Mercy’. Marilla’s music is very easy to listen to and thousands have seen her concerts over the years – a testimony to her continued popularity. There are too many songs to individually hold up, but ‘I Want To Worship the Lord’ is simply majestic, while ‘I Believe in You’ is quite beautiful. I don’t think that I will ever tire of hearing Marilla sing. Join me, and bathe in the delights of this wonderful collection of songs, soaking in the presence of the Lord. 10/10. (December 2012, Album of the Month)
MARILYN BAKER : Overflow of Worship. (Kingsway : KMCD2061)
Marilyn Baker is one of the best-known and loved Christian musicians
in Britain with a long list of quality, easy listening releases
behind her. This album, however, is her first worship album with
songs written especially to draw us nearer to God. It's the first
Marilyn album I've heard in quite a while and it's quite a low
key affair. By that, I mean that the record starts and finishes
without ever really either lifting your spirits in any sort of
way. Towards the end of the 14 songs, "The Love of God"
and "Jesus is Lord of All" begins to stir your soul
but, by that time, all you really want to do is make a cup of
tea. By Marilyn's previous standards this is rather a disappointing
release and one that I hope won't damage her wonderful ministry.
3/10. (May 1999)
MARILYN BAKER : Changing Me & Overflow of Worship. (Kingsway: KMCD2388)
Marilyn Baker has been around, what seems like, for years.
I hope she doesn't mind me saying that but, she has! Her music
ministry has taken her the length and breadth of this country,
as well as many others and she's as popular today as she ever
was. Her easy going style is enjoyed by easy listening fans of
all ages and this double CD brings us two of her previous albums
in one package. For those of you with hissy cassettes to replace,
or introducing yourself to Marilyn's music, this is a perfect
buy. highlights of disc one include "The Day of the Lord"
as well as the slow pace of "Can A Mother". Going back
as far as 1982 for the writing credits, Marilyn's writing is centred
on gospel truths and never more so than on disc two where "Seeing
Is Believing" and "Who Paints the Skies" stand
out. Twenty-five songs for you to enjoy and use for personal worship.
Just what the doctor ordered. 8/10. (July 2002)
MARILYN BAKER : All That I Am. (Authentic : 50141 82033621)
Now to a lady who needs no introduction to the thousands who have
attended her concerts or bought her albums over the years. She
is, simply, Marilyn Baker, and her songs are, simply, written
from within. "Open My Eyes" tells of the glory of knowing
that she has a real, living relationship with Jesus. "Unconditional
Love" tells of just that, while "If You Understood"
let's you know just how close God is when he's by your side. From
the songs, I got the feeling that the theme for this album was
personal renewal. There again, maybe it was just speaking that
way to me. "All I Hoped For" is a beautiful little song,
and Simeon Wood's crafted flute playing on "Son of Man"
makes for wonderful listening. Physically, Marilyn may be blind,
but spiritually she sees so much. 8/10. (September 2004)
MARILYN BAKER : Christmas with… (Authentic : 8203872)
Although Marilyn seems to have been making albums for years, this
is her first Christmas production. But, as she says, she didn't
just want to release standard recording of Christmas songs. Instead,
Marilyn has lent her own arrangements to well known carols, hymns
and song, giving them a new lease of life. Graham Kendrick's "Thorns
in the Straw" is a nice song that I don't remember hearing
before, while "Long Time Ago in Bethlehem (Mary's Boy Child)
works well in it's new guise. "The usual "Once in Royal
David's City", "Away in a Manger" and "While
Shepherd's Watched", are all on there, but Marilyn's easy
listening style adds just that certain something. No doubt, her
army of fans will lap up this festive release. 7/10. (December 2005)
MARIZU : Morning Sun. (HFP Music)
Nigerian Singer, Songwriter, Graphic Designer and Illustrator Marizu Ikechi has previously released two popular singles, called “Chosen” and “Amazing.” Of this new song, he says; “This song is a testimony of how God has taken me and made something out of nothing. I have learnt so much in the past year and God has shown me the importance of trusting him through every situation. Every single word is about how God has brought me through. I also pray it is a song of hope as we demand justice and equity for us all.” The song is a laid-back Afrobeat sound. His vocals are spot on, as he sings praise to Christ. “Because Jesus lives inside me, victory is mine.” Overall, it’s a nice sound, and a welcome addition to the Christian music family. 7/10. (July 2020)
MARK BISHOP : Like a Songbird That Has Fallen. (Sonlite Records)
Mark Bishop has never been afraid to venture down new musical roads in the pursuit of artistic horizons. He blends a range of roots sounds on his new single, "Like A Songbird That Has Fallen," exploring a unique set of Celtic, folk, old-time, bluegrass and other flavours to create music that is as rich as it is authentic. Banjo and fiddles provide the backdrop to a lead vocal that is joined, at times, by sumptuous backing. The tempo is fairly pedestrian, as Mark sings; “Like a songbird that has fallen, only to regain the sky; From this frozen, shadow, valley, make my spirit fly.” The song is a breath of fresh air, style-wise, and I look forward to hearing more from Mark in the future. 8/10. (June 2021)
MARK BISHOP : Home. (Sonlite Records)
I didn’t know what to expect when I approached this review, the album cover is a picture of Mark and left no insight into the contents. It starts with a modern country feel and I quickly fell into the style of music. Mark has been recording and performing for over 40 years and is well known as a songwriter, his songs have been recorded by some of the best southern gospel singers and groups in the USA. Track 1 is called ‘I found something better.’ It comes across, almost, a conversation with the devil and Mark saying he has found something better. Yes he has! Lyrically, there’s nothing deep or complex here, the words being predictable in places and nothing special for me. Musically more interesting is ‘A Loverly Tapestry’ which is a love story. I liked the violin, with some really nice bass playing, too, The instrumental towards the end is also good. The first verse of ‘But There is a Cross’ really annoyed me, It says, Jesus couldn’t see a bridge, a way home again. In the garden, the night he was betrayed, he knew what he was facing and did say if this cup could be taken from me. For me, the lyrics suggest he didn’t. ‘If We Can’t Be Happy Here’ and ‘What I Don’t Know How to Do’ were quite uninspiring. Where do I start? Overly simplistic lyrics, and sugary tunes. The happy, go lucky feel of the title track is much better. The lyrics talk about Heaven and getting there. Then, there’s the promise that all those people who have been hurting will be there. On this one, Mark’s theme is that he’s glad they found someone who could help them find Jesus. ‘I Am Unshackled’ is full of church speak, ie: Unshackled, in bondage etc. Is it me? I can’t remember ever speaking these words in my own walk with God. I’m not a southern gospel fan myself, but and tried to review on it on its merits. In the end, I felt this recording was better suited to children, rather than adults. Otherwise, I wasn’t too impressed. 5/10. Noel Donaldson. (March 2024)
MARK EDWARDS : Hymn to Grace. (Kingsway : KMCD2882)
If Mark Edwards is new to you as a performer, you may have come across him as co-writer of a number of contemporary Christian compostions including 'There is a hope' (with Stuart Townend - who says some kind words about the album on the insert), and 'Creation song' (with Kate Simmonds). Both of these songs are included, and feature the excellent vocals of Lou Fellingham. Otherwise however, this CD is an instrumental set - for Mark happens to be an ace piano player, a highly regarded musician and producer on the Christian music scene. This being his debut as a solo performer, he has been able to gather a great group of musicians around him, including Ben Castle on saxophones and clarinet. For me, the first two tracks do not get the album off to a good start - being rather expressionless and soporific versions of 'Great is Thy faithfulness' (solo piano) and 'Oh to see the dawn' (piano, keyboards, cello). Things change considerably for the better however with a superb full-group version of 'Abide with me' done to a gentle jazz rhythm. Other stand-out tracks include 'How deep the Father's love' (great gentle jazz groove), the above-mentioned 'There is a hope', 'Father God I wonder' (set to an almost bossa beat), and 'Lord, how majestic you are'. I found 'Creation song' to be strangely disappointing when compared with the Phatfish version on their 'Unplugged' CD, which features co-writer Kate Simmonds as guest vocalist. Sound quality is superb. A more than worthy first album from Mark then, albeit with the odd track that might best have been left out. 8/10 Dave Deeks (December 2008)
MARK EDWARDS : 'The Mark Edwards Swing Gospel Jazz Orchestra': (Elevation : ICC 1279D)
Towards the end of last year I had kind words to say about Mark Edwards' solo debut 'Hymn to Grace'. Here he returns with his 'Swing Gospel Jazz Orchestra' - this description pretty well describing what we have here, i.e. a largely instrumental album that successfully combines the three styles. Mark continues to show himself excellent at the black and white keys, and is again surrounded by a redoubtable band of talent. Things get off to a rousing start with 'Battle hymn of the republic' followed by 'Wade in the Water'. This may be best known by people of a certain age (mine, that is!) from Alexis Korner's 'CCS' hit in the early seventies. Mark's more laid-back 'Dave Brubeck-like' jazz interpretation makes it the first track in the running order that showcases the talents of bass player Andrew Cleyndert (who has an impressive pedigree, including playing with the Ronnie Scott quartet and sextet). Other tracks that stood out for me, with Andrew's bass again contributing particularly strongly, included 'Put your hand in the hand of the man from Galiliee' and the closing track - the beautifully played 'How great is our God'. 'How I got over' features excellently delivered female gospel vocals, although we aren't told who they are. A shame also that the collaborative writing of Mark with Kate Simmonds on 'Home into your arms' cannot be completely appreciated because this short track is delivered by unaccompanied wordless vocals. A very enjoyable listen however. Production is spot-on, and sound quality superb. Check out www.essentialchristian.com/product_info.php?products_id=29373 . 9/10 Dave Deeks (September 2009)
Opening with a gentle hum and a piano run that sounds suspiciously like “Abba Father” you do fear the worst. But as it develops there is a really nice Irish lilt to the tune and it does build well, so it’s worth sticking with, as is the whole album. This is a fairly sparse recording – the drumming is very restrained in sound for example and the album reminded me a bit of bands like Ben Folds Five, Hothouse Flowers and Divine Comedy. The lead vocal is very good – a very clear treble that will lead congregations easily (as is their aim). I did feel that the arrangements were a bit sparse: they felt very mid-service reflective without the big crescendo a full service requires. Even “In This Place” which lyrically (I felt) cried out for a Hillsongs over-the-topness felt restrained. Better in this respect was “Newness” which had a very good lilt to it, complete with some great background fiddle work. Lyrically, it’s very much what you’d expect from a worship-focussed band but “Beneath the Cross” deserves special mention as this is where it seems to all come together, the lyrics sitting brilliantly with the backing, especially as they sing “the cross is not the end” at first gently then triumphantly. It won’t break much new ground, but it is very well done and deserves a listen. Best track: “Beneath the Cross”. 6/10 Paul Ganney. (October 2016)
MARK HARRIS : The Line Between The Two.
INO Records. 000768336526
I really enjoyed this CD right from the word go, it's an album of fairly middle of the road American Rock/pop songs, but the lyrics are the thing that really stood out to me. Most of the songs are about moving on with God, taking that step of faith into the unknown, you get the idea that all of these songs are written from personal experience, and most of them are
quite challenging, and make you stop and think. I would think that most people would b able to identify with these songs. According to Mark's website this is his first solo CD, hopefully he won't just disappear from the scene after one album. If you go to www.markharrisonline.com the
tracks from the CD stream automatically in high quality audio while you are browsing, so you can hear them for yourself. These are the full tracks too, not just snippets. So have a listen I reckon you'll probably like it.10/10 Andy Sayner. (August 2005, Album of the Month)
MARK LOWRY : The Best of… (Authentic : 6178 8425592 3)
Even though the sleeve said "Gaither Gospel Series",
looking at the photograph of Mark on the front cover, I guessed
that this was going to be an American comedy CD. Wrong! Saying
that, Mark does try and be funny on the song "God Help the
USA" where he takes the role of a presidential candidate.
Sadly, the humour doesn't come over that well. On the whole, it's
an album of typical Gaither easy listening, gospel music. But,
every now and again, Mark Lowry shows just what a great voice
he has, especially on "Things to Do". Here, his powerful
vocals sound very much like those of Mark Schultz, and the song
is just wonderful. The first track, "Bein' Happy" and
the ballad "Home" are both sung in southern gospel style,
and you can really get your feet tapping to the former. It's one
of those albums that I find difficult to enjoy, yet can't say
that I dislike it for any reason. I guess that means if you like
Gaither music, you'll enjoy this. 5/10. (November 2004)
MARK MALLETT: Let the Lord Know. (CD from: www.markmallett.com
Mark is a Roman Catholic singer/songwriter, born and brought up in the prairie country of Saskatchewan, Canada, who started songwriting at the age of nine. He has a lyrical touch with a praise song, as witness this offering (mentioned briefly by Geoff in last month's NFN), which is full of worshipful melodies, so full, that it runs to 16 tracks and over 63 minutes of playing time. The opening track, 'All I Am, All I'm Not', inspired by Psalm 51, sets the mood, and whilst some of the songs are a bit repetitive lyrically, they are designed to help the listener to focus on the Lord, and bring him into a place of worship and praise. Some of the songs are already being used in worship, Mark's website reports that 'Lift Our Hands' is a particular favourite with Canadian youth groups, featuring some tasty fiddle by Natalie McMaster, and the songbook, which is available via the website, should be a useful resource to bring Mark's material to a wider audience. Well worth seeking out. 7/10 Trevor Kirk(September 2005)
Now, not a lot comes free these days, so here's something that you can download for absolutely nothing from the web. Mark has paid his dues by playing a number of bands over the years, probably most successfully in the rock outfit Damarius. This 4 track EP had me wondering straight away if he was a James Blunt tribute artist. The vocal quality of Mark is so much like that of the popular mainstream artist, that a comparison is obvious. The songs, too, are in a similar style, but don't let detract you from an interesting debut. 'Back Where I Belong', is about surrendering and coming back to God, and contains some nice rhythms throughout. 'Whole' is a smooth, laid back number, that took a couple of plays but finally grew on me. Of the other two songs, 'Out There' is the best for me. It's simple piano backing gives it an air of prayerfulness and intimacy, while 'Some Place Now' chugs along, telling about how you must find your place in the world and find happiness through the Lord. The recording quality is first class, so I would encourage you to find the website and do yourself a favour. 8/10. (March 2008)
Still uncannily sounding like James Blunt, this York based singer/songwriter says that his earliest musical memories are of listening to his father’s LP collection of Simon & Garfunkle, Bob Dylan, Dire Straits, and Bread. His foray into Christian rock music of the 90’s with Damarius is now a long distant memory as this 3 track EP consists of just acoustic guitar and piano backing. Other reviewer’s agree that Mark’s vocals do sound like secular star Blunt and that is so obvious on ‘Some Place New’. It’s a song about moving on in your life, and it’s strength is in the catchy chorus. For the title track, Mark not only looks back at his life, but also looks forward to all that is yet to come. Possibly not as strong as the first track, but still very listenable. For ‘Flower in the Summer Sun’ Mark discards his guitar and sings a pretty lament to a carefully played piano backing. The lyrics seem to be a love song, with hopes, glory and sadness all tackled by Mark’s thoughtful writing. It’s a short look into the music of Mark pierce, but this EP carries on the suggestion that there’s more to come. 8/10. (February 2012)
MARK PIERCE : MP Free : (free EP download)
Evidently around since 2008 and picking up good comments at the time, Mark Pierce has this cleverly named 4 track, mostly guitar-led acoustic indie pop release out for review again. In vocal style Mark has been likened to, among others, James Blunt – but I feel he is better than that! I found all four tracks quite enjoyable although it took me a few plays to latch on to the melodies – whilst pleasant these tend to wander a bit and lack memorable hooks, so I didn't find them remaining in my head afterwards. I tried unsuccessfully to find printed lyrics anywhere. This was a shame – with the exception of the simple vocal/piano arrangement on the closing track 'Out there' the words are difficult to hear, so the meaning of the songs was largely lost on me. The recording quality is nothing special although better than some of the over-compressed mush(!) being currently released. With other later stuff available and details about Mark's ministry, his website is definitely worth checking out at www.markpiercemusic.com. 7/10 David Deeks (September 2012)
I’ve had the pleasure of hearing Mark’s music over the year’s and I’ve got to say that this is his finest collection of songs, so far. He writes some really clever songs, weaving lyrics that you don’t often hear in your “run of the mill” pop. ‘Some Place Now’ is a pleasing number to open proceedings, while ‘Gold in These Hills’ has some nice string accompaniment, which adds depth to the bright acoustic guitar. There’s a sound of 70’s band The Sutherland Brothers, on ‘Face the Sun’, I especially liked the way that the verse moves into a faster paced chorus. ‘Too Beautiful’ is a song about (I think) Jesus talking to a lost daughter, or broken spirit. It’s a really touching song, and features Mark’s wife, Sarah, on piano. So many people leave things unsaid or undone in their lives, and ‘Sing’ says, “don’t leave it too late to do those things. Sing out, and sing it loud. Don’t be afraid to step out in faith. Sarah’s piano appears again on the pretty love song ‘Flower in the Summer Sun’. Written by Mark before they were married, it’s a lovely dedication and encouragement to his wife. ‘Life of Miracles’ sounds a little out of place on the album because it’s a rockier sound than the other tracks, but ‘Park Bench Lullaby’ gently brings things to a close, as the song asks God to watch other a child and keep them from harm. On the whole, the album is really well put together, and Mark’s songwriting and production is at its best. An impressive release by a multi-talented man. 9/10. (June 2014)
MARK SCHULTZ : Song Cinema. (Word : 080688613624)
Mark's debut album rewarded him with 7 Dove Award nominations
and numerous other industry accolades, such as 3 No.1 singles
- including the delicious ballad "Remember Me". His
follow up album begins with "When the Mountains Fall".
The song proclaims God's glory but, after it's initial power,
the song degenerates into a cacophony of noise that sounds like
the engineer fell asleep during the final mix. However, "Back
in His Arms Again" redeems the failings of that first song
with a real polished performance by all. The duet with Rachel
Lampa, "Think of Me", is quite nice and things really
start to get stronger with "I Have Been There". Schultz's
vocals are very strong throughout but don't carry the same conviction
on "Kyrie Eleison" as elsewhere. The songs reveal the
constancy of God's presence even in the most troubled of times
and, although not brilliant, Mark Schultz can count his second
album a success. 7/10. (April 2002)
MARK SCHULTZ : All Things Possible. (Fairtrade Services : Pre release)
It’s a long time since I heard anything from Mark Schultz, but I do remember his knack of writing songs that tell a story. The title track is one such song, as it tells of a small church struggling financially but through faith and prayer, God provides. Musically, the album is power pop – not quite reaching the realms of rock. ‘One Day’ brought a smile to my face, with the promise that the day will come when Jesus returns to this earth, and makes everyone whole again. What a promise! There have been lots of songs written about yearning for the material things in this world, and ‘I Gave Up’ is another. But, don’t pass this song by. It’s a happy song about the gifts stored up in Heaven for each one of us, and has an infectious chorus. This is Schultz’s first album since her left Word/Curb Records, and having the production skills of Seth Mosley and Pete Kipley working with him, has brought out the best in this man’s performance. ‘More To You’ is about accepting yourself for who you are, and not how TV & Media glorify beauty and self worth. With such a forceful message, it’s great how the song builds in power. It’s certainly an album that is worth taking time to listen to all the lyrics, as Mark has so much to say. 8/10. (March 2013)
MARK TEDDER : Pilgrims Journey. (Kingsway : KMCD 2724)
This is a quality collection of worship songs from a worship leader whose name is new to these ears, as well as this august publication. Mark Tedder has quite a story to tell, having been sent out from his worship duties in the comfort of suburban America to become the worship leader of BICF (Beijing International Christian Fellowship). The liner notes contain an emotive story of his journey, which also serves as an explanation of the album's content. That content is strong, as befits a release from the popular Mission:Worship series, particularly "All For Jesus" and "Let us Be Broken", both of which are as strong a pair of examples of congregational worship as you'll hear all year. There's a good version of Tim Hughes "Be Me Everything" and the title track, a co-write with our own Paul Oakley, is another quality tune. The band of Nashville sessioners, and production by John Hartley, are both top rate, but this is musically fairly standard stuff. The power is in the lyrics, however, where passion and thirst for truth shine through. This is a great resource from the Worshiplanet pioneer. 7/10. Haydon Spenceley. (May 2007)
MARK TEDDER & THE WORSHIPLANET BAND : The Door - Live Worship from Beijing, China. (Integrity : 845121000436)
Hats off to Mark Tedder. Not only did he go to China to make this epic recording, he actually took his wife and lived in Beijing for two years, whilst organising the event! Born in Arkansas, this Spring Harvest regular gathered musicians from all around the world to play alongside Chinese musicians, complete with ethnic instruments. The music starts with a rousing song called 'Tomorrow'. Everyone joins in, and it's an easy chorus to pick up. I found this to be a bit of a false dawn, as the tracks became a little too pedestrian in beat, and fairly uninteresting. However, if you feel the same as me, watch the accompanying DVD of the live concert, and the same songs suddenll have new life. 'Falling' is about falling in love with Jesus, while 'More of You' offers the listener a real peace, and a time to get close to God. This is the first ever live worship album to be recorded in mainland China, and it's proved to be successful. But, for me, if it hadn't been for that DVD, the rating might well have been quite low. 7/10. (October 2009)
MARK TEDDER : Like Mercy. (7Coremusic)
This is the first single from Mark’s forthcoming album, “Psalms, Sonnets and Meditations,” and is based on Psalm 40. Mark says; “Mercy is an interesting combination of forgiveness, empathy and compassion. It’s not until we’ve hit the wall or experience trauma or pain in our lives, that we fully understand mercy.” There’s some nice slide guitar work during the introduction to the song, a laid back country ditty. Mark’s vocals have a little grittiness to them, which really stand out from the crowd. “Ain’t nobody but you can free me; You have the power to change.” We’ve all heard similar lyrics before, but Mark’s song sounds fresh and inviting. If this is a taste of things to come, then listeners are in for a treat when the album is released. 8/10. (November 2019)
MARK TEDDER : We Call you Jesus. (7coremusic)
Oh wow, this sounds like Mac Powell and Third Day! That was my immediate thought, when I played this song. Guitar led, the song also contains some nice slide guitar too, as it “chugs” along. The overall sound is bright as Mark sings; “We call you Jesus, we call you healer, we call you saviour, we call you friend.” This is Mark’s second single from his forthcoming album “Psalms, Sonnets & Meditations.” Co-written with Nashville Songwriter Michael Farren (Lauren Daigle, Michael W Smith, Reba McEntire). It's a worship song inspired by Psalm 23. Mark says; I pray that "We Call You Jesus" is that song that brings comfort, a knowing that there's a refuge in the storm, peace in the night hours, a hope that it's gonna get better, and that certainty that He’s forever faithful’. Another top notch song. 9/10. (December 2019)
Quiet acoustic guitars introduce Mark’s voice to this pretty, little song. The vocals, in fact, are very gentle throughout, even when other instruments join in. The lyrics are inspired by Psalm 27, which tells us that the Lord will hide us, keep us and hear our cries. In my opinion, it’s a lovely song for meditation, and the break gives the listener the chance to add their own words of prayer. 8/10. (March 2020)
MARTIN COOPER : Rock of Ages. (Elevation : ELE2026D)
Based in Eastbourne, Martin Cooper currently divides his musical talents as a solo artist, and as the frontman of the band, Thorntree. Previously, he was a guitarist with the Paul Oakley Band, and fronted a group called Chasing Cars. This guitar driven release finds him in fine form with a mixture of what I would call “concert songs” and “congregation songs”. From the opening ‘All For One’, I loved Martin’s rocky sound. The song tells of our salvation, and it’s one of those numbers that I’d love to play loud, driving down the motorway. ‘My God Regins’ is a similar song, in sound, with the guitars taking centre stage, as backing to Martin’s great vocals. Keyboards come more to the fore on ‘Rise Up’, while ‘You Are Lord’ is more medium paced in tempo. “You are Lord, and no-one can take your place”, he sings. A simple truth, but one that really hits home via the song. There’s a feeling of The Scorpions on the slow rock of ‘Beyond This Life’. Even the lead guitar work would fit nicely on one of the German band’s numbers. ‘Hallelujah’ is one of those songs that anyone can join in with. There’s a great feeling to the song and it certainly lifted my spirits. Listening to the album, I was impressed by the overall sound and song quality. Throughout, I had the feeling that Martin was one of those Christian artists that I’d like to see in concert. Closing with another rock effort, entitled ‘Always Faithful’, and the acoustic ‘God of Heaven’, this is a fine album. 9/10. (August 2014)
Australian, Martin is a former pastor, turned singer/songwriter. His lyrics are born from his faith, which has grown stronger following dark times of clinical depression and acute anxiety. He doesn’t dismiss the pain experienced in life but acknowledges it. It then points to the God of all comfort whose grace and love can carry us through anything and everything if we let Him. To some echoing guitar picking, Martin’s vocals rise with a real “twang” to his delivery. A full production follows, including a distorted guitar, and some sweet backing vocals. On first listen, I found it quite an aggressive style – especially when the female vocals join the throng. It was, then, I read more of Martin’s background, and understood the sound better. I guess that there’s a blue element in the music but, also, there’s a touch of rock. The song is one of worship, but not as we know it. In fact, as I write, I can’t think of another artist of similar genre. And, that makes Martin all the more interesting! 7/10. (January 2021)
Martin hails from Oldham, UK, and has previously released the EP “Arise & Shine.” This new song begins brightly enough with some nice keyboard sounds. Unfortunately, Martin’s vocals soon fall off-key. To his credit, he recovers well, which makes me think that this may be a one-take recording. The overall tune is quite pleasant, and shows great promise. Lyrically, the song is obviously very personal to the singer. “Oh Lord, be near me; When I need you most, When my faith is weakening, Would you hold me close, you take me by the hand and raise me up.” I think that an old friend of mine would call this a “warts and all” recording. A tighter production would help and, hopefully, Martin will see this as an encouraging and constructive review. 4/10. (April 2020)
Relatively unchanged in words, the song title comes from the Perry Como song of the same name. Martin says; “It’s a song my Nana used to sing to me when I was little. The rest of the song is my devotion to God and my Christian faith.” So, the original song is well known, and the main tune remains unaltered. Musically, the slightly quaint keyboard and percussion does sound a little dated, but it’s nice enough. Lyrically, Martin has done what he set out to do, and added his own lyrics, such as; And I love you so; I want you to know; I’ll never give in; for you died for my sin. Now, I was a little critical of Martin’s vocals on his last release. This outing sees a tuneful improvement in his voice, although perhaps lacking in confidence. Hopefully, that will also improve with recording experience. Overall, it’s a decent little song, and Martin can be well pleased with it. 6/10. (October 2021)
MARTIN SMITH : God’s Great Dance Floor Step 02. (GloWorks Ltd : B00ED2EMKA)
This is the second full-length studio album from Martin Smith, former front man and driving force behind Delirious? I say “full-length” as 8 of the 11 tracks were previously released as the mini EPs “Movement 3” and “Movement 4”. There’s no mistaking who it is, though. That voice. Those lyrics. Those melodies. Those arrangements. It’s just a bit more electronic in places, really. Which is fair enough – while so many other bands are trying to sound like Delirious? used to, Smith is busy trying to sound different. He’s stayed true to his roots, but moved on a bit. If anything, this CD is closer to Delirous?’s (apologies to the apostrophe police – is there a right way to punctuate that?) early material (“Redemption Day” and “God Is Coming” would have sat very comfortably on “King Of Fools”, for example), that threatened to take over Spring Harvest songbooks in the same way that Graham Kendrick had swept all aside earlier. His voice still drives it all along, though, and he has (wisely) decided against a Kate Bush-style vocal disguise so you could well be listening to lost Delirious? recordings: it’s moved on, but not quite as far as 2012 (although “Only Got Eyes” has a vocal chant reminiscent of Bastille – but then I thought that reminiscent of Red Box from the 1980s). Better is the slower “Great Is Your Faithfulness”, with its sweeping vocal, majestic chorus and great use of light and shade. There are quite a few slower ones (such as “Grace” – very atmospheric, but I wasn’t sure it really counted as ‘Dance Floor’ unless this was an end-of-night number) and several that are more personal than church-fillers (no bad thing, but not what you may have expected from the opening songs). It’s a good album, with Smith at the top of his game in places, but not world-changing. But then he’s done that once already. 9/10. Paul Ganney (December 2013)
MARTIN SMITH ft Elle Limber : Jesus Only You. (Integrity)
It’s been a while since I’d heard anything from Martin Smith, despite all his appearances with Hillsong United and Jesus Culture over the last few years. The first single from a forthcoming album sees him team up with his daughter, Elle, to share the vocals. It’s quite a slow burner, as songs go, even though there seemed to be a crescendo of instruments piled into the mix. The song is all about Jesus being our saviour, and the lyrics are full of worshipful words. There’s nothing really wrong with the song, it’s just that it sounds like hundreds of big production numbers that I’ve heard before. If someone had said that this was another Hillsong release, I wouldn’t have been surprised. Whereas a lot of Martin’s previous releases have excited me, this one bored me to tears. Sad, but true. 5/10. (June 2018)
MARTIN SMITH : Love Song For a City. (Integrity)
Martin Smith, the man whose songs redefined worship in the 1990s with Delirious? has recently signed to Integrity and his first album for them is this one, recorded live with his band “Army of Bones” (who are excellent, by the way). The album is full of songs of which Smith says “I knew they were the wrong songs to be singing in a church on Sunday morning. But I knew they were so right as well.” Recorded over 2 years and in 20 countries, they’ve certainly been worked into the set – no recording in the studio and then working out how to play them live. They’ve been mixed together as though they’re a single gig, which helps them flow a lot. Some of these you may have heard before (“God’s Great Dance Floor”, for example and when he sings “Over the mountains, over the sea” in “Song of Solomon”) but others are new. Despite his remarks, “Come Holy Spirit” and “I Will Sing” do sound like something you’d want to sing on a Sunday morning – with a very good melody and simple words, making it easy to pick up and they repeat over and over, something like modern Taize chants. “Leap of Faith”, an edit of which is the single that was released ahead of the album, is very, very good. This is Smith as I want to hear him – band full of energy, a glorious melody and an overall feeling that the presence of God is an exciting place to be. If this were any other artist I might be critical of the very definite Delirious? influences, but as this is the man who created them, they sit perfectly with his song writing and voice. The recording here is so crisp that I didn’t believe it was live at first – until the spoken bit that was edited out of the single came in. In other places (such as “Song of Solomon”) the live-ness is evident in the way that Smith leads the congregation/audience through the song, but the recording is still just as crisp. It soars (“Jesus Only You”) and it rocks (“Leap of Faith”). Smith is back and a welcome return it is too. Best track: Leap of Faith. 8/10. Paul Ganney. (August 2018)
MARTIN SMITH : Great & Glorious. (Integrity)
For the last three decades, UK worship artist, songwriter and producer Martin Smith has been penning songs that bring fresh air to the lungs of the Church. Following his 2018 Love Song For A City recorded around the globe, Martin now releases, coming Spring 2019, an all-new studio album, ‘Great & Glorious’ being the first single of a brand new collection of stunning songs. Well, it certainly took me by surprise. Don’t expect anything like “God’s Great Dance Floor,” or even “I Could Sing of Your Love Forever.” The track begins with industrial sounds and vocal reverb that instantly reminded me of Depeche Mode. “We were born to be alive,” sings Martin, before launching into the chorus of “God! Great & glorious.” Halfway through, a female hollers “Holy, holy, holy, freedom” several times, as the banging rhythms and distorted guitars take centre stage. The outro finds a mash up of instruments almost drowning the vocals, which repeat the words “Holy, holy, holy, joy.” In all honesty, I couldn’t wait for the song to end. It was a real chore to listen to it again but I failed in finding something to change my mind. I did invite three of NFN’s regular reviewers to comment. Words like “dire” and “awful” came back, with one also saying that “ It could be viewed as grandad trying to keep up with the kids.” Martin, I‘m deeply sorry, but this song is just dreadful. 1/10. (April 2019)
MARTIN SMITH : Iron Lung. (Initegrity Music)
This album started with the account about when Martin Smith was born, his father “made a deal with God” because when Martin was a child he was diagnosed with a serious case of bronchial pneumonia, he was in a very serious condition and was placed in an oxygen tent similar to an ‘Iron lung’. As this medical equipment was keeping Martin alive his parents were praying that if God would help him and keep him alive they would dedicate Martin to the Lord. This great powerful opening title track “Iron Lung” unpacks that story early in Martin’s life. The second track after I had listened to it a few times, I can hear how this track fits so well into the overarching theme of this album. ‘Great & Glorious’ reminded me a little of when I was studying many genres while in University, some compositions I didn’t “get” at first, but after a few listens you can appreciate the skill and talent within a track like this, breaking beyond the norms. The album then moves to a really important track “Everybody Is Broken” a powerful prophetic track, a word for us all after brokenness comes “You’re raising up an army/We’re an army of bones/With the breath of God within us/We will dance, we will dance together”. Martin keeps the up tempo feel of the album going into the next track “Exalt” as soon as this track started it brought tears to my eyes, a wonderful lyric with a worshipful full swell instrumentation as the repeated chorus builds “We exalt You, we exalt You/Holy, holy is the Lord” I wanted to listen to that track on repeat but I had to move on as I was writing this review and needed to keep focused. Listen to this track and worship God in your car, room, wherever. “Rise Up” a great Martin Smith anthem, encouraging us that regardless of where we have been we will “Rise Up”. “We will rise up/We will lift our hands up/We’re Singing Hallelujah/We will stand up/From the ashes, we will rise up/We’re singing Hallelujah”. You will definitely want to play this track on repeat also. Detail to production throughout this album is exquisite, clear crystal powerful vocals from Martin throughout. Amazing instrumental arrangements at every level, with some very unexpected twists and turns keeping the seasoned musician and all with musical interest appreciative of such musical detail. It’s actually difficult to not say something about every track on this album but got to move on. Tracks not mentioned so far all deserve recognition. Runaway, Fire’s Gonna Fall, Wonder Hearts, Always be My Love with a dreamy soundtrack and beautiful lyrics about being sorry for letting someone down, lyrics we can all relate to, leads us to the final track on this superb album “Give Thanks For A Broken Heart”. I don’t believe people can write albums like this one without personally having a stamp on the theme, this album is going to speak to a lot of people and bring them comfort. This final track brings together all the strands of this album. Martin starts this album when his parents were praying for God to give Martin breath in his lungs and Martin finishes by thanking God for the journey, the ashes, the brokenness, the thanks, the recognition of God in the midst of the journey. “Oh, thank You, thank You/ Thank You for it all/And I hear the sound of Your voice/I feel Your breath in my lungs/I feel the joy in my bones/Forever I’ll sing, forever I’ll sing/I feel the wonder of love/I know the kindness of God/I join with the angels above/Forever I’ll sing, forever I’ll sing for You” There is only one word to end this review with and that is AMEN. Vivienne Neville 10/10 (June 2019, Album of the Month)
MARTIN SMITH : Dancing in the Fire. (Gloworks)
Here’s man who needs no introduction from me about his 30 plus year as one of the top UK Christian artists. Last year’s single release, and title track, kicks things off in uptempo style. The following ‘Fire in Your Eyes’ races along and reminded me, in style, of The Killers. I really liked this one! Martin has never been one to stand still in his musical direction. Instead, the passing years have seen him continuing to grow and embrace modern styles. On ‘Our Eyes Are On You’ he’s joined by his daughter, Elle Limebear’ as they ask God to “Save Us. ” Quite different, is the choral sound of ‘Holy.’ A very simple song of praise, given power by Smith’s vocals and production. There’s a great pop sound to the song ‘Alleluia Anyway,’ but I found the overall sound of ‘Until the End of Time’ to be rather cluttered. I found the closing ‘Everyday Life’ to have a melancholy feel about it. Victory Boyd joins Smith on vocals, but I wasn’t keen at all on this song. There’s certainly a number of highlights on the album but, perhaps, one or two tracks that don’t quite reach the same level. 8/10. (March 2022)
THE MARTINS : Above It All. (Spring Hill)
After many years of music ministry, and travelling down some of
life's toughest paths, The Martins have garnered six Dove awards
and a Grammy nomination to become one of Christian music's most
critically acclaimed and best-selling vocal groups. Consisting
of sisters Joyce McCollough, Judy Hess, and vocalist Paul Lancaster,
The Martin's manage to tell of God's truths in song, without sounding
condescending. "For the Love" tells of the crucifixion
and has nice mandolin sound to accompany the excellent vocals.
"I Can't Help Myself" is a little more modern country
in style while "Somebody Give Me a Stone" is a light
pop number depicting the story of David & Goliath. The Martin's
may have spread their wings since their conception, but they still
keep a sight of their southern gospel roots, as in the song "Glory
Days". It all adds up to a very pleasant listen. 7/10 (April 2004)
MARTYN JOSPEH : Far From Silent. (Alliance : 190198 2)
I've a l ot of time for this guy because, although he's been given
something of a slating by so-called Christians, he's actually
never once side-stepped the subject of his faith. So he once signed
for Sony in the hope of bigger and better things? If things had
worked out, I would have sooner listened to his thoughts than
the rantings of someone like George Michael. Anyway, now settled
back in the safety of Alliance Music, Martyn has created a wonderful
album, full of typical Joseph-type songs that will thrill fans
old and new. There's a laid back version of Joan Osbourne's "One
of Us", sang with great feeling, and "The Good in Me
is Dead" features just his voice and guitar. For me, the
six and a half minute "Mayor of Candor Lied" didn't
appeal, although the story line was quite good. All in all, Martyn
Joseph pulls no punches and doesn't surprise anyone by sticking
to the tried and trusted formula that works, for him, so well.
"Another Chance" is a beautiful love song that really
should be put up alongside such classics as Clapton's "Wonderful
Tonight" but, sadly, it won't. Instead, those who pack smaller
venues up and down the country to see this gifted artist will
be treated to one of the most special songs of the last twelve
months. 9/10. (January 2000, Album of the Month)
MARTYN JOSEPH : Thunder & Rainbows (The Best We Could Find) 1988-2000.
Just over a year ago, I reviewed Martyn's "Far From Silent"
album and made it my album of the month. 15 months on, he's here
again and I have to give him the same "accolade". This
time, it's a compilation of more than a decade of his best songs.
For me, it's goosebump time as he sings that classic "I Will
Follow", in a live setting. "Change Your World"
is simply acoustic guitar and vocals, but what an impact it has.
"Gift To Me" is really catchy, while "Let's Talk
About it in the Morning" keeps the listener on the edge of
their seat, clinging on to every word of the story which focuses
on marriage. Fans of Martyn will tell you that "Dolphin's
Make Me Cry" should have been a massive hit and it still
has that quality after all this time. The second of this two CD
release moves into the later half of the nineties and highlights
include "Dic Penderyn" and "Hang the World".
"In Between Rounds Girl" has a country feel to it, while
then new "This Is Us" is an instant favourite. For many,
Martyn's concerts are like being in someone's front room - lovely
and intimate. This album is no different and Martyn's back catalogue
makes a lovely album. 9/10. (April 2001, Album of the Month)
MARTYN JOSEPH : Live Don't Talk About Love.
I must admit that on first glance I was a bit disappointed on
reading the track list of this album. There is little here that
is not on the (fantastic) Thunder and Rainbows "best of"
double CD. That said, the live arrangements of many of these songs
give a greater understanding of the writers' original meanings
and I soon found myself drawn into the music. Whether it adds
enough to make buying both of them worthwhile would depend on
how huge a fan you are. My favourite song would have to be the
title track (partly, I admit, because I remember the Greenbelt
concert that it was recorded at). Musically it blends seamlessly
into an inspired cover of the chorus of Tracey Chapman's "Revolution"
and back out again. Lyrically it shows off Martyn's talent at
combining theology with social commentary, and his willingness
to point out the logs in the eyes of the church. Martyn has a
distinctive voice that suits his guitar-based soft rock style,
and I never fail to find his cynical idealism refreshing, challenging
and entertaining. This album was recorded at concerts between
1992 and 2000, and begs the question: When will we get some new
material? This is a good album, great if you don't have Thunder
and Rainbows, but it doesn't scratch the itch that many MJ fans
have to hear his new work. Martyn Joseph live is an experience
no recording could ever really capture, but this comes far closer
to giving glimpses of his humour and intimacy with the audience
than could have been expected. 6/10 (if you own Thunder &
Rainbows) 9/10 (if you don't) Rachel Ganney. (May 2002)
MARVIN SAPP : I Win. (Verity : 88697-97017-2)
In the years that I have been doing reviews, every now and again a release has popped up that simply demands to be heard. This is one of them. If and when you're in the mood for over an hour of high impact gospel soul, this album will be just the job. Recorded live in October 2011, Marvin Sapp's black gospel voice, choir and band certainly know how to deliver. Beginning with the rockin' gospel soul of 'Teach my hands to war' followed by the mid-tempo but similarly high energy 'I belong to you', the scene is set for a slickly produced, professionally delivered, well recorded musical experience. The title track 'I win' is a slow number that includes Mr Sapp utilising his considerable vocal gymnastics to great effect. The songs are largely well chosen, with strong melodies and well considered 'adult' lyrics. The slow 'Deeper' is a superb song and the highlight of the album for me. Also worthy of special mention is the similarly slow but heavily building ten-and-a-half minutes 'My testimony' – the only song where Marvin is credited as a (co)writer, recounting his presumably personal experience of 'making it through'. With countless repeats of 'so glad I made it', by the end of such a long track I was glad that I had(!) – and by the sounds of the audience they were clearly carried along so this was obviously very effective live. Downsides? The lowest point on the album is 'The hymns medley' which to my ears is nine minutes of lovely hymns overly 'messed up'. I found the occasional 'mini sermons' between and within songs a bit of a distraction. Finally, the cd insert does not include printed lyrics. From the pics within the insert however I do have one question that absolutely demands an answer – Mr Sapp's pin-sharp hair lines are remarkable, how does he do it? Exceptional hair care? Photo re-touching? Black felt pen? The world needs to know!! 9/10 Dave Deeks. (September 2012)
MARVIN SAPP : You Shall Live. (RCA Inspiration : 88875-06471-2)
In a recent interview, Marvin Sapp said "I was in a very transparent space when I recorded this album. I wanted to deliver something that was going to encourage those who are in the valleys of their lives, to let them know, I get it. "I know what it feels like to have your heart ripped out of your chest. But I also needed them to know that no matter the heartbreak, God's got us and even the most painful experience can be overcome." This is Sapp’s 10th studio album, and continues in the black gospel style that has made him so popular in America. I’ve got to admit that I’ve never been a big fan of this music personally, but you can’t knock a guy who’s had numerous Dove Award Nominations in recent years. Backed by a gospel choir, Marvin soulfully sings on tracks like “Greater”, “Honor and Glory”, and the delicious “Live”. Sometimes, the lyrics get a little repetitive, as one line is sung over and over again, and the 7 minute number “Holy Spirit Overflow” just didn’t work for me. I prefer his vocals on the thoughtful “Yes You Can”, were Marvin’s voice is warm and mellow. There’s a version of “The Old Rugged Cross” that includes an evangelistic message. The singing is good, but the message irritated me, with a TV evangelist type delivery. So although this isn’t my sort of thing, I can still appreciate the music ministry of this man. Certainly, as far as black gospel music goes, Marvin’s the man. 7/10. (October 2015)
MARVIN SAPP : Close. (RCA Inspirational : 89854-2225-2)
Spawning the massive title track hit single, this album sees Marvin Sapp doing what he does best. It’s contemporary gospel, with his signature forceful vocals, preaching, through song. Kicking off with a jazz intro, “Safe in You,” is the first track. The message is clear, no matter what comes my [Sapp] way, I’ll trust in you. My only complaint about this song is that at nearly 8 minutes in length, Marvin’s hollering vocals get a little repetitive. “He Is” follows in similar fashion, while “Listen” moves into more of a ballad, in style. Again, when things are against you, “listen” to the Spirit, because He can help and pull you through. Erica Campbell and Izzie Williams make guest appearances on “You & Me Together,” but I found this to be my least favourite track, despite its bouncy beat. “Face to Face” won the battle for my top song. A classy ballad, it features some smooth backing vocals that help carry the song along. As a whole, the album is full of praise and worship. If you like this musical genre, you won’t be disappointed. 9/10. (March 2018)
MARY BARRETT : 'A Breath Away...' (Thank You/Kingsway Music).
Here's a lady who's been making great easy listening worship music
on both sides of the Atlantic for years. Recorded in Ontario,
Canada -makes a change from Nashville- Mary Barrett plays us 10
songs, of which 7 give her writing credits. Quiet numbers such
as 'The Great Shepherd' and 'Only For You' are complimented well
by the more uptempo 'It is Done'. 'In My Heart' mixes both of
these styles with a finger lickin' guitar break for good measure.
Fancy a change in your music collection? You'll be pleasantly
surprised by Mary Barrett. 8/10. (September 1996)
Mary Burke is a singer songwriter who has been singing her whole life. She is a mother of three teenage boys, and a wife of a disabled husband whom she takes care of. She has been singing southern Gospel for the past 10 years and has been traveling the southern states for the past few years. Mary and her husband, David, have a wonderful testimony of how God has healed David since his horrible motorcycle accident in 2007. Together they travel and testify and sing of all of Gods many miraculous moments in their life. Like so many independent singers, Mary has an instantly engaging vocal quality, backed by some solid music. “If Heaven Had a Door” made me smile, as I listened. Lovely words, and a chorus that had me singing along, straight away. That song is followed by “I’m My Father’s Daughter.” It’s a little more uptempo, as Mary celebrates being a child of God. Moving, on, there’s a nice guitar solo in the praise song “Everytime.” Vocally, I thought that Mary’s delivery reminded me, a little, of Joyce Martin Sanders, of The Martins – and that’s no bad thing! Really, you wouldn’t be surprised if you found Mary’s music being given record company backing. The song quality is on a par with many bigger artists of his genre, and I found this album to be really enjoyable. 8/10. (August 2020)
Mary Burke is a singer songwriter who has been singing her whole life. She is a mother of three teenage boys, and a wife of a disabled husband whom she takes care of. She has been singing southern Gospel for the past 10 years and has been traveling the southern states for the past 5 years and enjoys it very much. Mary and her husband, David Burke, have a wonderful testimony of how God has healed David since his horrible motorcycle accident in 2007. Together they travel and testify and sing of all of Gods many miraculous moments in their life. This album was released in 2017, and only came to NFNs attention with the release of her new single, “I’m My Father’s Daughter” – a celebration of knowing God as her Father. I love that southern “twang” in Mary’s voice, almost as much as I love the song! Opening the album is another good song called “If Heaven Had a Door.” A real “feel good” sound with great instrumentation, too. The mid-paced “Everytime” is a song of worship that has the hook “God you’re faithful everytime.” There’s some delightful fiddle playing on “Somethin’ That Will Grace Will Do,” while the banjo sound on “Testimony Without a Test” is just as good. I think that it was during the latter song that I thought Mary sounded a little like Lauren Talley. The song motors along at quite a pace and I found it impossible not to tap my feet as it played. The title track is a slow number about the importance and power of prayer. I’m not sure how well Mary Burke’s music has travelled out of America, but I’m grateful that social media gave me the chance to hear this lady. Closing with “Teardrop from Heaven” my only disappointment was that there were only 8 tracks. 8/10. (February 2021)
MARY DUFF : Love Songs. (Rosette : ROSCD2085)
Mary Duff seems to have been around the music scene for years. Her nice and easy tones have warmed the hearts of many, and this album looks set to do the same. There are twenty love songs on show - some well known, some not. Mary sings them all in her inimitable style and makes the hits of others, her own. Buddy Holly's 'True Love Ways' was an early favourite for me, and Mary delivers it well. Also, 'Torn Between Two Lovers' and 'Talking in Your Sleep' may well melt a few hearts. But, perhaps, her highlights are the big hits, like 'The Power of Love' and Hopelessly Devoted To You'. On 'Have You Ever Been Lonely', Mary duets with Daniel O'Donnell, and strangely, that was possibly the weakest track on the album. 'The One You Slip Around With' was a completely new tune to me, but it has a good country beat, and made it a most enjoyable song. For lovers everywhere, get romantic, with Mary Duff. 8/10 (May 2008)
MARY KATHRYN : Dreams & Visions. (Rhythm House : RHD-7190)
Well, if the festive season has left you wanting something different to the norm, this may well be the one for you. Mary Kathryn's 4th album blends elements of soft pop, rock and folk with world music influences and delivers a delightful array of sounds. She says that she wanted to "create a spiritual experience through music", and I certainly felt that whilst listening. At times, there's a little of the Enya sound, as in 'My Father's World'. It's a sweet song of praise and worship, but there's more to it than just being "another song". There again, I could imagine Fleetwood Mac performing "You Are There" - during their "Rumours" era. It's a smoothly written number, and pulls you into it's warmth. Recurring themes of love, peace, faith, prayer and worship permeate 'Dreams and Visions'. Songs like 'Flying Toward the Sun' and 'Eve of Your Return' have you resting in God's presence, as well as being excited for Jesus' return. Both songs are well written and produced. I wasn't too keen on the sombre sound of 'Wailing Wall' but, there again, I guess it suits the mood Kathryn is trying to portray. In the world of disposable pop music, Mary Kathryn is a breath of fresh air. 8/10. (January 2008)
MARY-KATHRYN : Wonders in the Deep. (Rhythm House Records)
Hailing from the USA Mary-Kathryn’s PR describe this her fifth album as “a blend of the elements of soft pop, rock and folk with world music influences as diverse as the continents to create a spiritual amalgam that transcends musical boundaries. Sophisticated without being elitist, understated without being simplistic, Mary-Kathryn displays an emotional depth that can only be described as ethereal.” With 16 tracks this CD is certainly very different from the usual female vocalist offerings at the moment. With some interesting percussive sounds and beautifully sung vocals I found this album to be quite refreshing. If you listen very carefully you can hear similarities to both Julie Meyer (track one Hear My Cry) and Susan Ashton (track four Ships) which is no bad thing! In part this album has a very Mediterranean feel in its instrumental arrangements. I can imagine myself being somewhere hot listening to this. It’s relaxing, easy on the ear and perfect for chilling to. The only negative would be the overkill of electronic effects. Her voice stands well on its own. I found these effects somewhat overshadowed her and at times irritating. Favourite tracks for me would have to be Ships. Based on Psalm 107 it has a somewhat jazz feel in its arrangement. I also enjoyed Hear My Cry which demonstrates Mary-Kathryn’s clear vocal beautifully as it sits on a tight instrumental arrangement. All in all a well-balanced album of songs and an enjoyable experience if you’re looking for a laid back non-intrusive album. 8/10 Angie Lendon. (November 2015)
MARY MARY : Mary Mary. (My Block : 520469 2)
Mary Mary are in fact Erica and Tina, and let's get one point out of the way for a start - these girls can sing. Oh yes. Secondly, they are not shy about declaring their Christian faith. This is the pair who had the massive world wide hit with 'Shackles'. This latest is their third album and is again produced by Erica's husband Warryn 'Baby Dubb' Campbell, who also shares most of the writing credits, as well as doing some rapping on 'Save Me'. It gets off to a cracking start with 'Believer', a song with a pounding urban rhythm and a hook that'll have you singing along in no time, which stays with you long after the album's finished. The excellent sound quality of this opener continues throughout - and there is a lot of variety here, with the second track 'Biggest, greatest thing' being delivered in a 1930's big band 'Ella Fitzgerald' style. Other stand out tracks include 'Yesterday' (no, not the Lennon and McCartney one!) which is a blues ballad with particularly brilliant vocals featuring a chamber orchestra and horn section, and 'The real party' - again with an urban groove. Definitely worth checking out - try www.mary-mary.com (strangely, not found by any search engines I use) to find out more about Erica and Tina, their Christian faith, and this album. 8/10 Dave Deeks(September 2005)
Simply ... MARY McKEE AND THE GENESIS : "By the Rivers of Babylon" (Kingsway KMCD2593)
This triple album is one of the first to be released in Kingsway's new 'Simply...' series, which re-releases tracks by early CCM artists. The sleeve notes remind us that Mary McKee and The Genesis were gospel music pioneers in their native Northern Ireland back in the seventies. A highpoint is the (very short) opening title track, featuring excellent unaccompanied close harmonies. This proves to be untypical
of much of the rest of the album, which is 'light country', featuring slide guitars. Mary's voice is beautifully tuneful and harmonious with a pronounced falsetto that overall reminds me of Kate and Anna McGarrigle, although their music is more individual and original than what we have here. Apart from the title track, songs that stand out for me include "Enduring Love" and "Over There". An irritation is that
lyrics tend to be twee, with well-worn and dated Christian terminology - how about 'what joy it did afford... together in one accord... praising the Lord' for an example! If country music is your thing however, or if you were a fan of the band back in the seventies and have lost your original vinyl or tapes, you could find this a welcome addition to your collection. Tracks can be sampled via www.kingsway.co.uk
. 7/10 Dave Deeks (April 2005)
MARY OZ & RUTH A HARRIS ft JJ ARV, Eric Cohen, Olive Grove Women) : Not Where You Belong – Global Version (https://www.instagram.com/maryozmusic)
For this new release, Philippines based Mary has teamed up with Ruth A Harris, who lives in Birmingham, “UK. Not Where You Belong- Global Version” is an example of how independent artists from across the world can work together to lend their voices to those who currently are not heard. This song, which features artists from USA, Philippines, Australia & UK, powerfully speaks to those who find themselves affected by sexual exploitation - past and present - bringing a message of strength, dignity and value. The lyrics are hard hitting from the start “Precious, make up on your skin; You try to hide the bruises; You go by a different name; But would you rather be; Nameless to cover up the shame they took away your dignity; They took away your voices; They took away your choices; Doesn’t matter what they tell you; You’re not worthless.” Tune-wise, the song has a pop/RnB sound, which gives way to an engaging chorus. As well as detailing the negativity, the song gives hope to those who are exploited. That chorus, especially, throws out healing through its words. The mixed vocals work well together throughout, and are very poignant as Mary delivers the closing; “You never will be worthless.” 9/10. (March 2024)
Philippines based singer/songwriter Mary Ozaraga says; “The song was birthed out of a storytelling of the passion of Jesus. As much as I wanted to point out the unimaginable, cringe-worthy imagery without sugarcoating, but I wanted to paint it in words and melody as beautifully as I can, in a backdrop of mellow to a bit grungy production.” With a musical backdrop of atmospheric sounds and percussion, Mary sings gently, but with great feeling. Her lyrics are very moving, too. “Love poured out, never faded; Spilled for every sin’s worth; But when blood kissed the cup; Death was fated; The cross took the death I deserve; Coz Love has the final word.” Written for the Lent season, this is a quite beautiful song. 9/10. Release Date 5th April. (April 2022)
I’ve been regularly reviewing Mary’s music over the last twelve months, and have found her songs, very enjoyable. Of this new single, she says; “It is a summer song that was written to encourage a friend who was going through depression. The verses talk about the ugly side of it, the pre-chorus talks about seeking help, and the chorus lifts it up to hold on to God's promises and truth: greatest anchors against the waves of depression.” As Mary begins to sing, I was transported back to the late 70s and the voice of Joan Armatrading. And, as Mary says, the chorus truly lifts the feeling and gives hope to those who suffer with their mental health. The tune bounces along as the chorus celebrates “Better days now.” Music is provided by guitars and percussion and it’s a really catchy number that was instantly replayed by me. Great song! 9/10. (September 2022)
This latest song from Philippines-based Mary, was co-written with Amy Berry from Scotland. They say; “2 countries 11,000 km apart, 2 cultures, from hearts seeking to learn to love & to love well, singing that Love seeks out not only a few good men, but the worst of us that recognizes the need of saving – the need of a Saviour . We hope this song brings out the best of 2 cultures & the message of outrageous, unconditional Love. We hope it disrupts how we love that we may seek to love better.” Mary’s gentle voice caresses every word of the song, with a simple orchestral backing, cajoled by her acoustic guitar. The song is one of those that instantly makes its mark on you, because its story will hit home to many. Then, there’s the beautiful chorus. “Step out of the dark; Open your heart; You are forgiven; In the arms of outrageous love. Come just as you are; Broken and scarred; Here there is healing; In the arms of outrageous love.” A really lovely song. 9/10. NB: I also recommend you watching and listening to the music video at: https://youtu.be/UffWmJtGfdg (May 2023)
MAT KEARNEY : Bullet. (inpop)
When the accompanying press release read "the album features
everything - hip hop beats…." My heart sank. I very
rarely get on with hip hop beats, so I wasn't looking forward
to this album at all. But, life is full of surprises, and this
album turned out to be one of them. Because, along with those
hip hop beats are some interesting marriages of style. Take, for
instance, "Undeniable", where a great chorus makes for
a great song. If The Streets can make it to No.1 in the UK charts
with a song like "Dry Your Eyes", then this one should
topple it forevermore. "Trainwreck" and "Girl America"
both have similar sounds, in that Mat raps his way through the
verse but then entwines you around his little finger with a pop
chorus that just draws you in. Not sure about his take on the
song "Renaissance". Here, he talks about a car crash
and I'm not able to fathom out whether there's a message to be
found or not. Maybe I was looking too deep for something? By the
end of the album I was ready for another rap, but what does he
do? Mat turns into a ballad singer, and does it well to the sweet
sound on one piano. You could do a lot worse than to give Mat
Kearney a whirl. 9/10. (January 2005, February 2005 Album of the Month)
MAT KEARNEY : City of Black and White. (EMICMG)
Mat follows up his 2006 album, "Nothing Left to Lose" with this 12 track collection of original songs. Mat's sound hovers close to the standard CCM sound but has a slightly harder edge to it, with more aggressive guitar sounds and a slightly grittier feel. It's an enjoyable listen but I found that the songs don't seem to stick around once the stop button has been pressed. After several listens I can just about remember the opener "All I Have" but after that my recollections are a bit more hazy. It's a shame because Mat has such a good pedigree and overall, it is pretty good, but just not memorable. Added to that, the overal sound is a bit thin, with lots of middle and not a lot of bottom end. It could do with a bit more guts to it to better emphasise the overall feel. 7/10 Robin Thompson (August 2009)
MAT KEARNEY : January Flower. (Tomorrow Music/Caroline)
Mat is based in Nashville and January Flower is his 7th release. My initial thought was this could be Coldplay with elements of David Gray, with catchy tunes and nice accompaniment. Gentle acoustic and electric guitars lead the songs, with good vocals that easily drift in and out of falsetto. I quite like “Grand Canyon,” a song about relationships – There is a grand canyon between us. A lot of the songs are about relationships, falling in and out of love. As the album continues, it really grows on you. The overall sound is a gentle listening pleasure, with nice production, well placed backing vocals, and lovely chord progressions. What is not to like! “Anywhere with You,” is another favourite. A bouncy love song which is what it says on the box. If you are looking for your Christian music to be ‘Jesus loves you’ every other verse then this not for you. This is an honest look at relationships, how they build and how they fail. Gospel references are few and far between, but still there. This is an album you can play anywhere, and despite your favourite style of music, (unless you are into death metal or the more extremes) this I unobtrusive and very listenable. The final track title sums the album up – Something beautiful. 9/10. Noel Donaldson. (July 2021)
MATT BROUWER : Imagerical. (Reunion : 02341-0024-2)
In the Spring of 1996, two friends at Bible College in Alberta,
Canada joined together to form a band that would inspire themselves
and their fellow students to grow closer to God. Matt Brouwer
and Tim Milner were those two friends and from it, grew Monday
Night Worship. Since then, the guys have played other colleges
and toured widely. This album puts a collection of their songs
together under Matt's name, who signed for Reunion in September
last year. As an overview, I'd say that it's a similar style to
Matt Redman married to that US/Canadian rock sound. If I'm honest,
it's taken two or three plays to start appreciating the songs
like "Rivers of Mercy" and "Sanity". Instant
favourites would include "New Beginning", "Water",
and the catchy "A New Song". Matt's got a good voice,
the guitar driven sound is good, and the overall production is
sound. Of the slower tunes, "Lead" is probably the best
and I'd like to hear more of those. 7/10. (August 2001)
MATT HILL : Masterpiece. (Absolution Records)
After touring as guitarist for worship leader Noel Robinson, Matt Hill spent 5 years serving as Worship Pastor at !Audacious Church, Manchester. Now he is 'going solo' with this 11 track debut. Being new to Matt's music but reading glowing references from those who have worked and worshipped with him, I was keen to have a listen. Opening with the title track, we have a guitar/bass/drums bluesy mid-paced groove overlaid with Matt's attractive and note-perfect vocals (“we are your masterpiece, we are your workmanship”). 'Million words' then describes our wonder at what God has created and promises our faithfulness (“I won't back down” - hands up those who thought of Tom Petty!) - the pace and drum riff being pretty much identical to track 1. Track 3? - a 'jam' of track 2! Whilst all good stuff, it isn't until the slower and heavier rock of the sixth track 'Guiding light' that there is any real musical variety, this one reminding me somewhat of Larry Norman's heavier output. Then comes 'Safe surrender' - my standout, beginning quietly and reflectively and developing into slow pop rock featuring effective grungy guitar and some great drumming and bass figures. 'Search me' is another good-un', as is the acoustic guitar-led 'Still waters', which brings added variety. 'After the rain' features excellent blues guitar and a rock solid drum groove in similar vein to the first three tracks - and the closer is a 'jam' of it, so is more of the same. For those of us who still listen to albums right through(!), I feel the track sequence could have been better. Strong songs however, lyrically and musically - particularly if you appreciate well played blues rock whilst at the same time being encouraged in your Christian faith. 8/10 Dave Deeks. (February 2015)
MATT JR HURLEY : Pebbles. (Plankton Records : PLANCD017)
Matt is the son of a church pastor, and only seriously began songwriting last year. Matt writes honest, vulnerable and engaging music about life and about God’s love with soulful, poetic lyrics. This single was written following the sudden and unexpected bereavement he suffered and he hopes that the song will help people connect with God and His love when perhaps God seems a long way away. Musically, “Pebbles” starts quietly with an acoustic guitar leading the way, and Matt’s clear, crisp vocals over the top. Mid-way, orchestral pads join in, helping to fill the sound. In style, I couldn’t help comparing it to something that Snow Patrol might have released. Indeed, the opening vocal phrases sound uncannily like those of “Chasing Cars.” Matt plans to release an EP in June and this taster is a welcome sample of things to come. 7/10. (May 2016)
MATT JR HURLEY : Raising Questions. (Plankton Records : PCDN171)
Following on from his recent single “Pebbles” Matt JR Hurley has released his first EP. Coming through some trying situations in the last few years, Matt explores how we face and react to the tough questions of life and our faith, trust and belief in God. On the opening song “Shout to the Sky”, acoustic guitar and violin take centre stage, musically. Here, Matt relates how we often don’t hear the answers God gives us, to the questions we ask. “My Soul Sings” suffers from the vocals being far too loud in the mix, and I found this quite annoying. A pity really, because the overall song is quite pleasing. No matter how we try to live our own lives, only by turning back to God do we really begin to live. That’s the message of “Spinning Circles”. “Pebbles” is probably the pick of the EP, a song about loss. Nice acoustic guitar married to some ethereal orchestral pads gives it a real warmth. Finally, we come to the grandly titled “The Promise of Redemption and Hope.” Built on a gentle pulsing march, the song makes the point of no matter what we may encounter or do in and with our lives, there is actually an eternal promise of something more for everyone to hold on to. I feel that Matt’s songs are occasionally, to wordy and that interrupts the flow. However, for someone who only began songwriting a year ago, he shows great promise. 7/10. (August 2016)
MATT MAHER : Alive Again. (Essential : 83061-0906-2)
Matt Maher's latest release can be best described as a football match. Why? Because it has two halves. The first five songs are all uptempo numbers of contemporary praise but, then, Matt moves into gentler sounds of worship, culminating in the magnificent 'Communion Song'. I certainly would find this song keeping with the tradition of taking Holy Communion. In fact, I'm going to recommend it to my minister! But, back to the beginning, and the title track pops around with the exclamation, "I'm Alive". Similarly, 'Shout of the King' has a pop sound, and Matt's vocals are very engaging. 'Hold Us Together' proclaims the first day of the rest of your life, after accepting Jesus as your Saviour, and it's a really joyful song. God knows that we are far from perfect, yet He loves us unfailingly. 'Flesh and Bone' is a prayer of thanks that acknowledges our failings and embraces His love. There may be two halves to this album, but it's a match that works well, and Matt proves a worthy music minister. 8/10 (March 2010)
MATT MAHER : All the People Said Amen. (Essential : 0830610982)
This is a compilation of Matt’s best known songs, plus four brand new tracks. Some of the songs have been recorded live, but this isn’t always a good thing. The closing ‘It Is Good’ is so annoying. Full of ad-libs and contrived Jewish “Hava Nagila’ style speed, it’s simply awful. However, at the other end of the spectrum comes the opening title track. A great sound and a really good song. Of the new songs, ‘Lord, I Need You’ is a classic for the future. Sounding like a great Wesleyan hymn, put to a modern setting, it is stunning. I couldn’t get Bruce Springstein out of my head when listening to good, solid songs like ‘Great Things’ and Turn Around’. Super guitar driven songs, that need turning up loud to appreciate it fully. ‘Hold Us Together’ sounds like it’s been recorded in a downtown bar somewhere and, if I’m honest, it should have stayed there. The songs all tell of the need for Godin our lives, and what a fortress He is. I’ve no argument with the sentiments, and Matt gets them over well. For new Matt Maher fans, take a listen. 7/10. (November 2013)
MATT MAHER : ECHOES. (Essential : 83061-1078-2)
The accompanying press release tells that this album is totally born out of the recent loss of his father. If Matt’s records weren’t personal enough before, this record sees him lay his heart wide open. Piano led, most of the songs have a simple formula, but that could be the album’s undoing. I found that many of the tracks sounded very similar. “Awake My Soul” and “Faithfulness” are just two that spring to mind. This deluxe edition features extra tracks called “Echoes One” and “Echoes Two.” Personally, I found neither of them to be very memorable. “What A Friend” races along, declaring that Jesus is faithful and that He is our friend. The song is okay, but nothing special. In fact, that was my feeling about most of this release. Exceptions to the rule are “Won’t Let Me Down” and “The Cross Forever Speaks.” The former is a catchy, pop number that you will be singing for days. Meanwhile, the latter is quite majestic in its production. However, some media report that the song expresses the “subversiveness of Christianity’s most revered emblem. I didn’t read anything into the song myself but, perhaps, that’s something lacking in me. So, there’s some good tracks, and some not so good. Therefore, I can only give this album 6/10. (January 2018)
MATT MAHER : The Advent of Christmas. (Provident : 083061109127)
Here’s an album with a mix of old and new Christmas tunes, to get you into the festive spirit. Matt begins the album with “Gabriel’s Message.” It’s a glorious sound, and benefits from some fine orchestral sounds. Co-writing with Chris Tomlin, Matt follows up with “He Shall Reign Forevermore.” It’s a typical contemporary praise and worship song that hits all the right notes. “Born on That Day” is the album’s big production number that builds in power as the song progresses. Here, for me, Matt goes all Michael Buble, and the album takes a definite nosedive. Both “Jingle Bells” and “The First Noel” are drab affairs that I’ll not be playing again for some time. Thankfully, Matt recovers well and provides an excellent song in “Hope For Everyone.” I especially enjoyed it when lots of backing singers join in for the chorus. Drum rhythms are at the pole position of “Glory.” It’s the one song that I thought would lend itself to church worship, too. A co-write and duet with Amy Grant (“Always Carry You”) is quite moving, while “Hark the Herald Angels Sing” gets a folk treatment from Matt and his musicians. The album is one of those that really needs a few plays to appreciate the original songs, and “Little Merry Christmas” was just one that was better for a second listen. Matt’s tried very hard to come up with some news songs for this special season, and there are one or two sparkling successes on show. 8/10. (December 2018)
MATT MAHER : Alive & Breathing. (Authentic/Provident)
The album is a combination of studio versions of brand new songs, live versions of some of Maher's biggest hits ('Lord, I Need You', 'Because He Lives (Amen)'), as well as new live recordings of songs that Maher has written with other artists, but has not recorded himself ('Soul on Fire', 'Come As You Are'). Despite me finding his previous album (“Echoes”) rather ordinary, this one is very good! It all begins with the title track, were Matt duets with Elle Limebear. A nice piano led intro runs into some nice string sounds, before the lyrics focus on being thankful each day for being “Alive & Breathing.” Indeed, in all things, praise the Lord! “Joyful Noise” is a call to us all to sing out and celebrate the fact that Jesus loves us, whoever we are. Amen to that. The aforementioned “Soul on Fire” speeds along, while the acoustic “Your Love Defends Me” is a lovely contrast, musically. Matt’s vocals are faultless, and on “Come As You Are.” He sings to everyone, “Lay down your burdens, lay down your sins.” “Run to the Father” is a powerful ballad, while I found the rousing chorus of “Lord, I Need You,” to be very moving. My only slight gripe was the closing, 9 minute “Come Holy Spirit” featuring Martin Smith, who also gets a co-write on the song. It just left me cold, I’m afraid. Sorry. But, that apart, I was still impressed by this release. 9/10. (May 2020)
MATT MAHER : The Stories I Tell Myself. (Provident Label Group)
“If you lose yourself, there’s a story you can be found in. These are the stories I tell myself,” Maher says of the new collection. Other than that, the press release for this album tells me nothing about the songs. Many people have tried to write a song around ‘The Lord’s Prayer,’ but Matt does it very well, as it opens the track listing. From there, we move to the contemporary worship style of ‘Bigger Table.’ Chris Brown joins Matt for ‘In the Room’ which also has some lovely slide guitar sounds. Another duet features Matt and Lizzie Morgan. ‘Leaning’ focuses on the fellowship between us and God, with the line “I am leaning on your everlasting arms.” This is a really well produced song, and one that I immediately played again. The title track reminisces of Bible stories, and how important they are in the singer’s life. Songs like ‘The Answer is Yes’ and ‘The Way You Love Me’ have a gospel feel about them, and they swing along quite nicely. With 20 tracks on the album, there’s plenty of music and thoughtful lyrics for everyone. Saying that, a few tracks are repeated with live versions. Of the latter, I really enjoyed ‘The Time is Now’ which reminded me of an old Del Amitri song. All in all, a creditable release from Matt. 8/10. (January 2023)
MATT MARVANE : Forever I’ll Sing. (Integrity Music)
French singer-songwriter Matt Marvane has released “Forever I'll Sing" - the English version of "Je Chanterai," a song that traveled widely in the French-speaking church and which is certainly one of the best known songs Marvane has written. Birthed out of a troubled time in his marriage when the artist turned to worship, this song is a testimony of the grace of God turning our most fragile moments into blessings for many. The single offers a worshipful pop folk soundscape on which Scottish singer-songwriter Steph Macleod also lends his warm vocals. Backing music is sparse, but well produced, and gives space for Matt’s vocals to gently convey the beauty of his love for Jesus. 8/10. (April 2020)
MATT MARVANE : There is a Redeemer. (Integrity Music)
When I saw that Matt was releasing a version of this well-known song, it puzzled me to ask why? After all, like countless Christians the world over, I’ve sung it for years both as a member of a congregation and as a worship leader. And, after listening to this version, I know which I prefer. After a faithful rendition to the first half of the song, Matt changes his vocal delivery to a backdrop of nondescript sounds. Because the original song is so familiar, perhaps Matt was on a hiding to nothing here. But, for me, it just didn’t work at all. 3/10. (July 2020)
Born in Zimbabwe, but now residing over here in the UK, Matt committed his life to the Lord shortly after his 13th birthday. His early songs were used to bless his local church, and he has appeared on both South African TV and radio. This album, recorded at Appletree Studios, sees Matt present us with 11 songs, ably assisted some competent musicians. Instantly getting you singing along is "Cling to You" - a nice opener. Matt's acoustic guitar playing has a touch of David Gray style about it, and it's most noticeable on the worship song "Wait Upon You". The song also features some lovely backing vocals from Nancy Sawyer. It's a very personal collection of songs, which seems to depict the singer's own relationship with God, warts and all. The title track tells of "flying" to God's, loving arms, and it's a song that grows on you the more you listen. Matt tries something a little different with the piano led "I Fall Down", but I personally found this to be one of the weaker moments. On the whole, Matt proves that he can not only sing well, but writes some very good songs, too. His hardest task will be to match this quality in the years to come. 8/10. (May 2006)
This is the third recording from Matt McChlery and is a collection of songs that focus on the theme of freedom and Salvation. Indeed, he’s also written a book which also focuses on the theme of salvation and gives a biblical outline as to why we need salvation, as well as an invitation to it. However, back to this 6 track EP. ‘Won My Heart’ was co-written with Ryan Barker-Barnes, and has an 80’s electro sound to it. Declaring God’s amazing power to save, it has a catchy chorus, that is easy to learn, and one that the listener will enjoy joining in with. Starting with those immortal words from John 3:16, ‘Emmanuel’ carries another pleasing chorus, and finds Matt at his best, vocally. Indeed, his vocal prowess sometimes reminds me of a cross between Stuart Townend, and Welsh singer, Phil Lewis. I particularly liked the way that ‘Fingerprints’ reflects upon the idea that God is involved in every part of our lives. He leads us to salvation, takes care of our future, and gives us hope. The lyrics are lovely, but I felt that the song didn’t quite live up to the happy and joyous sound I expected. The title track and ‘Forevermore’ are quite attractive to the ear, while the closing ‘Thank You Jesus For Loving Me’ gives us more food for thought with lyrics such as “Thank you Jesus for loving me, thank you for the price you paid for me”. Focussing and giving thanks to God for the amazing gift of salvation, it reflects quite strongly upon the cross and the broken state of sin that came in as a result. Matt tries to fit a lot into just six songs, but I feel that he does this quite well. Some songs, I can see being used in church for collective worship, whilst others are meditative. All in all, Matt can consider this project quite a success. 8/10. (August 2014)
‘Have You Heard?’ is the new Christmas worship song to be penned by Wisbech (UK) based singer/songwriter and worship leader Matt McChlery. Recorded remotely during the height of Lockdown, this song takes on a story-telling style by inviting its hearers to come on a journey of discovery – to hear the Good News of Jesus, who is God-made-flesh, born as a child on that first Christmas morning. The song has a definite ethereal beginning, with Matt and Kat Mills sharing the vocals. As the song, then, unpacks the fact that Jesus did not remain a child, the music is lifted by some excellent piano sounds. Lyrically, the duo continues the story of Jesus, who grew up to become a man, the very man who died to take away our sin which enables us to have a relationship with God today. This is all celebrated with the chorus; “Come let us adore Him, Jesus Christ, Son of the living God.” I’m pleased to say that this is an enjoyable Christmas song, that I can see being appreciated by a larger audience than just me. 8/10. (November 2020)
MATT McGEE : Worship Through the Valley. (Visionring 757754012246)
This is an album full of fairly personal worship songs, which
are obviously written from experience. It's a fairly laid back
type of style on the whole, the kind of thing you can put on in
the background while you're doing something else. It's mostly
a kind of acoustic guitar led rock album. There is one really
annoying track which has a kind of reversed tambourine being hit
at the end of every line which goes from one side to the other,
it's tedious after the first couple of times because you always
know it's coming. Apart from this, and a couple of songs that
never seemed to know when to end, this isn't a bad CD. So, not
the kind of worship that you can sing along to really, but an
honest attempt to explain what goes on inside. 6/10 Andy Sayner. (April 2004)
MATT REDMAN : The Friendship and the Fear. (Survivor : SURCD001).
Matt needs little introduction to most people, as he is one of
the most popular praise and worship leaders in the country today.
However, like his stable mates Delirious?, I personally find his
songs quite bland. This release begins with the tried and tested
"There is a Louder Shout to come", and is followed by
the uptempo style "Believer". "Bowing Down"
left me cold and I didn't really feel anything until "Can
We Walk Across the Water". There's nothing theologically
wrong with the lyrics and I am not denying that many find this
man's gift inspiring, but it's not for me. "Deep Calls To
Deep" is another highlight on an album that has too many
instantly forgettable tracks. 4/10. (September 1997)
MATT REDMAN : Intimacy. (Survivor : SURCD008)
I must have been one of the few people who didn't think that his
previous album, 'The Friendship & the Fear', was anything
out of the ordinary. Therefore, I wasn't expecting too much from
this new release. However, as on many occasions over the last
three years, I was pleasantly surprised by what I heard. Matt's
idea with this release was to get a reverent closeness with the
Lord, and what better way to start than 'Let Everything....'.
This song is very upbeat and leads into a great time of worship.
The second half of the album is, by far, the best. The superb
'The Heart of Worship' is really brought to it's peak by Matt's
songwriting abilities. 'Now to Live...' is very good, but the
depth and quality of the 'Hallelujah Song' is just something else.
If this album launch is to project Matt's music into America,
they just may well succeed. 8/10. (July 1998)
MATT REDMAN : We Shall Not Be Shaken. (Survivor : SURCD5136)
Matt Redman has always written from experience - whether the earliest reflections on a childhood where he "didn't have much luck with fathers' to the trials and troubles that often accompany the transition to adulthood - and parent-hood. This album sees Matt in a rockier mood than previous releases, and sees a theme of praising a loving father. The title track really does rock, and makes a declaration of a faithful God. 'You Alone Can Rescue' proclaims that He is an unfailing God and deserves the highest praise, and this is thae start of a real purple patch in the track listing. The uptempo rhythm of 'The Glory of Our King' is one song that I can see making it into worship gatherings all over the country, while 'How Great is Your Faithfulness' swings majestically along. It took a couple of plays to really appreciate the album but I grew to love tracks like the triumphant 'For Your Glory' and the terrific praise of 'Gloria'. Although collaborating with various people in the writing of this album, Matt doesn't disappoint. 9/10 (January 2010)
MATT REDMAN : We Shall Not Be Shaken. (Survivor : SURCD5136)
Matt Redman has always written from experience - whether the earliest reflections on a childhood where he "didn't have much luck with fathers' to the trials and troubles that often accompany the transition to adulthood - and parent-hood. This album sees Matt in a rockier mood than previous releases, and sees a theme of praising a loving father. The title track really does rock, and makes a declaration of a faithful God. 'You Alone Can Rescue' proclaims that He is an unfailing God and deserves the highest praise, and this is thae start of a real purple patch in the track listing. The uptempo rhythm of 'The Glory of Our King' is one song that I can see making it into worship gatherings all over the country, while 'How Great is Your Faithfulness' swings majestically along. It took a couple of plays to really appreciate the album but I grew to love tracks like the triumphant 'For Your Glory' and the terrific praise of 'Gloria'. Although collaborating with various people in the writing of this album, Matt doesn't disappoint. 9/10 (February 2010)
MATT REDMAN : Ultimate Collection. (Survivor Records : SRCD5184)
Matt Redman has made a significant contribution to contemporary praise and worship, writing some of the most popular worship songs now used in our churches. Which regular worshipper isn't now familiar with such modern classics as 'Blessed be your name' and 'Let everything that has breath'? Here we have a 'best of the best' compilation - and such is Matt's popularity that most reading this will know what to expect! Whilst I agree that many of his songs are good-uns and he sings well enough, for some reason I find much of his recorded output to be strangely unemotional, disconnected, unmoving - and it proves the case here. I think the often heavily processed lead vocals are partly to blame because they add an artificial edge to the voice, but I also find his arrangements tend to be uninventive and formulaic - 'Dancing generation' is perhaps the worst example on this release. 'Shine' is effective however, 'When the music fades' is excellent - and so are 'I will offer up my life' and 'The Father's song'. The best track is kept until last - the closer 'Yes and amen' is an excellent arrangement of over 6 mins that builds nicely before dropping back into a reflective ending. For me then, a mixed bag. Worth an average of 7/10. David Deeks (March 2010)
MATT REDMAN : Ultimate Collection. (Survivor : SURCD5184)
Although I've obviously heard Matt Redman's music down the years, it still surprised me when listening to this collection, just how many of his songs are sung in the church today. But, there were a few new ones to my ears, and the opening 'You Never Let Go' was one. Not instantly memorable, it does grow on you after a while. 'Blessed Be Your Name' is done really well and builds in power. I particularly enjoyed the extended live version of 'Once Again' - a song that I've taken to heart more recently in my own walk with God. Everyone seems to get very excited with Matt's rendition of 'Dancing Generation', but 'The Heart of Worship' is filled, with pure worship. Of the rest of the worship numbers, then 'I Will Offer Up My Life' and 'The Father's Song' are performed with great passion, while Matt also plays a rousing version of 'Let Everything That Has Breath'. For once, the album title fits the bill precisely. 9/10 (September 2010)
MATT REDMAN : 10,000 Reasons. (5099996785324)
Well, unless you’ve been living on Planet Zog for the last 10 years, Matt Redman needs no introduction to lovers of contemporary praise and worship music. Already a massive hit on both sides of the Atlantic, this album is a live recording, made at the Lift Live Event, which took place in Atlanta, Georgia. The album starts with Matt Redman in techno mood! No need to worry though, as all the usual Redman traits are there to make ‘We Are the Free’ a smashing song. ‘Holy’ is quite a lengthy number, but it does seem to embrace those gathered. ‘120,000 Reasons’ is set to become a Redman classic in my opinion. It’s presented in the style of Charles Wesley hymn, and there is such power in the words. It’s those words that Matt has the knack of putting into song. On ‘Never Once’ I just felt that he was putting into song, the words that I wanted to say to God. In my opinion, the best are left until last. Both ‘O This God’ and ‘Endless Hallelujah’ are destined to become church favourites all around the world. Once more, Matt delivers the goods. 9/10 (November 2011)
MATT REDMAN : Glory Song. (Universal Music : B07596G8SD)
It’s amazing to think that this is the thirteenth album from arguably the UK’s favourite worship leader and song writer, Matt Redman, a journey that started back in 1993 with “Wake Up My Soul”. Matt starts this one very strongly with a very memorable and melodic song, “All Glory” which features American gospel singer Kierra Sheard. I can imagine this one being used in a church near you very soon. In fact, there a number of songs on here that are pretty strong and may well feature as part of several churches’ worship repertoires. “It is Finished” is a resounding anthem guaranteed to raise the roof and your spirits – obviously you can imagine it as a great Easter song, but like the Easter message in general, it is a truth worth singing about anytime. The closer “Your Ways” is another on here that would be easy to learn and sing by your average congregation. It’s not just about simplicity though; for example the graceful “One Day (When We All Get To Heaven)” has a hymn like quality and a little more musical complexity. The sentiment however is simple and hopeful and for that reason, I think people will love it. It’s not a perfect album. Whilst it does strive to include different musical motifs (“Still I Will Sing” being a good example) and it is certainly a different sound to that heard back when Matt started, I think it could be a lot bolder musically. Just a little more variety and risk taking would see this one get top marks. As it is, it fits the expected mould and it sings alongside any Hillsong or Bethel offering but what sets it apart and makes it worthy of consideration is a very good batch of songs. 7/10 Robin Thompson. (December 2017)
MATT REDMAN : Let there Be Wonder. (Integrity Music)
Any release by Matt Redman is looked forward to and a live recording is what has been offered in this recent release. Everything you would expect from Matt; good vocals, competent musicians, good recording and quality songs. The recording has 13 live songs, plus a single. Overall for me, there is too much reverb throughout. The audience was in the mix, rightly, and seemed to be on board with the songs. No songs stood out although my favourite was Send me Lord, - though I struggled with the 'singing oh oh oh oh, send me Lord' bit. I struggle with the oh oh oh oh bits in most songs, as it alienates part of the congregation who don't understand the requirement to include this and the 'whoa whoa's' in modern worship. There’s nothing lyrically too deep and I can imagine many charismatic churches, like mine, picking a few songs out for their services. One thing that did make me wonder was the chorus in 'We praise You' - 'This is what living looks like, This is what freedom feels like, This is what heaven sounds like.' I found it a bit presumptuous but to put it in perspective I included Matt’s own comments at the end of this review. The issue I have with such releases is you do not get the visuals of what is happening. Are people lost in worship? Are lives being changed? Are people being left out, seeing others in worship and not connecting with God? I guess you had to be there (as God was). The album is of good quality, if a bit samey, and for people who connect with God through this type of worship it is great. Matt says in the accompanying press release; “Worship songs will never be able to paint the full picture of God’s glory, but it’s so important that we aim high and give our best effort to conveying Him as fully as we can. When we do this, it’s much more honouring to God, and it’s much more helpful for us. My hope and prayer for this new record is that we’d find ourselves caught up in the life-giving worship of the true and living God. Let there be wonder!” Fair comment Matt. 8/10 Noel Donaldson. (March 2020)
MATT REDMAN : Lamb of God (Live) (Integrity Music)
What is there to say about Matt Redman? Writer of some of our more popular songs over the last few decades. A 14 track live release which continues his passion for worship and leading the church to commune with God. For a live album it is not continuous. There are breaks between the songs which I found unusual. His song writing is unquestionable and lyrically will fill our churches with more of his music. For this release, I found the overall sound of the backing to be a bit indistinct. The reverb merges the instrumentation, resulting in a muddy mix - although the violin cuts through nicely. The spontaneous ‘Amen/Lamb of God’ reprise is typical of what I know his music for. I often do find that this sort of thing is meant for the people actually at the event and, not necessarily, for the rest of us. I feel that it becomes almost compulsory for our worship leaders to follow suit, rather than letting them being lead as they sing the songs with us. Maybe I just prefer studio albums. Matt also gets repetitive. ‘Love is This’ being an example of this. It’s 6 minutes long, and all I remember is a few lines repeated over and over. ‘Halfway Empty’ is the first change of feel, with less multi stacked backing. This lets the lyrics out and gets you to listen more to the song. By this point of the album, I hadn’t consciously detected a change of tempo, and no song had really stood out. But, then, he brings up ‘King of Calvary,’ a song with a lot less backing. It builds up a bit on the chorus but is refreshingly different. After a tempo shift to the slightly faster ‘Praise God,’ there’s is a reworking of Heart of Worship’ which I thought was quite interesting. The album then ends with 2 versions of the earlier ‘Son of Suffering’ - the single version and ‘the Chosen version’ which I enjoyed most. Overall, the album is everything you would expect from Mr Redman. There are songs for the church, repetitive lyrics, big wall of sound backing with the odd highlight in there. I am sure those who have all his albums will love it to bits. It’s difficult to knock Matt and his work, and that is not my wish. But, for me, it doesn’t quite hit the spot. 7/10 Noel Donaldson. (April 2023)
With a web site that described Matt as “an angst pop singer songwriter” I was ready for Emo-rock and so was pleasantly surprised by the more varied music I did get. Opening with a rapped/sung sort-of pop industrial track, I wasn’t ready for the piano intro to the Eminem cover (“Lose Yourself”) that followed (his phrasing is very Eminem on “Fat Lady” so I guess that’s a major influence). That track also picked up a pop industrial feel as it progressed. Matt has a decent voice, strong enough to rise above the very full backing which, as I’ve said has a sort-of pop industrial feel, very solid beats and lots and lots of keyboard work over it, layers of beats and breaks and fills. I’d say there were comparisons with Justin Timberlake (but not his early stuff) to be made. He’s a singer who occasionally raps rather than the other way round (as is very clear when COPE guests on “Save Me”) – playing sensibly to his strengths. The overlaying of multiple sounds and voices works best on tracks such as “Hollywood Machine” where a great deal of the effects mesh well with the lyrical theme and give it an overall cinematic feel. There are two versions of “A Devil Won’t Change His Ways” sensibly separated by a quite different track. Aside from the extra vocal I wasn’t too sure of the differences, though. Overall a very modern sounding and very good album. Best track: “Hollywood Machine” 7/10 Paul Ganney. (September 2019)
MATT SASSANO : In Defiance. (Rocketfest Records)
Matt’s bio says that his music is unlike anything you’ve ever heard before, and with good reason: Matt’s life experience has encompassed intense personal difficulty paired with a unique musical resume spanning a wide range of genres. The result is rock-meets-EDM eclecticism paired with insightful lyrics, breaking down barriers to connect with fellow underdogs and overcomers. The opening ‘Dear God’ is a plodder, with Matt’s vocals reminding me of My Chemical Romance. Music-wise, there’s distorted guitars and a pounding beat, as the singer cries out to his Father. The style remains the same for ‘Sorry is a Dirty Word,’ where Matt is joined by Azariah for a moving duet. There’s more EDM used in the storming introduction of the title track, before the crashing guitars enter, once more. Sadly, at times, his vocal FX make some of the lyrics difficult to hear. A pity, really, as the make-up of the song is very good. ‘Guilty Pleasure’ wraps up the track listing of this EP, in which Matt shows off his talent in song writing and music production. One to watch out for in the future. 8/10. (October 2022)
Matthew is a singer-songwriter and actor from Atlanta, Georgia. He has appeared playing guitar and/or singing on films such as Pitch Perfect 3, The Change Up, What to Expect When You're Expecting, Boy Erased, Come Sunday, A Question of Faith, and the television shows, The Vampire Diaries, The Baker and the Beauty, and American Soul, with live performances on a variety of television programs such as AtlantaLive. This is the first release from his upcoming album. Crisp acoustic guitars and vocals start of the song, before being joined by some percussion. Lyrically, Matthew sings; “Running on empty; Running on fumes; I need your mercy; fill me with you. I’m dry and I’m broken, I need your touch; Come and fill me Lord.” The production is excellent on this recording. Vocals and instruments sound so good that it’s almost as if Matthew was in the room with you. Another new artist for me, and a super release. 9/10. (June 2022)
Worship Evangelism reflects what Matthew’s heart wants to do--what it feels called to do. “There's nothing I enjoy more than drawing people into the presence of God, but it's more than just leading worship on Sunday mornings. It's a deep desire to write songs for His glory--songs that speak and touch and heal. Songs that draw people to the Father. Songs that are alive and full of His presence and purpose. Songs that meet people in their brokenness and journeys with them to Jesus,” says Hawk. Ahead of his slated summer EP release, comes this brand new song ‘Glorify Your Name.’ The style is certainly contemporary, but not in mega-church way. There’s a definite individual sound, led by guitars and keyboards, with some driving percussion, too. Vocally, Matthew takes the lead but there’s some nice backing as well. To get the theme of the song, lyrics include; “Take all the pain; all I have; I wanna see your glory, My King; I am dead to this flesh; your holy spirit lives in side of me.” Then, we get to the chorus. And, yes, it’s one of those that stays in your head for some time after! Well worth an 8/10, as we wait for the 7 track EP! (April 2023)
From Gardenstown, Scotland, comes 10 year old Matthew James McKay with an album of gospel songs and hymns. Matthew was heard singing in the audience of a concert, when choirmaster John Buchannan picked him out. God was certainly smiling on that day, because under the guidance of John, and his mother, Roseanne, Matthew has produced an album of real quality for one so young. I'd not heard many of the songs before, yet, they soon became familiar as I listened to the young man's vocal quality. Roseanne takes the writing credits for the opening 'In My Work and Play'. It sounds like an old fashioned hymn and Matthew tackles it well. There's some country gospel, in the shape of 'I'm Glad I Know Who Jesus Is', and on songs like 'Pass Me Not' and 'Mansion Over the Hilltop'. Matthew's voice never falters. 'Precious Memories' swings along, while 'Ten Thousand Angels Cried' took my vote as one of the strongest cuts. Apart from 'How Great Thou Art', Matthew and the team have to be congratulated on picking out some of the lesser known gospel songs for this album. Producer, Paul Gardiner, has also been a great help to this fledgling career, and I wouldn't be surprised if Matthew was invited to appear at next year's Whitby Gospel Music Week. A Christmas album is already being recorded, and I, for one, can't wait. 9/10 (October 2011)
Hot on the heels of his debut album earlier this year, 10 year old Matthew James McKay releases his second collection of gospel songs. Once again, recorded and produced by Paul A Gardiner, this release really takes things up a notch with polished vocals, backing vocals, and overall sound. More at home in the studio, the second time around, Matthew seems to be more confident than on his previous outing. The result is the most enjoyable album I’ve heard, of this genre, for a long time. There’s a really strong start to the album, as Matthew sings ‘I Want My Stage to Be An Altar’. Written by Nick Akin, the song suits Matthew down to the ground. That’s followed by an old country sound on ‘What a Lovely Name’. Had It Not Been’, ‘The Haven of Rest’ and ‘Because He lives’, are just so well sung, and the added backing vocals lift Matthew’s voice to new heights. ‘The Lower Lights’ gives him chance to duet with his vocal mentor, John Buchanan, and ‘Here Is Love’ features some thoughtful music. The album’s title track is sung as if it’s his own, and Matthew proves what a great talent he has. The opening song features the lines; “Some perform to thousands, and some to just a few; But numbers aren’t important, just gotta do what we can do.” A great sentiment, and one that will serve this young man well in the years to come. An absolute joy to review. 10/10. (November 2011, Album of the Month)
It’s been a great joy to follow the fledgling music career of 12 year old Matthew James, over the last 18 months. With singing engagements all over his native Scotland, and Ireland, tis young man is certainly in demand. For this, his third, album producer Paul A Gardiner pulls the strings once more, and provides guest musicians to compliment his own talent. The opening ‘God’s Not Finished With Me Yet’ is a foot tapping, country gospel number, written by Matthew’s mother, Roseanne. His voice never falters on ‘What A Friend We Have In Jesus’ – a great vocal gift for one so young. He duets with his former choir master John Buchannan on ‘The Old Rugged Cross’ and ‘Burdens Are Lifted’, and both songs are pure quality. ‘God on the Mountain’ is a medium paced song that you just can’t help singing along with. I found it very infectious. Roseanne’s second writing credit comes on ‘Tested By A Trial’. The music on the album is great throughout, but at it’s best on this very personal song. The big surprise for me was Matthew’s version of the Julie Miller classic ‘How Could You Say No To This Man’. I’ve never heard anyone else sing this song, but Matthew gives it new life. Old gospel songs seem to be staple diet for this young man, yet he also gives a fine rendition of the more modern title track. With his family guiding and encouraging, Matthew James looks set to make a fine name for himself and his ministry. 10/10. (December 2012, Album of the Month)
MATTHEW JAMES McKAY : My Gospel Journey. (www.matthewjamesmckay.com)
Regular readers of NFN will know that I’m a big fan of this young man. Over the last three years, he’s released three CD’s and now goes that step further for his debut DVD. Produced by Christian Faith Ministries, it features 12 songs previously available on CD, with Matthew James (aka MJ) singing whilst on location at such sites as the coastal town of Gardenstown, and breath-taking scenery from the Isle of Skye and around the north east of Scotland. Yes, it’s been done before by the likes of Daniel O’Donnell and Marilla Ness, but that doesn’t detract from this very good production. MJ’s vocals are smooth and soothing all the way through and the opening ‘The Haven of Rest’ sets the tone for the rest of the collection. ‘God on the Mountain’ has always been a favourite of mine. It has a lovely, country feel about it, and I’ve played it on air a few times in the past. I smiled at ‘I’d Rather Have Jesus’ as MJ strums his acoustic guitar – an instrument that almost looks too big for him, and reminds me that he is still only just a teenager. Including a couple of duets, songs of note are ‘Burdens Lifted At Calvary’, ‘You Raise Me Up’ and ‘In Christ Alone’. A minor moan might be that the pace of each song hardly changes. Saying that, the formula is tried and tested, and has thrilled his listeners in his native Scotland, as well as Ireland. The DVD is a terrific piece of work and will bless many. Long may MJ continue his gospel journey. 9/10. (March 2014)
It’s been a great pleasure to follow Matthew James’ (MJ) singing ministry over the last five years. From his debut Cd release as a ten year old boy, he has developed into a very talented young man, with a big heart for God. With Irish producer James Strange at the helm, this new 12 track release sees MJ tread a path in the light country mould akin to that of Daniel O’Donnell and Charlie Landsborough. First up is the foot tappin’ “Wouldn’t Take nothing For my Journey Now.” That’s followed by “I Want to Stroll Over Heaven”, which is a slower song, were MJ’s warm vocal tones easily glide over the lyrics. Most of the backing music is provided by the talented James Strange. However, MJ shows his prowess on both acoustic and electric guitars. There’s a honky tonk feel to the duet (with Strange) on “Where Could I Go”, while some pleasing orchestral sounds provide the backdrop to “What a Day.” Production is first class throughout, and this easy listening album easily slips from one song to the next. “Praise the Mighty Name of Jesus” shuffles along, with MJ’s brother James Scott on drum, sister Hannah Louise on ukulele, and his mother, Roseanne, on piano. “Far Side Banks of Jordan” had me comparing the sound to something from the Grand Ole Opry, and it’s got real Nashville style to it.. MJ’s vocals have obviously changed as his tender years have passed, but his deeper sound gently caresses each word. “Christ For Me” is another a lovely song of praise, where MJ provides his own harmonies, as well as the lead vocal. I soon found myself singing along to this one very quickly. “Tears Are a Language”, “Till the Storm Passes By” and “If We Never Meet Again” provide the closing songs to, what is, a charming album. 9/10. (October 2016)
Recording since the age of 10, this is Matthew James McKay’s 5th album release. However, this time, Matthew (MJ) has recorded and produced the recording himself. If that’s not enough, he also plays most of the instruments, and shares backing vocal duty with his sister, Hannah Louise. Keeping it in the family, the youngest McKay member, James Scott provides the drums. There’s almost a feel of a marching band, on the opening version of “How Great Thou Art.” MJ’s vocals are crisp and strong from the start, and are ably backed by his sister. Indeed, their voices work well together throughout, including on “What a Beautiful Name.” This song contains some driving guitar rhythm, as well as delightful solo. Arrangement wise, MJ has plenty of ideas. “King of My Heart” benefits from some Celtic tones, while “Hosanna” has a brand new feel about it. I smiled at the opening guitar solo for “The Arms of My Saviour,” as it must be Clapton influenced. The title track of the album is one of my favourite songs of recent years and, here, MJ gives it the perfect treatment. I’ve been fortunate to follow MJ’s music progress since those early days. This album is a real step forward from his previous releases, and its hats off to him for all the hard work in making this recording so good. I must have sung and heard “Our God is Greater” hundreds of times, yet MJ’s version is fresh, complete with distorted power chords. On the gentler side, there’s “For All That You Have Done.” I love the multi-layered vocals, and the sustained guitar effects. It’s another terrific piece of work. I can only see MJ’s musical gifts getting even better in the years to come, and it will be interesting to see where they lead him and his siblings. A truly remarkable release. 10/10. (December 2018, Album of the Month)
Matthew Jones is the former lead singer of the alternative rock band Right Hand Shade. He launched his solo career last year with a single called ‘Where Would I Be Without Your Grace – which also opens this independently released album. The album has a decidedly 80s sound that reminded me of Hall & Oates in their heyday. ‘Room’ is a rather disjointed number, which blends spacious electronic sounds with a host of layered vocals. The song itself is all about “making room” in your life for God. The title track is performed in similar style and I found it rather difficult to enjoy the production. ‘This Fire’ (in my soul) is much better and consists of a more tuneful end product. I like the way that the percussion drove it along. ‘Never Stop Choosing You’ is the real highlight of the album, for me. It’s a middle of the road pop number that would certainly me my pick for radio play. Subsequent plays of this release saw me appreciate the overall sound better. So, maybe it’s one that will grow on me. 6/10. (May 2024)
MATTHEW MACAULAY : As for Me. (Authentic : 8204792)
Matthew is a worship leader based in Chorleywood, UK, and this is his debut album featuring 11 original worship songs. As a young and upcoming worship leader one might expect something with a unique sound, edge and approach but, surprisingly, I found this album to have none of those. Matthew is credited with demonstrating a maturity beyond his years, which is great, but unfortunately this seems to manifest itself on this album by giving us 11 songs that sound rather dated, if I'm honest. The first two particularly, "With all my Heart" and "God you are my God", echo the eighties worship albums from Spring Harvest with a little bit of Matt Redman thrown in. Things start to get a little more Vineyard in sound as the album progresses but then so many others are trying to emulate that, so I was still hoping for something fresher and more unique. Maybe expectations have coloured my perceptions of this album - maybe this really is excellent but I can't see because I'm disappointed - I'm willing to accept that it may be the case. However, whilst I cannot doubt that these songs are probably a hit in his home church, I have to wonder if they have the potential to have a wider appeal than that. 6/10 Robin Thompson. (December 2008)
MATTHEW WEST : Brand New. (Story House Music)
Matthew West has been around the Christian scene for a long time. Nearly two decades in fact! Whether as an artist himself, or writing songs for others, he’s obviously gifted. The song, “Brand New” is testimony on how the singer came to know Jesus. A nice beat, helps the ditty along the way. “Walking Miracles” tells us to look around at all the people around us. Some of them have fantastic stories to tell, and are proof that we should never give up in prayer. “The God Who Stays” and “Grace Upon Grace” are both big production numbers, with the former raising a tear or two in this reviewer’s eye. And, if that doesn’t have the same effect with you, then “Too Young, Too Soon” will! Written about the suicide of 6th grade school fiend of his daughter, Matthew highlights just how lonely some people can be. On a more positive note, Matthew celebrates the person God has made him, on the Michael Buble style “The Me You Made.” And, as a follow up to that statement, he tells of what he might be without God, on “Without You.” This is a duet with one of my current favourite new artists, Leanna Crawford. Now, I know that there are only so many musical notes in existence. And, sometimes, there may be a slight similarity in songs by artists, who are poles apart. But, as soon as “Looking Up” began, I was singing the first verse of Dire Straits’ “Rome & Juliette.” Am I the only one to notice this? Anyway, in my opinion, the best track is left until last. I loved the rapid percussion to “The Man Who Needed Grace,” and it really did seem to be the stand-out song. No doubt, long-time fans of West’s music will have their own views. 7/10. (June 2020)
MAVERICK CITY : The Maverick City Way. (TRIBL Records)
Five-time GRAMMY Award-winning music collective Maverick City Music announces the release of ‘The Maverick Way’ EP, via TRIBL Records. It features collaborations with Noah Schnacky, Tasha Cobbs Leonard, Bobbi Storm and Wande, but begins with ‘Crazy Love’ – featuring JWLKRS Worship. Imagine the likes of Westlife singing praise and worship, and that’s the sort of sound coming here. ‘God Problems’ starts off quite well, but suffers from its 9 minute 50 seconds length. The song repeats the same words over and over again from mid-length, and just becomes tiresome. With the following two songs being of similar length, I hoped that they wouldn’t follow suit. Sadly, those hopes were dashed by the shouting of Tasha Cobbs Leonard, and the repetition of few lyrics on ‘More Than Able.’ I’m guessing that this EP is a live recording, and maybe you had to “be there,” but this track is truly mind numbing to a guy in the UK, listening for the first time. Naomi Raine provides some relief as she leads everyone with ‘Promises.’ In this song, the singer professes to still “Bless” the Lord, even during hard times. I really wish that I’d stopped listening after this song, but I didn’t. Why do some singers think that shouting the words at the top of their voices make things better? ‘Firm Foundation’ features some of that, plus an annoying mid-song rap, that left me totally cold. The best track is left for last, as Forrest Frank delivers a slow RnB gospel number called ‘No Longer Bond.’ It’s a rare highlight of this EP. After winning 5 Grammy’s for their music, I feel I must be missing something in not being totally bowled over by this release. But, I’m sorry, it didn’t do a lot for me. 4/10. (November 2023)
This album was, apparently, four years in the making, Mawcore’s singer Josh Redding states; “It was a challenge to encourage everyone to hold on and be strong. Whatever it is that you are facing, you have been called to face. Whatever trial, tribulation or challenge we are currently dealing with, we are made for these things. We are all facing battles that seem impossible to overcome. We are troubled on every side, but instead of running in fear, we are being called to go to war with these trials.” Well, that’s certainly the message of the title track. An energetic rock number, it’s followed by ‘Against the Wall,” a slightly slower but, nevertheless, a hard hitting song, complete with searing guitars. The hard rock formula continues throughout the album with ‘Prevail’ and ‘Not the One’ coming over as early highlights. ‘Past Is Past’ looks at letting go of hurts and asking for forgiveness, while ‘Rise Up’ chugs along as Redding sings of rising up from the lies and deceit that have gone before. There’s a great bridge, mid-song, that really makes you listen and take stock of what’s been sung. ‘Times’ and ‘Here Me’ sees the band take their foot of the pedal, pace-wise, but the song quality doesn’t dip. A positive mention of Redding’s vocals here; Despite the crunching guitars and pounding drums, I could hear every word that he sung. Not once, did I notice that he was lost in the mix! This is my first taste of Mawcore’s music, and I was pretty impressed. 8/10. (February 2024)
MAYFAIR LAUNDRY : Scrub. (Pamplin/Word : CD ORCD9725).
Based in California, USA, Mayfair Laundry formed over 2 years
ago when the critically acclaimed band Clay House drew to a close.
Three of the band have now been joined by Shannon Woolner, who's
vocal contributions to this album lean very much towards the sound
of No Doubt. The opening "Bucket Brigade" begins with
a brass ska sound that is only once more visited in "Wavy
Gravy". There's almost a mad feeling about "I Want lovely
Feet" - to follow in Jesus' footsteps - and "Swing Your
Partner" but it's the acoustic based "Wonderful Wonder"
that makes you really sit up and take note. Catchy, simple, easy
going, and one you will want to play over and over again. It's
guitar driven pop, on the whole, with the aim to reach teens and
encourage the church. Not an instantly likeable album., but it
has started to grow on me. 6/10. (June 1998)
Long standing readers of NFN will have, no doubt, noted several top scoring reviews from Caspar and his band over the last few years. However, this one is a little different. A full instrumental release, just the guitar of Caspar and the violin of Renae Truex tuned to 432 Hz—the supposed healing frequency. Caspar says; “The idea came to us whilst playing in Manchester (UK) this past September as we played in several churches.” Sometimes it can be difficult to review an instrumental album, as there are no lyrics to back up the individual titles. But, musically, I was instantly transported to days of old by the sound of the opening ‘Ancient Doorway.’ The violin and acoustic guitar are a perfect match for each other. Following this track comes ‘On the Shores of Gloucester’ – a peaceful number were the exquisite tone of both instruments, is truly delightful. It was hard to pick out a favourite track, but the cascade of guitar notes mid-way through ‘Inside the Court Tythe Barn” and “In the King’s Prayer Room” made them very special. Throughout the album, Renae weaves her magic, with the equally sensuous playing of Caspar’s guitar. For me, this album touches and uplifts the soul. In today’s rushing world, it was nice to take time to listen to the music, and rest in the love of our Saviour. The delicate arrangements of each track, keeps the listing fresh and interesting, and results in a wonderful offering of musical wonder. 9/10. (February 2024)
MDSN : Who We Are. (Integrity Music)
"'Who We Are' was written to be a revelation to an insecure generation," shares MDSN about the new single, "A lot of us know who we are generally, but we don't really KNOW to the depth of what we should know. 'Who We Are' is a reminder of identity, and I'm happy to be the voice that brings it." This young lady performs this song with more than a passing nod to Ariana Grande. The style is sugar-coated pop that WILL appeal to teens, so, I’m sure that her message will be heard by many. “We are called to lift the culture out of sin’s debris; we Won’t live silently; Jesus is our everything; This is who we are.” Hopefully, we’ll hear more of MDSN (Madison) in the future. 7/10. (November 2019)
MELANIE : Deep. (Maranatha : 50285 1903012 2)
So, following the recent chart success of Stacie Orrico, we find
another young lady trying to capture the teen market, with pop
songs based around the Britney Spears sound. Melanie has, it appears,
been recording for years, but this is her first major release.
The songs are, sometimes, rather quirky but each one carries a
simple gospel message. The opening "1..2..B With U (see how
the spelling's done?) is one of the best on the album and is a
testimony of the Lord she wants to follow.. also high on the list
of goodies, is the slower "Do They See Jesus In Me?",
where she questions how she lives as a teenager in today's world.
"@ the C" has an infectious Arabic sound to it while
"U 4 Me" has a more rockier feel. Both songs are quite
catchy and I can see the younger market enjoying as a whole. 7/10. (June 2004)
Melanie’s testimony includes: Haunted by a childhood of darkness, fear and abuse; a young adulthood of suppressed feelings, manipulations and lies; and impending personal and financial ruin, my life was changed forever in a miraculous personal encounter with Jesus. Restoration of every kind was received. I want to tell you about my miracle to encourage and inspire you to press on to the great fullness that awaits you in Christ. Produced by Michael Farren, Melanie has released three new songs. The first, “Heaven Come Down,” features Alisa Turner, that has a gentle, country sound to it. “What if your breakdown is a breakthrough; and the unknown is a new view of Heaven coming down?” It’s a lovely song and beautifully sung. “Look What Love Has Done” adds a little more music to proceedings, and Melanie provides excellent vocals, as does Farren. The lyrics are all based around the title, and Melanie declares that because of this, her life is a miracle. The third number is one of those that you just have to join in with. The chorus, particularly, has a triumphant sound to it. “He will lead me, there is no place I will go, where He hasn’t gone before. Right into victory, the glory is the Lord’s.” In fact, I loved this song so much; I just had to play it again! A thumping beat and great sound overall. I’d not come across Melanie Waldman before, but I think that is about to change. 9/10. (June 2020)
I came across Melanie’s music with her self-titled EP of 2020. A 9/10 rating meant that I was very impressed with the track on show. This new song sees a very soft vocal delivery, singing praises to God. Keyboard sounds provide much of the musical backing, and this lends to a clean production overall. “Praise the name of the Lord our God, He is lovely, He is kind; Praise the name of the Lord our God, He has saved us.” It’s a very pleasant sounding song, and I hope that this is a taste of what’s to come from Melanie. 7/10. (April 2021)
MELANIE WALDMAN : To Know You. (Wings Music Group)
Melanie Waldman is devoted to writing and leading songs that point people to Jesus. The award winning songwriter uses her musical gifts to help create intimate moments for people to connect with God. An atmospheric opening greets the listener. Melanie quietly sings the first verse with an, almost, breathy tone. The song continues in gentle pace, but increases in sound as she sings of God’s love and Him inviting us to get closer and know Him better. A middle-eight comes across as well, before the chorus hits once more, with a crescendo of sound. The song is quite engaging, and worth a creditable 7/10. (July 2023)
MELISSA BRADY : Shine. (65South Label)
Melissa’s enthusiasm for ministry, excitement about the Lord and genuine love for people has influenced hundreds of people around the world. In the past few she has performed on the Gaither Homecoming Concerts with her husband Jim Brady – who has co-wrote many of the songs on this album, with Melissa. It’s the first time that I’ve heard any of Melissa’s music but, let me tell you, she has a great voice. The opening “Finest Hour” sets the standard, high, for most of the songs. It’s followed by a lovely ballad called “The Warrior is a Child.” The song is about the armour of God, and how it can protect you. There’s a bright gospel sound to “It’s Your Song Lord,” but I wasn’t taken by the duet with David Phelps, “Just Beyond the River Jordan.” It took me a while to try and choose any comparisons with other singers. But, eventually, I imagined the style of Sandi Patti, with a hint of Amy Grant pop. The latter certainly came out on the wonderful “Because of You.” My favourite song was “You Are.” It begins as a pretty little ballad, but builds dramatically with vocals and instrumentation. Melissa sings that God is her everything. “You are my joy, my hope, my peace.” A super song! Finally, sounding like something from a Disney film, there’s a song about what “Heaven” is going to be, when we get there. So, to sum up, this is a really good album, and it’s about time that the UK woke up to Melissa Brady. 9/10. (October 2019)
This is Brighton based singer/songwriter Melissa Hubert’s second solo album. Like its predecessor, it’s been produced by former Phatfish keyboard man Mike Sandeman. Melissa says that “Most of the songs relate directly to bible characters in a story-telling format that aims to make their perspectives more relatable to a modern audience”. However, ‘I Surrender’ sees Melissa baring her own soul on a song were her vocals simply soar above some wonderful musical backing. The title track tells of a battle and to “stand fast”. I actually thought that the rocky music didn’t do her vocals any favours, as Melissa’s voice is so melodic and pure. ‘Rock of Ages’ is based around the traditional hymn of the same name. With twists and turns, she makes this song into a classic of the future, whilst still remaining faithful, in parts, to the original. There are some lovely musical waves on ‘Rachel’, while ‘The Watchman’ creates a sound like a film score. Production is excellent, and I simply love Melissa’s vocals in this one. ‘You Made Me So’ has a glorious chorus, while ‘Why O Why’ lends just a passing nod to the pop harmonies of The Corrs. Certainly, it’s a very catchy number. Sandeman produces some fine orchestral sounds for ‘The Prophet’, lending all his years of experience to Melissa’s lyrical depth. Over the years, I’ve been fortunate enough to hear some fine, independent releases by female UK artists. Nancy Sawyer, springs to mind, as do Catherine Francis and Helen Sanderson-White. Melissa Hubert is up there with them, as a very talented young lady. 9/10. (January 2015, Album of the Month)
If you like Southern Country Gospel this will fit in your collection quite snuggly. Melissa has a voice which typifies the musical style, with matching arrangements, and the cliché Christian phrases and predictable chord changes. Romantically emotionally, the album draws songs such as “Stand Together as One” and typifies the whole track listing. Yes we need to stand together as one in these times, in fact all times! I struggle with the dated lyrical style of Southern Gospel. It was nice to hear a bit of Handel’s Messiah thrown in! Maybe I am the wrong audience for this. Personally, I liked Dallas Holme back in the seventies, I sang in Jimmy Owen’s musicals, and I played bass in Young Messiah (arranged by Tom Parker for the New London Chorale) and this style is still there for those who like it. I have many friends who would really like this and nostalgia is good, but I am not sure it should remain unchanged these days. Do people still talk using this terminology today? It isn’t in downtown West Yorkshire. Back to the music, and there’s nice use of the saxophone. Despite my earlier personal comments, the album is very listenable. (Good backing vocals, by the way.) I liked the background arrangement of The Blood Still Flows. I was listening for the movement, which you would hear missing if not there (if you know what I mean) musical phrases which are hidden but great when they sneak into your consciousness. 7/10. Noel Donaldson. (August 2020)
MERCY ME : Almost There. (INO Records : 080688613327)
Formed in 1994 Mercy Me were originally based in Oklahoma City.
At the invitation of an evangelist friend in Dallas, the band
moved to Texas and quickly found themselves playing as many as
200 dates in a year, with their and worship with a modern rock/pop
flair. For this 7th studio album, Mercy Me combine layered guitar
work, with plenty of synths, and percussion that, I believe tries
to produce an attack minded CD. Does it work? Well, no! It took
me three listens to pick out anything positive about the finished
product, bar the lyrical content. Their rock approach is just
so dated - a sort of early 90's version of Split Level without
the polish. Personally, I eventually found their slower numbers
like "Cannot Say Enough" and "House of God"
to be the best. "Almost There", for me, just turned
out to be one of those albums that really meant very little. Sorry.
2/10. (August 2002)
MERCY ME : Spoken For. (Integrity : 621827)
When I received this album it showed me just how jaded and cynical
I have become - my first thought on seeing the picture of the
band was that "they must be Christians because they don't
look like they just stepped out of a magazine". Hmmm …
But enough aesthetics, what about the music? Well, Mercy Me have
3 Dove awards under their belt as a result of their debut album,
"Almost There", and this follow up has garnered five
further nominations so the pedigree is certainly there, and the
sound is certainly slick and well-presented. There are a few shades
of Delirious? in there, as well as a smattering of other influences,
but it never seems quite sure where it is going and too many songs
sound too similar particularly in the first half. The quieter
songs are the highlights, with some excellent use of melody and
harmony, and "The Love of God" especially is a beautiful,
worshipful song. Overall impression - lyrically strong? Yes. Uplifting?
Certainly, but all a bit too "CCM by numbers" for me
to get really excited. 7/10 David Cooper (April 2003)
MERCY ME : Coming Up To Breathe. (INO : 38722)
How many times do you play a CD for the first time, and simply sit there with a satisfied smile on your face? This is undoubtedly the best album that I have had to review for NFN. Mercy Me are a rocking Canadian band led by the tremendous voice of Bart Millard. Regular readers may recall that Bart's 'Hymned' project gained a fairly lukewarm review from me a while back. Here he heads something entirely different, and this is clearly where he belongs. Going mainstream in 2001, Mercy Me have evidently become one of the most popular Christian bands across the pond. Whilst I understand that previous offerings have featured a pop/rock sound, here they head into full-on rock territory whilst still including some slower numbers. The impression throughout is that the Mercy Me members really know how to play off one another. All aspects of the performance are so tight and simply 'together', and production (by the justifiably well-known Brown Bannister) and mixing so professional, that it shows other bands how it should be done. As well as delivery being so spot-on, writing is grown-up and polished - including lyrics that skilfully reflect personal crises that some of the band members have evidently been through recently. It is difficult to pick stand-out tracks because the whole album is so good. For me, 'Safe and Sound' came over particularly well on first listen, and I found 'I would die for you' to be an especially strong arrangement. 'One trick pony' doesn't quite measure up to the rest in my view, but it's a close thing. What a boatload of talent. And they even have an excellent web site www.mercyme.org. Excuse me while I press 'play' again .... 10/10 Dave Deeks. (September 2006, Album of the Month)
MERCY ME : Almost There Platinum Edition. (Ino Records)
Alright, hand on heart time, I'll admit it: I was pre-disposed to slate this record. I hate the (seemingly) cynical way in which record labels release an album, wait a pre-decided period of time and then re-release said album, perhaps with a few extra songs, maybe even a hastily-shot dvd, all the while safe in the knowledge that the devoted fans of said album will rush out and purchase, the re-released album, which is essentially the same product but with different packaging. All of which is not to say that "Almost There" the debut INO Records album for American band Mercyme is no good. Far from it, the album contains several top songs, including "I Worship You", the stonking "House of God" and of course, "I Can Only Imagine" which, in part at least, seems to be the reason for this re-release. What you actually get with this package is the whole original album, plus a bonus disc with three versions of "I Can Only Imagine" which differ in varying ways from the cut on the album, along with illuminating song by song and history of the band chats with lead singer Bart Milliard, and the video for that song. If you're a fan of Mercyme, you probably already have the album. I wouldn't be sure whether to recommend this release to you or not, as while the interview segments are interesting, and caused me to see the band in a much more positive light, they probably don't say anything utterly groundbreaking. I did find myself being drawn in to the band as I went through this release, however. Overall, points to the band for originally making a thoroughly essential modern worship album, but major complaints to the label for its cynicism in pushing another edition of the album on an already-saturated record buying public. 6/10. Haydon Spencely (March 2007)
MERCY ME : The Generous Mr Lovewell. (INO : 48132)
Mercy Me have more than cemented their place as one of the top bands in Christian music today, and this is their 7th studio release. They've also been named as Billboard magazine's "Christian Song Artist of the Decade. However, if my memory serves me right, this collection of songs is much more pop orientated than their previous outings. God's love seems to be the theme of this album, and it all starts to fall into place with 'This Life'. It's a super song and tells that each one of us is meant to shine for God. The title track is a superb radio friendly number but, even that can't touch 'Crazy Enough' in the "best song" stakes. It has a slight Latin feel to it, is well sung, and is so catchy. We can all work together to change this world, is the message, and why not? Most songs appear to be written by Mercy Me and Dan Muckala, and it's a marriage that has produced some fine songs. Both 'Back To you' and 'Remain the Same' have been replayed on my player, and I just feel that this is a really good album. 9/10 (October 2010)
MERCY ME : The HURT & THE HEALER. (Fairtrade Services/Provident).
One of the perks about being a media reviewer is, that you sometimes get hold of albums before their official release date. This was the case with the new Mercy Me album, and I was keen to give it a whirl. The band have become one the leading Christian bands over the last ten years, and lead singer, Bart Millard has an exceptional voice. The title for this new release emphasises the deep need for healing, and the God who provides it. The opening ‘You Know Better’ is a strong song, about following Christ instead of your own way. The guitars chug along, and Millard’s vocals never waver. On ‘You Don’t Care At All’, I thought that the band had a similar sound to Maroon 5 and, the more tracks I heard, the stronger that feeling got. The title track wasn’t an instant favourite, but the more I heard it, the more I liked it. ‘To Whom It May Concern’ has a lighter feel about it, while the declaration of God’s love in oneself on ‘You Are I Am’ is a timely reminder of just how much we owe God for being in our lives. Mid-album, there’s a long, drawn out track called ‘Take The Time’ that just didn’t work for me. Indeed, the album had begun brightly, but seemed to have faded somewhat by the time I go to the end of the track listing. ‘Hold On’ was the best of the latter numbers, with it’s jangly guitars, but I finished this review feeling just a little disappointed. 7/10. (June 2012)
MERCY ME : The Worship Sessions. (Fair Trade : 000768504123)
This is a collection of popular worship songs, classic hymns and original tunes from the early days of one of CCM’s most popular bands. There’s quite a few well known songs featured, but also one or two that were unfamiliar to me. Kathryn Scott’s ‘Hungry’ gets a simple piano based backing, and the result is a very touching version. That’s followed by a great version of Hillsong’s ‘Hosanna’ and a light rock version of ‘Mighty to Save’. In between those songs is a rather luke warm version of Delirious’ ‘My Glorious’. Somehow, it just doesn’t do the song justice, and lacks the passion of the original. The acoustic led backing for Phil Whickham’s ‘You’re Beautiful’ is just perfect but, then, I’ve always loved this song. Songs like ‘Hearts Sing Louder’ and ‘Psalm 139’ didn’t go down quite so well, but I did like Mercy Me’s rendition of ‘In Christ Alone’. Not an album to push back the frontiers, but quite enjoyable nevertheless. 8/10. (June 2013)
MERCY ME : Welcome to the New. (Fairtrade : 696859309328)
Well, better late than never, I finally received a copy of Mercy Me’s 8th studio album. It was originally released last year but, for whatever, reason, my copy went AWOL. For those of you who didn’t catch up with it either, then it’s a little bit of a change in style for one of CCM’s most popular bands. Yes, there’s still some guitar led moves, as on “Gotta Let It Go”, but there’s also some electronic synth’s being used too. “Burn Baby Burn” for instance almost goes into Europe and “Final Countdown” territory. I had to smile at the title track because both the rhythm and beat reminded me of the theme tune from the TV series Friends! I must admit that I liked the lighter sounds on the album the best. “Greater” and “Flawless” are both easy on the ears, looking at God living inside you, and the power of the cross, respectively. “Wishful Thinking” has a touch of soul about it, while I really liked “Dear Younger Me”. Have you ever thought about what you would say to your younger self? I’ve been doing just that recently, and this song really pulled my heartstrings. It goes without saying that this album has already been well received by fans and media alike. Although not a big fan myself, this album certainly didn’t disappoint. 8/10. (October 2015)
MERCYME : Lifer. (Fair Trade : 69685931095)
This is MercyMe’s 9th studio album, as they continue to evolve their musical style. Removed from their last release, are the electro-synth sounds, and in come brass and layered guitars. The title track has quite a funky feel about it, while the song itself is a reference to the promise of accepting Jesus in your life is forever! “You Found Me” races along but I was put off liking this number due to the drawling vocals. Similarly, I wasn’t too keen of the rap mid-way through “Grace Got You.” For me, it just spoilt a good song. Of the slower songs, “Even If” seemed to meander along without really getting anywhere. However, the same can’t be said of “We Win.” This is a classic pop song that uses the sport of boxing as an analogy. If you’re “down for the count,” or thinking of “throwing in the towel,” with God as our Father, we will win. I find MercyMe to be a bit of an enigma, as they seem to change their sound with each release. Maybe that shows how they’re maturing as musicians, I’m not sure. This album does have other highlights, such as “Heaven’s Here” but at times I found the overall content to be a little dis-jointed. 7/10. (September 2017)
MERCY ME : I Can Only Imagine. (Fair Trade : 3621185059)
Well, what plaudits haven’t already been said about this “Very Best of” album from possibly CCM’s most popular bands? And who am I to disagree? The band say that this compilation of songs is like a “musical Scrapbook” of their career so far. There are thirteen songs on show, and it all begins, and ends, with the title track. The former version is, apparently, the one used for the soundtrack of the, much maligned, film of the same name. Personally, I liked the revisited version best, complete with excellent orchestration. “Here With Me” plods along like an old fashioned 45rpm vinyl B-side, even though it’s chorus sounds uncannily like Duran Duran’s “Ordinary world,” in parts. The best song, for me, has to be “Flawless.” It doesn’t matter what life throws at you, the cross has made you flawless.” It’s the most catchy song on the listing, and head and shoulders above the rest. Some of the tracks didn’t quite raise my enthusiasm enough to make this a ten star release. For instance, the funky “Shake” came across as a bad 80’s disco number. “Move” also failed to move me. The drum driven track seemed to lose cohesion with the vocals. On the plus side, the big worship song “Bring the Rain” works really well, with a myriad of voices joining in. An interesting track was “Dear Younger Me.” What would you say to your younger self if you could go back, with all the knowledge you have now? Superb lyrics here, and not a bad song either. So, no, it’s not a 10/10 from me, but 8/10 isn’t bad, is it? (August 2018)
MERCY OVER ME : Catch the Fire, Toronto. (Kingsway : KMCD2531)
Ten years after the first Catch the fire conference, the largest
gathering in it's history took place in October 2003, to show
that God's business is still very much at the top of the agenda
in Toronto. Worship leaders Robert Critchley, David Ruis, Tom
Lane, and Jeremy Sinnott are joined by a cast of thousands for
this latest recording. Now, I've always enjoyed these albums in
the past but I found this one to be a little tiresome. There's
no excitement during the first two songs, and the new version
of "O Worship the King" wasn't much better. Indeed,
it's track 5 before any real spark ignites the fire. Tim Hughes'
"Beautiful One" really sets the place alight and you
really believe that those gathered have "caught the fire".
There's some nice guitar and keyboard work on "Jesus Shall
Regin" but it's the last song that will stay in my memory.
"Can't Help" is just full of praise and power and reminds
me of Robin Mark first singing "The Lion of Judah" a
few years ago. A patchy, rather than a polished, affair. 5/10. (April 2004)
MERRY CLAYTON : 'Beautiful Scars. (Motown Gospel)
Now in her 70s, vocalist Merry Clayton comes with quite a pedigree. In her early days she duetted with Bobby Darin, was one of Ray Charles's Raelettes and later shared vocals with Mick Jagger on the Rolling Stones track 'Gimme Shelter’. She would go on to contribute to literally hundreds of recordings by popular artists and has also racked up a number of her own albums over the years, including two gospel ones ('Emotion' in 1980 and 'Miracles' in 1994). Tragically suffering the amputation of both legs in 2014 following a major car accident, she was grateful that the accident had not however affected her singing voice and went on the following year to contribute to Coldplay's 'A head full of dreams'. This latest album is co-produced by the highly regarded Lou Adler (who produced three of Merry's earlier albums) and Grammy-winning gospel songwriter Terry Young, who contributes five of the ten songs. Two others were written specially for Merry by Dianne Warren (the title track) and Coldplay's Chris Martin ('Love is a mighty river'), and two are well known i.e. Sam Cooke's 'Touch the hem of His garment' and Leon Russell's 'A song for you', the latter opening proceedings and cleverly including a saxophone solo by her deceased husband, lifted from a previous recording of the song. Comparing this album with some of Merry's earlier ones it is evident that her voice has lost none of its power. She also knows how to deliver softly and subtly – although this tends to happen only briefly, and overall this is an album that certainly demands attention! Production, arrangements and musicianship are excellent and frequently feature superb 'gospel choir' backing. The upbeat soul rocker 'God's love' is probably my standout, closely followed by the title track – a quality song typical of Dianne Warren – and Terry Young's mid-paced 'Oh what a Friend'. The closer 'Ooh child medley' is evidently shared with Merry's teenage granddaughter, but to me the songs don't seem to gel well and the youngster's question posed at the beginning isn't really answered. Other downsides? Merry's tuning tends to stray off at times, exacerbated by a tendency to a strong vibrato which can result in the note she's singing becoming a bit lost. This is a good album though, delivered by a lady with considerable experience in the music profession. 8/10 Dave Deeks (May 2021)
THE MESSAGE TRUST : Jesus, the One Who Saves. (Elevation : ELE2168)
The Message Trust is a Christian charity working to improve the lives of young people in Greater Manchester, UK, and beyond. With a history of great musical initiatives such as The World Wide Message Tribe and LZ7, it is no surprise that new songs and sounds are flourishing. Worship leaders and musicians gathered in Manchester in September 2015, together with a packed crowd, and this album is the resulting recording. For most of it, this album had me tearing my hair out, because the songs sound exactly the same as countless releases from, say, Planetshakers, Life Church, and Hillsong. Lyrics are predictable, and on many songs I was preempting the next line of the song correctly. “I Hear the Drums” drives along quite nicely, while the messy production on “Our Light Has Come” totally obliterates the vocals at times. There are three spoken word tracks included. The first, “Intro”, is inaudible for the most – and, yes, my hearing is sound. The last of these spoken tracks sees a soapbox type epistle that, although sincere, most people would cross the road to avoid. Thankfully redemption is one hand towards the end of the album. The title track has excellent structure and really did touch me for full on worship. “How Sweet the Sound” sounds as if it was written like a traditional hymn, before beautiful female vocals lift the whole proceedings with “You Place Your Hand Over Me.” Maybe I hear too many of this type of worship album, but the main content just doesn’t differ. It’s as if everyone is writing the same half a dozen songs. Come on guys, it’s time for a change. 6/10. (June 2016)
MIAMI VINEYARD : Live. (Vineyard : ELE1771D)
Quote from the sleeve notes; “What happens when a group of people steeped in their own musical traditions of Black Gospel, Latin, Caribbean and Anglo come together to create a new tradition and sound?” My answer? It all sounds like they are trapped in a 1980’s bubble, listening to Bob Marley and Gloria Estefan. Among the 2000 people who attened the Miami vineyard Community Church, there are over a hundred singers, instrumentalists and songwriters, so it’s obviously very popular. For me, I just couldn’t get over the fact that this type of music hasn’t been heard on the UK shores for many a year. Those gathered are obviously impressed and enjoy the rhythmic beats but I found songs like ‘Holy Spirit Come’, ‘Everything to Me’ and ‘With All My Heart’ to be dated and old hat. Even the Latin feel given to ‘Lord Reign in Me’ left me cold. There’s a quite touching version of ‘Breathe’, and I also thought that ‘I Love Your Majesty’ had an infectious chorus, but these songs were light relief from the tedium of the rest. I may be wrong, but I don’t see this kind of music rearing it’s head in the UK again. 4/10. (April 2013)
MIC : Good Night...God Bless. (Integrity : SARCD137)
MIC were giants of the South African youth music scene until they ended their career at the end of 2007. Now just over 1 year on & they have released Good Night...God Bless; a greatest hits compilation, featuring 10 of their best loved tracks. Instead of just plonking 10 golden oldies onto a CD, their founder Steve Rothquel recruited 8 former band members & re-recorded the lot, keeping the production much more fresh and relevant than they might otherwise have been. The music generally has a commercial dance/pop flavour & the formula has worked particularly well on tracks such as "Brand New Day" & "Lollypop" making for some very catchy & addictive beats which can have you humming/singing along before you know it! The is a slight downside in that some tracks can blend in to one another & touch on being slightly cheesy / boy band-ish which can get a bit irksome after a while ("Catch Me" being a prime example). You certainly can't knock this package for value as there's also a DVD containing a documentary, music videos , live footage AND 50 of MIC's hits in MP3 format which is corking value for your hard-earned cash. I saw these guys live in 2007 at New Wine just before they disbanded & they really did get the place rocking with kids & adults alike getting fired up for Jesus which was an awesome experience. Unlike many bands formed in the 80s though, it's doubtful there'll be a series of reunion tours, etc so the likelihood off seeing anything else from these guys is slim. Such a shame! 9/10 Simon Redfern (May 2009)
MIC - Re-Invention. (All Access Records : SARCD110)
This is the 12th album from the South African based trio MIC (although, rather confusingly, there are four in the band on this album). The first track "Re-invention" is pretty good, and has a Duran Duran meets Depeche Mode sound to it. This is by far the strongest track, the rest unfortunately not really reaching the same standard. This album is strongly rap oriented, but lacks the catchy hooks and melodic influences that characterise the current direction of this genre even though they make a valiant attempt with "Bottlerocket". Lyrically it's good, but musically it doesn't excite. The band took a different approach to this album and I'm left with the feeling that in this case, it didn't quite work. 4/10 Robin Thompson. (May 2006)
MIC : Snapshot (Integrity : SARCD124)
Over the course of many years, and a dizzying number of lineup changes, South Africa's MIC, led by Steve Rothquel, have proven themselves a durable and creative force in the dance/pop scene. More than that, it's apparent that the strong ministry values at the core of the organisation have led to many thousands of lives lastingly changed. Like compatriots Tree63, MIC are a prime concern in their homeland, but remain relatively under-appreciated over here, despite regular visits to summer festivals. After their recent stellar DVD release, the new album from the current lineup (completed by Theran and Pete), is another strong entry in their growing canon of groove-laden pop music. Mixed by former Tribe aficionado Zarc Porter, there's not a weak cut here, from the opening party starter "Get Up", to the guitar-laden "Sake of Love", right through to the soulful "Don't Change", this is R&B infused with the hooks and harmonies so beloved in the charts at the moment and, unsurprisingly, with the production values to match and even surpass their more vaunted contemporaries. Lyrically, this is aimed squarely at the teen/young person's market, but that does not suggest by any means that the more experienced listener will struggle to find candy for the ears and food for the soul. Closed out by a couple of remixes, as well as tracks from "The Captain" and "Steve Solo" which appear to be signs of things to come from forthcoming solo records out on the bands' label, All Access Records, this is a strong package. Apart from anything else, the ministry undertaken by bands such as MIC should be applauded and supported, but the sheer quality of this record means it should be sought out on its own merits. 8/10. Haydon Spencely (February 2007)
MICAH CHALLENGE : You Have Shown Us. (Kingsway : KMCD3130)
Micah Challenge is a special campaign focusing on the promise of world nations to halve global poverty by 2015; 'You Have Shown Us The Way' features 15 songs that focus on that theme and God's heart for the poor, justice, mercy & humility. There's a comprehensive list of major artists featuring here with Matt Redman, Tim Hughes, Martin Smith and Stuart Townend to name but a few. Given credits like these my expectations couldn't really be anything but high! If bounce & energy are your thing, then maybe this isn't the one to pull out of the CD collection but if you're looking more towards contemplation and depth from the words then this is a strong choice. From the outset in the opening "You Have Shown Us", the mood is distinctly chilled. I found myself listening to the verses with great intensity only to sink at the sound of the chorus, which I found a bit bland in its delivery. For me the song just didn't really get going. Godfrey Birtill follows on with "Lord Turn Your Footsteps" which has a little more get-up-and-go in it, building nicely in the chorus. The chill factor hits strongly again with "Beyond Us", with some lovely relaxing vocals from Cathy Burton mixed with a mild smattering of country & western flavouring with twanging guitars but thankfully minus the depressing lyrics! After all this, Delirious' live "Now Is The Time" came as a bit of a shock to the system with a fantastic anthemic chorus and plenty of zing - very catchy indeed. Apart from this & "Love Mercy" from Andy Bromley though, chill-out is definitely the order of the day. Some good quality material on here without a doubt but I would really have to be in the right mood to listen to this. Some songs were so relaxed they were practically horizontal which I found a touch dull & draining after a full CD. Maybe picking out songs as needed is a better approach to this one. 7/10 Simon Redfern (October 2010)
MICAH TAYLOR : People Like Us. (Fair Trade Services)
Micah Tyler explains about his new project. “It’s my opportunity, through song, for the people of God to put aside divisions that the world tries to place on us, as well as the separations we place on ourselves, and just say ‘God, I believe that if You can change the life of a sinner like myself, You can change the life of everybody!” There’s a distinct feel of country music on the title track, were Micah gives praise that “God loves people like us.” It’s one of those songs that states, if you ever had doubt, that God loves everyone, no matter what you’ve done or are going through. “I See Grace” has a bit more of a bite to it, musically, and I particularly like the way the string section kept breaking into the track. ‘Praise the Lord’ is contemporary praise, complete with a gospel choir backing. My favourite track has to be the energetic ‘Nothing Too Broken.’ It really chugs along at a great pace, and has a great reminder that nothing (or no-one) is too broken for God. Just six songs on this release, which includes the closing, poignant, ‘Remember This.’ This EP is my introduction to Micah’s music and I’ve got to say how much I enjoyed the listen. Some really good songs here! 8/10. (July 2023)
MICHAEL & CHRISTINE HARCUS with Friends : Green Pastures. (Island Image Records : IIR003CD)
Until a couple of weeks ago I was new to the name of Michael Harcus. Then Geoff Howlett reviewed his latest CD in last month's NFN, I saw two of Michael's songs in the NCM Euro charts, and this earlier 'Harcus' CD popped through my letterbox! Based in the Orkney Islands, here Michael brings us a selection of songs mainly in the traditional/old time gospel style. Writers include Loretta Lynn, Ricky
Scaggs and Rich Mullins - with one particularly 'hootenanny' track written by Michael himself. Michael has a voice that really does communicate, and he and Christine certainly have the right friends when it comes to making a CD. Other members of the Harcus family also contribute, with Kenneth on bass guitar and drums, and John singing bass vocals on a couple of tracks. Much use is made of vocal harmonies, very well done. Mandolin and 'country fiddle' also feature -
the latter to particularly good effect on 'Far side bank of Jordan'. Several times, Ken's inventive drumming adds particular interest. Whilst much of the musical style presented here is not really my thing, the quality of the performance, production and sound is such that I soon found myself enjoying it - the best tracks for me being "Green Pastures" and "Where Could I Go". For more info about Michael and his band, visit www.michaelharcus.com . 7/10 Dave Deeks (July 2005)
MICHAEL ANDERSON : 'Love Is the Hard Part'. (Forefront/Alliance).
He's been around for years but this is the first album that I've
ever heard from Mr Anderson. He starts of with a song that could
have had me believing that I was listening to Michael W.Smith,
- the title track. An upbeat number with a catchy chorus. There's
a great jingly jangly guitar opening to my favourite track 'I
Know It's Not the Rain', but he then goes completely off the rails
with a rock ballad that is simply dreadful! Great messages of
faith in the lyrics of 'Shot Down' and 'Fighting to Surrender',
but Michael shoots himself in the foot again with the moody six
and a half minute 'Revival' - more like 'Relapse'. It's not a
bad release but, again, I feel he could do a whole lot better.
6/10. (August 1996)
MICHAEL CAMERON : Fragile. (New Dawn : NDD003).
New Dawn Music's 3rd release comes from an Irishman who, on the
whole, is largely unknown in mainland Britain. Mind you, who had
heard of Robin Mark a couple years ago? In contrast to Mr Mark,
Michael Cameron is a little more folk orientated but not in an
old fashioned style. With Louise Wilson's excellent backing vocals,
it's hard not to compare the resulting sound to a stipped-down
Deacon Blue. Great harmonies, wrapped within some very catchy
lyrics, will have you tapping your foot along with songs such
as 'Someone Who Can' and 'Anywhere'. 'Rescue Me' is a song that
pleads for forgiveness, to a heavenly Father that we've let down
so many times, and the title track continues the feeling. Michael
himself, is a t ease with most of the vocals and he certainly
has an engaging voice. I just thought that the quality of the
some of the songs dipped a little and, therefore, made a good
album of what could have been even better. 7/10. (January 1999)
MICHAEL CARD : Strarkindler - A Celtic Conversation Across Time. (Alliance)
Michael Card's 20th album sees this prolific writer turn his hand
to Celtic music as he uses ancient melodies and traditional lyrics
from a cross the centuries to reset 8 hymns. The album includes
only one of his own compositions, the title track, which is one
of the highlights for me. The album contrasts with his usual style
of folk songs, with layers of vocal harmony, by using traditional
Celtic instruments, some of which he plays himself and a softly
sung vocal. The album begins and ends with 'Be Thou My Vision'
and was not quite what I was expecting from Card, but it is definitely
listenable and very suitable as mellow background music with a
lilting style and timeless lyrics. The other highlights for me
are 'Jesus Lover of My Soul' and 'I Heard the Voice of Jesus Say'
which have upbeat themes. The record represents a worshipful conversation
and recognises God's authorship of creation. 7/10. Rose Waring.
(December 1998)
MICHAEL CARD : Telling the World! Word : (TIME029)
Michael Card's light-folk style has always promoted his clean
cut, wholesome, Christian values. I first came across his music
in 1990 with the release of the wonderful "The Way of Wisdom".
This budget priced release is a compilation of some of his earlier
work and includes classics like "El Shaddai" and "I
Have Decided". Despite the fact that the whole thing begins
with a little kids song, the quality of the songs are quite high.
You can tell how Card's songwriting abilities have improved over
the years but there's still plenty to get your teeth into here.
"Abba Father" sounds incredibly like REM's "Losing
My Religion" and "don't You Know had thinking along
the lines of an early Beatles sound. The prize track, in my mind,
is "Jesus Loves Me". Upfront, unashamed lyrics, and
a tune that will have you foot tapping straight away. From full
blooded orchestral backing to simple acoustic led songs, Michael
shows that his song - on the whole - have stood the test of time.
7/10. (June 1999)
MICHAEL CARD : Scribbling in the Sand. (M? Communications)
With the sale of over 4 million records and 400,000 books over
his twenty (20) year career, Michael Card's response to God's
creation has clearly impacted many, but with his new project Scribbling
in the Sand (CD/DVD/VHS), Michael Card invites his audience
into the creative process which has inspired him. A live album
featuring some of the best of Michael Card's classic material,
Scribbling in the Sand is accompanied by a companion video
of the private concert taped in Nashville in the Fall of 2001, (July 2002)
MICHAEL CARD : Scribbling in the Sand. (M? Communications)
With the sale of over 4 million records and 400,000 books over
his 20 year career, Michael Card's response to God's creation
has clearly impacted many. "Scribbling in the Sand"
is a live album featuring some of the best of his classic material,
recorded at a private concert taped in Nashville in the Fall of
2001. It kicks off with the classic "El Shaddai" and
then tumbles from it's great height with dull and uninspiring
offerings such as "Immanuel" and "Soul Anchor".
Guest artists appear every now and again, with Phil Keaggy adding
to the album's purple patch - including "The Poem of Your
Life". As a fan of Michael Card, I found this live album
to fall rather flat with previous favourites like "Love Crucified
Arose" and "Sunrise of Your Smile" just not making
the grade. To be honest, you'd be better off paying more but buying
the original albums. 3/10. (August 2002)
At first listen this album reminded me of Dallas Holm, with a tinge of Keith Green’s writing and delivery style. The country music is performed very well, with ‘churchy’ lyrics and good production. I am sure it would appeal particularly to a church audience, it being a reminder of Biblical truths. For example; songs like ‘One Glorious Morning’ (the Easter story) and ‘I’m Going There’ (second coming/the promise of Heaven). The music and lyrics are not complicated, but put together well, complete with nice string arrangements and harmonies. As many country songs do, some tracks do pull on heart strings. ‘Mama knows Jesus’ being a prime example. Having read Michael’s bio via his web site I got drawn in on the last track, ‘All Thst I Am.’. Michael had come from his early life of drugs and alcohol, plus many illnesses. But he turned his life around when he met Jesus. He quotes a true story. An old friend, seeing him after many years and remembering him in his early years. The friend marvelled that he was still singing and playing, before asking how long he was going to carry on? The answer was; “As long as there is breath in my body.” I, honestly, hope that is the case. This last track is by far the best for me. Overall, less than 40 minutes, but well produced country musc. 7/10 Noel Donaldson. (January 2023)
MICHAEL ENGLISH : The Prodigal Son Comes Home. (Curb : 8790262)
I guess most people will remember Michael's, much publicised, fall from grace a few year's back. The title of this new album tells of his renewed relationship with God, and the thanks for a second chance. Indeed, both 'Sanctuary' and 'The Prodigal Son' must be very personal songs, and Michael sings them with great passion. 'Feels like Redemption' is self explanatory, and I loved the song 'The Only Thing Good in Me (is Jesus)'. His voice seems to be better than ever, and he effortlessly caresses ballads such as 'Redeem Me' and 'Time'. I remember feeling very sad when Michael disappeared from the CCM scene, but this album see's a reborn Michael English doing what he does best. 7/10 (April 2009)
MICHAEL GUNGOR : Bigger Than My Imagination. (Vertical Music : 28172)
Michael Gungor is the son of a pastor and worship leader. A student of music since the age of 10, he has led worship since his high school days. Michael credits his musical development to his parents in particular, but also worship leaders such as Israel, Tommy Walker and Darrell Evans. Personally, I found his sound to be very much like that of Chris Tomlin, grasping those Bible truths and wrapping them within an up to date sound that can stir the listener. "Friend of God" could be sung in any church, and easily learnt. I'm sure it would be very popular wherever it was performed. The title track sums up just what God means to him while "Move Me" prays to be brought closer to Him. Mid-album, Michael seems to loose his way a little with some jazzy and latin effects that aren't as good. "Little Kingdom" lasts for more than 6 minutes and fails to inspire but "Beautiful Face" lays bare the face of the Lord for a true act of worship. Apparently Michael used to suffer from shyness, speaking and singing to large groups, lets hope this album sees his music get the recognition it deserves. 7/10. (March 2005)
Michael Harcus and his wife Christine live on the island of Westray, which is one of the northern isles in Orkney. In 1998 he released his first album called "There Is", and received invites to play in prisons, church's and events. Since then, he's toured Scotland regularly and now releases this latest CD. The songs are unashamedly MOR, but there's a certain quality contained within each. Also, Michael manages to squeeze the best sounds from each individual instrument such as the mandolin on "Love Didn't Come Easy" and the guitars on "You Are God". Perhaps the most radio friendly track is the 60's sounding "Never Walk Away". It's got a great hook, a catchy tune, and I was singing along almost immediately. At times, Michael's vocals remind me of James Taylor, with a warmth and quality, especially on "Keep Me From Falling - a shuffling type of song! It's always pleasing to hear new British artists, and especially pleasing when they're as bright as Michael Harcus. 8/10. (June 2005, Album of the Month)
MICHAEL HARCUS with FRIENDS : One Day I'll Know. (www.michaelharcus.com)
This is the 5th album from Orkney based Michael Harcus and what a good one it is too. With gospel harmonies and contemporary country styles, he weaves a clever array of sounds that is pleasing to the ear. On the opening "Carry Me", he uses only piano to back his engaging vocals. Meanwhile, the title track carries a fuller, richer sound with some effective guitar playing too. The album's purple patch comes mid-album with the uptempo country song "I Believe, I Believe". It's a good song and begs for radio play. A female vocal takes the lead on the sweet "Ten Thousand Angels Cried" but it's those country songs that really stand out. "Why" is a thoughtful, mid-paced number while "God Is Good Isn't he" and "Higher Are Your Ways" contain simple biblical truths. Michael isn't scared to state the obvious in his songs, but he has an effective way of conveying an evangelistic message without it being "in your face". In my humble opinion, if this man lived in the US, he would already have a recording contract. As it is, let's be thankful that he shares his music so freely here in the UK. 9/10. (January 2007, Album of the Month)
MICHAEL HART : The Heart of the Matter. (CD £9 Cassette £7 from: Soul Keeper Records, 5243-57 A Street, Ladner, British Columbia, Canada, V4K 3H2).
"He has a nack for writing catchy tunes"....the record
"emanates strength and faith".... "He shows his
convictions openly & in a way that touches your heart".
These are just three quotes from the many wonderful reviews that
Michael received when this album was first released in Canada.
As for writing "catchy tunes", I can confirm that this
is the case, as he shows in both "The Righteous" and
"You Are My Confidence". "Paper & Phone"
has a tropical feel to it, as Michael comes up with a story like
ditty about media dating. His tenor vocals are slick and precise
throughout, with "I Had No Idea" being one of many strong
points. Here, Hart's lyrics tell of life's journey, his music
providing the perfect accompaniment. Just one track out of ten
that I didn't rate, that holds this release from being my album
of the month. If, as he hopes, Michael returns to the UK next
year for some concert dates, be sure to check him out. In the
meantime, check his sounds. 9/10. (May 1998)
MICHAEL HART : Dulcimer Light Christmas. (CD £9 Cassette £7 from: Soul Keeper Records, 5243-57 A Street, Ladner, British Columbia, Canada, V4K 3H2).
Since I first wrote about this singer in NFN earlier this year,
Michael Hart has continued to win friends wherever his ministry
has taken him. A recent Cross Rhythms review of his previous release
"The Heart of the Matter" only confirmed the well deserved
interest that this man is gaining. Released in his home country
last year, "Dulcimer Light" is not just another artist
jumping on the Christmas bandwagon. True, well known songs like
"Joy to the World" and "Angels We Have Heard.."
are included but, given the Michael Hart style. Listening to it,
you can close your eyes and imagine a typical family Christmas,
sat around the tree and a roaring log fire in the background.
On the other hand, there's enough carefully thought out music
and lyrics to touch the heart of many. Other, less familiar songs,
are just as impressive with Michael adapting the sound of the
dulcimer to carefully wrap each track with care. Well worth your
effort to order. 8/10. (November 1998)
MICHAEL HART : Lord of the Mountain. ($20 from: Soulkeeper Music, 5243 57A Street, Delta, B.C. V4K 3H2, Canada. Secure server: www.stairway.org/mhart2/michael.html).
When you think of Canada, what to associate with it? Mounties?
Ice Hockey? If you do, then, you're missing out on a lot of good
Christian music. One of the many talented - and often underrated
- artists to come out this country is singer/songwriter Michael
Hart. For this, his 5th album, Michael collected some fine musicians
around him and recorded most of the sounds live. With his trademark
dulcimer featuring throughout, he and the band present a collection
of songs in the style of contemporary hymns, blues, jazz, light
pop, and sweet harmonies. Michael's voice is rich in tone and
is immediately on top form with the opening "I Put My Trust",
where piano and acoustic sounds are so fresh. The title track
includes some lovely violin and "Call Me" really soothes
all inside you. Lyrically, Michael writes from having a deep longing
to serve a loving God and from enjoying the beauty of such a relationship.
Two short instrumental pieces are a welcome addition to the running
order, while "Praise Him" and "There Is Forgiveness"
stand out towards the end. Overall, it's an album that should
see Michael's music reach far further than the boundaries of his
native Canada - it just needs someone to sit up and take note.
9/10. (June 2000)
Canadian based singer songwriter Michael Hart has a clear track record over the last 20 years from both secular and faith based press. His previous albums have been sweet music to the ears of this reviewer and I'm pleased to say that this new offering continues the trend. "You Are the One" kicks things off in alight pop mode in praise of the Lord, and I think that it's a prime choice for radio play. "Psalm 20 Dance" has a Celtic sound to it, which is repeated on "Glory to You Lord" - where Michael also displays his dulcimer skills. Mid album there's a couple of jazz-blues tracks which I personally didn't find as enjoyable, but they're very competently done. His themes for songs are very straight forward in Christian terms and therefore the lyrics are easy to digest. His musical styles also include a little bluegrass, which plays well on the title track. Indeed, this song was nominated for Best Folk Roots Song of the Year at the recent Calgary GMA. Other songs of note are "Healer", "Who Is A God Like You" and "My Soul Finds Rest". The former is a pretty little song and one I found myself humming long after the CD had finished. Michael's high tenor voice is a delightful sound, and this album deserves to be heard by a much wider audience. 9/10. (December 2006, Album of the Month)
It’s more than 20 years since I first came across Michael’s music. This is his 9th album and was recorded live. There’s definitely a jazz feel to most of the songs, but an early favourite was “Sweet Presence,” were his vocals are ably backed by an uncredited female voice, and organ sound. On “He Won’t Need No Directions” Michael leans the musical style to someone like a tuneful Neil Young, with Graham Ord shining on electric guitar. “Be My Delight” is quite a gentle sound that reminded me of Michael’s songs from the late nineties. Another good song is “Till the Blessing Overflows.” The opening lyrics, especially, spoke to me. “I heard you shoulder the humble; And lift up the bowed down; Carry the hurting close to your heart; Your comfort comes around.” Michael’s vocals embrace each word, with the musicians providing excellent backing. Does Michael play any instruments? Yes, he does, with some solid acoustic guitar on various songs, including the mid-tempo “Watchman.” It may be many years since his debut, but Michael still knows how to write a good collection of songs. 25% of all proceeds goes to The Salvation Army for restoration of those who've suffered from sex trafficking. 8/10. (July 2020)
MICHAEL NEALE : No Greater Audience. (Integrity : 41752)
Recorded live at the 11,000 member Christ Fellowship in Palm Beach Gardens, Florida this album sees Dove nominated worship leader Michael Neale's 4th Integrity release. And, what a fantastic release it is too! After a short introduction, Michael launches into the powerful "You Amaze Me" - a song that would grace any God centred gathering. "As For Me" is unashamed, buoyant praise while the brilliant "I Am Yours" feels so full of the spirit as you submit to God in your life. Michael doesn't use fancy words to convey his message but he cleverly uses every day language to praise and worship and almighty Lord. There's strong worship in "I Will Dwell" and, just when you think it can't get any better, what a terrific song "Beautiful King" is. The songs on this album are just pure quality. They moved me very much, and how I wished I had been at the live event. A must have album if ever there was one. 10/10. (August 2008, Album of the Month)
MICHAEL SPEAKS : "Praise At Your Own Risk" (Word: 080688605)
This is the debut gospel album from a remarkable vocalist/composer/producer
Michael Speaks. His singing career was launched in 1995 when he
was discovered singing in a New York subway system/ His critically
acclaimed album "No Equal" positioned him as an R&B/pop
star. Now, he's returned to his roots and this son of a Pentecostal
preacher delivers music in similar vein to that of Mary Mary and
Destiny's Child. I'll come straight out and say it that the album
is not my type of music - never has been. There again, the recent
Tonex album was a real pleasure to listen to. Michael Speaks gives
gospel funk and hip hop in the shape of "Jump" and "Born
Again". The opening "I Just Wanna Dance Now" won't
fail to get your feet tapping and he delivers the same message
throughout the 10 songs. His lyrics are very strong and, sometimes,
very simple. If you got a problem, that's no worry, just "Praise
Your Problems Away". In similar vein the title track says
that you "Praise At your own Risk" - don't be surprised
at just what wonders God will do when you really start to praise.
No, not my cup of tea, but strong songwriting on show. 6/10. (February 2001)
MICHAEL SWEET : 'Real'. (Nelson Word)
For me, the name of Michael Sweet still conjures up those exciting
days of finding my first CCM rockers, clad in their yellow and
black spandex and playing some great songs. Following his first
solo album, Sweet is back with an album that his record company
compare to Bon Jovi. Well, let me tell you, there's no way Jon
Bon Jovi would want to be compared with this. If that first solo
album was disappointing, then this one is even more so. He does
give a good account on the revamped 'Always There For You' and
the Stryperesque "Second Chance", but there's so much
weak material here, it's hard to pick out any more worth listening
to. Sorry. 3/10. (April 1996)
MICHAEL SWEET : Ten. (Rat Pack Music)
For his 10th solo studio Album, Michael Sweet enlists the assistance of numerous metal guitarists to guest on individual tracks. Jeff Loomis (Arch Enemy), Todd La Torre (Queensryche) and Joel Hoekstra (Whitesnake) are just three of those names. I laughed as I heard the opening bars of “Better Part of Me,” as its sound took me back to the first time I heard “To Hell With the Devil.” Seering guitars, that Michael Sweet vocal scream, and unmistakable solo all create a belting song. The opposite can be said of “Forget, Forgive.” A lack of substance to the body of the song leads to self-indulgence of overlong guitar solos that, quite frankly I found to be tedious. The title track refers to both the album being Sweet’s tenth, as well The Ten Commandments. It’s rather a plodding song but quite good too. “Shine” sounds more like your typical Stryper number, which is a song of encouragement. I really liked this one and it probably gets my vote for best song on the album. Rarely does the pace of the track listing drop. However, “Let It Be Love” proves that a good metal song doesn’t have to run at break-neck speed all the time. On this song, there’s even some great vocal harmonies too. If you’re wondering about the content of the lyrics, well, “Never Alone” should leave you in no doubt to the fact that Sweet’s beliefs are as strong as ever. In our life and in the words of the Bible, God is always with us, no matter how alone we may feel. It’s a similar theme on “With You Till the End,” – God’s promise. As the album closes, it’s full steam ahead with pounding drums and machine-gun rhythm, declaring that Jesus, Son of Man is coming back again. For me, one or two of the early tracks didn’t quite hit the spot. Perhaps they were too heavy for my taste. But there’s no denying that after 4 decades of rocking the world for God, Michael Sweet is as good as ever. 9/10. (December 2019)
MICHAEL W. SMITH : Live the Life. (Reunion : CD10007Y).
One thing you can be sure of, a quality recording from Smitty.
Yes, this is no exception as the No.1 best selling male artist
produces another fine album of songs. Pop, at it's very best,
is apparent from the start, especially with the opening 'Missing
Person', which asks why your child-like faith has to disappear
as you grow? The hit US single, and title track is another top
tune that oozes class and shows just why it was such a smash.
Pairing up with the likes of Brent Bourgeois and Wayne Kirkpatrick,
the quality of the writing never dips on other greats as 'Don't
Give Up' and the truely tremendous 'Hello, Good-Bye'. This is
an album that you'll play over and over again. 10/10. (Album of the Month, July 1998)
MICHAEL W.SMITH : Christmastime. (Reunion : 02341 00152).
I'm sure it must have seemed like ma good idea at the time but
what possessed Smitty to record this album is beyond me. Just
how many versions of 'Jingle Bells' and 'O Come O'Come Emmanuel'
can one stomach? 'The Happiest Christmas' reminds you of those
tacky American TV Christmas shows were the artist mimes to a record
while happy families frolic merrily in the surrounding snow. There
is, however, a plus side to the album. The title track was is
written by Joanna Carlson and is one of the best, new Christmas
songs to be released in ages. Full choir backing, gives it an
old fashioned sort of feel and Mr Smith does the rest. It's great
and should be a massive hit. 'Carols Sing' is another highlight
amongst this rather bleak offering that I certainly wouldn't want
to find in my stocking! 4/10. (December 1998)
MICHAEL W. SMITH : This Is Your Time. (Reunion : 02341 00412)
Studio album number 13 finds Michael in his usual fine form, producing
a collection of songs ranging from pop ballads to guitar driven
anthems. "Hey You It's Me" is a prime example of the
latter, co written with 80's chart man, Nik Kershaw. The title
track was inspired by the tragedy of Columbine High School, Colorado,
and Michael challenges us to live every moment and leave nothing
to chance. Chris Rice, Cindy Morgan, and Wayne Kirkpatrick have
all helped Smithy to produce some excellent songs and keep to
the standard that we come to expect from the "King of Christian
Pop". Even the throwaway love song "I'm Gone" is
nothing short of a classic as he really gets over the message
of what true love is all about. Another hit, no doubt. 9/10.
(February 2000, Album of the Month)
MICHAEL W SMITH : Freedom. (Reunion : 02341-0002-2)
When you think of Michael W Smith, you immediately think of classic
pop music. But, for nearly two decades, Michael has dreamed of
making an instrumental album, and this is it. Using a famous letter
written by a soldier in the American Civil War, he has written
pieces that tell of the bloodshed, the battles, and the love contained
within. The title track itself is on such example where you can
almost hear the bitter struggle of guns and cannon's firing. "Carol
Ann" has to be my favourite piece of music, totally inspired
by the death of a close family friend. It's a beautifully orchestrated
piece, led by great piano playing. In fact, it's so good that
it sounds as if it's come straight from an epic film score. "Hibernia"
is more like "Riverdance". Close your eyes, and you
could almost visualise hordes of Irish dancers, kicking and leaping
across the stage. "The Call" gets a wee bit messy for
my liking, especially when a rogue guitar is let loose, quite
spoiling the whole effect. But, with other pieces like "The
Giving" and "Thy Word", Michael has produced a
something that will surprise many. 9/10. (February 2001)
MICHAEL W. SMITH : Worship. (Reunion : 602341002523)
A crowd of nearly 8,000 filled Carpenter's Home Church in Lakeland,
Florida to take part in Michael's live praise and worship album.
Artists such as Amy Grant, Mark Schultz and a host of others joined
him on stage as part of a 23 voice choir. The result is one of
the best contemporary praise and worship albums that you're ever
likely to hear. I'd already heard "Above All" and what
a great track that is, so powerful. Even Matt Redman's "The
Heart of Worship" has new life with a quite moving and astonishing
version. The middle part of the album is the real purple patch
which includes "Let It Rain", "Angus Dei",
and truly awesome version of Rich Mullins' "Awesome God".
As I listen to albums, I jot down notes and, as I read mine for
this album, words like "brilliant", "wonderful"
and "excellent" constantly appeared. I guess that sums
up this release perfectly. 10/10. (November 2001, Album of the Month)
MICHALE W SMITH : TheChristmas Collection. Reunion : 02341-009142)
I'm a big fan of Smithy, so it's very hard to give this review
as I am going to. A two album collection, packaged together, featuring
songs recorded nearly 9 years apart. "Christmastime"
is the most recent of the two collections and it sounds no better
than it did when it was first released in 1998. The title track
stands head and shoulders above any of the mind numbing renditions
of carols like "We Three Kings" and "Away in a
Manger". Indeed, on it's own, the song would have made a
splendid single. As for "Christmas", recorded in 1989,
I'm afraid it's more of the same. "Anthem For Christmas","First
Snowfall", "Christ the Messiah", all fall into
the "trash at it's most highest" category. It's bad,
and I wouldn't waste your money on this package at all. 2/10. (December 2004)
MICHAEL W SMITH : Healing Rain. Reunion : 4100732.
Five years. It's seems an eternity since we had a studio pop album from this man. There's been some cracking praise and worship songs from him in that time, but this release has been eagerly awaited. So, was the wait worth it? In a word, no. Oh, it's not a bad album, but a lot of the songs sound very dated. "HangOn" for instance includes some very 1980's Howard Jones type synthesizer sounds, and "Fly to the Moon" follows a similar pattern. It's an outdated, 2nd rate Euro-rock song that should be confined to some American TV Show, like Baywatch. It's not all doom and gloom though. The title track is typical Smith at his best. Big production, classy vocals and a song that literally rains down on you. Later on, he also manages to stamp his mark on the classic "Bridge Over Troubled Water", and these two songs show that there is life in the old dog yet. Let's hope when he returns again, that Michael has left the 80's far behind. 6/10. (March 2005)
MICHAEL W SMITH : Stand. (Reunion : 602341010924)
In the late 80's and early 90's I bought everything that Michael recorded. His music was like a breath of fresh air to this relatively new Christian. Indeed, as I write, I've just played his version of "Above All" on the radio - a version that I believe is the best I've heard. But, when it comes to this new album I found myself listening and drifting. Drifting, because so few of the songs captured my interest. "Come to the Cross" has lots of layered guitar sounds on it, and the result is a very full sound. "How to Say Goodbye" and "Be Lifted High" are two, gentler sounds that have worship in mind and are quite passable. But it's songs like "Cover Me" and "Grace" that seem very ordinary and lack any real spirit. "The Stand" is a strong number, but the big production sound of "Come See" probably brings out the best in Mr Smith. The album's title calls for the listener to stand for what you believe in but listening to this, I'd need a bit more persuasion. 5/10. (May 2007)
MICHAEL W. SMITH : It's A Wonderful Christmas. (Reunion Records)
Recorded at London's famous Abbey Road Studios with a 65 piece orchestra and four choirs, this is Michael W Smith's offering for Christmas. If, like me, you were expecting an album of songs containing Smith's trademark lyrics and melody's, then you will be sadly disappointed. Instead, the maestro has gone for big, orchestral moves which, at times, sound more like film scores than anything else. It all starts with, for me, the best track on the album - 'Christmas Angels'. Both orchestra and choirs are at their peak, with Smith's vocals adding to the performance. 'Song for the King' is, in fact, an instrumental, showing off his piano skills. Right out of the blue come the bagpipes on 'A Highland Carol'. It just doesn't work, and the sound tails off into oblivion. I suppose that Michael should be applauded for trying something different with this album but the finished product is as weak and watery as the winter sunshine. It left me quite cold. 4/10 (December 2007)
MICHAEL W SMITH : New Hallelujah. (Reunion Records : 602341013321)
I am not a big fan of live worship Cd's in general, it always seems to me as if they are an attempt to re-create a moment that's gone, and unless you were there at the time I don't think they mean that much. However, there are a few albums that I find enjoyable, and this one will be added to what is, I
admit, a fairly short list. I wasn't too sure when the album kicked off with a drum solo, but once things got going I found this to be an excellent CD. The title track is obviously one of the best known songs on here, but there are also impressive versions of "Healing Rain", "The River Is Rising" and
"Amazing Grace" There's also a version of Delirious' "Majesty (Here I Am)" which works well. The standout track for me though is "Mighty To Save". There's a couple of guests on here too. The African Children's Choir, Israel Houghton, and Coalo Zamorano help out on three of the songs. There's one track called "MWS Shares" which you may feel the need to skip, but otherwise this is one of the best CD's I've heard for months. 9/10 Andy Sayner. (March 2009)
MICHAEL W SMITH : Wonder. (Reunion : 602341015325)
The opening phrases of this album instantly brought a smile to my face. It heralded the start of a new Michael W Smith album, and I knew that it was going to be special. This guy gives such a polished performance to ‘Save Me From Myself’, that it really does show just what lengths he goes to, to make a record. Some reviewers talk about certain American albums being “over produced”, but that’s not the case here. Each sound has been carefully put together, and the result is pure perfection. I raised an eyebrow when I first heard ‘I’ll Wait For You’, as Michael’s vocals take on a gravel tone, but it works so well. His adult pop style is forgotten on the rocky ‘Wonder’, where Michael sings about Jesus, never being far away, in all your troubles. ‘Rise’ is quite an epic number but what follows in one of the most beautiful love songs, you’re ever likely to hear. ‘You Belong To Me’ is co written with Michael Olson and Matt Maher, and it honestly brought a tear to my eye. It’s a breath taking album that concludes with the prayer ‘Take me over’, which contains some lovely orchestral sounds. This is a winner! 10/10 (January 2011, Album of the Month)
MICHAEL W. SMITH : Decades of Worship. (Reunion : 02341-0168-2)
More than 20 years ago, I bought a Michael W. Smith concert video. As a young Christian, I thought he was one of God’s superstars. But, while he performed with all the skill of a great artist, he also brought the massed audience into a tremendous time of praise and worship. No, he’s not a superstar, but I still remember how humble he was on stage and, in those ensuing years, his faith and commitment has only grown stronger. With hardly a blemish on his recording career, I have personally bathed in Michael’s music over the years, and this collection of worship songs is a cracker. Where does it all begin? Well, how about the instantly recognisable ‘Awesome God’ – a live recording, so full of power. Then, he stamps his own trademark sound on a vibrant rendition of ‘Mighty To Save’. ‘You Are Holy’ was a new song to my ears, but I enjoyed it nevertheless. Then, it’s time for ‘Above All’. Written by Lenny Leblanc and Paul Baloche, no-one, in my opinion, does it better than Michael W. Smith. He, somehow, produces such beauty within the song, that it melts my heart each time I hear it. A superb version of ‘Here I Am To Worship’ is included, as well as the magnificent ‘Healing Rain’. What a collection! 10/10. (August 2012, Album of the Month)
MICHELLE TUMES : Listen. (Sparrow/Alliance : 72438515462 1).
So far this year, I raved about albums from Maire Brennan, Janis
English, and Gemma McQueen. Now, a fourth lady has won my musical
heart with her debut album. Born in Australia but now living in
the U.S, Michelle's release has been produced by Charlie Peacock.
Her voice is sometimes like that of Enya and, then again, sometimes
like 80's starlet Judi Tzuke. Music is so carefully put together
and used to it's full potential for Michelle's beautiful vocals.
The title track literally drenches you in a lovely feeling of
God, which is carried on by the following number, "Healing
Waters". How may times I wanted to describe a track as, simply,
"beautiful" I don't know but that is exactly how I felt
about this album. "Please Come Back" is a song that
is lyrically drawn from the parable of the prodigal song, while
"Life is Beautiful" directly sums up Michelle's own
spiritual and emotional journey. No matter how I try, "beautiful"
is the only word for this album. 10/10. (May 1998, Album of the Month)
MICHELLE TUMES : Center of My Universe. (Sparrow : 7243 85169625)
I must admit to being very excited when I heard that this album
was on its way. I simply loved Michelle's debut release and couldn't
wait to play this brand new offering. "Centre of My Universe"
opens with one of those songs that give you a lift, no matter
how down and depressed you may be feeling. "Deep Love"
is filled with deep love, and a joy of knowing that God is with
us, always. "Lovely" is a more refrained number, but
"Do Ya" is a snappy, guitar, pop song that is more in
the style of Natalie Imbruglia. It's hard to compare her with
the likes of Clannad but there is that sort of sound to most of
the songs. Vocal wise, Michelle sounds a little like Genie Nillsson,
especially so on the very beautiful "Missing You". The
monasticism "Chant" is something a little different
and just provides another twist in the delights that await any
listener of this rather delicious and sensitive release. 10/10. (May 2000)
MICHELLE WILLIAMS : Do You know. (Sony : 5151152)
While Beyonce Knowles has become one of the hottest properties
in the secular music market, her Destiny's Child sister, Michelle,
has stayed true to her faith and recorded her first gospel album.
The result is rather a tepid affair with some watered down DC
sound's and second rate song writing. Unlike some recordings,
the more the played this album, the less I liked it. Tracks like
"The Movement" just grated on me and it was a relief
when it finished. Michelle does posess a silky, warm voice and
her smooth vocals on "Never Be the Same" are a real
joy to listen to. It may be just coincidence that the two songs
I thought stood out, were both written by someone called T.Sims
- they stood head and shoulder above anything else. "15 Minutes"
is a personal retrospective of her life with DC and time in the
media spotlight, and I had the feeling that it was very Yolanda
Adams inspired. Hats off to Michelle for her beliefs and stance,
but she needs stronger songs if she's going to make an impact
on the Christian scene. 3/10. (April 2004)
Mighty Mykell, aka Mykell Wilson is an entertainer, author and motivational speaker from Southern California. The two tracks “Fly Away” and “I’m Gonna Make It” are from his upcoming debut six track EP, “Sometimes I Sing”. There’s just a third of the full EP here but on the evidence what is presented here, it should be a strong debut. Funk, pop, R’n’B and soul are the clear influences here with a vocal sound lying somewhere between Prince and Michael Jackson. It’s an uplifting blend, lilting and melodic which is a fine foil for the brash synth stabs on “I’m Gonna Make It”. The acoustic guitar running through it is great too, and there is a real balance to the track. “Fly Away” is a little more floaty, with some interesting off beat synth rhythms that remind me very much of Mutemath. I do find myself wanting more, and it’s a shame I only got sent two tracks. On the strength of those though, Mykell may well be right – he is gonna make it. 9/10 Robin Thompson. (May 2017)
MIKE BURN : Get Into the Word. (ICC : ICCD81930)
Here's a new idea from Mike Burn. A two Cd presentation for children.
CD1 is a normal audio CD, while CD2 is an interactive CD Rom containing
a simple overview of the Bible, a fun quiz, and lots more. The
songs range from the simple nursery rhyme type to some solid musical
numbers. "I'm Putting on God's Armour" and ""Don't
Be Like the Hypocrites" are both simple, repetitive songs
that younger children will enjoy. The older ones will like songs
such as "Do Your Best to Present Yourself" and "Get
into the Word". The latter opens with a guitar riff that
sounds like the Rolling Stones' "Start Me Up", and what
a good song it is. As for CD2, I had no-one but myself to try
it on, but I think that it looks like an ideal, fun thing for
young people. All in all, Mike Burn presents quite a hit. 8/10. (November 2004)
This 9 track EP is a collection of singles released over the past two years. Unlike previous projects, which were co-written and produced in Nashville, Mike stayed at home in Indiana where he wrote and tracked with his childhood friend, Landon Bailey, and his band members. The song “Now & Forever” is an emotional number that pays tribute to his late father. What struck me on this song was the “big sound” musically, yet it still gave plenty of space for Mike’s vocals to be heard clearly. Keeping it in the family, “Next2u” was written especially for his wife. It could have been quite a slushy number, but it isn’t. A great pop song! The dynamic, electronic sound of “I Belong” made me compare the sound to, perhaps, Phil Wickham. A song of declaration of his faith, Mike also includes a saxophone sound solo, too. Slowing the pace down, is the delightful “New Year.” The song looks at the joy of Jesus in your life, and it’s thoughtfully produced. “First Love” is a remake of a Hillsong Y&F number. And, I say in all honesty, this version is far superior to the original. Another moving song, Mike makes it his own, with an excellent vocal delivery. I’ve looked back in the NFN archives and I’m sad to say that we’ve never had the chance to review Mike’s music before. Thankfully, I’m grateful and pleased to give this new release a very good 9/10 (July 2021, Record of the Month)
MIKE RATHKE : The Dawning Fire. ()
This 5 track EP was recorded at Sound Emporium in Nashville, and the EP was produced by Billy Chapin (Backstreet Boys, Sister Hazel, Edwin McCain), and co-produced by Brandon Bailey. The opening “Reign Forevermore” is a no-holds barred song of worship and was an instant hit with me. “One Taste” is a foot tappin’ number on the theme of faithfulness, while “O Lord You’re Beautiful” is a simple love song to Jesus. All the songs are guitar led, and the whole production is really clean and crisp. Vocally, Mike sings with a smooth tone which I found to fit the songs perfectly. The title track has some lovely steel guitar sounds, that I enjoyed hearing, as I relaxed in today’s sunshine. The closing “Every Era” looks to the return of Jesus to the earth, when everyone’s knee will bow before Him. Kansas native, Mike certainly has a God-given talent with his music and I can see why, in the past, been invited to play at various festivals in the U.S. Here’s another independent artist who deserves the chance to get his music out to a wider audience. 9/10. (June 2020)
MIKE ROBERTS : Still Time. (CD Recording £11 inc' p&p from: Still Time Music, 5 Carlton Avenue, Feltham, TW14 0EE, England.)
How often do we get Christian jazz music to review? Once in a
blue moon, that's how often. But, here we find talented pianist
and composer, Mike Roberts conveying God's word in a style that,
unfortunately, get's pushed aside all too easily. As he says in
his biography, "the relaxed style cuts across all generations".
Indeed, listening to this album I was instantly transported back
in time to the late 40's (before my time, honestly!) and those
smokey bars were all the best dressed people used to meet. With
excellent musicians gathered around him, Mike has produced an
album of jazz that may well fill a hole in the music market. From
the piano led "See What God Can Do" to the lovely title
track, there's a real quality to the sounds. "No One Can
Take the Place of Jesus" is a straight forward praise of
the work of the Lord in his life, but Mike's stlye, somehow, makes
it all sound so fresh. Do not worry, is the message behind "God
Is Much Bigger Than You", complete with it's gripping trumpet
solo. Nostalgic, yes, it certainly is but I'm not so sure about
it's appeal to the younger age group. Jazz musos will have to
go a long way before finding something better on the British scene.
8/10. (February 2000)
MIKE SCOTT : Still Burning. (Chrysalis/Steady)
For those unfamiliar with both Scott and The Waterboys, where
have you been? It's not too late, and if you can find this import
it is a good place to start as any. You can expect uncommonly
good, high energy rock and roll with influences as far reaching
as Van Morrison and Big Country. Also, like Bill Mallonee of Vigilantes
of Love, Mike Scott's voice is atypical. With respect to his Scotish
heritage, he sounds as if he might have a bit of the leprechaun
in him, such is his gutsy, yet higher-pitched pixieish trolling.
The rest of the sound is fleshed out with elexctric guitars, drums,
bass, and some interesting additions, including horns, pianos,
a mellotron, RD500 synths, Hammond and Wurlitzer organs, a Bellzouki,
and something called a rainstick. There is also some lush orchestration
on one track. The result is a batch of ten songs ranging from
the full-throttle rocker that is opener "Questions"
all the way to the hymn-ballad hybrid of "Everlasting Arms".
There's nary a dull moment in between. 8/10. Steven Baldwin
(Courtesy The Phantom Tollbooth e-zine http://www/tollbooth.org
) (March 1999)
MILES CAIN : Fairground Town. (Private CD Recording. £3.70 from: M. Salter, 32 St Matthew Street, Boulevard, Hull, HU3 2UA, England).
Miles Cain - man of precision. He must be. Every song on this
CdD is exactly 3:58. Oh, all right, both songs are 3:58. Oh, all
right, the second song fades out, let's not get picky. And what
musical adventure waits for us in that 3:58? Both songs are written
by Miles and his chum Syd Egan and we're somewhere in Deacon Blue
land. Or, for those of more mature years, Jackson Browne land
(ask your mom). Printed lyrics would have been nice - I am President
of W.H.E.W. (Wanna Hear Every Word) but if you like singer/songwriter
stuff, this could be for you. Chumbles along at a good pace then
has a nice change in tempo. R.E.M. but not so weird. Beautiful
South but with a tune. 7/10 Geoff Allen. (June 1998)
MILES CAIN & THE LOST MARBLES : Live Form Planet Hull. (Private CD recording £7.99 from: M.Salter, 32 St Matthew Street, Boulevard, Hull, England, HU3 2UA.
To celebrate his 10 years of musical performance and recording,
Miles Cain has produced this live album containing the best of
his repertoire, so far. Already pigeon holed as a cross between
REM, Bob Dylan and Bruce Springstein, his music is based around
his acoustic guitar but is more than ably accompanied by his electric
colleagues. "The One I Love" is so REM, you might even
search your collection to see if he's nicked the track, but he
hasn't. That Michael Stipe drone is there and the backing is sheer
delight. "Mystery Girl" rocks well, while "All
Of Our Lives" and "Not Everybody Makes It Into the Light"
slows things down and makes you sit and ponder just where you
are in your life. The pick of the album has to be "Song For
Becca", written in memory of a dear departed friend but,
once again, celebrating her life and being thankful for it. "Fairground
Town" (his single from last year) features well towards the
end as the overall quality begins to fade. 13 songs for under
£8 from a guy who also busks to the late night club crowd
of Hull. Now, how many of you would do that? 7/10. (October 1999)
MILES CAIN : 3 Songs. (CD : £4.50 from 8 Ambrose Street, Fishergate, York, England, YO10 4DR.
Produced by Paul Davies, this 3 track single is a taste of things
to come from a guy who's spent an awful long time recording his
latest album. Previously, his style fitted into the REM and Crowded
House mode but that seems to have evolved this time round. "Don't
Care About the Weather", written by Rosario & Tomlinson,
is a great song, and spot on for radio play. And, if Miles ever
fancies an entry on TV's Stars in their Eyes, then he's got to
do Ricky Ross of Deacon Blue. "Waking Up With the House on
Fire", on the other hand, has one of the most dark, depressing
feelings to it that I've ever heard. Not quite sure that I understood
this one, but Miles tells me that he doesn't just sing about the
good times in life. And, finally, "The Other Side of Midnight".
This is more like it. Nice guitar work, and the quality of the
voice oozes out. Helen Turner's accompanying vocal is very Annie
Lennox and works well. Nice taster Miles, so please finish that
album soon! 7/10. (May 2003)
MILES CAIN : Different Destinations. (CD £13 from M.Salter, 8 Ambrose Street, Fishergate, York, England, YO10 4DR)
Recorded and assembled over a period of nearly 5 years, Miles
certainly doesn't rush when he's making an album. Over the years,
I've pigeon holed him as a Ricky Ross soundalike, and this release
does nothing to make me change my mind. That Deacon Blue sound
comes to the fore on songs like the distinctly pop sounding "Don't
Care About the Weather" and the relaxed vein of "All
of Our Lives". On both tracks, Miles' vocals are complimented
by the passionate harmonies of Helen Turner. The oddly titled
"Ozymandias" is, perhaps, one of the most commercial
tracks on show and there's some nice mandolin sounds used effectively.
Topic wise, Miles looks at relationships, wealth & poverty,
and the wonder of life itself. Indeed, the latter is born on the
final track where it's a case of Pink Floyd meets War of the Worlds.
Mainly guitar based, it's an album of which you need to take careful
note if you're to get the best out of it. It's not one for just
putting on in the background, you really do need to listen as
Miles carefully weaves his lyrics and hooks into each individual
song. For those of you who like something different to the norm,
try this cleverly produced piece of art. 8/10. (June 2004)
The rich heritage and unique sound of Gospel Music can often be traced back to the smooth harmonies possessed by musical families who have continually passed down this tradition from generation to generation. Such is the case with Randy Miller, Becky Miller, Renee Settles and Randy Simpson. Each of them learned family harmony very early in life, singing in churches and traveling with their respective families. The Millers are a southern gospel group based in Winchester, VA. The Millers travel throughout the United States and Canada, performing at various concert venues and churches, and have shared the stage with some of the nation's most well-known gospel artists. It’s a honky tonk piano that takes centre stage for backing this new single. From the moment it begins, the sound carries the vocals and sweet harmonies, telling the story of the greatest gift of all. If I’m honest, the overall sound does come across as a little dated but there’s no denying that the Millers’ music is loved by many. Visit the website to listen to “Take a Moment to Live”, along with a couple of other tracks, and see for yourself. 6/10. (July 2017)
MIN. NITRO ft Molly Brown : Unconditional Love. (Symphonic Distribution.)
Abuja-based fast-rising music minister and a class drummer, Nitro has released this new song. It celebrates the birth of Christ and, with hindsight, it might have been best to here this song before Christmas. However, I think that the lyrics still stand up well for other times. The song is a mid-paced gospel number that begins with the words; “You love me unconditionally; You protect me when I don’t deserve it.” Music is provided by various keyboard sounds, which all sound quite nice. When the backing singers repeat the first verse, Nitro worships over the top of their voices. Molly Brown appears with new lyrics, but the theme of worship continues. All in all, it’s a very credible release, and well worth giving it a listen. 7/10. (January 2022)
Emmanuel Mathias Okwuçhukwu (popularly known as Minister EMO) is a native of Enugu state, Nigeria. He’s described as a gospel artist, song writer, composer and a minister who minister’s the word via song and character. He says; “I strongly believe that God gave us this song to make us strong, prayerful, to deliver, heal and bless our hearts as we listen and meditate on the words day by day.” The song is a mid-paced number that floats along nicely. Minister EMO has a smooth voice and there’s also some, sparsely used, electric guitar phrases. I especially liked it when the backing singers joined in for each chorus. “You are my redeemer; You are my comforter; You are my defender; Yahweh you are my provider; You are the God I know.” Yes, a really good song of worship from this new name to NFN HQ. 8/10. (April 2022)
MIRIAM WEBSTER : Made Me Glad. (Kingsway : KMCD2973)
Miriam may not be a name that instantly leaps out of your CD collection, but serving as one of the main worship leaders at Hillsong in Sydney there is a jolly good chance you have been singing one or two of her songs for a while without knowing it. The best known of these probably being the title track "Made Me Glad" which instantly struck a chord (no pun intended). Indeed a number of big names in CCM have covered her material such as Martin Smith, Don Moen & New Breed. As you would expect from someone with Miriam's musical pedigree, you get a very slick CD with faultless musicianship and some emotionally charged vocals from the lady herself - nothing wrong with that at all. What you don't get however are any surprises - if you know Hillsong then you've got a pretty accurate picture of what you're going to get with this. The opening track "Mercies" is a mid-paced praise track which leaves you sitting thinking "where have I heard this before?"; "Angel of the Lord" follows on in similar vein by which time my interest was beginning to fade a little with some serious deja-vu. Lyrically we have some pretty solid material with lots of Psalm snippets interwoven which can lead to some thought provocation which is never a bad thing, but I still found myself wishing for something a little less run-of-the-mill, certainly where the faster numbers are concerned. The slower, ballad-style songs work much better like "Loving Kindness" and "Draw Near" showing off Miriam's vocal gifts more clearly. Overall then a solid no-nonesense offering from a very talented singer & songwriter, but alas no x-factor to lift it above the masses. 8/10 Simon Redfern (March 2010)
MISS ANGIE : Triumphantine (Myrrh : 080688587826)
Now here's an interesting album. This is the follow up to 'One
Million Eyeballs', an album that surely must have won an award
for the title. (I'm thinking of calling my next album 'Two Million
Ear Drums'). Myrrh describe Miss Angie's unique style as Techno
Rock but there are touches of Indie here. Heavy on the synthetic
effects, lots of distorted guitar and some great pumping rhythms
give this album the edge. Miss Angie's vocals remind me a lot
of Nina from The Cardigans, but the music couldn't be more different.
It's a shame that some of the vocals are covered over by excess
use of effects as in the opening track, 'Jesus Get Me', but that
aside it's an album that definitely grows on you. 'Let's Get Together',
'Dancin' In My Head', and 'Doom' particularly stand out for me
- they've got that indie touch but a very commercial, polished
production. Clever lyrics too, but I can't understand why some
of the tracks are so short. There are 10 tracks on this album
with a total running time of 31mins 32 secs - and this is a full
priced album at £14.99. Ever get the feeling that we're being
ripped off? Message to Myrrh - this is good stuff, so give us
more for our money! 8/10 (would have been 9 if there was more of it) (October 1999)
Miss HIV (DVD,Kingsway)
I have spent the best part of the last decade and a half working with a local charity founded on the desire to support and help those living with HIV and AIDS, as well as working to educate and prevent the spread of the virus among young people, so it is fair to say that this is a subject close to my heart. Narrated by former US gospel singer and actress Revd Della Reese (Touched By An Angel, among many others), and with contributions from HIV positive people, activists and doctors, this powerful documentary provides a stark vision of why this is an issue that should not be ignored or marginalised, in the way it often has been, even in the West. Contrasting the situation in Botswana, where HIV/AIDS was not talked about and, as a result, reached a point where almost half of all pregnant women were HIV positive, with that in Uganda where a determined and open policy of communication reduced such infections to just 6%, the film examines the clashes between international AIDS policies and local culture and, in passing, provides insight into how Western governments and agencies pour money into transplanting ineffective Western solutions into sub-Saharan Africa. The tone is not overly negative though, and the film is framed by the story of two young Botswanan women who enter an HIV positive pageant (hence the title) in a bid to raise awareness and remove the stigma that led to such out of control HIV infection in their nation. As a piece of documentary film-making Miss HIV is excellent: tightly edited, well shot, thought-provoking, informative and narrated with real heart for the subject. As a window into an issue on which the church has always felt uncomfortable, tied up as it is with sex and sexuality, it provides genuine insight and a real kick in the pants. Seriously ... watch this film!
10/10 David Cooper (July 2011)
MISSION HOUSE : I Heard a Song I Can’t Ignore. (Integrity Music)
This is the first time I have heard of Jess Ray and Talyor Leonhardt who are the creative force behind this Mission House Album “I Heard a Song I Can’t Ignore”. Their harmonies blending beautifully together and are a vocal marriage made in heaven. Within the first 19 seconds of the first track, even before the vocals kicked in, I knew I was going to love that track “Your Eyes See Me”. I was immediately reminded of the sounds and songs of Jill Phillips, then when the harmonies began, they create such a pure mesmerizing sound. Both artists have beautiful vocals. Jess Ray is from North Carolina and is a producer and singer-songwriter. She is also a multi-talented musician. On a previous album of hers “Sentimental Creatures”, she features on many instruments ranging from trumpet to guitar. The music that Jess produces sits comfortably in two places, it is clearly spiritual and deeply real. Her songs are inspirational and uplifting full of hope and joy alongside our human reality. Taylor Leonhardt was born and raised in Texas before moving to North Carolina. Throughout her childhood, Taylor had a great love for Country Music. Her roots in country music have enabled her to establish and craft a sound uniquely her own. Her songwriting is soul-stirring, her lyrics accompanied by beautiful vocals will remind you of some of your favourite country artists, yet unique to Taylor. This whole album “I Heard a Song I Can’t Ignore” is a delight musically, vocally, and lyrically. I’m listening to the final track of this album now on Spotify, Psalm 116 being the final track on this soothing album. While writing this review and listening to this album it is a lovely way to start this (UK) bank holiday weekend. All the tracks are beautifully produced, and the vocals are so easy and pleasant to listen to. Some of the lines are repeated over and over again which seems to be a signature, but due to the melody changes, these repeats are so beautiful, powerful and relay such important truths. “When I called to you Lord You ran to me You ran to me”, the lyrics throughout this album are saturated with the truths of God, His love and care for us through all issues and circumstances of life. I love this album, give it a listen. Vivienne Neville 10/10. (September 2020)
Mission Worship - Hymns Kingsway KMCD2772
Although I am well aware of the Mission : Worship series, I have to be honest & admit I wasn't expecting great things from this CD as like many, I often think of hymns as powerful yet rather dreary old tunes that you really have to be in the right mood for. Nevertheless, this long-held opinion was quite rapidly turned on its head by the contents which really do prove a book shouldn't be judged by its cover! The performances on this CD are by major contemporary artists Paul Oakley, Andy Bromley, Lou Fellingham, Stuart Townend, Godfrey Birtill & Brenton Brown & on the whole give a refreshing new perspective on classics such as "Before The Throne of God Above" & "Lift Up Your Heads". As well as this, we also are treated to a batch of contemporary hymns from the likes of Townend/Getty & Robert Critchley. Things start strongly with "Sometimes it's Hard (Well With My Soul)" from Brenton Brown/Danieil Ornellas which whilst remaining powerful & energetic it is less hectic than other versions I have heard which gives it certain edge. "O Church Arise" slows the pace a touch but stirs with the uplifting lyrics, with the pace relaxing still further with "My Troubled Soul". The only disappointment on here is track the revision of "Take My Life & Let It Be" from Paul Oakley - I am a great fan of Paul's but I am sorry to say that the annoying & repetitive piano refrain for me detracts my attention from an otherwise great tune. The musical arrangements & quality are what you would expect from such prominent artists, breathing new life into the hymn genre that may often be overlooked in favour of more modern worship songs. This CD is an enjoyable listen & does a good job of combining old with new in a highly effective way that bridges generations. 9/10 Simon Redfern (June 2007)
MISTER KEITH : Where Do We Go From Here? (www.misterkeith.com)
It’s been a while since I’ve heard anything by Mister Keith (Ayling, former frontman of K and Kato amongst others) and this contains the attention to detail I recall – everything in the mix is there because it needs to be. And the song? It’s a very catchy singalong number (it’ll stick in your head – in a good way – for quite a while) with a very bouncy backing that reminded me of the Rend Collective and Mumford and Sons, with the “oo oo oo” bits in the chorus being stadium-level Coldplay. It’s very good and if there’s an album coming on the back of it then that is something I’d seriously like to hear. 8/10 Paul Ganney (August 2019)
As with Mister Keith’s previous single (Where Do We Go From Here?) this one contains great attention to detail – everything in the mix is there because it needs to be. The song starts slowly but builds nicely and hits the chorus at exactly the right time, building well from then on, dropping back, lifting etc. all keeping your attention throughout. The chorus itself reminded me a bit of modern Take That, crossed with a bit of Coldplay. It’s different to the previous single (a good thing) and I’m still keen to hear that album, if only to stop me playing this track yet again. 8/10. Paul Ganney. (June 2020)
MITCH McVICKER : Without Looking Down. (Spindust Records : 0688623128)
This is an acoustic rock album, which it took me a few plays to
get into, but it was worth the effort I think. The lyrics are
the thing that I found a bit strange. There's nothing wrong with
the content, but Mitch sings the words as if he were speaking
in conversation rather than how you'd expect a song to sound,
which does give the album quite a unique style. The words are
on the whole very well thought out, although a few of the songs
left me a bit unsure as to what they were about. The sleeve notes
describe this as an album of "Progressive acoustic driven
songs that encourage the listener not to look down on their fears
and doubts, but to focus on God". I guess that sums it up
nicely really. Mitch received a Dove award for "My Deliverer"
which he co-wrote with Rich Mullins, whom he described as his
mentor. In fact Mitch was in the car with Rich when the accident
occurred and this is his first serious piece of work since. It
reminded me a lot of Soul Asylum, and it's certainly worth a listen
if you can find a copy. 8/10. Andy Sayner. (February 2003)
MIX : Acoustic. (Spark : SK708)
MIC are South Africa's biggest and brightest CCM act, best known
for their dance/pop productions. Here, however, is a 7 track CD
that sees them stripped down to an acoustic guitar and a little
percussion thrown in for good measure. It's not a well produced
release and it's all done very much "off the cuff" to
try and get that spontaneous feeling across. "Superhuman"
is the title track from their last full length album but fails
to live up to what many fans will know and love. Cover versions
of Crowded House's "Weather With You" and Matt Redman's
"I Will Offer", also come through as limp as a wet lettuce
leaf on this, what is overall, disappointing release. Plenty of
artists can make an un-plugged album sound really good but MIC
have a lot to learn. 4/10. (May 1999)
The Monarques are a Christian folk music group dedicated to worshipping God through a unique sound inspired by folk gospel and early rock n' roll. Steve & Laura Monarque have many years’ experience in music, theatre, television and film, while third band member, Melanie Kalin grew up singing in her church choir. The album begins with a song called “The Way.” Pure voices are joined by just acoustic guitar, and the clean sound takes you back to the days of Fairport Convention and Pentangle. “All You Have to Do” is complimented by some, light, orchestral pads, but it’s the combined vocals that steal the show. The lyrics tell of Jesus’ love for all, and all you have to do is “look into His eyes, to see it.” I’m not sure what happened on “This Life” but the lead vocal, especially, sounds as if a little too much reverb was added. “Dear Father” is sung as a prayer to God. “Dear Father, can you hear me? I’m sorry for the things I’ve done. I ask you, will you believe me? I’ve walked away from who I once was, to you.” The reply being “God only knows. God only cares. God only sees inside of you and me. I’ve stopped running, there’s an answer. It’s just time for me to believe.” Some sympathetic harmonica playing sits well, as the song closes. There are only 7 tracks, and the final one is quite an uptempo number. Based on 1 Corinthians 13:1 it tells of an unconditional love. Musically, there’s the added use of some electric guitar and simple percussion – which made a nice change to proceedings. But, in all honesty, the strength of this trio lies in the vocal harmonies and uncluttered production. 7/10. (April 2021)
MONDAY MORNING : Fool's Paradise. (Selectric : Sel0501)
Here are four good old American boys presenting their own slant on the Bible, God and Jesus in the modern rock genre. You know the type of thing I mean. It's got heavy guitar rhythms, thumping drums, and a lead vocalist who seems intent on being as inaudible as possible. Maybe I'm getting old, but I do prefer to hear the words being sung, rather than have to sit and follow every word from the sleeve notes. To that end, my favourite song, therefore, was "Wonder of It All", when the words COULD be clearly heard. "These Eyes" tells of one putting on an outside show that all is well, while inside we're burning up. The prescription is easy, open up, and give it to God, HE can see everything anyway - so why try and hide it. In recording terms I think that Building 429 are similar in style, and maybe Monday Morning should take a leaf out of their book and get the vocals sorted out. Perhaps, then, they might go places. 3/10. (March 2006)
MONIQUE : Timeless. (Spaghetti Records)
Timeless is a collection of songs that Monique wants to express her worship to Almighty God. The title track kicks things off, with a lot of brass sounds accompanying the vocals. It’s modern gospel, with a twist of old style thrown in. I liked the medium paced ‘No Alternative.’ It’s a song of worship with simple lyrics that sets the focus of “There is none like You.” ‘Mayowa’ has a nice, tropical feel to it, while ‘Nothing Dies in My Hands’ begins with a Bible quotation, but seemed to move into a rather cluttered production. It’s a similar story with ‘Women for Jesus.’ Beginning with a rallying cry from the artist, the lead vocals often get lost behind the backing singers’ contribution. When she shines, Monique does sing well. With the reggae styled ‘Nobody Can Worship You for Me,’ she leads a song that stands out from many of the others on the album. Sadly, her voice is let down on the final song, by out of tune instruments. The guitar and saxophones are especially bad. I’m not sure if this track was recorded live (warts and all) but it really does Monique no favours. A real pity, as she does show real quality elsewhere. 5/10. (June 2022)
MONTREL DARRETT : Chronicles Of The Soul (EMI Gospel: 7243 8202202 2)
If you're into modern R&B/rap stuff, you'd better check this
out, bro. I find it difficult to get into this style, but if you
like Fugees and Boyz II Men, you'll find elements of both on this
album. Montrel's voice is reminiscent of Stevie Wonder in parts,
and really comes into its own on the slower ballads, especially
'So Sorry'. All tracks tend to be on the slow side, with the R&B
rhythms dominating a superb production. I found myself wanting
a faster number to break up the album, but alas, it was not to
be. The opener, 'Tough Love' is a kind of R&B 12 bar which
works well, apart from some of the backing vocals which really
made me laugh! The main criticism I have is that the lyrics are
generally masked by the ornamentation of the singing. Why sing
one note when five will do? And they're excellent lyrics, it's
a shame we can't hear more of them. The other thing that bugged
me was the length of the tracks. Eight out of thirteen tracks
are over four and a half minutes long, and I found myself getting
bored. I quite like long tracks if the music is interesting and
my attention is kept by variation, but these tended to just keep
going on the same tack. But then, that's the nature of modern
R&B. Full marks to Montrel for using a topical idiom for Christian
music. It's a risk that can have dire consequences, but he definitely
succeeds. Check it out.
MORIAH PETERS : I Choose Jesus. (Reunion : 02341-0164-2)
“The overall theme of the record is about making a choice,” says Moriah. “All of these songs are songs about being in different circumstances and choosing Jesus in each circumstance. I know that God has a blueprint for every single one of our lives. He has a plan and a purpose, and He wants to make His Son known through us. If we trust Him in every situation, if we choose Him in every situation, God will give us the desires of our heart.” And that is the total feel of the whole album. Moriah’s voice has a vibrant, slightly quirky feel to it, and it’s a real delight to hear. Moriah is only 19 years old and is still studying at university, but she has found time to co-write almost all the songs on the album. My favourite song is “Well Done”. It has one of those choruses that sticks in your head for ages, and is a very pleasing sound. “Sing In The Rain” and the title track are also strong tracks. The latter is a ballad, but there’s something rather special about how she delivers it. Other songs include “Haven’t Even Kissed”, “Glow” and “No Shame”, and they are all radio friendly in style. I hope that Moriah gets the support she deserves, because she is one of the brightest female CCM singers I’ve heard for some time. 8/10. (January 2013)
MOSAIC MSC : Human. (Capitol CMG)
Here’s another live recording! It has a nice sound balance, (not too much reverb!) and a nice mix of instruments, leaving space for each other. I haven’t come across Mosaic MSC before. Their music is very individual, unlike the many live albums I have heard before, with offbeat rhythms fused together into a very listenable sound. Trying to pick out the individual parts is quite challenging at times. Mosaic MSC should not to be pigeonholed, because their sound is their own. I, particularly, enjoyed ‘Steady,’ with its nice cool down at the end, and the congregation brought into the mix. ‘Can’t Refuse’ has a great feel and message, too. This is a refreshingly different album, very enjoyable. Well put together, lyrically different, and no overpowering drums. 10/10. Noel Donaldson. (June 2020, Record of the Month)
MOSAIC MSC : This is How I Thank the Lord – Deluxe. (Capitol CMG)
This Is How I Thank The Lord (Deluxe) from Mosaic MSC their most recent song “Comfort” and live versions of other songs from the original release. Now, somehow, that first release didn’t find its way to NFN HQ, so I’m reviewing this one with no previous knowledge of most of the tracks. The first track to make its mark with me was ‘How Could I Explain.’ A very organic backing greets the vocals that, at times, sound like they’ve been recorded via a telephone. Strange sounds, but they worked okay for me. A more contemporary sound comes with ‘To Your Arms.’ Great vocals, nice guitars, and a really engaging song of worship. Like some the other songs on this album, with ‘Shelter’ there’s a lead female vocal that sounds uncannily like Leigh Nash. It has, almost, a melancholy delivery. ‘I Need You’ deserves a mention as a stand-out track. My overall feeling of this release is quite positive. It certainly stands up well in its genre with some very bright spots within the songs. 7/10. (February 2023)
MOSES AKOH : Satisfied. (The Soaking Room)
Moses Has a dynamic music ministry and host a community a music lovers to a monthly worship gathering tagged ‘The Soaking Room.’ Not knowing what quite to expect, I listened expectantly to the first song, called ‘Dobale.’ The word is a Yoruba “gesture of respect” that is used widely in Africa and in the African diaspora. Obviously, in this song, the respect is given to the Lord. Following this uptempo outing, things slow down a little, with the simple, but catchy, ‘Good God.’ The 7 minute ‘Lifted Up’ is a really nice song of praise to the Trinity. “As we lift you up, bring us closer,” [to you]. Although these words do get repeated many, many times, they did seem to fit the overall make-up of the song. ‘Kadosh’ (Hebrew for Sacred) is another song that sees Moses use his engaging vocals to praise the Lord, in a rather pedestrian paced number. The title track gets two outings on this 7 track album – one is acoustic, while the other is a fuller production. Of the two, I much preferred that latter. The acoustic version seemed rather raw, and not on par with the previous songs. On this release, Moses shows much promise. Maybe next time, he will treat us to a full length album. 6/10. (February 2022)
“Holy” is the debut single from rising gospel singer and minister, Moses Richmond. The singer is a prolific and passionate worshipper in the body of Christ in Port Harcourt, Rivers State, Nigeria. The song “Holy” is an ECHO from the throne of Grace where the Almighty God rules supreme. It is the worship of the Holy Angels and the language of heaven. There’s a lovely musical opening to the song, courtesy of piano and violin sounds. But, when Moses begins to sing, you realise that this man has a superb voice. There is such feeling in his vocals that cries “Holy is the Lord, god Almighty.” With independent recordings, you sometimes find that backing vocals are too high in the mix, On this song, they are beautiful and sit well in the finished production. This song only reached me for review in the days after Christmas, and I’m so glad that I took the time to listen, so that I could include it in this month’s NFN. 10/10. (January 2021, Record of the Month)
THE MOUTH OF TRUTH. (CD from : M Smith, 29 Brookmead, Hildenborough, Tonbridge, Kent, UK, TN11 9DN).
Over the years, I've had dozens of independent albums sent to me for review and never have I been so dumbfounded by one such as this. Chris Hearn, Mike Smith and Samantha Stagg are the people responsible for this CD, while Sarum Studios, Tonbridge must take it's share of the blame for it's recording. From the opening 7 minute epic entitled "The Hoarse Whisperer", the listener is treated to vocals of questionable quality, sparse backing, and utter boredom. The song "Cash" is placed in the running order three times and, not for the first time, includes the most uninspiring guitar solo imaginable, and Samantha's vocals that barely holds a tune. Production is so poor throughout, that little thought seems to have gone into the recording as a whole and if Sarum Studios are more than just a name for a bedroom recording outfit, they should hold their head in shame for such shoddy workmanship. Acoustic guitar based songs do offer some respite from the torture and, if I was pushed, I would name "Living Apart Together" as the best song on the album. "Coming Home" shows promise, too, but those vocals need working on. I'm sure that the idea and intentions of the album were sound, but all in all the result only goes to show that you need talent and musical skills too. 1/10. (August 2005)
7/10. Julie Lord. (July 1999)
MOWGLEE : Go! (CD. £6 from : Kingship ltd, PO Box 7981, Birmingham, England, B23 5PL)
Mowglee are 4 childhood friends from Birmingham's inner city,
who have played together in bands for the last 10 years, and who's
talents have been matured in the church. This 6 track EP shows
some of those talents from brothers George, Marcus, and Patrick
Masih, and Bobby Frank. I was a little surprised by the style
of the music on the record, as so many of today's independent
guitar bands are very similar. Here's, although not as technically
gifted, there's a definite Simply Red undertone running throughout
the listing. There's good harmonies on the poppy "Crazy",
while "Beautiful Lord" (recorded in two guises) is more
worshipful and laid back. The opening track also gets two outings,
firstly as a funky number, and latterly with an "R'n'B mix".
I get the feeling that they couldn't decide which version to use,
therefore, Mowglee recorded them both. That's the slight downside
to the album, as I would have liked to hear different songs rather
than just different mixes. Saying that, Mowglee do a fine job
that would, if I'm honest, benefit from a bigger production. There
again, many independent recordings would fall into that category.
Nice to hear from the boys in the Midlands and they should be
very pleased with their debut efforts. 7/10. (August 2003)
MOYA BRENNAN : Two Horizons. (Universal Reords)
She may have changed the spelling of her name, but Moya Brennan
hasn't surprised anyone with the sound of this latest CD. All
the ethereal Celtic sounds are there, just as in her previous
releases. In fact, if you played her old albums alongside this
one, you wouldn't be able to tell what was new and what was old.
Rarely does she get out of first gear as Moya ponders on various
aspects of life to the accompaniment of various whistles and pipes.
Dreary, was one word that came to mind whilst listening to the
songs. Most of them blend into one another so easily that it becomes
a bit of a release when you do realise that a track has finished.
"Tara" brings momentary freshness and the jungle drums
of "Sailing Away" break up, what is, an otherwise monotonous
album. 3/10. (September 2004)
MOYA BRENNAN : An Irish Christmas. (Fierce!)
In the history of Celtic music, one of the legendary names
must be that of Clannad. In case you didn't know, Clannad means
'family' in Gaelic, and it has truly been a family affair since
the early 1970s, with cousins, uncles and the like, as well as
perhaps the best known relative, Moya's sister Enya. Moya's parallel
solo career in the field of more up-front Celtic Christian music
took off in 1998 with the release of her album 'Perfect Time',
which she followed up with an equally stunning CD, 'Whisper To
The Wild Water'; she has also been involved in various projects
with other people, notably her contribution to Graham Kendrick's
'Millennium Chorus' album in 1999, a truly awesome reading of
'No Scenes Of Stately Majesty' which never fails to raise the
goose bumps every time I hear it, and her collaboration with Margaret
Becker and Joanne Hogg on 'New Irish Hymns' in 2001, another landmark
release. So, with that track record, if the lady wants to do
a Christmas album, I for one wouldn't stop her, and this is the
inevitably classy result. She's gone on record as saying that,
instead of doing yet another 'Celtic' Christmas album, she wanted
to do something more obviously Irish, hence the title, and it's
a delight from start to finish. Well-known (some may say well-worn)
carols and Christmas pieces ('Deck The Halls', 'God Rest Ye Merry
Gentlemen', 'In The Bleak Midwinter', 'Joy To the World') sit
alongside less familiar stuff ('The Wexford Carol', 'Carol Of
The Bells', and an original piece 'I Still Believe'), and Moya
adds Celtic lyrics to 'Do You Hear What I Hear' and 'Silent Night'.
And to all that, add arguably one of the best female voices in
any sort of music, let alone Christian music; stir in several
truckloads of authentic Celtic ambience; and you have just about
the best Christmas album I've heard this century. Buy with confidence.
9/10 Trevor Kirk (December 2005)
MOYA BRENNAN : Signature. Fierce : Fiercd91)
Now that Mairre has changed the spelling of her name to Moya, I wondered if she'd also changed her style of singing. It's her first new album in quite a while, so I was excited to hear what moves she was about to make. Well, it got to track 3 and I was already very bored. "Purple Haze", "No One Talks" and Merry Go Round" are all so uninteresting. Moya's listless vocals are a sure cure for sleeplessness as they manifest almost apologetically over the music. "Tapestry" shows some light relief, as the use of fiddle playing livens things up a bit. "Black Night" is a gentle folk song, and "Hear My Prayer" deserves radio play. The one new thing Moya does try is a little Messianic praise with "Many Faces", but the likes of Barry and Batya Segal do it so much better. "Hidden Stories" carries the repetitive phrase "I'm Running". Unfortunately for Moya, she seems to be running in circles, as the song just goes nowhere. Still promoted as the voice of Clannad, I'm afraid that Moya is light years away from repeating her previous success. 4/10. (January 2007)
MOYA BRENNAN : Heart Strings. (Fierce! : FIERCD43)
Recorded at the Liverpool Philharmonic Hall and in Germany during October 2007, this sees Moya's first ever live solo recording. The track listing draws three songs from Moya's days as "the voice of Clannad", including 'Harry's Game', as well as numerous songs from her more recent albums. There's no mistaking her voice but on this recording, I did strain my hearing at times to actually hear the words that the lady was singing. 'Tapestry' and 'Perfect Time' show Moya's celtic roots, but I found little to get excited about. Indeed, by the time she performs 'Molly Fair', the music sounded very laboured and uninteresting. By mid-album the most enjoyment I'd got was from the fiddle playing on 'Sailing Away'. The 'Tunes Medley' is a strange concoction. It begins with Moya playing the harp beautifully, and then degenerates into an awful jazz jamming session with every instrument under the sun, thrown in for good measure. The high spots for me on the album came from 'I Will Find You' and 'Merry Go Round'. Both songs were ultimately stronger than those which had gone before, and were much more listenable. The audience cheer and clap enthusiastically throughout but, for me, the album is little more than luke warm. 5/10. (November 2008)
Mr Chubby describes himself as a Gospel recording artist/song writer and music composer. “My Prayer” features the man himself, plus Benedicte Kasindi. The song is said to “convey a heartfelt prayer to God as inspired by the Holy Spirit and “The Lord’s Prayer” in Matthew 6.” Stylewise, the song is a blend of Hip Hop and contemporary R&B. The FX on the vocals are a little off-putting, as it makes it difficult, at times, to hear the lyrics. Thankfully, I found a lyric video to the song online, otherwise I would have been lost. Music is sparse and relies, mostly, on samples. The opening lyrics include; “Lord my heart desire is to love you more; I wanna be close to you like never before.” And, that’s the drift of the song. The beat is so slow that it sounds as if it will stop at any moment. As it is, the latter part of the song is sung in French, making this quite a bizarre listen. 4/10. (April 2021)
Gospel music minister & fashion designer at De Novo Thread comes out strong and loud with this banging tune “Bless Us Jehovah” to celebrate his birthday. The new song from the south south music minister is one that requests for blessings from the giver of all good gifts and also encouraging all listeners to keep the faith as God doesn’t fail. The dance beat is a mix of reggae and hip/hop. Vocally, it took me a few listens to tune into the delivery. Even then, I struggled, at times. “Bless us Jehovah, give us grace” is part of the chorus, which get’s echod by the backing singers. I quite liked the uptempo beat, but not being able to hear the lyrics plainly, spoilt my listen somewhat. 4/10. (June 2021)
Former Brit-pop performer, Keith Ayling has returned to the recording world with a totally different sound. He classes it as Victorian Pop and describes the songs as being “charming, bittersweet and darkly romantic collection of life stories.” It’s certainly different to anything else that I’ve heard in either the Christian or secular market, and that’s a great strength. Of the 14 tracks, there are three Interludes, that contain musical instruments from the world of brass, and keyboards. Interlude III sounds like it could be taken from an old fashioned murder mystery TV series! “It’s a Good Year” is an instantly endearing song, while “Only Love” was the first number to get me thinking about the lyrics. “Only love can break your heart, only love can show how fragile we are.” Keith correctly defines how powerful love is in our lives. Indeed, the subject raises its head again on “Love Is Strong”, where the real love can beat anything that life throws at you. I thought that “The Circus” sounded more like a 40’s jazz style but it still fitted in well with the rest of the album. I simply loved the ukulele sound on “Healing Tonight.” I liked this song straight away and, at times, Keith’s vocals simply soar. How many artists use old fashioned brass sounds to record these days? Well, on “The Confession”, Keith employs the Eastbourne Salvation Army Band help give depth and empathy to this reflective track. Keith goes on to say that “A number of the songs were firmly influenced by the loss of my father, uncle and father-in-law to cancer, all within three years of each other. It takes you to dark places of the soul and yet something brings you back to imagine hope again.” And that’s the secret to the success of this album. The lyrics do make you think about life’s situations and, out of the darkness, there is light. 8/10. (March 2016)
Mr PRAIZ : Ibuchim. (Gospel Tunes Records)
Mr Praiz a fast rising artist from the eastern Nigeria. This is his debut single titled IBUCHIM (You are my God), reminding the Christians all over the world that no matter what one faces in life, that God is still God. He does not change. With the crash of a gong, the track begins at a steady pace. A little too much echo on Mr Praiz’s vocals, at times, make some lyrics inaudible. But, mostly, his vocals are strong. “When the storms of life hit me, you are My God.” This is the thrust of the song, which does get repeated quite a lot. The backing vocals are good, and help the song along. For a first outing, I think that Mr Praiz has released a very decent song of worship. 6/10. (January 2021)
Independent Christian rock musician Brendon Weaver, known as the artist Mr. Weaverface, has recorded five Christian rock songs over the last year. With a previous background of playing in alternative rock bands, Brendon has been leading church worship for more than a decade. This latest song is based on 1 Thessalonians 4:17 and begins with heavy drums and crunching guitars. Vocal FX give his initial vocals a telephonic sound, before he launches into a chorus of layered voices. “Because of sin, this world is lost; There’s only one who paid the cost; So trust in Jesus so that you can stand, in glory.” The middle eight works well, with a different pace, before the tempo picks up once more. This is my introduction to Mr Weaverface, and this song is very impressive. 9/10. (June 2022)
MUDHEAD'S MONKEY : 'Shout!' (Private Recording. CD £10.50 Cass £6.50 from : Paul Loader c/o Counterslip Baptist Church, 648 Wells Road, Bristol, BS14 9HT).
Fancy a good meal? Try this. It's raw and it's meaty. It's tangy,
and it's quite hot. This is the debut offering from Bristol's
Mudhead's Monkey. 12 tracks to feed on here, starting with the
tempting version of the old Donna Summer hit, 'Unconditional Love'.
Prepare your tastebuds for the main course which consists of a
stonkin' good title track and a guitar driven gourmet's delight.
Of course, you need a good wine to accompany this and I personally
recommend the vintage ballad 'Ashes'. Feeling like a wickedly
fattening sweet? Both 'He Died For Me' and 'Johnnie's Song' are
specialities of the house and guaranteed to get you excited. There's
one or two bland servings on the menu but you'll soon pass them
by and loosen your belt a notch or two, well filled. Tasty. 8/10.
(June 1996)
MUMBLE : Dated. (Private Cassette Recording. £3.99 from Nick Kinsella, 37 Gracedale Road, London, SW16 6SW).
The 23 year old singer/songwriter behind Mumble is Nick Kinsella.
After previously working alongside various CCM bands, this is
his first solo venture. 5 tracks on offer, opening with the engaging
"I'm Scared". This shows Nick's vocals and guitar playing
at the best, with some nice fx used to enhance the sound. This,
like the rest of the tracks, is a song about faith and life, and
a perspective which allows you to see the world from a slightly
different angle. Instruments used are few, but that doesn't stop
Nick's basic writing skills showing what he is capable of. I'm
assured by the man himself, that the strange vocal mixes on 'Get
To Get Out' and 'Dated' are done on purpose, but I'd like to see
the former played straight. 'Invisible Friend' is a more acoustic
number but, with influences such as Radiohead and Crowded House,
it's the warped guitar playing that is performed most freely.
I think that Nick lacks a bit of confidence in his singing ability
- almost scared to let go - but that should improve with time.
This debut is not going to change the world but if you want to
support a new artist and feel like something out of the ordinary,
give Mumble a try. 6/10. (July 1997)
MUSIC WITH A MESSAGE : A Message for Change. (https://musicwam.org)
Music With a Message is a multi-talented group of youth vocalists, musicians, and lyricists. ‘A Message For Change’ is a self-produced album tackling retaliatory gun violence and stories of loss, and suicide, but focusing on the importance of never giving up. The performers aged 11-20, confront close-to-home issues with a commitment to kindness and a vision for what their community could be. The sound of brass breaks out for the introduction of the first track ‘Stand Up.’ The myriad voices take it in turns to sing of their worries, but also their hope for the brighter future. There’s a big RnB feel to the songs, as well as a smattering of hip-hop, here and there. ‘Mother’s Cry’ tells the story of the loss of a baby through a gun crime. It’s a sad story, but one that needs telling, and the female vocal sings with real feeling. Other topics tackled include the promotion of treating one another better, (‘Kindness’) and racial injustice (‘Care For Me’). The group come together for a choral rendition of ‘I Remember You,’ while a Kanye West clone provides the vocal break in the rather noisy ‘Dream With Me.’ Although these young people have had recording and production help, they must be applauded for their vision and for putting that vision into action. 6/10. (September 2022)
MUTEMATH : Reset. (Word WD2A-886325)
It is very rare as a reviewer to get a recording that is so good
you want to play it to everyone you know. It is also rare to get
a cd that lives up to the hype printed on the sleeve. However,
this is cd is just one of those. The cover states "Reset
is guaranteed to be THE most innovative new project in Christian
music this year" and it would be difficult to argue with
that. A fusion of many styles ("jazz, rock and electronica"),
from the Police/Sting sounding "Peculiar People" to
the Lemon Jelly type instrumental "Reset", this EP is
nothing short of stunning. Succinct and poetic lyrics supported
by original and exciting melodies raise the standard of Christian
Music to a new level, making much of what has been termed great
in the past seem uninspiring. What is more, this is just a taster
of the full album due out sometime next year. Buy this and then
buy the album as sson as you can. Sublime 10/10 Robin Thompson (January 2005)
Featuring interplay between two very good and contrasting vocals, some very interesting guitar work and a style described as “Gothic Doom” this Macedonian band know how to rock and how to throw in all sorts of hooks that you weren’t expecting. It’s got the feel at times of a Kasbah, as might be interpreted by Jimmy Page (the opening “Two Angels” is a very good example). The vocal interplay reminded me of Amaranthe at times, the male vocal being a cross between the two men in that band, with the female soaring over it all, sashaying its way between the riffs. Lyrically they are clear about their faith: “Open, O Doors” declaring Jesus as king of Glory and a desire for Him to be king of the band’s heart. I’d not describe it as doom metal though (like Anathema, maybe they started there but evolved?) – it is far too fast for that, being uplifting rather than depressing. The band are solid, the songs are well written and the hooks just keep you listening. Drawing on their native rhythmic traditions and fusing them with pure metal power, this is certainly one of the more interesting albums I’ve heard for a while. Best track: “Open, O Doors”. 8/10. Paul Ganney. (May 2019)
MY EPIC : Violence. (Facedown Records)
This is the second half of My Epic’s diptych, the first being “Ultraviolet” which I reviewed in June 2018. That one dealt with some of the more difficult aspects of faith, dealing with things which are beyond sight and understanding, with the second (this one) slated to explore the darker corners of faith, asking “What do we do when we don’t have a good explanation for difficult circumstances? And how do we think of God in the midst of things that are so obviously contrary to what we think God should be like?” I’ve spent a lot of my time reviewing My Epic trying to work out where they sit in the stylistic pantheon and think it’s easiest just to take each album as it comes. This one sits at the more pleasant end of doom metal, with definite similarities to bands such as Anathema with the unsubtle but incredibly solid drumming, the distorted riffing guitars, the massive underpinning bass, the vocals that sound like they’re a bit too thin (and often very effects-laden) to hold their own against the backing and yet, amazingly, do. The vocal reminded me of Tim from the Polyphonic Spree with the guest vocals on “White Noises” sounding more like I’d have expected an album like this to have, but somehow that made the track stand out less, showing how well balanced the band actually are. I loved the psychedelic feel of “Spit and Blood” too, shades of which crept into other tracks making it feel a definite part of the whole album rather than a throwaway bit of light relief which a less competent band would have been guilty of. Lyrically they’ve some nice turns of phrase with “I won’t hate you – you are not my enemy” from “Bloody Angles” and “it leaves you cursing when you want to pray” from “Black Light” standing out to me and showing how they have tackled the lyrical brief they set themselves. Musically they go from almost gentle to 100mph (“Spit It Out”) without either sounding out of place. That is also a credit to the production: each track has multiple elements, all clearly there, nothing dominating to the detriment of others. I have previously said that this is a band best listened to under headphones in order to enjoy all the elements and this album continues that, producing a very satisfying whole. Best track: Bloody Angles. 8/10. Paul Ganney. (October 2019)
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