Never for Nothing - CCM Record Reviews archive O
THE O.C. SUPERTONES : Chase the Sun. (BEC/Alliance : 63776174152 3)
Madness meet DC Talk, meet UB 40, what a mixutre! The question
is, "does it work"? Actually, there's no doubt about
it, the formula throws up enough different ideas to keep the average
listener on his toes throughout. From the opening "One Voice"
to the closing "Refuge", it's difficult to guess just
what sort of song the next one will be. The lyrics are full of
the usual praises to the Lord, and declarations of faith, but
the delivery is good, too. The Supertones have added a bigger
brass section than on their previous recording, and this really
does add body to the songs. "Away From You" is an MOR
plodder while "Grounded" is very aggressive, in a DC
Talk kind of way, yet still keeping that typical ska feel. It's
probabably the best track on show but only just beating the top
ranking "Hanani". The Americans love these boys and
I think the UK will be joining the fan club after this release.
8/10. (May 1999)
THE O C SUPERTONES : Live Volume 1 (BEC Recordings : BED7470)
There is a nice section in the middle of this CD which consists
of three or four worship songs, which are very good, but the rest
of the CD is quite forgettable. Most of it consists of the usual
manic rhythms that are the hallmark of SKA music. The worst thing
is that because everything is played so fast you can't tell what
the vocalist is saying at all. I asked several people to listen
and they all agreed. Also the audience is way too loud and intrudes
over the music, although perhaps this is the way they like it
in America. The Brass section plays the usual Ska type riffs,
while the guitarist seems to lean more towards rock music, the
two don't mix well, you get the impression that the band need
to make their minds up which way they want to go. Personally after
listening to the worship songs in the middle of the concert I'd
ditch the brass section. If the whole CD was like these few tracks
it would be a great CD, but I can't see this CD setting the world
alight I'm afraid. 5/10. Andy Sayner. (June 2002)
THE OAK RIDGE BOYS : 17th Avenue Revival. (Lightning Rod Records)
The Oak Ridge boys have one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. This album contains just 9 songs and a running time of less than 30 minutes. Like many artists in this gospel genre, I cannot fault the vocals or harmonies. However, overall, I much preferred their uptempo numbers to the slower ones. “Brand New Star” is one of those that you can actually tap your feet to, as is the short and snappy “God’s Got It.” I actually felt quite down after listening to “There Will Be Light” and “I’d Rather Have Jesus.” The production really did nothing to promote either title. Bass singer, Richard Sterban takes the lead on “Walk in Jerusalem, and is backed by his fellow Oak Ridge Boys. The song is about learning to walk with God, and comes across well. “Where He Leads Me, I Will Follow” was quite boring to listen to, as was the pedestrian delivery of “If I Die.” “Pray to Jesus” gets a boogie woogie flavour, as the boys sing of focussing your prayers on the things that matter in life. Lastly, “Let It (God’s light) Shine On Me” begins with an, almost, reggae rhythm. “This is interesting,” I thought. Sadly, the song deteriorates soon after with a cacophony of instruments and the myriad vocals shouting and hollering. So, my first taste of the Oak Ridge Boys is mixed. There are some good songs on show but, unfortunately, just as many that I didn’t like. Hence…5/10. (September 2019)
OAK TREE WORSHIP : Eternal. CD from: Innocent Music, 41 Bollo Bridge road, London, W3 8AT.
Tony Willis, Abbie Jones and Carolyn Hope are three worship leaders based at the Oak Tree Anglican Fellowship, and led worship at New Wine last year. 11 of the 12 songs featured here are penned by Willis, who's debut album "Rivers of Grace" scored a healthy mark when reviewed in 2002. This album is completely different in style and features various rock influences. "We Believe", "Only You" and "The Secret Place" are performed in an Evanesance style, but the vocals aren't as strong. "Unfailing Love" and "Your Glory" fall into the Delirious? type of indie pop worship, with the latter being the better of the two songs. My favourite part of the album came during the last three songs. I particularly liked "Eternal Praise" and Willis' vocal, plus the powerful energy of "The Way of the Cross". All in all, it's not quite what you'd expect from a group calling themselves the Oak Tree Worship, and may well make a mark in the British rock scene. 8/10. (November 2005)
OASIS PRAISE : Bring It On. (Word/ Warner Bros)
The Oasis Christian Centre in Los Angeles has been bringing all
races, ages and cultures together for dynamic praise and worship
since 1984. With all songs written by J.D.Webb, this album tries
to show a little of what happens. It's gospel music in the style
of Kirk Franklyn, so that means plenty of full blown choir involvement
and the obligatory whooping noises in between. The Cd begins with
spontaneous cheering, and it's more like a football crowd than
a choir. However, they soon launch into "Are You Ready",
and away we go. I've been a bit tough on gospel albums of late
but I've not really found anything fresh about them. This is very
similar to those. There's a nice version of "Fields of Mercy"
and a terrific 7 minute version of "To Dwell in Your Presence"
but that's about all. What Mr Webb was thinking about when he
wrote "Rain Down", I don't know. Awful saxophone and
brass sounds wash out the samba feel running below and the result
is dreadful. Not encouraging at all in my eyes. 2/10. (August 2003)
OCEANS : Worship Without Borders. (Elevation : ELE2074D)
This 30 song collection “features songs that lead us out of our comfort zones and into the real where trust, faith and wholly relying on the promises of God are paramount.” Now, although a few of these songs were new to me, I found myself jotting positive notes to many of the tracks. A new generation of worshippers have certainly taken ‘God’s Great Dance Floor’ to their hearts, and this version by Nick Herbert simply confirms that opinion. I liked ‘Friend of God’ the first time I heard it, on a recent Trent Vineyard album. Listening again, it sounds even better. ‘Oceans’ is another song that has quickly popularity, were it mixes both gentle and powerful sounds. Pete James’ ‘Build Your Kingdom Here’ has a triumphant sound about it, while Cathy Burton’s vocals on ‘Emmanuel’ are exquisite. On the downside, ‘Better Is One Day’ comes over rather limply, and ‘Everlasting God’ lacks any real conviction. Pete James comes up trumps again with the fabulous ‘Only One Name’. I was soon singing along to the great chorus and ultra-catchy tune. Of the other songs included ‘Our God’ and ‘Prepare the Way’ deserve a mention, as does the evergreen Graham Kendrick, and ‘Amazing Love’. As compilations go, this is one of the best worship albums I’ve heard. 9/10. (May 2015)
October Baby (DVD, Provident Films)
Hannah (debutant Rachel Hendrix) is an asthmatic, and epileptic, 19 year old student who, after collapsing during her university stage debut, discovers not only that she is adopted but that her illnesses are the result of her birth Mother’s failed attempt to abort her and the twin brother she knows nothing about. The revelations lead Hannah on a literal, emotional and spiritual journey to discover who she is, with best friend Jason (Jason Burkey) providing support along the way. The trail leads to a series of emotional (not necessarily in a positive way) reunions culminating in the tracing of her birth mother and a powerful encounter with a local minister in the Catholic Church. Hendrix gives a solid and convincing performance in the lead role, Hannah’s adoptive parents are well played by Jennifer Price and John Schneider (none other than Bo Duke from The Dukes of Hazzard) and Burkey does well carrying the friend and mentor load but the film as a whole feels like it doesn’t really know what it is. While poignant, regardless of which side of the abortion debate you are on, the central conceit of the story (Hannah’s late second trimester abortion attempt) comes across as an incredibly unlikely turn of events and leaves an uncomfortable feeling that you are watching a clumsy piece of pro-life propaganda dressed up as a movie. In fact, remove the abortion part of the storyline altogether and you still have the same movie about the journey of a teenage girl who discovers that she is adopted. On top of that, the movie is probably 10-15 minutes too long, at around 1 hour and 50 minutes, and suffers from a soundtrack that tries too hard to anticipate what your next emotional response should be. If this is an issue you are interested in, you may find something of value here, but it is only a very average movie in its own right. David Cooper 5/10 (December 2012)
OCTOBER BIRD OF DEATH : Coffee Mug. (Zap Records)
Short and to the point, this single track from October Bird Of Death regales you with the requirement for a coffee mug at 120mph. Fast, furious, fun. 7/10. Paul Ganney. (June 2020)
OCTOBER BIRD OF DEATH : Death Made Its Offer. (Zap Records)
October Bird O Death are a kind-of punk supergroup, comprising members from 2Minute Minor, The Blamed, Headnoise, and Ballydowse. It seems to be a side project rather than the members having left their respective bands but it’s a very good one. It’s certainly not a vanity project and is more a group of people who enjoy being creative together doing so. It’s unsubtle, the half-shouted, half-growled vocal sitting atop a pile of power chord riffs, thumping bass and ear-cracking drums. Just what you’d expect really and it doesn’t disappoint. I loved the arrangement on “Fire In Those Eyes” which showed that these guys can really play and not just thrash at 180mph (not that this track is slow – they can play and maintain the pace). If you want the thrash, then the 14 seconds of “Art Deco Skull Fracture” won’t disappoint. Needless to say, I rather liked this album. Best track: “Fire In Those Eyes.” 7/10. Paul Ganney. (July 2020)
OCTOBER BIRD OF DEATH : Assemble. (Zap Records)
This 5-track album (EP?) kicks off the way you want a punk album to – “Beckoning Beast” is fast and furious, with a killer chord riff that just screams “you’re gonna like this” at the top of its lungs (and I did). With only one track straying into “over 3 minutes” territory (by one second) it’s not an album that outstays its welcome either. The bass and drums are as you’d expect – solid, rapid, unsubtle (but they can riff - “Splintered Bones” show this to great effect) and over this bedrock lies the vocal – half-screamed, always threatening to slip from tune (but never does so) as the lyrics are thrown continuously at the listener. It’s classic punk combining the best bits of the genre. I was reminded of all the expected names at various points, but The Bill Mason Band (especially on the rhythmically more complex “Splintered Bones”) was an unexpectedly pleasant comparison. Best track: “Splintered Bones.” 8/10. Paul Ganney. (July 2020)
Originally hailing from Nigeria, Odunaylo lives in America, working in the health sector. She has a passion to live a purposeful life in Christ Jesus through her singing ministry. This is her latest single, and it begins with some gentle keyboard sounds. The vocals are very strong, although it took me a few plays to tune in to Odunayo’s accent. After a rather tentative opening verse, the song picks up with a nice production. She sings; “I am the apple of your eyes, Jesus. My Lord and King.” From there, this young lady does sing her praises in, what is, a charming song. 6/10. (February 2021)
UK based Nigerian Gospel singer, Oladayo Okeowo says; “This is a powerful praise song inspired by his reflection of who God has been to him. Despite all odds, God has brought him this far through His mercies and Goodness.” This bright and bouncy song features the deep vocals of Oladayo, while backing comes from lovely female voices. There’s a dance rhythm running throughout, and the song really grows on you. The main man sings that Jesus is “the Lord of Lords” and “King of Kings.” From there, he focuses on the title, while those females sing of being saved through the “precious blood of Christ.” May I suggest you watch the music video to get a feeling of the full joy that this song brings. 8/10. (April 2021)
Olanlesi is a dedicated pastor, wife, and mother. She has been ministering the love of Jesus for well over 30 years. She says; “This song was written by looking at my relationship with God. I have come to know that my Love for God supersedes all my needs, that He will do what he wants to do at His own time. He is not a man that He will lie” The song itself is a medium paced song of praise. Olanlesi sings well, while the backing music is non-intrusive. It’s a pleasant number that speaks Gospel truths, quite clearly. This lady is another new artist to my ears, but this song is one of those that stays in your head, long after it ends. 7/10. (May 2022)
THE OLD PATHS : Music to Your Ears. (Sonlite Records)
The Old Paths have been called “masters of traditional Southern Gospel sounds.” Certainly, there’s great vocal and music quality on the recent single ‘How Good the Good News Feels.’ The song has a country hoe-down feel to it, and I was soon enjoying the rhythm of it all. A baritone vocal takes the lead on ‘Let the Rain Wash your Troubles Away,’ which is a slow, shuffling number. There’s more life to the old favourite ‘This Little Light of Mine.’ I’d not heard this song for many years, and enjoyed this contemporary version. The title track is one of the strongest on show. Telling the story of growing faith and prayers, it’s a well-produced song. Other highlights include the old-style gospel track ‘Over the Next hill We’ll Be Home’ and the Rascal Flatts sounding ‘That’s How I Pray.’ This is my first introduction to The Old Paths, and I’ve got to agree with that opening comment. An pleasing album. 8/10. (April 2022)
THE OLD TIME GOSPEL HOUR QUARTET : The Return. (Daywind :4187129128)
Well, here's something a little different! Recorded in Nashville,
Wyatt Wilson, Jeff Stanley, Christian Davis, and Robbie Hiner
sing regularly in the US on the nationally syndicated tv programme
The Old Time Gospel Hour. The first thing I'd like to know is
just how baritone Jeff Stanley sings SO low? He provides some
amazing backing, as well as leading the rest of the guys on the
finger snapping "His Love". The opening title song is
a real catchy southern gospel number, and if that doesn't get
your feet tapping, then "On My Journey Home" certainly
does. Indeed, I found these type of songs more my sort of thing
than, say, the old time ballads. There again, I did enjoy the
peacefulness of "In the Midst of the Valley", which
praises the Lord for walking with us through life. It's a long
time since I smiled this much listening to an album and this is
one of the best of it's kind. 8/10. (February 2003)
The Old-Timers certainly have an unusual recording technique. Dave (vocals) and Don (guitar and bass) record twelve hours apart in South Africa, and their drummer Phil (also of False Idle) records at the Simpul Studios in Boise, Idaho, in the United States. The music is certainly classic punk, calling to mind the spirit of ‘76 with shouty vocals, powerful guitars (but with a bit of riffing showing that they’re not stuck in the past). Think Sham 69, Buzzcocks, the Damned, X-Ray Spex and you’re not far off. It’s sweaty room-over-a-pub stuff, all jumping up and down together because there’s no room to do anything else (and not safe not to join in). High energy, powerful, guitar-driven punk. It’ll take you more than one listen to work out what the songs are about, but when you do you’ll find a band wanting to glorify God in every song, to reach a desperate world with the Good News of God's grace and love, and to have a ton of fun doing it. And they don’t just talk it: all proceeds from the sale of “Turn It Off” and “Turn It Up!” will be donated to U-Turn Homeless Ministries in Cape Town, South Africa, which makes this the best “charity single” I’ve heard in a long time. Best track: “No Regrets”. 7/10 Paul Ganney (February 2016)
Like the other one of this pair of EPs, the music on this EP is classic punk, calling to mind the spirit of ‘76 with the same shouty vocals and powerful guitars (see the review of “Turn It Up!” for more details on the band that I won’t repeat here – aside to say that the songs are all under 2 minutes long). The bass guitar is a bit more to the fore on this EP as are the guitar figures. The feel is if anything better than on “Turn It Up!” and the lyrics more overt (which really suits the genre – “I do not want a crown I just want to be with Jesus” for example) so if you’re only after one of the EPs, I’d go for this one. Two specific points: I loved the false ending on “Televangelist” and the riffing on “Homeless Friends”. Best track: “Televangelist”. 7/10. Paul Ganney. (February 2016)
OLLI KIFF : Beautifully Redeemed. ()
Olli Kiff is a singer/songwriter based in Buckinghamshire, UK. He says; “I love to sing about what Jesus has and continues to do in my life.” This is his third release and it contains 5 songs. The opening ‘Worship the Lamb’ has a nice feel, musically, and is a mid-paced song, tempo-wise. He’s joined mid-song by other voices, and the production is well thought out. Keyboards and string sounds are used on the following track, ‘My Redeemer Lives’ where Olli is joined by Emily Brake on vocal duties. Their voices sound very good together, as they sing; “One day when He stands on the earth; All hearts will sing, my Redeemer lives.” The title track is a rather gentle number, with some sympathetic use of a violin, to accompany the vocals. On ‘All I’m Living For,’ Olli is accompanied by just an acoustic guitar, as he prays to, and worships the Lord. It’s a very simple song, but is an enjoyable listen, too. The last song is a version of ‘When I Survey (Love Amazing).’ This is the track where some effective guitar soloing comes in, between verses. Otherwise, music is provided by strings, percussion and keyboards, as Olli and Alison Kiff provide vocals. When an independent artist contacts me out of the blue for a review, I always get excited about what fresh songs might be forthcoming. Olli proves to be very good in songwriting and production, as well as being both vocally and musically first class. I’m sure that we’ll be hearing more from him in the future. 8/10. (December 2021)
Following on from his release at the back end of last year, Buckinghamshire based Olli Kiff returns with this 8 track offering. Musically, tracks are backed by acoustic instruments, and the occasional use of keyboard sounds. On ‘Your Name’ Olli sings that “Your name is the tower to which we run; Is the hope that we hold on; The name above it all; The name of Jesus.” The song flows quite well, and Olli’s vocals are placed just right in the mix. ‘Oh Grace’ is a gentle number that benefits not only from some nice music, but effective backing vocals, too. Kria McKenzie shares vocals with Olli on the simple sound of ‘Worthy,’ while it’s Alison Kiff who’s voice leads on ‘Rest.’ Backing on the latter comes from acoustic guitar and quiet keyboard pads. This works as a first class backdrop to the worshipful vocals. I’m not sure what sort of recording equipment Olli has, but he should be congratulated for such a crisp production, overall. The album has a feel of quite intimate worship about it. Or, as Olli says, some “chilled worship.” Closing the track listing is the lovely song called ‘Whole World.’ Sung by Romina Barba, her vocals are perfect for this mid-paced number. Giving praise and worship to God, the piano led track is, probably, a case of leaving the best unit last. Well, that’s my opinion. I very much enjoyed the inclusion of more voices during the chorus, and I ended up singing along – always a good sign! 8/10. (July 2022)
Buckinghamshire based Olly is back once more, with a new single release. He says; “This song about a time when I had to give up everything I thought I wanted to find out what was in God's heart for me. When you give stuff up for God, He doesn't just restore it, He makes it better than the former thing.” The introduction sees an echoing guitar and vocals, before a little more backing is added. Indeed, this is where the song really picks up and becomes a nice, mid-paced praise number. The chorus is especially good. I really liked the way that the lyrics and music flowed together. “You’re the God who restores; you take the fragments of my life; make it better than before. You’re the God who restores; you take the pieces of my heart; and turn it to something better than before.” This is the first song to be released from Olly’s debut studio album, which is due for release in Spring next year. More sounds like ‘Better Than Before’ will make it an interesting listen! 8/10. (November 2022)
Having “a passion for writing songs for the local church” with an emphasis upon writing “about his personal walk with God while staying rooted in scripture”, Olly Kiff has been creating songs since 2002. Originally from Manchester and now based in Buckinghamshire, in 2021 he released his 'Whole World' and 'Lead me to the Rock' EPs. His 2022 acoustic-based 'Odds, Ends and Godsends' was subsequently well reviewed by NFN and listening back to that eight-tracker, I can understand why. Here we have Olly's latest offering – at ten tracks, his first 'album', that mostly returns to the 'full band' guitar-led sound of the 2021 releases. We kick off with the upbeat rocker 'You're the One'. This is followed by the mid-paced title track – a good song, but Olly uses a sort of 'Elvis Costello-ish' delivery that becomes apparent to varying degrees during the rest of the album. I have a lot of time for Declan Patrick MacManus OBE(!), but the punkish attitude of his alter ego just doesn't seem to sit well with Olly's lyrical content – and this aspect begins to spoil things for me as the album continues, including the well written rock-pop ballad next track 'Better than before'. Featuring Amy Fokkens on vocals, the following acoustic guitar-backed 'At His name' is similarly strong melodically and lyrically and includes nice harmonies – although I kept hoping for some subtle drums/percussion that never arrived. 'I believe' is Olly's take on the creed and is one of the best tracks. The under-produced but otherwise worthy 'Better than life' includes a hooky chorus, is from Psalm 63 and features Emily Brake on vocals. Olly then delivers 'Magnify the Lord' which is based on Psalm 8. This is followed by 'Ever praise You' – from Psalm 71, with simple backing that would have benefitted from more development but features a lovely melody with beautiful liquid vocals by Alison Kitt. I struggle to listen to Olly's particularly affected delivery as the piano-led 'For an audience of one' begins – which is otherwise strong, with effective female backing harmonies. The drums and grunge guitar 'Come and see' proves to be a worthy closer. The makings of a good album then, with well written songs. In comparison with Olly's best work however some tracks seem under-produced – and the main downside for me is his vocal style. I imagine an Alison Kitt album of Olly's songs WOULD be something(!), but regretfully the best I can do is squeeze this one up to 7/10. Dave Deeks (June 2023)
Following on from the release of the album ‘I Know Who I Am’ in May 2023, Olly returns with a stripped-back EP that offers a fresh perspective on five of the album’s tracks Incorporating subtle yet impactful changes to the compositions. There’s a bright guitar sound that leads into ‘Come & See.’ Alison Kiff provides the main vocals, and leads this song of praise, well. Olly takes the vocal delivery himself on the title track. I like his voice, and it suits the track perfectly. The song is all about living in God’s grace, and having your sin washed away- being set free in Christ. There’s a change of sound for ‘Better Than Before,’ as the instrument of choice is a piano. The song is a slow ballad and has a very intimate feel about it. A really nice song. On ‘I Believe’ Olly is joined by Vanessa Ankra who provides the vocals in a rather stuttering opening. Loosely, there’s a gospel taste to this number, but it didn’t seem to flow as well as the previous songs. I’m tempted to have a listen to Olly’s aforementioned album, as this EP is quite endearing. I, especially, liked the chorus to ‘You’re the One,’ too. Well worth an 8/10. (November 2023)
Olly Knight leads the worship team at The City Church Canterbury & serves across Relational Mission Churches. He says; “I've got a real passion to write gospel centred songs for the church that excite the mind and stir the heart.” A short, opening number called ‘Maranartha’ is a worship piece based around the Lord’s second coming. After rather a lethargic “All Things New,” Olly mixes his sound into an Ian Yates type of electro sound, with the bouncy “We Sing Because He’s Won.” The style changes once more with “Father of Mercies,” which reminded me of many Stuart Townend songs. It swings along, and is one of those songs that immediately brought visions of large crowds singing loudly together. Great song! Olly hasn’t the strongest of voices, but he certainly uses it well. On “Simple Devotion” he puts across immense feeling as he sings along to a stripped back production. He returns to the earlier electro sound with the impressive “Like a Waterfall,” which once again praises God with words like “You are all I ever need.” The album also contains two instrumental pieces; “Peace in the Storm” and “Miracles.” Musically, there’s nothing wrong with them but, for me, they really didn’t sit right with the rest of the songs. Olly shows that he’s got lots of ideas for songwriting and production. On this recording, I must admit that I prefer more uptempo songs. I wish him well for the future. 7/10. (September 2020)
Gospel music minister, singer-songwriter, and worship leader Oluchi, returns with this brand-new single. The song is one of testimony celebrating God’s goodness and the overwhelming joy He brings when we put our total trust in Him. With a mid-tempo, Afro-highlife rhythm. Oluchi has a warm vocal tone, that’s backed by some nice choir voices. She sings; “Everything I need, you supply, according to your riches,” and gives thanks to the Lord. It’s quite a catchy number, and well produced, too. 6/10. (April 2023)
Olwen is a seasoned singer/songwriter based in South Wales. Her albums ‘Daughter of The King’ and ‘Hardly A Day’ both received 10/10 reviews from Cross Rhythms. Of this new release, Olwen says: “The Bible is full of ready-made stories ready to be put to song and the parables seemed to be the perfect resource to use.” There’s a nice, gentle feel to the opening ‘Incomplete Picture,’ complete with some lovely whistle sounds. There are no prizes for guessing the theme to ‘The Prodigals Return.’ However, the warmth of Olwen’s vocals is a delight, over the music provided by whistles/flute, piano, and percussion. It’s one of those song that you can’t help yourself ‘swaying along’ to! After the folk/pop feel of the first, two tracks, a little jazz sound on ‘Why Do You Call Me Good.’ It was whilst listening to the slower ‘Actions Speak Louder Than Words,’ that I realised who Olwen reminded me of. To give reader’s a little more direction in understanding her style, there’s a hint of other UK artists like Carol Lee Sampson and Sarah Poole. But, Olwen does stand up in her own right with this release. With quite a fruitful music ministry over the years, it plain to see what gifts she has. And, taking well-known parables, she engages the listener with her story-telling songs. The 5 track EP closes with ‘The Pharisee & the Tax Collector’ and brings to an end a very enjoyable release. 8/10. (August 2022)
OMOLARA MUSIC : Dey Follow Me. (@omolaramusic)
Maltese born Lara Familua aka Omolara Music has been a worship leader for more than 10 years. When asked why she chose Gospel music, Omolara says “… for what the Lord has done for me, this is the way I want to spend my time here on earth; glorifying God’s name, sharing the knowledge of His love to mankind and ushering souls to the throne of mercy.” “Dey Follow Me” is a song about the goodness and mercy of the Lord over mankind in spite of the challenges and battles we face daily. God still comes true and we are still standing, Psalm 23:6 sums it up . The tune is quite simple, with a nod to reggae/afro pop. Instrument-wise, there’s an monotonous electric guitar sound, based around very few notes. A light rhythm accompanies the vocals, the latter of which are just too far down in the mix. In fact, I found it almost impossible to hear most of the lyrics! I did look online for a copy of the lyrics, but the only website listing them was hi-jacked to a betting site. It’s a real pity, as I’m sure that this singer deserves better. The video to the song looks quite professionally recorded, but the song’s production and that awful guitar don’t live up to the same standard. 2/10. (July 2021)
ON THE ROCK : No Hidden Agenda. (Private Recording. CD £11 Cass £6 & £1 Postage from: Kingsway Christian Fellowship, Church Road, Waterloo, L22 5NA, England).
This year's crop of privately recorded albums has been of consistently
high standard, and this offering is no exception. On The Rock
hail from the Liverpool area and have been playing plenty of gigs
in and around their home area. This debut release contains 8 tracks
and starts with the atmospheric "In the Beginning".
Using the first verses from the Bible, the words are carefully
used over a backdrop clever, manipulative sounds that could certainly
be used with dramatic, visual effect. "Jesus, Lovely Jesus"
is a superb, rocky praise and worship song that I can see going
down a storm live. Simple lyrics but very well used. Just once
or twice elsewhere I thought that the lyrics didn't quite fit
the music but, overall, Ian Walker proves to be a writer of distinction.
The guitar work on "Hold On You" is quite special, while
the introduction of a saxophone on "Let the River Run"
is exceptional. Joy, happiness, and praise literally oozes out
of the speakers. A couple of the songs don't quite match the rest
but, with the quality of "My Grace" and it's relaxing
mood, it's a very good start. 8/10. (June 1998)
1 GIRL NATION : 1 Girl Nation. (Reunion : 02341-0179-2)
Carmen, Kelsey, Lauryn, Lindsey and Kayli are five young teenage girls who want to have a voice in today’s world, with God firmly with them. Perhaps I was the wrong person to review this album, being of the male sex, and some forty years older than the girls, but I listen with an open mind. ‘While We’re Young’ is an anthemic number that I can see going down well with teens. ‘Vertical’ is a complete rip-off of a Cascada track from a few years ago, and it’s a real pity, because it’s a catchy tune. There’s also more than a passing nod to Nikki Minaj and Lady GaGa on songs like ‘Live For You’ and ‘Count Your Rainbows’. The band Royal Tailor join the girls for ‘Love Like Crazy’. It works well, with the message that we should all follow Jesus’ example and share the love of God. The rest of the songs are pretty run of the mill, but the chart friendly title track certainly could become a radio hit. At times, 1 Girl Nation sound like five angry young girls at times, but perhaps that’s just the opinion of a grumpy old man. There’s a few highlights, but I’m not sure there’s enough there for us to look forward to a second album. 5/10. (October 2013)
ONE REPUBLIC : Oh My My (Deluxe edition) (Interscope Records)
Formed in 2002 this isn’t a new band so have had plenty of time to refine their art and took 3 years to release this follow-up to “Native”. This album has an acoustic pop/rock feel to it which made me think of Coldplay – especially when the piano comes in on “Future” and the vocal “woo-ooo-oo”s didn’t dispel that impression. Otherwise they sound more like a cross between an acoustic Australian teen band (such as 5 Seconds Of Summer), pop-funk (such as Bruno Mars) and 90s electronica (such as Underworld) with sidelong glances towards Labyrinth, John Legend, latter day Take That and (somewhat eclectically) Peter Gabriel, who makes a guest appearance on “A.I.” which also features some nice synth work. Lyrically they’re human relationship centred with a slight exception in “Human” where the protagonist has a conversation with God (in which God asks “how does it feel to be human?”). The songs are well constructed, performed, recorded and produced but did make me feel like I’d heard it all before. That said, none of these tracks would sound out of place on a Now compilation so they are of a decent standard. Overall I preferred the more overtly poppy material such as “Choke” but could see how the other (dance-oriented) material might go down better live. There are 16 tracks on the main album, plus four bonus ones on this edition so no-one can claim they’re not giving value for money, especially as the two alternative versions of songs appearing here are (in my mind) better than the ones on the main album – “Better (String Version)” was so good it almost made my “best of” selection. Best track: “Choke” 7/10 Paul Ganney. (January 2017)
ONE SONIC SOCIETY : One EP. (Essential : 083061092429)
This the first of three EP releases by this new collective that includes, Jason Ingram, Stu Garrard, Paul Mabury, and Jonathan Thatcher. With names like those heading the band, I was expecting great things but, as is often the case, those hopes were dashed my mediocre songs that sound just like any you've heard before. 'Our God Will Come' starts things off and it's a contemporary sound in the style of Brenton Brown. 'Forever Reign' sounds like a Coldplay b-side, and it really drags it's feet as you listen. There are only five tracks, and maybe that was a blessing. The only highlight was the closing 'Meet With Me' which is stripped right back, musically, until a rhythmic reprise livens things up. I certainly wouldn't be hurrying to play this again. 4/10 (February 2011)
ONE SONIC SOCIETY : Forever Reign.
As this CD started up my first thoughts were “Delirious? have a lot to answer for”. But the comparisons fade soon after that – this CD is squarely a worship one. The arrangements may be “performed” (otherwise they’d be dull to listen to) but it’s easy to see how they’d work in a church with just a pianist, for example (despite the band being very guitar-driven). The choruses are very singable, very uplifting, very easy to pick up. The overall sound is one that’ll be familiar to anyone listening to modern guitar-driven worship: a bit Coldplay, a bit Delirious? (Stu G is a member of One Sonic Society, so I suppose it’s to be expected in this case), a bit Matt Redman, a bit Tim Hughes. With a CD like this, though, it’s not the musicianship that determines whether or not the CD is worth buying (even though it is good): it’s the songs, purely and simply. And they do hit the spot: the band say they are aiming for “songs that would be used by the church – new worship anthems that can be embraced by believers all over the world” and they hit this target well. Whether the songs will last is a different question, but I wouldn’t be surprised to be singing at least one of these in five years’ time. Best track: “Beautiful Savior”, an opener that really draws you in and sets the tone for what is to come (although you could equally say that of “Always” or “Forever Reign”, which came a very close joint second). 8/10 Paul Ganney (June 2012)
Nigerian sensation and music power house Opera David Benson is very passionate, energetic and deliberate in delivering her Jesus message to the world. The singer has one goal, and that is to show the world that Jesus is Lord and able to do all things. An atmospheric introduction leads to Opera’s strong vocal tone. She begins with “You are the song that my heart will sing forever. You are the melody, forever ringing in my heart.” The backing singers have a real sweet sound about them, as Opera increases the volume in her own voice. The music is quite low in the mix, which works on this particular song, giving the vocals space to soar. And, even though the simple chorus is repeated quite a lot, it doesn’t detract from the quality of the song. A lovely song of worship. 7/10. (May 2023)
ORPHAN NO MORE CO : Death Died. (Orphan No More Co)
From the Orphan No More website; As a community our vision is to create family and redemptive art that shatters the hold of hopelessness. Our work as artists is to serve those around us in the amplification of truth and hope, in the midst of so much pain and chaos. The work we do; developing and discipling artists, creating and releasing music and film as well as hosting events that inspire and encourage is without pay or funding, the generous contributions of our friends around the world keep the lights on sustain our redemptive work. The opening “Thousand Lifetimes” is quite beautiful. Beginning with just an acoustic guitar, the song really comes to life when it’s joined both the vocals and viola. “It is Done” is, not surprisingly, about the crucifixion and the victory we have in Jesus. If you like the music of United Pursuit, I think that this EP will be your cup of tea. Some of the songs sound rather raw and, perhaps, they were recorded live. “Easter Morning” would fall into that category. Completely opposite in production is “Grateful Response.” Lovely lead vocals carry this song, with lyrics such as; “I wanna love like you; Give thanks like you; Lay down my life for someone else, like you.” Overall, an eclectic mix with, at times, some very nice vocals. 6/10. (May 2021)
Norwegian, Oskar, combines elements of folk, indie and country to craft his very own, unique sound of pop music. He says "Lord Oh Lord" is a kind of hymn about what the 16th century monk John of the Cross called "The Dark Night of the Soul", and what the rapper Ty Dollar $ ign might have called "Ego Death". It points to the main theme of his forthcoming album, due to be released mid-November. The opening bars of the song are very bright, and Oskar’s vocals are crisp and clean. Music is provided by flutes, pipes, acoustic guitar, and (for most of the song) a driving, percussion beat. (There might have been a glockenspiel in there too!) The lyrics provide an interesting story throughout, and end with the monk crying; “You see that I am running, you know that I am scared. You’re telling me to fix my eyes on you, instead.” It’s always nice to hear something a little different to the norm, and this single is well worth a listen. 8/10. (November 2020)
OUT OF EDEN : No Turning Back. (Gotee : 4728062)
It's taken three years for the three sisters to record this their
third album. Urban soul is the game and "No Turning Back"
finds the girls in top vocal form. Soft ballads are mixed with
dance tunes which explore daily struggles and God's forgiveness
and grace. "River" is a real dance club number and "Window"
would grace any radio stations playlist this summer. On the ballad
front "Here's My Heart" is top notch stuff with The
Katinas adding vocal power to the song. Produced by Toby McKeehan
and Todd Collins, this album sees the sisters move into a more
adult style of music and it's a move not without it's price. Bringing
in the Grits for some rapping just doesn't pay off and the bland
"If You Really Knew" would fail to make most grass root
demo's. however, the overall picture is good and this deserves
to be a hit. 8/10. (September 1999)
OUT OF EDEN : This Is Your life. (Gotee : 6694 4728502 1)
Three years ago, I remember enjoying Out of Eden's "No Turning
Back" album, complete wit it's mix of soft ballads and dance
tunes. I also mentioned the track they did with The Grits, and
said how bad it was compared with the rest of the album. Well,
if Out of Eden read my review, they obviously decided to take
no notice of what I said because that track seems to have been
starting point for this new release. Dull just isn't the word
to describe this hip hop/garage based work, much in the style
of Destiny's Child. Take, for instance, "Different Now".
It's not bad, but it's a direct rip-off from one of the said band's
albums. Much of the CD's track listing is dire and unimaginative
and it was a real struggle to listen more than once. "Praise
You" sees some great harmonies on a fine ballad but this
is one bright spark in an, otherwise, bland release. Come on girls,
you can do much better than this. 2/10. (July 2002)
OUT OF EDEN : The Hits. (Gotee : GTD47739)
After 13 years of churning out one radio hit after another, Out of Eden have decided to call it a day. This release features many of those hits, but not enough - it seems - as fans have been writing to the record company for more. For me, the three girls have never really made it big over here in the UK and I'm not really sure why. Their urban pop sound slides neatly alongside many secular counterparts, and there's a couple of songs that even sound like hit-makers' The Sugarbabes. "Greater Love" and "Window" being great chart material. The truio's version of the Bill Whither's classic "Lovely Day" will always stand out for me as one of their best tracks. Clean vocals and terrific harmonies give the song a real edge. "Different Now" sees the song get a little more aggressive in delivery but there's some real smooth sounds on tracks like "Meditate" and "Mighty Mighty Good". While the fans may not be 100% behind the content of this release, it is a scrapbook of the band's high points. 7/10. (February 2007)
OUT OF THE ASHES : Love Can Be a Bumpy Road. (Resound Media : RMOA1501)
Out of the Ashes is the creation of husband and wife duo Penny Lyon and Kevin Washburn. The duo use their original music as part of their mission to stand for joy, healing and love in the church, after previously honing their craft at the helm of the Beacon Gospel Choir. This is the follow up to their 2012 release The Garden, and it certainly pricked up the ears of this reviewer. The album begins with a boogie woogie number called ‘What Love Can Do’, which looks at all the wonderful things love can do. For ‘Snake Bite’, we move into blues territory and the story of the serpent in the Garden of Eden. Penny’s vocals really suit the songs, and her delivery is spot on. Musically, highlights include some rather nifty guitar work, and sympathetic piano playing. The title track holds no surprises. We all know that love can sometimes be difficult, but we should never give up, and work hard to succeed. Do you find it hard to live as Jesus did? Yes, me too, and on ‘Rebel’, Penny sings through the up’s and down’s we go through. I got the feeling that this collection of songs had a bit of an American influence behind them. Certainly, I’ve not heard any other British artists producing songs like these. ‘Love Thy Neighbour’ has a rhythms that is not unlike ‘Nutbush City Limits’, while ‘Two Step’ has a Latin feel to it. I liked the way the lyrics throughout, were straight forward to understand, and that’s a great strength of this offering. If you’re looking for something a little different, then give Out of the Ashes a try. You won’t be disappointed. 9/10. (April 2015, Album of the Month)
OUT OF THE ASHES : Fear, Secrets and Lies. (Resound Media : RMCD160002)
Following on from their much talked about “Love Can Be a Bumpy Road,” Kevin Washburn and Penny Lyon are back with an album of jazz, gospel and blues numbers. I really like Penny’s vocals, as they always sound so clear and crisp. That formulae is evident throughout and begins with the song “Wake Up.” There’s some bright guitar sounds, as well as brass, on an instantly likeable track. “Tipped Off the Table” gets a funky jazz treatment, while the gospel swing of “Back to you” features a distinctive piano solo. The title track tells how the devil can try to turn your thoughts with “Fears, Secrets and Lies.” It’s a cracking song and well produced. “do That Thing You Do” and “Crazy Love” didn’t quite do it for me, but the bluesy “It’s a Through Road” gets things back on track. It’s a song about the well-worn adage of choosing between living a material or a Godly life, and the message comes across well. The second half of the album is really strong, although the piano and acoustic guitar backed “So Silently” is such a pretty little number. “Pole, Pole” ( Swahili, meaning “take it slow”) is quite infectious, and a I really enjoyed the inclusion of an accordion here. “Blackbird” is one of those songs that stick around in your head for hours after hearing it. There’s an Africana feel to it, as Penny’s singing focuses on revival. Finally, there’s a short Southern Gospel song called “I’ll Go Where You Go.” A mention, here, goes to Charlie Bunting for some rousing violin playing. Continuing from their last release, Out of the Ashes serve up some tasty tracks. 8/10. (December 2016)
OUT OF THE ASHES : Get Out the Boat. (Resound Media)
Penny Lyon & Kevin Washburn are back again, complete with their tried and trusted formula of jazz, gospel and blues numbers. As you might expect, the songs are mostly based around God and Jesus, with a nod to various stories of the Bible along the way. The title track highlights when Peter walked on water, and then began to sink when he took his eyes off our Saviour. The song starts the album off well, with some nice brass sounds. “Steady Hand” is a smooth number that drifts along, in a laid back way. Backing vocalists rarely get a mention but, they really stand out on this recording. With Penny providing the vocals, Kevin plays the guitar. And, on “You Are Enough,” his solo is top notch. I found the bluesy “Come on Home” and “The Fire Ain’t Mine” to be rather too pedestrian in tempo and, consequently, both songs sounded very lethargic. The same can’t be said of “Unaccountable Comfort.” It’s a real foot tapper that lifts the album just when it’s looked like stalling. Great vocals all round carry “Ain’t That the Truth.” Apart from a well-thought out bassline, there’s no other music to the track. Highlights of the album, for me, come in the shape of “I Just Love You” and “Pray That Prayer.” The former is a simple message that Jesus’ love is waiting for everyone, while the latter rattles along at a fair lick, with Paul Jones showing his skills on the harmonica. Out of the Ashes are in quite a niche market in the UK. But, their popularity is shown by both their album sales and live performances. This record will, no doubt, see that trend continue. 8/10. (May 2019)
Out of the Ashes return, with the release of the title track from their forthcoming album. Singer, Penny Lyon, says; “We live today in a strongly opinionated society, the news is jam packed with comments on individuals and their actions; their failures, their successes, and we’re encouraged to decide whether we ‘like’ them or not. This song provides a battle cry for those who no longer intend to feel judged, sidelined, and condemned. A war cry for us all to move forward into a culture of greater kindness and acceptance for all.” Marching percussion follows the song throughout, but there’s also some old fashioned keyboard sounds, which are gorgeous! Style-wise, it’s a cross between blues and world music, with great backing vocals behind Penny’s lead. My favourite lyrics are; “Nothing you could ever do could make Him love you more; Nothing that you could confess could ever make Him love you less; Because you are, you are what He made you.” Out of the Ashes never fail to make me smile, when I hear their songs. Over the years, they’ve consistently produced good albums. And, if this song is anything to go by, the new one is set to follow suit. 8/10. (March 2023)
Four albums and eleven years on from excellent first release 'The garden', the award-winning Gloucestershire-based Out Of The Ashes bring us probably their most accomplished offering to date. Headed by married team Penny Lyon on lead vocals (often reminding me of the excellent Judith Owen) and Kevin Washburn on lead guitar, the band has become “a favourite on the Radio 2 Blues Show”, along with “many other national radio stations all around the world”. They have also “built a big on-line audience”, attracting “rave reviews” for regular live gigs in the UK and Europe which feature “a down to earth fusion of engaging storytelling, classy songs and musicianship that adds up to something that is both enjoyable and memorable”. Things kick off with the rocking and bluesy title track which also turns out to be my first standout. As the album continues, the talented backing musicians provide a rock solid foundation for this longer-than-average fifteen new song release. Horns feature for the first time in 'Sonny come home', a modern take on the parable of the prodigal son. 'In the middle with you' has a 'People get ready' groove. 'My fish' (“swims against the tide”) is about being prepared to be different while following the Lord (“my Lord leads, I will follow”). The lounge-jazz 'Always rushing on' warns against becoming too busy to spend time with God. My next standout, the rock-pop ballad 'See what I see' encourages us to see the world as God sees it. 'Take me with you' reminds us to take God with us wherever we go, whatever we do. The upbeat stomp 'Stuff like that' (“won't put your life on track”) is a warning about getting too involved with worldly things. 'I believe it' is based upon the response of 'doubting Thomas' when finally accepting that Jesus had risen. Altogether, the well-written and scripturally-founded songs cover many aspects of the Christian life. They are also presented in a variety of musical styles – including the Americana 'The new you' and negro spiritual-styled 'Turn on the water'. Rocking closer 'Where I run to' ends an altogether excellent album that proves enjoyable throughout. Here we have a rare combination of quality songwriting, musicianship, arrangements, production – and yes, even sound quality! An obvious 10/10. Dave Deeks (August 2023, Record of the Month)
OUT OF THE GREY : See Inside. (Sparrow : 1563).
The Dente's last album was full of tuneful melodies and catchy
choruses. This release sees them return to their former style
of indie based rock, with a touch of Alanis Morrissette thrown
in for good measure. The first couple of tracks are nothing special,
but "Not A Chance" does give you a bit of hope with
it's brighter sounds. I'd call this a pretty uneventful album
as it hardly breaks any new ground for this husband and wife team.
At it's best, the album raises it's profile halfway through, wit
the spectacular "Disappear" and the cool "That's
Were I Live". The latter tracks all seem to finish without
you really remembering anything about them. Fans of their last
album may, like me, be disappointed by this release but maybe
their old fans clamoured for the return of this style. 4/10. (August 1997)
OUT OF THE GREY : 6.1 (Rocketown : 080688612627)
As a long time fan of the music of Scott & Christine Dente,
it was great to hear that this new album was on the way. Now signed
by Michael W Smith's Rocketown Records, it's given Out of the
Grey the chance to move on in their music ministry, producing
a new sound that old fans, like myself, may found rather alarming.
Gone, are a lot of the great harmonies and carefully crafted melodies
that this husband and wife duo were noted for, and in comes an
edgier sound, that is more experimental and, therefore, less immediate
in it's impact to the listener. The single "Smile Like Crazy"
is disappointing in that it's lack lustre delivery fades into
oblivion quite quickly. "Truth Strikes Through" is a
dis-jointed groove thing that fails to ignite any sort of spark
and, I'm afraid, it's a bit like that all the way through. "Tell
your Story" breaks the albums' mould, with a sweet little
number that Christine sings well but "Waiting" finds
her warbling in a rock style that was all the craze when Miss
Morrisette was hitting her peak. All in all, it's brave move in
style but, perhaps, not yet perfected. 4/10. (November 2001)
OUTLAWS FOR THE CROSS : Outlaws for the Cross. (Crucifixion Records)
Outlaws for the Cross combine country music with hip hop beats, and they are singing about Jesus and the Gospel! The duo comprises of Randolph Clay and DJ 3 Nails. The album contains 11songs, running for a rather short 25 minutes in total. Both of the opening tracks rely on very sparse, musical backing. Indeed, “Don’t Pretend” seems to get by on just one string of an electric guitar. As with most hip-hop lyrics, vocal delivery is fast and furious. Making sense of those lyrics was, on the whole, beyond me. However, on “Did Nobody Ever Tell Ya” does mention Jeremiah 29:11. How that fitted in, I’m not sure. By the time “In the Morning” came along, perhaps my ears were becoming attuned to the sound. The theme appears to be about the life changing decision to follow Jesus and give Him the glory. The slower “Side Roads” gave me a chance to take in a few more of the lyrics. “My heart was hard, it was hard as leather.” The change, of course, comes through following Christ. Musically, a lot of the tracks sound alike, with little variation from start to finish. “Down Below” was one particular song that just sounded a monotonous drone. On a plus point, “Rodeo” sounds a lot brighter, and is probably my pick for the best on show. “True Life” might come next, in preference. “If you’re looking for true life, you can find it right here.” A simple set of lyrics, but well produced. I’m not too sure that the country element comes through well enough, although there are glimpses, here and there. I much preferred the second half of the album to the first. As I mentioned, maybe I was getting used to the overall sound. The duo say that they are already beginning to record the next album. Hopefully, this one, will find the people who can appreciate the music more than me. 5/10. (July 2021)
OVERFLOW : Better Place (Essential Records MPCD40571)
This lot are a five piece rock band from South Carolina. They
grew out of a church youth group and are in their mid twenties.
Their website describes them as a young "Third Day",
which means nothing to me I'm afraid. Still, the music is quite
good, they are a fairly energetic sounding band, with
lots of jangly guitar lines, in fact typical of what you'd expect
a modern rock/pop band from America to sound like really. Most
of the lyrics will appeal to their own age group, but I found
them to be quite listenable to. There is a slower worship song
called forever that I thought was probably the best song on the
CD, but there was no track that stood out as being particularly
bad. The only gripe that I have is the asterix after the track
list that says that these are unmastered mixes, it seems a bit
daft to me sending out a promotional CD of an apparently unfinished
CD for review, but I wouldn't have thought that mastering would
change the feel of the CD. All in all then it's a good album, and definitely worth a listen. 9/10 Andy Sayner. (February 2005)
OXYGEN : One Step Closer. (ICCD58831).
This is the band that's been put together by YFC a'la the TV show,
Popstars. The successful foursome hope to be just as popular as
their secular counterparts, and this is their first single. 3
tracks, the first being "One More Reason". It's got
a commercial sound that wouldn't be out of place on Top of the
Pops. Definitely has a sound with youth appeal, and has flavours
of Abba and Steps. "One Step Closer" would be popular
in the dance club scene. The lyrics are refreshing and a change
from the usual played to death "boy meets girl" stuff.
In my view this one is worthy of a wider audience rather than
just the Christian scene. "I Belong to You" isn't as
strong and I didn't enjoy this as much as the other two. The whole
thing just isn't as strong as the previous two, although the message
does get across. Two out of three ain't bad (cue for a song) and
I wish them well. 8/10. Judith Wilson. (September 2001)
OXYGEN : React. (ICC : ICCD58830)
After enjoying their 3 track single so much, I was really pleased
to receive Oxygen's album to review, and looking forward to hearing
more of the same high quality. Now I have listened to it (several
times), I'm still waiting. "React" starts the ball rolling
with a run of the mill dance tune that isn't that strong at all.
"More Like You" is a lot better and I like this one
very much. "One Step Closer" is the best song featured
in my opinion. It's got a good tune, and the words are really
easy to understand. It's not too deep and the message of God's
love comes across well. Mid album comes a couple of songs written
by Zarc Porter and Mark Pennells and, sadly, they are both quite
weak and forgettable. "One More Reason" sounds as good
as it did when I first heard it and I'm sure that it would do
well on the secular market. Porter and Pennells' third track "You
Lift Me Up" is so much better than their other contributions.
Thumping beats, a robotic backing vocal and a very good song.
Vocally, Oxygen are very good but are let down by some poor songs.
6/10. Judith Wilson. (November 2001)
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