Never for Nothing - CCM Record Reviews archive T
20LB SLEDGE : Electric Exodus. (Bronze Serpent Media)
This album has been described as “funk-leaning with a nu-metal undercurrent” and I am not one to disagree. Lyrically it’s very clearly faith-based, with a clear vocal explaining their beliefs and encouraging you to share them (or at least investigate them). The vocal is half-rapped in the style of Linkin Park and Run DMC, with some nice sung parts (especially the choruses). There is very good guitar work moving effortlessly between grungy chords, effected picking and metallic riffing (the wonderfully named “Trauma Sutra” has possibly the best one, although the subject matter – date rape and human trafficking is not as light). All this is underpinned by very solid imaginative drumming and between these two layers sits the bass: at times pounding at times funk-slapped yet always sitting solid, occasionally leaping to the foreground then dropping back. There are some very good rhythmic shifts and chops – “Death Buster” being a great example, with its nu metal feel and prog-style (think folky Yes) middle section. It builds well too, showing a maturity in the musicianship. For another great example of this, listen to “Club Dead Walker” where all four parts are playing different rhythms yet the sum of the sound is solid and driving. It’s all very impressive and then they mesh into unity before moving apart again – great stuff. I really enjoyed this album – it has power, speed, energy, musicianship and enough twists and turns in the songs to keep you interested and listening. Best track: “Death Buster”. 8/10. Paul Ganney. (March 2020)
3 WINANS BROTHERS : Foreign Land. (Absolute : ABMGCD5)
This 15 track CD from the latest iteration of the famous Winans family is a 'deluxe edition' reissue of the original from 2014, with three re-mix / re-edit 'bonus tracks'. Here we have a mixture of slow ballads (sometimes a touch TOO slow) and upbeat funk featuring sequenced drums and bass with vocals up to the usual high Winans standard, with harmonies beautifully arranged and delivered. We also have superb sound quality, in stark contrast to the compressed mush that characterises so much ccm these days - a pet frustration of mine. On first listen the standouts for me were the eminently danceable 'I'm not ashamed' and 'Negative positive' with its 'life turned around' message delivered via a repeating chorus riff 'turned it from a negative into a positive' that ran through my head for hours afterwards! Further listening revealed one or two 'growers' including the remixed 'Dance'. Whilst in my view the original 'Move in me' was probably best left as it was(!), I found the remixed 'Dance' to be a big improvement on the rather plodding original, and the 'breathed on' 'I really miss you' to be a similar improvement, although my toes were curling at the cheesy 'love lost' lyrics of the latter and 'Please don't go'. Overall then a bit of a mixed bag - definitely a 'dem record' for those with nice quality sound systems, two or three outstanding tracks, others worth a listen, others irritating and the remainder fairly unmemorable. A difficult one to give an overall score to, but probably fair to make it a 7/10. David Deeks (December 2015)
3 HEATH BROTHERS : Into the Deep. (Horizon Records)
The 3 Heath Brothers Nicholas, Clayton & Cristian) have returned with a follow up to their 2019 release ‘Who We Are.’ These guys’ youthful enthusiasm leaps straight from your speakers, with joyful sounds like ‘Into the Deep; It’s Not About Us and Love your Neighbour.’ Nice harmonies can be heard on ‘Let Me Introduce You to Jesus’ and ‘Take All of Me’ to name but two. The latter is more in the old style of southern gospel music, complete with orchestral sounds and piano providing the backing. Throughout the album, there is quite a mix of old and new styles, including the acapella version of ‘Oh Glorious Love.’ The album concludes with a big production called ‘Jesus is Coming Back.’ Big production? Yes, but not really one of the strongest cuts unfortunately. Still, the 3 Heath Brothers do make plenty of right moves on this release. 7/10. (September 2022)
Tab Worship are the worship team of The Tab Church London a multi-cultural and multi-generational church in Lewisham South East London. ‘The Cry’ an original song written by members of the group, it is birthed during a season where the world globally is facing uncertainty and confusion. It is a prelude to prayer, a desperate cry to God as both an appeal for help, and acknowledgement that despite all we may face globally and see personally, he remains consistent and faithful as the only one we can truly put our hope in. Recorded live, I was immediately put off by the command to “lift your hands everybody.’ After a rather tepid introduction, the song begins with a strong vocal from a female singer. It’s a slow paced gospel song that praises and worships God, as the One who is always able. Some nice backing vocals come in mid-song, as the vocalist really begins to “cry” out. From this point, things get rather repetitive and I really struggled to listen to the whole 7 minutes 51 seconds. Perhaps you “had to be there” to appreciate the song. 4/10. (July 2022)
TABLES OF STONE : Engraved. (Private Recording. CD $20 from: TOS, PO Box 36067, 1318 Wellington Street, Ottawa, Ontario, Canada, K1Y 4V3).
Another Canadian outfit for me to get my teeth into, and what
a band they are! Having just played the New England Music Festival
alongside the likes of Petra, and The Newsboys, plus a host of
radio stations playing their songs, TOS look like a band we'll
be hearing a lot more of in the future. Sound wise, the album
is reminiscent of Jars of Clay with a little DC Talk added in
for good measure. The result is a collection of songs that will
inspire you as well as asking you a few home truths. Lead singer
Colin Genereux has a great voice and a fine way of writing most
of the tracks. 'Choose To Live' opens proceedings with some great
guitar riffs and superb vocal harmonies, answering the age old
question of which road to follow. The repentant Christian is the
feature of 'I Believe in You', a quiet acoustic number that flows
right through you. 'Forgive My People' is another track that is
filled with awe and worship for God. Getting the message of the
Gospel over to the youth of Canada is number one on the bands
list of priorities. Canada is most fortunate to have TOS. 9/10.
(October 1998)
This is Nigerian born, international music minister Taiwo Atolagbe’s debut single. The song produced by Deji Keyz, is released to celebrate the resurrection of Christ Jesus. It sounds like this is a live recording, as the song is met by a ripple of applause. Straight away, you realise that Taiwo has quite a voice. If a little raw, she belts out the song’s title, several times. When the song settles, the singer is backed by some nice vocals, and gentle keyboards. The last minute and a half is quite repetitious and, for me, watered down the quality of the song, as a whole. A pity. 4/10 (May 2021)
TAKE 6 : Brothers. (Warner Alliance : WBD6447).
Have they or have they not split up, that is the question? Reports
are inconclusive either way, but at least the latest album has
reached these shores. Hitting off with the funky 'Sing A Song',
this sextet sing some lovely harmonies and some downright rubbish.
There's a great ballad called 'I'll Be There' while 'Delilah'
is more upbeat. Instantly forgettable classics are 'We Don't Have
to Cry' and 'Do Right', were the lead vocals are drowned out by
the backing singers' "doo-wops". The simple songs seem
to be the most accessible and 'Can't Stop' is a prime example
with it's singalong chorus. It's soul music with most emphasis
on the vocals, and it's quite good, at times. The final track
is an assurance from God that whatever you go through in life
"I will be there...don't let go" - an excellent song.
If we have heard the last of Take 6 then, with this album, they
will be remembered with a whimper rather than a bang. 5/10.
(February 1997)
TAKE 6 : So Cool. (Reprise : 0936 2467952 3)
"We're back to our acappella roots, doing what we do best".
So say Take 6 with their latest release "So Cool". An
album that I never thought I'd hear following the hype of their
previous offering which promoted it as "their last album
together". So, yes there are very few instruments backing
the remarkable voices of these 6 guys. The doo-wop sounds of the
title track is a little too old fashioned and sounds more like
a barbershop quartet. Mid-album comes the goodies and "If
You Only Knew" and "Wings of Your Prayer" are really
sweet. "Fly Away" is a calypso tune that I soon found
myself tapping my foot to, and there's a clever, restrained, acoustic
guitar on "You'll Be Waiting..." Unfortunately, it was
then I lost interest in the sounds as the harmonies seemed to
get caught in too complicated arrangements, resulting in a wall
of unclear sound. Too bad really, because this had the makings
of something promising. 5/10. (February 1999)
TAMMY TRENT : Set You Free. (Sparrow : 7243 8517322 6)
Another one of those bright young things from across the pond
appears onto the CCM scene with an album that will, I believe,
appeal to the teen market. Described as an "energetic exercise
in fun" the tracks' style move from sugary pop to some quite
excellent slower numbers. "I Do Believe" is a prime
example of the former, complete with dance beat and an unquestionable
belief in God. "If You Need Love" is very much in the
Britney Spears mould, but "Trusting You" finds Tammy
in a more mellow mood. "Without You" is one of the strongest
cuts, and has already featured on my playlist. With a pedigree
of touring with the likes of Big Tent Revival, Out of Eden, and
Petra, she's already begun to make her mark. Not a classic album
by any means but better than average. 7/10. (October 2000)
TARGET : Alternatively. (CD £10 inc p&p from: Target, 4 Oliver Road, Southampton, England, SO18 2JP)
I must admit, I still get a feeling of excitement when an independently
released CD drops through my letter box for review. Doing the
business for God on the south coast of England are four guys who
are moving towards their 100th gig in 4 years. "Alternatively"
collects 10 tracks from their live set and returns to life, the
two and a half minute pop song. The sound is almost a throwback
to the late 70's - a cross between the Skids and the Undertones,
so I was well pleased. Sometimes, I found the songwriting lacking
a little in overall strength, but more experience will, I'm sure,
rectify that. "Lighthouse" and "God Is A Heartbreaker"
are just two early good songs but the breakthrough comes with
"Perseverance". This, slower number, raises up the Lord
with praise and worship straight out of the heart of Target. "Down
on the Beach" is bound to be live favourite and the energy
from it does carry over onto the recording. If you expect a flawless
album, you'll be disappointed, but Target are aiming high and
are well on their way to their goal. 8/10. (September 2000)
TASHA COBBS LEONARD : Hymns. (Capitol CMG)
Recorded live in Chicago, Tasha says; “I returned to my Gospel roots. Hymns reimagines music engrained in everyone’s collective Church experience while delivering it all in a refreshing and accessible way. I pray that this album reminds us that the foundations of our Faith remain resolute and necessary for progress.” Well, coming in at just under two hours running time, this 24 track album really tested my staying power. This singer was awarded Billboard’s ‘Gospel Artist of the Decade’ in 2021, so I expected great things from this release. Complete with a full choir behind her, Tasha launches into typical gospel numbers like ‘Burdens Down,’ and ‘Power.’ Her more gentle songs include the beautiful ‘Warrior of Heaven’ which has a lovely orchestral production. Focussing on the message that Jesus Christ the Champion is standing right beside you in all your battles. On the downside, the duet with The Walls Group tends to be rather messy in production. Lasting nearly thirteen minutes, (including its reprise) I was pleased when it ended. ‘At the Cross’ is a lovely ballad, with Tasha’s passionate vocals are backed, predominantly, by just a piano. ‘The Church I Grew Up In’ is part story, part song, while ‘Jesus What a Friend’ sees Natalie Grant join Tasha for lead vocals. A little too long in length for my liking, but I’d be happy to dip in and out of the album from time to time. It’s obvious that Tasha is revered by fans and media alike, and this release shows why. 7/10. (November 2022)
TASHA LAYTON : Look What You’ve Done. (Bec Recordings)
Born in South Carolina, Tasha says that her time as a session singer and singing for Katy Perry developed her vocal pop style. And, hearing her for the first time, I think that sums up her delivery and sound, well. A mid-paced song of worship, it certainly has a good quality about it. Tasha sings of while “the enemy did everything he could do; look what you’ve [God) done.” The style of the song reminded me, a little of, Avril Lavigne, and that’s no bad thing. A creditable 7/10. (May 2021)
TASHA LAYTON : How Far. (BEC Recordings)
How Far, is the long-awaited full-length debut from one of Christian music’s leading female artists, Tasha Layton. My only previous knowledge of Tasha’s music was a single release of 2021 called ‘Look What You’ve Done,’ which I reviewed favourably. The pop-orientated ‘Help Me Let Go’ reminded me of 80’s CCM starlet, Kim Boyce. A “sugary” little number that was quite good. There’s far more substance in the subsequent title track. The production has a much fuller sound as Tasha sings of the indescribable lengths God’s love reaches. ‘Catch My Breath’ has a similar sound, and these two songs were early highlights. In fact, I thought that these type of songs really showed off the singer’s vocal quality. On ‘Good Things’ there’s a nod to trusting God, while on ‘Thank You for the No,’ there’s a realisation that when God says “No,” He’s been saving you for something else further down the road. And, if you are at the point where you feel the ground beneath your feet is crumbling, Tasha reassures us of God’s greatness with ‘Into the Sea (It’s Gonna Be Ok). On this outing, Tasha can be well satisfied with her album. 8/10. (June 2022)
TASHA LAYTON : This is Christmas. (BEC Recordings)
Swinging brass sounds are at the forefront of the opening ‘Hang Up Your Stockin’ from Tasha Layton. After reviewing her pop orientated ‘How Far’ album earlier this year, I wasn’t really ready for this, sporadic, Michael Buble-esque trip. There’s a sweet song called ‘Make It to Christmastime’ were you could imagine Tasha singing it on the set of the film ‘Casablanca.’ From there, we move to 100mph rendition of ‘Rockin’ Around the Christmas Tree’ complete with a big brass production. Being totally honest, I thought it was a pretty dreadful. Thankfully, ‘Have Yourself a Merry Little Christmas’ is much better, and leads on to a super vocal performance on ‘This is Christmas.’ A new song to me, it praises the Lord of Lords, Christ our Saviour. ‘Comfort & Joy’ is another joyful, festive song that reminds all that our hope is in Jesus. A full orchestral backing is used for Tasha’s version of ‘O Holy Night’ and her vocals are crisp and clear throughout. Production-wise, I found the swing numbers to be rather messy. I much preferred Tasha’s performances of the other songs. 7/10. (December 2022)
TATIANA BARNETT : Audacity. (VGNBae Music Group)
Signed to Vgn Bae Music Group, Tatiana’s “Audacity” has garnered 1 Million Streams worldwide. Her success recently afforded her the opportunity to perform at the “Together We Sing” National Black Music Month and Juneteenth Celebration in Dallas, TX. A spoken introduction to the title track was not what I’d expected. The singer declares that she has the audacity to walk against the crowd, and live for God. When the music finally breaks in, the sound is modern RnB. Sadly, I found the FX on her vocals to be a little difficult to understand at times. The layered vocals on the recent single ‘Illuminate’ also makes some of the lyrics inaudible, which I found to be very annoying. The ballad ‘Rapha’ came as a welcome change in style, with Tatiana really flexing her vocal muscles on a song about believing in Christ. ‘Because You Love Me’ has more of a pop element about it, and I would pick this one out as a radio hit. A duet with Darrel Wallls, ‘I Need You,’ is quite pleasant, but the strangely titled ‘Neva’ sees those awful FX’d layered vocals which left me unable to decipher what on earth the song was about. The 8th, and final, track has an uptempo beat, with some brass sounds backing the choppy vocal delivery. ‘Lay It Down’ is the title. As this album has received more than a million streams, I’m guessing that there are a lot of fans of this type of music. As for me, I’m afraid that I’m not one of them. Sorry. 5/10. (August 2023)
TAUREN WELLS : Hills and Valleys. (Provident : 02341 0209 2)
Following the success of his solo EP “Undefeated,” former Royal Tailor frontman Tauren Wells presents his debut album. After several listens, I can’t shake the feeling that these songs are aimed at teenage fans. Why? Well, when I do take a look at today’s secular chart songs, most of Tauren’s would fit perfectly alongside. For me, however, I found most of them leaving me cold. His inclusion of a couple of rap artists do nothing to excite me, but there is some relief on his duet with Hollyn. “All About You” is Christ centred, and how He lives in you. The tune is quite catchy and is the highlight of the first half a dozen tracks. The guitar and rhythms of “Known” reminded me of Mr Big’s “To Be With You.” The verses are really good, but the chorus is rather weak, and really let’s down what could have been a very good song. I like Tauren’s voice, and on the dance orientated “Love is Action” and “All My Love” I found myself comparing him to Justin Bieber. My favourite song comes towards the end. God’s Not Done With You” is a lovely ballad that, musically, stands head and shoulders above anything else on the album. So, a rather disappointing release, that I can only give 4/10. (January 2018)
TAUREN WELLS : Citizen of Heaven. (Capitol CMG)
Being new to Michigan-based Tauren Wells, I browsed the 'net whilst listening to this new release and discovered Tauren to be the former frontman of the American Christian rock band Royal Tailor. This outfit evidently picked up Grammy nominations and the Dove 'New Artist of the Year' award over a five year, two album career. Solo since 2016, this thirteen track 'dance/pop/rock' release is Tauren's second full length album - and it's a good one. Here we have great melodies, infectious hooks, slightly (but effectively) processed lead vocals, excellent production - and good sound! Tauren is a very capable vocalist who soars effortlessly into falsetto, with spot-on timing and loads of 'funk' when the occasion demands - which is often! Kicking off with the very enjoyable title track and followed by the joyful 'Like You love me' ("Nobody loves me like You love me"), as the album continues it is evident that this is a classy release featuring not only great music, but also great songwriting ability. My top track is the extremely funky and tight Michael Jackson-ish 'Miracle' ("I thank You for every miracle"), and my two other standouts come before and after this. 'Done' ("Thank God I've been forgiven, it is done, done, done"), and 'Until Grace' ("I didn't know I could be free until Your grace found me") are both slow but effective builders. The power ballad 'Love's worth the fight' is also worthy of special mention, and 'Carry on' is an appropriately chosen closing track ("I know Your hands are there right there holding on .... I need You to carry on"). There are, though, a couple of downsides. I found Pastor Stephen Furtick's spoken 'Prelude' introducing the subsequent track 'Closer' to be simply an irritating interruption, and the gimmicky delivery of 'Millionaire' doesn't sit well against the general excellence of the album. These apart, I look forward to hearing more from Tauren Wells. 9/10. Dave Deeks. (March 2020)
TAUREN WELLS : Up. (Capitol CMG)
Here, we have the latest release by popular CCM star, Tauren Wells. Just four tracks on show, all different versions of the same song! The first one is a happy sounding pop number, that seems to have the cartoon characters, Alvin & the Chipmunks providing some of the backing vocals. Track 2 sees Jimmie Allen duet with Tauren. Apart from the different voice, the song is entirely the same. Would track 3be any different? Sadly, the answer is no. This time, Erica Campbell shares the vocals with the main man. Finally, listeners can hear a live recording from ‘Red Rocks/KLOVE On-Demand’ – whatever that means. This time, however, the song lasts for a minute and a half longer, thanks to some very ordinary instrumental breaks. There’s nothing wrong with the main song, but the addition of the other versions are just a waste of time. 4/10. (January 2023)
TAYA : For All My Life. (Capitol CMG)
This is Taya’s debut single, released ahead of her album, scheduled for May. She says: My very first single, “For All My Life,” is a confession of faith. I pray it causes you to remember that HE gave us life, HE gives us love, whenever we’re dry He fills our cup, for His yoke is easy and His burden is light.” Musically, there’s a keyboard and percussion at the head of instruments. Taya has a nice voice and the song has a slight RnB feel about it. In fact, it’s one of those songs that grows on you, the more you hear it. I hope to get the chance to review that forthcoming album, as I’ll be interested to see what else this lady can bring to the musical table. 7/10. (April 2022)
TAYA : Taya. (Capitol CMG)
Taya says; ““For the past 2 years I’ve been working on this, my debut album, self-titled intentionally. Some people may know my voice, but for the first time ever I get to share with you in my own words and my own melodies, who Jesus is to me. While many albums begin with an “all guns blazing” track, Taya offers tender, atmospheric song of worship. With some echoing, musical effects, the singer, almost, prays each word. The recent single ‘For All My Life’ comes next, with its RnB feel, followed by another, prayerful number called ‘All Eyes on You.’ Vocally, there’s a great, individual quality in Taya’s voice. Sometimes, she’s as delicate as a flower petal, while at others there’s a splendid power, as on the brilliant ‘Lover of My Soul.’ Throughout the album, Taya continues to sing with great feelings. Songs like the epic ‘Jesus > Everything’ and the anthemic ‘Carry Me Home’ are bound to be listeners’ favourites, I’m sure. My only slight concern was that the album was a little too long. I certainly enjoyed it more, when listening in two halves. Otherwise, welcome Taya! 8/10. (July 2022)
TAYLOR SORENSEN : The Overflow. (Rocketown Records ; RRD1026)
Straight from Michael W Smith's stables comes Taylor Sorensen. Groomed and trained by Mr Smith, no doubt, there are many of his traits within this release. However, there's also a more modern approach to some of Taylor's songs, and this gives numbers like "Love Somebody Else", a very snappy Ian Eskelin sound. "Upside" is a great little song, and it's a pity it's so short. It has infectious riffs and phrases throughout and I wish it lasted longer. "Follow me" rocks things up but it's "Red Fone" that just oozes class. In the style of, say, Keane, this poppy ballad canters to the finish as a sure radio winner. "Sanctuary" has the feel of a U2 rocker, while "World Keeps Spinning" gets a bit too repetitive for my liking. Not sure whether Taylor wants to be a praise and worship artist or pop, but he's well on his way to competing with the best at either. 7/10. (March 2005)
THE TAYLORS : Salvation’s Song. (Stow town Records)
Recorded at legendary Capitol Studios in Los Angeles, CA and produced by award-winning producer Wayne Haun, ‘Salvation’s Song’ is a 7 track release from The Taylors. As you would expect from a top southern gospel outfit, vocally, they are first class. There’s a mix of sounds on the track listing, and it all begins with the country themed title track. It’s got a foot tapping beat, and I especially liked the guitar sounds. “You Restore” is a little more medium paced, while “I’ll Never Know” falls into the gospel ballad genre. The song thanks God for our redemption and, musically, features some nice orchestral pads. I really didn’t like the traditional gospel sound on the next track. Entitled “The Same,” I found it to be a very dated sound, overall. “House of God” is about welcoming folk to God’s house but, the tune is rather mournful. It certainly didn’t sound too welcoming to me! On the other hand, “I Choose Joy” is a truly joyful song. Suzanne Taylor-Hise takes the lead vocals here, and you can tell that she’s really believes in what she’s singing. The final song is “Love Really Changed the World.” It’s a CCM standard, and the sort of thing that you wouldn’t be surprised to find on any album from the band, Avalon. So, more hits, than misses here from this talented trio. 7/10. (May 2020)
Tbc : Talk of the Town. (Authnetic : 1908402)
When I witnessed these girls in action last year, I was gobsmacked at the effect they were having on the 7-11 year olds gathered in a school hall to watch them. And, as well as watching, the kids were listening too, as each girl witnessed about God's love and moral values. Well, now, those kid's have an album to add to their collection, and what a corker it is too! From the moment you hear the opening track, 'Faithful', the good times just keep on coming. It's pop music as pop music should be, with a dance beat thrown in for good measure. The title track talks about changing your life and following Jesus, and it has a real catchy chorus. 'Beautiful' is a slower number telling of Jesus dying on the cross, and there's some real nice harmonies on show here. There's a couple of tracks that reminded me of dBa, with Shaz Sparkes at the lead. 'Brighter Day' is an uptempo dance track, while 'Calm' is simply delicious. I just couldn't get enough of this album, and I've had it playing in the car too. One track that made me smile was 'Nobody Loves Me Like You Do'. It has such a Beatles sound to it, that it could have been a 60's hit. If all this isn't enough, there are three karaoke tracks for young listeners to practice in their bedrooms. All in all, a terrific album. 10/10 (May 2008)
TEJUMOLA ADEL : So Good. (@Teemusik)
Songwriter and gospel artist, Tejumola Adel, grew up in Nigeria, but currently resides in the U.S. This single is being put forward as her “come back,” but I found little information about any previous recordings. The song itself is a cross between reggae and hip-hop, with its high tempo sound being credited to the “Holy Ghost inspired beat guru cum phenomenal producer, Mr. Clear.” Make of that, what you will. Lyrically, Tejumola sings of God’s goodness and mercy, with the phrase “You are so good,” being repeated many times. At times, I did find other lyrics to be unintelligible. I wondered if my hearing was failing but, thankfully, a colleague’s hearing fared little better. Overall, the song has a nice sound. 6/10. (January 2020)
TELECAST : Eternity is Now. (bec : BED73986)
This album has been re-released, along with a number of other albums, in a series entitled Re:Commended. I've not heard of Telecast before but research has shown that when it was first released, this album got as high as No.5 in the top selling albums on iTunes last year. All the songs come from the pen of Josh White who, I assume, is also the lead singer. Telecast seem to be a contemporary praise band and, therefore the music deviates little from the safe theme of God and His love. The sound is very much in the mould of UK band Snow Patrol although saying that, "Close to You" is very west coast American in style. "Release the Deep" says that "Jesus, you're all I ever need", and it has good riffs to make it pleasing to the ear. "Absolution" is a slower and uneventful song, while "Fade into You" plods along like relentlessly, but getting nowhere. Again, I felt little inspiration from any of the songs. Crossrhythms rated this song as a 9/10, but I'm afraid I can't give it more than 4/10. (April 2006)
Temitope (Teh-ME-toh-PEH) is a worship project. The name, originating from the Yorùbá tribe in Nigeria, means “mine is praise” which is the heartbeat of this project. Every lyric, every melody and every note is offered as a praise offering to God. Temitope “Tobi” Peters is the son of immigrants from Nigeria and England. He’s got a really nice voice, and uses the piano to great effect on this collection of songs. “Calling All” is just that – a call to all that God welcomes everyone with open arms. “God You Reign” is a simple song of worship, while I thought that “Mercy Song” made more of an impact on me, personally. He says that “These songs aren’t merely meant for listening. They are exhortations inviting the listener to become a participant.” Indeed, for personal mediation and prayer, I think these songs are ideal. “Give Me Your Eyes” is a super song, lyrically. “When I have my doubts, give me your eyes; I want to see how you (God) see me.” We all beat ourselves up from time to time, unable to see the beauty of us, as individuals. God sees us as one of His children, “wonderfully made.” The final song is a little different, as electric synth’ pads and drums greet “There Is Hope.” Duetting with Emily Hamilton, Temitope brings forward an excellent, contemporary, song that would be lost on many praise and worship album. It’s a joyous sound, with driving guitars, that join the throng and brings the EP to a close. This is definitely an artist to watch out for in the future. 7/10. (February 2020)
Temple Sound is a “collective of songwriters, singers and musicians who hail from New Testament Church of God (NTCG) Harvest Temple”, with the aim to “give life to the gifts, talents and music that God has blessed us with, individually and collectively, to make His name great, and to declare His goodness to this generation”. NTCG is based in the multi-ethnic area of Heathtown, Wolverhampton, with this five track EP created completely by church members. First released in 2018 but only just sent to NFN for review, I am glad for this belated opportunity to give it a listen. With great vocals shared by Adrian and Philip Gray, Sonia King and Grace Beecher and backed by a very capable band, here we are treated to quality contemporary gospel soul with tuneful melodies and well crafted, overtly Christian, lyrics. Adrian kicks things off with the upbeat 'gospel story' opener 'Higher' (“Jesus be lifted higher”), with an earworm riff and chorus. Philip follows with the medium-paced 'It's You I'm chasing' (“I'm never gonna stop, You already have my heart”) which is probably my standout. This incorporates a fantastic arrangement incorporating female harmony BVs carrying the beautiful melody with the LVs singing variations over the top. With superbly chosen chords and harmonies and creative drumming, this is a real musical treat that I could happily listen to for even more than its almost seven minutes as it builds, drops back, builds, and drops to its close. Sonia and Philip then feature with the funky 'Gifted to me' (“You've gifted me joy … strength … peace … love … hope”), followed by Grace with the beautifully delivered and building soul ballad 'In You God will I trust' (You are my rock, You are my shelter”). With the closing track it's back to Adrian with the funky back-beat 'Every good gift' (“...is freely given by The Father Of Life”). This is a release that has a certain 'spark' – and it even brings the bonus of excellent sound quality. Hopefully the past four years have given this Heathtown community more opportunity for recording, and if so I look forward to the full-lengther! A comfortable 10/10. Dave Deeks. (July 2022, Record of the Month)
TEN SHEKEL SHIRT : Risk. (INO Records : 000768227428)
If this album could be likened to an F1 Grand Prix, then all the
pre-release US media hype would have ensured that it started on
the front row of the grid. And, in all honesty, it does speed
from the blocks with the Travis inspired title track, containing
hypnotic rhythms and progressive vocals. And, by track or lap
3, this car would still be leading the pack as "This Story"
powers it's way in top gear. What happens next must be classed
as an engine blowing up as the car slowly slows and slips slowly
down the pecking order. Briefly, the melancholy "February"
breathes life back into things but it then drives like a 1960
Ford Zephyr - good looking but a museum piece. Lyrics about knowing
God since childhood, praising Jesus, and walking with God are
all very well, but there's not much to get excited about here.
3/10. (January 2004)
TENTH AVENUE NORTH : Over and Underneath. (Reunion Records)
This band hail from Palm Beach, Florida and have been touring with some top bands. Indeed, they are currently on the road supporting Sanctus Real. Sound wise, they're a lot like Mercy Me and Mike Donehey's vocals are really smooth. 'Love is Here' has already been a big US Christian radio hit, and it's a very engaging song. It tells the listener that Christ's love is here for all. All you need to do is ask for it. 'By Your Side', I found to be very re-assuring. It's a good song, about being safe in God's hand's, and I loved it. If there's one thing I would point out about this album, it's that I found some of the lyrics hard to understand. On numerous occasions I listened to a song and then wondered what on earth it was trying to say. However, that can't be said of 'Beloved', which tells of Christ's wedding vows to the church. A strange subject to write about perhaps, but it works well. I can't say that Tenth Avenue North lit exploding fires for my listening pleasure, but it's quite a good debut. 7/10 (October 2008)
TENTH AVENUE NORTH : The Light Meets The Dark. Reunion : 602341014427
This CD was a hit with me right from the word go, I like the simple Rock / pop arrangements on here. There's some nice piano playing, some subtle guitars, and the string arrangements are really nice. If I had to compare
this band to anyone, the nearest comparison would be Del Amitri. The lyrics are well thought out, and all of the songs deal with subjects that most people will be able to relate to, in a fairly easy to understand way, from the spiritual to the personal. I have to say that (In my opinion) this is
the best CD I've reviewed for a while, if you should come across a copy buy it. 10/10. Andy Sayner. (August 2010, Album of the Month)
TENTH AVENUE NORTH : The Struggle. (Reunion Records : 02341-0163-2)
This is on the whole, a fairly up tempo rock album. Some of the songs are contemporary, some of them are worship songs. The lyrics deal with the general doubts and worries of everyday life, and I would think that there would be something on here that just about everyone could relate to in some way. The music reminds me a lot of U2, in particular the vocals. I didn't find any tracks on this CD that I didn't like though. The title track is very good, and there's a track called "You Do All Things Well", which I thought might be a cover of Chris Tomlin's identically titled song. It isn't though, It is one of the best tracks however. This will appeal to anyone who likes straightforward no nonsense rock music. Definitely worth a listen if you get the chance. 9/10. Andy Sayner. (November 2012, Album of the Month)
TENTH AVENUE NORTH : No Shame. (Reunion)
The theme of this album refers to shame or, rather, good shame, which convicts us of our sins. Opposing this is toxic shame lies, telling us we are useless and unforgivable. The title track is about talking to God and not feeling that we can’t be honest with Him. His grace allows us to be the person He made us to be. There’s a great line in “Someone to Talk To.” Which says that church should be like a “hospital for sinners.” In fact, that line really stuck in my mind for some time, and the song was quite good too! Style-wise, I got the feeling that the songs came over like something Newsboys would record. It’s a very adult sound that I think young people might not take to. There’s an atmospheric, slower number, in the guise of “Greater Than All My Secrets.” It features some nice keyboard phrases behind, what is, a song of worship. “The Future” sounds very similar, musically, but tells you to look to the future and reach out, whatever comes your way. Towards the end of the album, there are two songs that are very different to the rest of the listing. “Paranoia” is a rocky affair that questions many things that we’re encouraged to believe in today’s world. And, though opinions can differ, it doesn’t mean that we can’t work together in life. Then, there’s “Reaching.” Funky, brass sounds are joined by a rhythm and vocal attack that come straight out of the Bruno Mars’ school of music. Although, I didn’t actually dislike any of tracks, only one really stood out. And, in all honesty, I found the album to be rather flat. 5/10. (October 2019)
Tenth Electric offer a gritty blend of electronic rock with powerful lyrics and guitar riffs to deliver a message of empowerment, of hope and of mental wellbeing with influences ranging from Nothing But Thieves, to Imagine Dragons and Muse. This new EP, Unshakable, draws attention to the stigma surrounding mental health issues and conveys positive ways to combat this together. Whether it is focusing on the little things in life or taking a moment to breathe, Tenth Electric believes music is a gateway to breaking down barriers that so many of us face. Pain doesn’t discriminate; none of us are okay all the time and we should not be afraid to talk about our issues and share the burdens. So, to the music itself. At first, I thought there were some 80’s traits to the opening song, “Remedy.” But, as the song went on, I realised that this music was much more modern than that. Luke Mitchell’s vocals are simply glorious on “Turn On a Light.” There’s a mix of both clean and distorted guitars, and the resulting sound is excellent. The rockier, “Just Breathe” motors along, while “Brighter” is delivered with great energy by the band. The belief in the band’s lyrics is there for all to hear, and maybe that’s why Mitchell’s vocals stand out. “Brighter” tells of “being there” for each other, and “looking forward” to brighter days ahead. Only 4 tracks, but a quite exciting release. 9/10. (January 2019, Album of the Month)
"terce.” are a mother/daughter duo (Risa & Lilly) based out of the Nashville, TN, area. Their primary focus in our music is to create a song that conveys the message of the Gospel, and to show people who God is. The sound is a mash-up of roots music stylings and art-pop, piano-driven riffs in songs about God and, even better, to God. They go on to say; “We desire healing, deliverance, and revival to come from our music. We long to see a harvest of souls. We want people's hearts kindled to burn for Jesus.” This song was written by the daughter, Lily. She says; “My Heart to You was the first song I wrote after a long time of writing nothing. I wrote it as a simple, heartfelt expression to God without worrying too much if my gift to Him wasn’t grand or impressive. I was inspired by Keith Green, as well as certain slight Gospel elements. I think it is really cool to hear the song fully produced now, with fiddle, cello, as well as all of the rest of the instruments.” Indeed, those stringed instruments fit really well in the overall production. A soothing piano provides most of the initial sound, which is the seamless backdrop for some prayerful vocals from Lilly. As the chorus begins, the marriage of the two voices are synchronised perfectly, giving a sweet and pleasant sound. “My heart to you, is to give you devotion; My heart to you, is to thank you for your mercy to me; My heart to you, is the humblest offering; The most valuable thing that I have to give.” This is my first taste of the music from terce and, I’ve got to say, that I am very impressed. Lovely lyrics, engaging vocals, and uncluttered musical backing, make for a super song of worship and thanks to God. 9/10. (January 2022)
Terce. was the brainchild of Risa Kopp, the matriarch of the group. Along with her two oldest daughters, Lilly and Aggie Kopp, they join together in that undeniable “blood harmony”, as well as in the album concepts and songwriting. I, first, came across the group a year ago, when I heard the beautiful song ‘My Heart to You.’ Hearing it again on this album, my initial thoughts remain. The first track is called ‘Light of the World,’ and begins with just a piano and violin sound. It’s a quite mellow introduction, but soon explodes into life, as the vocals and more instruments join the production. The group describe their music as cinemericana” in style, meshing piano-driven riffs with cinematic and Americana flavours. I, certainly, got the cinematic flavour on ‘Living Dust,’ and I loved the delicate vocal delivery. There’s a sweet song of love called ‘Belong to You,’ that focusses on our relationship with Jesus. Mid-song, there are some lovely harmonies, too. The tempo increases with the brilliantly titled ‘Run With the Lion.’ At times, the vocals soar majestically, as the song reaches its crescendo. There’s almost a touch of gospel on ‘Face Like Flint’ which tells of keeping your eyes fixed on the Lord in all that you do. Musically, the trio show great skills with the simple production of songs like ‘Spirit I Need You’ and the enchanting album title track. As well as this being an enjoyable listen, many songs on the album also give food for thought. For a debut of such quality, Terce must be congratulated. Recorded in Nashville, a slap on the back must go to Dove-award winning engineer and producer, Brent Hendrich for the clarity of all the instruments and voices. The group. plans to begin touring Midwest America in February, followed by more extensive touring in Summer 2023. On this evidence, their audiences are in for a treat! 10/10. (February 2023)
TERIANN : Give it Time. (Gottee Records)
Here’s another new artist for me. First impressions were that this is a modern pop sounding album, with a syncopated backing over a dominant drum track. Lyrically, again, very modern in delivery and, well put together. For me, maybe it’s a little too modern. Not that I dislike it, because, as it progressed, I warmed to it. The title track was the first song that I really enjoyed. It had fuller sound, and the choir backing enhances the track, with the message boldly proclaimed. ‘Honestly, We Just Need Jesus’ is another standout track for me. The sentiment is so true, and the delivery brings the message home. On the other hand, ‘Feel It All’ is a lively track but the message gets lost in the repetitive vocals. All I remember is the chorus, not the verses. The final track is called ‘Worth the Wait,’ and has a slightly different feel to what’s gone before. Personally, it was more to my liking, although the running commentary and the fade were disappointing. Overall, it’s a good album, well produced and written. Maybe it is a generational thing and I feel a couple separate from this. I hope it does well and achieves its aims but for me any message on the whole gets lost in the music. Noel Donaldson 7/10 (May 2024)
TERRY HOLLMAN : DNA Transformation. (Provident)
This is Terry Holloman’s debut album. The innovative keyboard driven project is a fusion of Bethel style soaking worship sounds, mellow jazz, Windham Hill-esqe piano with touches of techno and urban influence. The instrumental album, with occasional vocal layering is a perfect backdrop for worship, quiet study, or prayer but with enough movement for dance, and as a soundtrack for the rhythms of everyday life. She says; "It is my prayer that this project penetrates the heart of the listener, and brings them to another place, a deeper connection with God". The album has 6 pieces of music and starts with “Take You In”. There are various sampled sounds and repeated vocals, such as “Breathe on Me.” “Deeper Further” is the most uplifting track, with a pleasing tune that I enjoyed. Imagine raindrops falling, or shards of glass, and you may be able to imagine the sounds that start “DNA Transformation.” The title is vocally repeated several times over some warm, synth' pa’s which I found to be quite soothing. Indeed, Terry seems to have achieved what she set out to do. Listening to these sounds, I found it quite easy to drift off into meditation and prayer. “Heaven’s Invasion” is a tune that consists of piano and atmospheric sounds, plus occasional crashing percussion. Both “Morning Flow” and “Preparing the Way” follow similar make up, with the whole thing coming in at around 35 minutes. An interesting and enterprising release. 7/10. (December 2016)
Here’s a new name on the gospel music scene, Tessy Okonu. This song is inspired by the story of Zacchaeus, and being visited in his home by Jesus. Our Saviour saw so much more in that man than other people. Tessy says; “No matter how hopeless your life may seem, one encounter with Jesus will bring transformation and the change will be evident. The Word of God tells us that “Therefore, if anyone is in Christ, he is a new creation; the old has gone, the new has come! (2 Corinthians 5:17 NIV). So, there you have the background. But, what about the song? Well, the music starts brightly, and gives the whole song a feeling of joy. Tessy’s vocals have a nice tone, and the backing vocals have an equally good quality to them, too. Lyric-wise, the words are very simple, as she sings; “You have turned my life around. You are the life changer, Jesus.” Sometimes, simple is best. And, in this case, Tessy Okonu has released a really lovely little number. 8/10. (May 2020)
THEA WRAY : Noboundariesnobordersnolimits. (CD £11.50 from Wateriiwine Ministries, PO Box 39325, London, England, SE13 DO)
The Wateriiwine Ministries is committed to serving God by ministering
to those who are thirsty for the word of God, and who are thirsty
for the Spiritual wine, which only God can provide. One part of
their outreach is a Jamaican born lady called Thea Wray, and this
is her album. There's lots of reggae Caribbean influences contained
throughout the playlist, but don't expect just reggae! For instance,
there's the really hip "High" that sounds as if it's
straight out of the charts. Thumping bass drum and great tune.
But, if it's reggae you're after, then the infectious sound of
"Halleluujah" will be just what the doctor ordered.
For those who enjoy the smoother tastes, "Broken For Me"
has everything you could ask for. Lovely piano sound and Thea's
voice soaring high and full of feeling. There's one or two low
points, for me, where the songs don't quite live up to their predecessors,
but this is a very good debut. Ending the album is a 20 minute
instrumental devotional section which, on it's own, stands up
well to "big label" recordings. Check this one out!.
9/10. (May 2003)
THEOCRACY : Ghost Ship. (Ulterium Records : B01J94EKMQ)
OK I’m biased. I love this sort of music. As soon as the drums and guitar kicked in on “Paper Tiger” I was hooked. Reminding me of Helloween circa “Keeper of the seven keys” (their best era) with odd nods towards Axxis, Judas Priest, Metallica and Within Temptation what was there not to like? It’s no wonder that this album entered the Billboard hard rock chart at 19. It is brilliantly written, played, recorded and produced. The drums and bass drive at a fast pace, the guitars riff like there’s no tomorrow and the solos are a mix between “I can play faster than you” and melodic. The vocals soar above it all (sung, not grunted) and the harmonies are the icing on the cake, with some brilliant singalong choruses (e.g. “A Call To Arms” and the anthemic “Easter”). The key changes lift each song (rather than sounding like they’ve run out of ideas as I’ve heard other bands do). The only bit I felt they didn’t quite pull off was the lower-register vocal in parts of “Easter” but it’s a minor quibble. Lyrically they’re God-centred and want to minister to the hurting (e.g. “Grace has a way of building hope out of despair” from “Around The World”). The album certainly lifted me and I’ll be checking out their back catalogue. If you’ve been sceptical about the quality of “Christian metal” give this a try. It might just change your mind, as you headbang to the verses, belt out the choruses and rejoice in music giving God the glory. Best track (this was seriously difficult – a nice problem to have): “Around the world and back”. 10/10 (surely 11?) Paul Ganney. (January 2017, Album of the Month)
I've grown to like Southern Gospel music in the years that I've been Music Co-ordinator for UCB Radio, and although the Gaithers seem to dominate the market, there are others out there who are doing quite nicely, thank you. This Hope are five guys based in Woodstock, Georgia, Daniel Johnston, brothers David and Tim Inabnit, Jeane Bope and Mikah Boudreaux, and this is a very polished product, their sixth release since their debut in 1998. The whole thing is full of good tight harmonies (I can vouch for their ability to sing excellent acappella), and it's miles away from some of the cheesiness that often masquerades as Southern Gospel, thanks to excellent production from Scott Williamson, a bunch of seasoned sessioners handling the musical bits, and on three tracks, the presence of the Nashville String Machine. There are audio demos of the guys' repertoire available on their website, suffice it to say that 'Break My Plans' is on the UCB Inspirational playlist, with more to follow, so that should tell you all you need to know. Well worth investigating. 8/10 Trevor Kirk (April 2006)
This EP is part one of 3 (the others will be called ‘Hope’ and ‘Love’). It may be horribly unfair, but I can’t help but feel that I spent a lot of time listening to CDs like this in the 70s. It’s much better recorded and produced (and pedants may like to point out that there were no CDs in the 70s), but the vocal style over the acoustic guitar backing (plus notable contributions on percussion and strings) is all so Medicine Head, with a nod to Badly Drawn Boy via a few CSN&Y album fillers. The backing’s OK (the guitar work on “Why” especially), but I wasn’t overly impressed with the vocals – they had a slightly flat delivery and some of the lyrics seemed rather rushed to get them all in at times. It’s probably great in a tent at 3am during festival season, but not one I’m overly keen to put back in my playlist. Best track: “Fear”. 4/10 Paul Ganney (June 2015)
THIRD DAY : Conspiracy No.5. (Reunion/Word : CD10006)
A lot of media hype met with this release a couple of months ago,
so I was intrigued to finally get my hands on a copy. Third Day
are going down a storm in the U.S and CCM press over there are
going wild. "Oh no", I thought, on first listen. "It's
Pearl Jam", not one of my favourite bands. However, despite
the opening 'Peace' and 'You Make Me Mad', the album does mellow
out a bit more. 'How's Your Head' is a tuneful cut that lends
more than a passing resemblance to a couple of Brit pop bands.
'Alien', I've heard before and I still like it's thumping beat
and driving guitar. It's not all head down rock, and 'I Deserve?'
is primarily acoustic and a superb song. Without being outstanding,
this is a good album and maybe we're just beginning to see just
why our American friends are creating such a fuss about this band.
If their next album builds on this one, we could be in for quite
a release. 7/10. (February 1998)
THIRD DAY: Come Together (Essential).
"Winners of FIVE 2001 Dove Awards" said the blurb in
the (very nice) package. It looked remarkably like a 7" single,
did this CD. Fooled me until I took it out, anyway. The attention
to detail upped my anticipation levels, but I have to say that
the "Winners" blurb lowered it again. But I have maligned
the Dove awards - this is a very fine album indeed. Probably the
best CCM album I've heard since "King of Fools" by Delirious?.
In a slightly different mould, but well up-tempo, well written
and well performed. It's got subtlety, too, such as "I Don't
Know" - it's just like a classic Rock ballad should be. Expect
the lyrics to turn up in a liturgical confession near you. Either
that or your worship band to strike up the Paul Simon-esque "Sing
Praises". All the album lacks is a catchy melody that I can't
get out of my head and it'd score 10/10. Think Ocean Colour Scene
meets classic Bruce Springsteen meets Lynyrd Skynyrd (vocals)
with odd Delirious-style guitars, roll it into a 2002-style rock
mix and get your local shop to play you "40 days" or
"I Got You". Then buy it - you won't be disappointed.
Now I've just got to find a way of fitting a 7" single into
my CD rack. 9/1 Paul Ganney. (February 2002)
THIRD DAY : Offerings II. (Essential Records)
Third Day are a band I have heard a lot about in the past and,
fresh from winning their first Grammy award, this offering (no
pun intended) is intriguing to say the least. Half of the 12 tracks
are studio recordings and the other half live recordings with,
as far as I can tell, some of the live tracks being new songs
and some live versions of songs from previous albums. The album
jumps back and forth between the studio and live recordings which
makes it hard to get into at first but it is well worth persevering
because the music rewards repeated listening. The sound is unashamedly
rocky with a great depth and variety of instrumentation, while
lyrically there is real spiritual depth and the songs are clearly
both written and sung from the heart, with an openness that leads
to a feeling of intimacy with God even in the midst of a screaming
crowd and a huge guitar riff. If I had to pick one stand-out song
it would be "Anything", but there is plenty to recommend
the others, especially the gentle, piano-led "Offering".
I will be listening to this for a while yet. Recommended!! 9/10
David Cooper (May 2003)
THIRD DAY : Live Wire. (Essential : 6107632)
Third Day pack in the audiences wherever they play, and the sound that accompanies this live album is filled with screaming and cheering. Therefore, you get the instant feeling that this band are something special. You know what I'm going to say don't you? Sadly, I've not found that "something special". One rock song drones on into the next and by the time track 5 came along, "It's A Shame", I was beginning to think it was a shame I hadn't asked someone else to review this! Not one single song stood out for me. The singer has an almost monotone vocal, which in itself was monotonous, and the guitars rock like….well, rock guitars actually. A bonus to this package comes in the shape of a DVD featuring the band in concert playing many of the songs on the album. At least you've got something to watch while the songs play. For fans of Thrid Day, I'm sure that this is as good as it gets. For me, it just wasn't good enough. 4/10. (April 2005)
THIRD DAY : Wherever You Are. (Essential : ER10795)
There's no getting away from it, Mac Powell has probably got one of the most instantly recognisable voices in CCM, and his vocal quality is top notch. The formula for this album is simple, as the band keep to their tried and trusted style of rock. However, there's something about this release that has turned the heat up just a little, and resulted in a brilliant collection of songs. The theme, too, is simple with the focus on what God can do in your life. Take the opening track for instance. "Tunnel" is all about the light at the end of your dark days, all you need to do is ask. A promise of help for the lost is at the centre of the power ballad "Cry Out For Jesus", while the hard rock of "I Can Feel It" centres on God's love. Song after song is just filled with these truths and the way Third Day sing them is first class. With other classics such as the mid-tempo "The Sun is Shining" and the power and passion of "Rise Up", I think this could be the best thing that Third Day have ever done. 10/10. (March 2006, Album of the Month)
THIRD DAY : Christmas Offerings. (Essential : 0830610826)
Whenever the Christmas albums start to drop through my letter box I cringe at the thought of hearing yet another version of "O Come All Ye Faithfull" and the like. Why, I ask myself, do record companies think that they can release albums full of the same traditional carols, year after year, but by a different artist? It was such a surprise, then, to hear this album by Third Day, and to really enjoy it. Yes, all the well known songs are there, such as "Do You Hear What I Hear?", "O Holy Night" (with a lovely piano ending), and "Away in a Manger". Mac Powell's rock voice is warm and vibrant as he sings, and the rest of the band carefully play their way, with that distinctive Third Day sound. Maybe it's a sign of old age, or maybe I just need my eyes testing, but try as I may, I just couldn't read some of the song writing credits on the sleeve notes. New songs to my ears, like "Born in Bethlehem" and "Jesus, Light of the World" are an added bonus, but track of the album has to go to "Christmas Like A Child". It's just full of the joys of Christmas, and deserves to be a huge hit. This is not just another Christmas album, it has enough going for it, for it to stand up in it's own right. Give it a try. 8/10. (December 2006)
THIRD DAY : Chronology Vol.2 - 2001: 2006. (Essential : 83061-0839-2)
Hailing from Georgia USA, together since 1994 and recording since 1996, Third Day have recently released the title under consideration here as well as the earlier 'Chronology Volume 1 - 1996-2000'. Accompanying the 18 track CD is a DVD containing a 60 minute documentary charting the band's development, plus a range of short 'bootleg' videos and live performances. I first enjoyed Third Day's music when their track 'Agnus Dei' was included on the 'WOW 1999' compilation, and on subsequent 'WOW' releases it was interesting to note the band's progress. Along the way they have gained considerable recognition, being awarded 3 Grammys and 23 Dove Award trophies (15 of these in 2001) as well as managing 24 No 1 radio singles. 'Chronology Volume 2' confirms that the later years have seen the band's original energy and enthusiasm develop into an extremely coherent, musical, rock sound led by the capable vocals of Mac Powell. The stand-out for me was 'Cry out to Jesus' - one of the four live tracks on the album, all of which show just how proficient Third Day are out of the studio. Others I particularly enjoyed were 'Mountain of God', 'God of wonders' 'Nothing compares', 'Movin on up' and 'I see love'. The down side is that Mac's particularly broad American accent can make some lyrics a bit obscure to British ears, and no printed lyrics are included. The DVD is a worthwhile addition however, and overall this release is a great introduction to a gifted group of guys whose hearts are in the right place. Definitely worth checking out. 8/10. Dave Deeks. (December 2007)
THIRD DAY : Chronology Volume One (1996 - 2000). (Essential Records. 83061-0838-2)
This CD is a mix of fairly straightforward mainstream rock tracks driven by some quite heavy guitars. There are 12 tracks, plus the usual 5 bonus tracks. Why they can't just release it as a 17 track CD is beyond me. The first 9 tracks are all either new mixes, or complete new recordings of old tracks, while the bonus tracks are mostly live tracks and a couple of rareities. Having not heard the originals I have no idea how these new versions compare, but I quite like them anyway. "Theif 2006" is on of the best tracks on here, it's also one of the least heavy ones too, being more piano led. While "My hope is you" sounds very much like it should be a U2 track, and "I've always loved you" sounds frighteningly like country music, complete with steel guitar, although nobody's blind dog seems to die anywhere so it's not two bad. All in all this is quite an enjoyable CD, there's enough variation between the tracks to keep it interesting. There's also a DVD included, which includes 5 music videos some of them are tracks from the audio CD, There is also a live performance from the Dove awards which has another 6 tracks. So there's a lot here for your money. If uncompromising rock worship is your thing, then this CD will be worth checking out. 8/10 Andy Sayner. (August 2008)
THIRD DAY : Revelation. (Essential : 083061085322)
I'd been waiting for this one to drop through my letter box, hoping that Third Day would provide something special. I've long been an admirer of their music, and Mac Powell's "rasping" vocals. It all starts with an attack sounding song called 'This is Who I Am'. Powell's voice is at it's best and the rest of the band are musically as one. Third Day may be one of the biggest Christian rock bands on the scene, but they never forget that their message is convey the gospel. 'Call My Name' tells you of the promise of Jesus will be there with you at all times. You just have to call His name. There's some good, well produced female harmonies on the plodding 'Run To You', and this song really did grow on me. 'Let Me Love You' depicts a wonderful God and His unconditional love, in a way that only Third Day can convey. It's stylish, adult rock and it's all done very professionally. 'I Will Always Be True' has a good rocking beat to it, and the motoring 'Caught Up in Yourself' thunders along. The band have certainly come a long way since their 1996 debut, and long may they continue to grow. 10/10. (December 2008)
THIRD DAY : Live Revelations. (Integrity)
If I was reviewing just the audio Cd of this package, I would be a little disappointed at the rather short running time. Just nine tracks are available, but well up to Third Day standard. Mac Powell's vocals drive the songs along, especially on tracks like 'Run To You' and Bon Jovi-esque 'I Will Always Be True'. 'Revelation' has quickly become a crowd favourite and this live version pulls no punches. What this package does offer is a 75 minute DVD documentary on the band, looking at off stage, on stage, and back stage footage of the band, as well as the guys trying to balance life on a tour bus, performance demands, and family relationships. For me, the DVD was much stronger than the audio CD. There's also good live concert footage to watch and that was worth waiting for. Whether you're new to the sound of Third Day or a long term fan, this release is a worthy collectable. 9/10 (August 2009)
THIRD DAY : Miracle. (Essential : 83061 09462)
It will be no surprise to anyone familiar with the music of Third Day, that this is another collection of songs of very high quality. I’ve always loved Mac Powell’s vocals, but it’s the band’s overall music prowess that makes me dream of seeing them live. ‘Hit Me Like A Bomb’ tells of that feeling when God first comes into your life. It’s like nothing that you’ve ever felt before, and the song is littered with addictive hooks. The medium paced ‘Your Love is Like a River’ comes right from the heart, while ‘I Need A Miracle’ is THE song of the album. It is so well put together and one of those that begs to be played over and over again. There’s great guitar work and backing vocals on ‘You Are My Everything’ – another song that I played numerous times. All the songs are very similar in style but that similarity doesn’t stop the album from being up to the band’s usual standard. ‘Forever Yours’ stands out late on in the running order, while it all ends with a great version of the classic hymn ‘Morning Has Broken’. It’s sensitive to the original tune, yet has a modern twist that is bright and bouncy. Fans won’t be disappointed by this album. 10/10. (January 2013, Album of the Month)
THIRD DAY : Lead Us Back – Songs of Worship. (Essential : 83061-1025-2)
Third Day singing worship songs? Of course, it shouldn’t surprise me, but it didn’t quite sit right with me, at first. However, as soon as Mac Powell’s immaculate vocals began to sing, I felt much better. The band are as good as ever and, although simple in make up, the opening ‘Spirit’ is superb. Mind you, if that’s superb, I’m not sure what superlative to use for ‘Soul on Fire’? Featuring All Sons & Daughter, this is a tremendous tune. Listen once, and you’ll play it again. I promise, it’s one of those songs that you just can’t stop singing. The intense sound of ‘Our Deliverer’ is more like a usual Third Day track, with guitars giving a driving energy to the overall sound. ‘In Jesus Name’ features Michael W Smith, Natalie Grant, and Michael Tait. It’s another song that lends itself to congregational worship and I’d certainly enjoy hearing it used in my church. ‘Victorious’ didn’t quite have the same impact, but I couldn’t really put my finger on why? ‘Maker’ (There is no-one like you) and ‘Father of Lights’ are better, but never quite hit the heights of the earlier songs on the album. Saying that, there’s no doubt that Third Day fans will simply lap this up. 9/10. (August 2015)
THIRD DAY : Revival. (Essential Records)
After following this band for more than 20 years, I thought I knew what to expect from a new release. How wrong could I be! According to the media, Third Day have “gone back to their roots” and deliver a collection of songs that, on the whole, sound like dated, gospel blues. The title track wasn’t too bad. It begins with some acoustic rhythms, before launching into a rock n’ roll, boogie-woogie number. Then, comes a couple of self-indulgent bluesy tracks that I took an instant dislike to. Where was the Third Day sound that I was used to? I thought things were changing with the great ballad “Let There Be Light.” Mac Powell’s vocals are spot on, and the song is so moving. Sadly, the brief highlight is soon forgotten. Indeed, I found “Gather Round Now” to be quite dreadful. The music sounds laboured and there was just no life to the song. I’m not sure why the band picked Paul Simon’s “Loves Me Like A Rock” to cover, but the overall production sounds like a live jam, rather than a serious recording. The album was recorded at the Fame Studios in Muscle Shoals, Alabama, the same place that's welcomed everyone from Aretha Franklin and Etta James to Otis Redding, If this is the sound that Third Day are going to continue with, it will be interesting to see whether fans move with them. I, for one, couldn’t wait for this album to end. Very disappointing. 4/10. (November 2017)
3RD DAY RISING : Spiral. (CD Only £10 from: 3rd Day Rising, 20 Beechwood Cresent, Newport, Gwent, Wales, NP9 8AB).
In one form or another the members of 3rd Day Rising have been
playing music together since the late 80's, with the current line
up being together for two years. "Spiral" certainly
doesn't hold back and hard rock fans will be clamouring to get
hold of a copy of this release. Once "Pain" belts out
of your system's speakers, you know that your in for a musical
ride of a lifetime. With influences like Led Zepplin, Metallica
and Nirvana, you don't need me to tell you that this really is
for serious metalheads. On a lighter vain, "Violence"
sounds like Bon Jovi at their very best as the band look at the
subject of violence in today's society. "Sleeping Giant"
is a choice cut, complete with its catchy rock chorus, heavy verse
and tremendous guitar work of Mike Soear. On vocals is Chris Edwards
and his voice IS the business. Even on the closing "Spiral
Down" his gritty delivery - combined with excellent riffs
- literally shakes you to the bone. It's a long time since I heard
metal as good as this. 9/10. (September 1999)
32AD are an American rock band, offering worship with attitude and something fresh with the songs. For those who find most worship albums tame, this should awaken the earbuds, with heavy guitars and clear lyrics. I’m not sure where I would put this? Rush (the bits I like) came to mind, as did Res Band. There’s classic rock vibes too, four chord riffs and screaming guitars. What’s not to love? Track 2. ‘Back Wave,’ is crying out for a bridge, plus the lyrics are a bit unclear. ‘Enter Rest’ has nice guitar separation in the solos. It has a nice construction, with the quieter section speaking the truth that nothing in this world compares to you. [God]. ‘Glorify Magnify’ is a gentler song and, for me, the best so far. (Although I’m not sure about the sudden ending! With overdubbed acoustic guitars, ‘Don’t Leave Me’ is more of a ballad, lasting over 8 mins but still keeping the listener’s interest. The final track ‘Clouds and Darkness’ is subtitled an ‘Improvised Jam.’ While it also fills the album track listing, it also shows where some of the track ideas came from. Overall, this 8 track collection is well put together and listenable. I would be interested to hear the other albums. 7/10. Noel Donaldson. (February 2022)
THIS BEAUTIFUL REPUBLIC : Even Heroes Need a Parachute. (Forefront : FFD73968)
Here's a band from Toledo, Ohio who have been going down a storm on the live circuit, over in the States. They're a five piece outfit who play their music with a great deal of passion and energy, with the guitars in the forefront of each song. One plus point for me was that they're not scared to use the "J" word. Let's be honest, we're glorifying our saviour, Jesus Christ, so why not say His name? So many artists seem frightened of this. Anyway, 'Jesus to the World' is a great song and possibly the best on the album. A close second would come 'Black Box', which gallops along with a punky edge to it. 'Let's Be Honest' shows the band using solid rhythms, while the lighter 'New Year' contains some nice melodies. My main concern about the album is that too many songs sounded alike, and certainly by the end of the album I was wondering where one song finished and the next one started. Not the best debut I've ever heard but, also, not the worst. 5/10. (December 2007)
THIS BEAUTIFUL REPUBLIC : Perceptions. (Fierce!)
'This Beautiful Republic' are an Ohio-based rock outfit formed in 2004, with current lead singer Ben Olin joining shortly afterwards. This album represents my introduction to the band, so I checked them out. They are fairly recent arrivals on the recording scene, their first issue being the January 2007 EP ' Casting off', followed by their April 2007 first full-lengther 'Even heroes need a parachute' - both picking up some good reviews. Some of the songs here are heavy-ish with punk influences, others are medium-paced melodic rock. There is a predominance of strongly tuneful hooks, and the largely well-written lyrics are delivered by excellent lead vocals from Ben. The stand-out track for me is 'For the life of me' - a powerful song about faith and repentance, with a particularly strong melody and words, and a chorus that stays with you afterwards. Other ones worth special mention include the opener 'Pain', 'Beautifully Broken', 'Learning to fall' and 'Change the world' - extremely effective whilst using only a piano and strings backing. In my view the band are at their best when delivering the less frantic stuff, with heavier tracks sometimes sounding as though they are trying hard to be heavy when they aren't really! A largely enjoyable listen then, and I am sure we haven't heard the last of this band. Check out www.thisbeautifulrepublic.com 8/10. Dave Deeks (October 2008)
THIS BEAUTIFUL REPUBLIC : Perceptions. (Forefront Records : 509995221927)
This CD starts off with a fairly rocky style, which reminded me a little of Delireous in their early years. As it progresses each track seems to be heavier than the rest. By the time I was half way through it reminded me more of someone like "Third Day". I quite liked this CD, although it's not one I could listen to every day, in fact listening to the whole thing in one go was not easy, it's not the kind of CD to put on in the background, it's loud music, and demands your attention all of the time. The quality of the recording is very good, and the band are very tight, which you would expect from a company which is part of EMI. The lyrics are well thought out, and are relevant to real life, whilst managing to avoid all the usual Clichés, which is not always the case with Christian bands. "Learning to Fall" and "No Turning Back" are stand out tracks for me, although non of the tracks were particularly disappointing. So, a good CD on the whole, it may be better if you dip in and out of it rather than listening to it all in one go. Unless of course heavy guitar based rock is your thing. If you go to http://www.thisbeautifulrepublic.com/ There are some tracks from a previous CD available to listen to, and they are very similar in style to this CD. 7/10 Andy Sayner (December 2008)
This Time of Year - Children's Ministry. (Faith Kidz CHMCD044)
Ali Croxford and Simon Goodall are the musicians behind this project, an "eclectic mix of 12 original Christmas songs specifically written for children aged 4-11". The album's main plus point is the fun and uptempo nature of many of these songs and a real sense of the true joy of Christmas is conveyed to the listener. This is good to hear as many seasonal offerings, both contemporary and traditional, often have a much more melancholic feel. "Here We Go Again", "Let Us Celebrate", "Hey You" and "We're Following the Star" among others are all guaranteed to have your foot tapping. There is a nice mix of styles too and the temptation to include bells in the arrangements for all the songs is thankfully resisted. The album finishes with three traditional carols and these are presented well. Overall, a pretty good album that will work with kids but also have a broader appeal to families. 7/10 Robin Thompson. (December 2006)
THIS TRAIN : Mimes of the Old West. (Organic : ORCD-9801)
What a strange one we have here! Featuring ex-Alter Boys vocalist,
Mark Robertson, This Train rattle off 13 (maybe 14?) songs at
a, sometime, quite hectic pace. Kicking off with the surfer's
instrumental 'Hanger 84', you're transported back into the early
60's with echoing guitars and bubblegum keyboards. It's a great
formula that's repeated, once more, on 'Seaform Green' albeit
a little shorter in length. These guys have got a quirky sense
of humour that won't be lost on the British public, especially
'We're Getting Nowhere' which appears to be a parody of themselves.
Throughout, there's a feeling of retro music being brought up
to date which, for the most part, does pay off. 'A Million Years'
features some great harmonies to add to the mainly guitar driven
sounds. Listen carefully and you'll here the voice of the late
Rich Mullins on backing vocals. It's fun, it's frantic, it's different!
7/10. (August 1998)
THIS TRAIN : The Emperor's New Band. (Pamplin : ORCD2011)
It was the band's witty lyrics that made their debut album stand
out from the crowd only 18 months ago and, I'm pleased to say,
that the winning formula has been continued on this follow up.
However, what has changed is the move from just plain old rock,
to include jazz, swing, and rockabilly. "She's A Rocker"
brings in the big band sound and the result is the kind of thing
that former Stray Cat, Brian Setzer, is doing so well at the moment.
The title track then switches into typical U.S rock and shows
that these three guys can still rock with the best. Those of us
old enough to remember The Shadows, in their hey-day, will love
"The Way It Sounds", complete with twangy guitars. Want
something a bit different? Try This Train. 9/10. (March 2000)
Here’s a single release from Suffolk-based worship singer-songwriter, Thomas Mundell. In the song, Thomas asks God to change his perspective of his relationship with Him. “Change my perspective, your love changes me; Open my eyes and let me see who you are.” It’s with these words and the chorus that Thomas’ voice fits best. On the opening verse, he sounds very nervous, and the vocals do tend to go off key, at times. Musically, things are good, with some nice piano playing especially. By the time we get to the outro, the singer/songwriter is in his element vocally, and the improvement in his delivery is massive. Listening to one of his other songs, it suffers from the same vocal problem, which is a pity. “Perspective” is quite a good song overall. Perhaps, more care is needed on those quieter vocals. 6/10. (November 2019)
THOUSAND FOOT KRUTCH : The Art of Breaking. (EMI CMG/ Tooth
& Nail Records)
Toronto- based Thousand Foot Krutch were formed while the members
were still in high school. Using the modern hard rock sound, the
band have a huge fan base, thanks to the relentless touring they
have undertaken over the last 4 years.. Listening to the album,
I found it hard to hear what the the band were actually trying
to say through their music. It's not just due to the, sometimes,
incoherent vocals, it's just that some of the lyrics just don't
seem to make sense. For instance, on the track "Go",
I sat and read the lyrics several times before it dawned on me
that the song was about Peter's denial of Jesus - I think. The
title track has thumping rhythms and crashing guitars, but it's
nothing special. "Hit the Floor" made me sit up and
take note, but the best is left for last. "Breath You In"
is the most tuneful song on show, and it's a glorious piece. That
said, I found the rest of the album to be filled with mediocre
numbers that did little to raise my enthusiasm. 6/10. (December 2005)
THREE CROSSES : Skinny Flowers. (Benson : 84418-2206-2).
This Dove Nominated group contains ex-Spin Doctors guitarist Anthony
Krizan and sound in the vain of Sheryl Crow and the Eagles. This
certainly comes to light in track 2 'Maggie's Prayer'. However,
there's a whole bunch of boring songs until 'April & ME'.
Finally, a good song with lively music. 'Fast Food Religion' keeps
the tempo going but then things start to go downhill again. I
was nearly asleep by the time 'Monday Mornings' appeared. Good
song, good music. Too many of the songs sounded the same, however,
and tended to droll on, and on without really getting anywhere.
Sometimes the vocals are terrible, an example being 'Bag of Creation'
- it sounds like an audition that went wrong. I liked 5 out of
the 14 songs, and I definitely would not buy it. 3/10. Anna
Howlett. (September 1998)
THREE STRAND : Famished. (40 Records : 6694 47297529)
Drawing on their experiences of working with numerous top CCM
artists, the members of Three Strand use a celtic base with this
debut album. They tell us that their music is the new Pop praise
and worship. What's new? Well, I guess - for a change - it's the
American youth who are taking a leaf out of the British book.
What? I mean, it sounds just like any album that's come out of
the Stoneleigh Live albums or, indeed, any other youth festival
of it's kind. There's ballads like "Pour Your Anointing Oil
on Me", funky gospel , in the shape of "Joy", and
even an anthemic "Before the Throne of God Above" -
complete with crashing percussion and seering bagpipes. Is it
any good though? The answer is, "yes, it is". It's great
to see, and hear, some young Americans who aren't quite as easily
pigeon holed as many of their fellow countrymen/women. Not really
my cup of tea but I couldn't help admire Three Strand. 7/10.
(December 1999)
THOUSAND FOOT KRUTCH : The Flame In All Of Us - Tooth & Nail Records 094638824725
This is a fairly up beat album, just straight forward no nonsense guitar led rock music. There's not much wrong with any of the songs on here, I suppose I could say that all of the tracks sounded very similar, as though the band have one style and no real variation, but for all that I quite liked this CD. "Learn to breathe" I would say for me being the stand out track, but there was nothing on here that I particularly disliked. The band sound reminiscent of "Soul Asylum" Particularly the vocals, although with perhaps just a slightly heavier sound. Definitely worth a listen this one. Also there's a code with the CD so that you can get your hands on a digital sampler album and a load of ringtones. 8/10 Andy Sayner. (April 2008)
THROWBACK KID : Throwback Kid. (7Core Music : 7CEP00106)
This is a five track EP consisting of very catchy acoustic rock / pop songs, written by Pete James, who is a well known worship leader. These songs are quite lively, and bounce along quite nicely, just the kind of thing that would give you a lift if you were feeling down. These are the kind of songs that will have you singing along in no time. Kicking off with a track called "Bluebells and blossoms" which is reminiscent of Badly Drawn Boy, as are all the songs on offer here it never goes downhill, personally my favourite song on here is "Colour Of Love" which has the feel of something that Lindisfarne would have put out in their later years. I really enjoyed this album, and I don't think that there is any one track that lets it down at all. I found it to be well written, and well recorded. I would have liked to have heard more tracks than just five, as it leaves you feeling somewhat short changed in a way. Just as you are getting into it, it ends. Other than that though, this is an excellent EP, and definitely worth checking out. 10/10 Andy Sayner. (August 2017, Album of the Month)
Take a splash of Badly Drawn Boy, a spoonful of Jack Johnson, add a sprinkling of The Beach Boys and top off with a little Waterboys Fisherman’s Blues era and you’ll come close to Throwback Kid. Pete James is back with a sound that instantly feels like it’s a summer’s day, walking along the water’s edge. A laid back, lazy organ sound and piano is Pete’s musical vehicle. However, the lyrics have a real message to politicians. “No-one is saying your job is easy……..you’ve got to stand up for peace, you’ve gotta love the people.” At times, there’s even a hint of Bob Dylan in the vocals, a’la “Like A Rolling Stone.” I’m not sure that this was written as a protest song, or a prayer? But, it certainly makes for a song with a clear message. 7/10. (June 2020)
Throwback Kid (AKA Pete James) returns with his new 5 track EP ‘Caught Inside’ on October 16th. Songs of falling in love, politics, nostalgia and challenging yourself to new things are all here packaged in the unmistakable Throwback Kid summery pop sound fans of the first EP will be so familiar with. Likened to Badly Drawn Boy, and The Waterboys, that sound is certainly evident on the opening “Songbook.” It’s an infectious song that is so radio friendly, and features some great piano sounds. “Back to the 90s” looks at memories of those days and a time of great enjoyment to the singer. Blur, Oasis, Tony Hawkes, and Michael Jordan all get name-checks, in a song that’s rather choppy in style. Pete shows quite a versatile style of writing within these five songs on the EP. “The Weatherman” has a feel good sound to it, with some nice guitar work included, too. By the time “Out of the Water” hit the speakers, I was really enjoying making notes for this review. The song has a chorus that just stays in your head, and you find yourself singing for the rest of the day. It’s probably my favourite track here, and reminded me of The Lightning Seeds in their pop pomp. The closing “Love the People” was released as a single in June. A more of a mellow sound, there’s a message to our politicians. “No-one is saying your job is easy……..you’ve got to stand up for peace, you’ve gotta love the people.” This is one of those EP’s that leaves you wanting more. Probably the best collection from Throwback Kid, so far. 9/10. (November 2020)
A Native of Washington DC, in 2017, TierraDawn had an encounter with God where she received the vision to evangelise through songs. During this encounter, God began His ministry of songwriting. This 4 track release showcases both TierraDawn’s writing craft and vocal quality. Starting things off is the mid-paced ‘Nothing’s Too Hard.’ Immediately, I was struck by this singer’s rich vocal tones. Praising God for His goodness, the song is one of those that, perhaps, runs a little too long at well over 7 minutes. With a little feel of reggae vibes, the following ‘Chariots of Salvation’ has a laid back sound. Meanwhile, ‘You Reign’ plods along at a very slow pace. I can’t say that I enjoyed this song very much, nor the preceding ‘My God & Love Devine.’ The RnB styling of the latter made some of TierraDawn’s vocals inaudible. So, as a taster, this young lady shows that she’s willing to turn her hand at various genre’s. For me, I much preferred the first, two songs. Hence, 5/10 (January 2022)
TIFF JOY : You Are God Alone. (Tyscot Records)
Following her recent #1 Billboard Hit “Release” with Ricky Dillard, gospel singer Tiff Joy returns with her new single. If you’ve not heard of this lady before, then her singing background is first class. After growing up and singing in her father’s church, the singer worked with artists such as Fred Hammond and VaShawn Mitchell. Born in typical gospel genre, on this release Tiff shows what a pair of lungs she has, with a vocal performance that can only be described as joyful. The song glorifies God with praises such as “There’s absolutely nothing you can’t do; Things change whenever I call on you; Victory is mine because of you.” From smooth vocals, Tiff’s voice projection is immense as she and the choir belt out the rest of the song. If I’m honest, the latter part of the song does get a bit much, for me. But, then, these old ears are getting a bit delicate in years. 6/10. (November 2020)
TIFFANY COBURG : That’s What Love Can Do. (Stow Town Records)
Written by Lindsay Reith, Matthew Reith, Wayne Haun and Jeff Bumgardner, “That’s What Love Can Do” appears on Coburn’s debut project, Near to the Heart: Cherished Hymns & Songs of Inspiration. The powerful lyrics present a message which reminds us that God’s love for us – and the love that we show to others – will transform the world. For the song itself, it’s a big production number, complete with great orchestration and vocal backing. I loved tiffany’s voice when I reviewed her album last year. It’s powerful, and carries the song’s message perfectly. 9/10. (August 2020)
TIFFANY COBURN : Near to the Heart. (Stow Town Records : STR 3228)
Tiffany Coburn is no stranger to inspirational music. She is an accomplished vocalist having sung with several high profile groups including: Walt Disney World’s Voices of Liberty (for 20 years) and acappella supergroup Voctave. She has also been a background singer for Sandi Patty. This was a tricky album to review, as the CD was faulty. However, I’ve got to say straight away, what a terrific voice Tiffany has. From the opening “Praise to the Lord, The Almighty” she belts out the lyrics with tremendous aplomb. Backing comes from a fuill orchestra, and the sound is first class. “The Way of Love” is a little more mellow, with the piano leading the instrumentation. “Oh, no!” I thought, as “Not in My Strength” began. The haunting pipes sounded as though Celine Dion would burst in at any moment with “My Heart Will Go On.” Happily, the song is quite nice, in a Moya Brennan sort of way. I wasn’t too sure about the bluesy treatment to “Blessed Assurance” at first but, it grew on me. Again, Tiffany’s vocals just show what a great range she has. If you’re looking for a big ballad, with a big production then, “That’s What Love Can Do” is your song. Great arrangement here, for a song that tells how love can change the world. We just need to share it! Another highlight of this 9 song collection is the accapella “Near to the Heart of God.” Super lead vocals, and chorale backing that is simply delicious. New versions of old songs and hymns won’t be everyone’s cup of tea, but I liked it! 8/10. (June 2019)
TIFFANY COBURN : You Are More. (Stow Town Records)
I, first, came across Tiffany’s great voice in 2019, and her “Near to the Heart” album. This project includes four of Gospel music’s top recording and touring artists: Point of Grace, Ernie Haase & Signature Sound, The Isaacs, and a powerful duet with GMA Southern Gospel Artist of the Year, Joseph Habedank. The opening “Matchless” features Point of Grace, and it’s a lovey, mid-paced song. Solo, Tiffany treats us to “What If It’s Us,” which tells of a world of hope, if we push past the limits, and catch a new vison of love! “You are More” is a ballad that celebrates the fact that each one of us, is a child of God. Lovely orchestration, and powerful vocals from Tiffany. The duet with Habedank (Then There’s Me) reminds me of something from a Disney movie. The vocals are delicate, at times, yet boom, when needed. I like the way that the singer can turn her hand to different types of songs. Featuring, The Isaacs, if you didn’t know, you’d swear that Tiffany was part of the group. The country/southern gospel, foot tapper, “Nobody Knows Better Than Me,” is a super sound, complete with some great banjo playing. There’s no denying Tiffany’s vocal prowess, but I didn’t think that this selection of songs were, overall, as good as her previous release. Nevertheless, 7/10. (June 2021)
Tiffany Daniels-Hudson is a worship leader, recording artist, and teacher in the Chicagoland area. Her desire is to use music as an avenue to tell the story of Christ and to help people realize the power of God. This 6 track offering begins with Tiffany declaring how Jesus came into her life, and telling everyone that ‘Jesus Reigns.’ What a fantastic song it is! Great production, as Tiffany belts out the chorus. (Her voice reminded me a little of Jasmine Murray). Next up, is the guitar led, pop sound of ‘Get Ready,’ as we look to the day when our Saviour returns. A duet with Jeremiah Miller (He is Lord) leans to the gospel spectrum of music, while I much preferred the ethereal sound of ‘Here,’ where Tiffany is joined by A Sudden Branch for Safety – of whom I know nothing! Closing with the worshipful ‘Enough’ and the uplifting ‘Okay,’ Tiffany has recorded a very solid EP of good songs. 7/10. (March 2023)
TIFFANY HUDSON : Hidden Here. (Elevation Worship Records)
Tiffany is not somebody I have come across previously. I started to listen to ‘I’ll Be Ready,’ and there were some nice synth’ pads. Unfortunately, at times, the vocals were lost in the reverb and backing. It is a live version and a well written song musically and lyrically, but I don’t feel I should have to look at the lyric sheet to know what was being sung. Maybe I didn’t hear Tiffany’s diction correctly. Or, maybe, the vocal could have done with lifting in the mix. Just my opinion. The title track is different to the first, it being a mixture of ideas. It begins acapello then, laid back, before an explosion of sound. Vocally, I had no issues with this one, but I’m not sure it could be replicated live easily. ‘Music to My Ears’ has some great instrumental changes, with piano, pads, strings and harp intermingled. Tiffany has a voice I could listen to a long time. On this track it’s wistful, passionate and endearing. Coupled with the musical arrangement, it’s like waves, rising and falling, to give a pleasant soundscape. The album continues in the same vein, with some great orchestrations. ‘Obey’ is a slight diversion with acoustic guitar featuring, making a nice change. (Possibly the best song yet for me, lyrically strong too). ‘Vow my Love’ is a nice song to end with, a commitment to God. Overall, it’s a gentle album, with good arrangements, and lyrics. My only downside focused on a few mixing issues. 7/10 Noel Donaldson. (September 2023)
This single is said to be an anthemic Christian pop song inspired by the Christian faith that kept Parker going amidst her decade-long journey through severe chronic illness. "Try" is filled with both deep vulnerability and uplifting hope. "My prayer for this song and sharing my testimony is to show people that no matter what you face, there is hope and a God-given purpose for your life," Parker said. "To encourage people to keep moving forward towards an abundant life no matter where they find themselves. For them to see a vision of a future. For them to believe again." Piano led, Tiffany’s vocals are loud and clear from the off. There’s a little Tori Amos about the vocal delivery, as well as a smattering of Jenn Bostic. When asked about how she gets through all her trials, she answers, simply, “Jesus.” Lyrics in the song include: So why do I still try; It’s cause of you that I won’t give up (up); It’s cause of you that I get back up (up); Because of you, Because of you; I’ll fight, I try.” I liked the addition of layered vocals, at times, plus the, almost, atmospheric inclusion of keyboard sounds. An interesting sound overall. 7/10. (July 2022)
On this new, live recorded, single, Tim Godfrey is joined by Nathaniel Bassey and Tim Bowman Jr. The song is a prophetic declaration and affirmation of the scripture; Genesis 50:20A “As for you, you meant evil against me, but God meant it for good…” The song begins with both the singers and those in the audience singing together. The words are few and repeated ad-hoc for most of the opening three minutes. The listener is, then, treated to a trumpet solo, before Tim evangelises from the front. The second half of the song follows a similar pattern, although the lyrics change to include the title – again, sung multiple times. By the time I’d listened to the full 10 minutes plus of this release, I was disappointed that it didn’t live up to the hype of the press release; “An uplifting contemporary gospel track with a melodious sound and powerful lyrics which speaks about the promises of God towards all.” Melodious? Not really. Powerful Lyrics? Well, if that means repeating a few lines of scripture over and over again, then, yes. Sadly, the performance doesn’t make for the “uplifting track that was promised. A disappointing 3/10. (November 2022)
TIM HUGHES : Love Shines Through. (Kingsway : KWCD3151)
If, like me, you’ve been living on the energy of Tim’s ‘Happy Day’ for the last couple of years, you will be excited by this new release of songs. And, in typical track listing, there’s a powerful song to start things off, in the shape of ‘Counting Your Name’. It’s high tempo praise and worship in contemporary style. By track 3, he’s also giving us a rocking declaration that we ‘Never Stop Singing’, co-written with Paul Evans, Martin Smith, Ben Cantelon and Jon Dean. Saying all that, this album took two or three plays for me to really begin to enjoy it. ‘All Glory’ is one for collective worship and that was a song typical of it growing on me, the more I heard it. ‘Jesus Saves’ and ‘Keep the Faith’ are fine songs but at the other end of the scale ‘At Your Name’ and ‘Ecclesiastes’ didn’t quite do it for me. ‘Wake Up’ in quite an infectious sound, and it’s another song that has Martin Smith as a co-writer, as well as Stu G. As I say, not an album that I immediately took to, but maybe it’s a slow burner. 7/10 (May 2011)
TIM HUGHES : Ultimate Collection. (Kingsway : KWCD3287)
From a young age, Tim learnt the value and purpose of worship which then continued when appointed Director of Worship at Soul Survivor. From here, Tim moved to London’s Holy Trinity Church, Brompton and established Worship Central where he continued to learn the importance of equipping the local church with leaders. This collection puts together 16 tracks with all the favourites included. Teaming up to write with Phil Whickham, Tim opens things up with ‘At Your Name’ – a particular crowd favourite. Then, comes ‘Happy Day’. I’ve got to admit that this song is one of my all time favourites, I love singing along. ‘In similar fashion ‘Here I Am To worship’ gives me a lump in my throat every time I sing it, without fail. I just think that it’s one of the most moving songs I’ve ever heard. I don’t think that I had heard ‘Everything’ before, but what a powerful song it is! Even more powerful when I turned it up louder. Is it me, or does ‘May The Words of My Mouth’ sound a little like Oasis at times? ‘Beautiful One’ and ‘Counting on Your Name’ are both there, and ‘Whole World in His Hands’ really comes on strong from mid-song. The album is predominantly guitar orientated and ‘Holding Nothing Back’ has a rocking good chorus to add to the sound. I loved listening to this album and I’m sure that you will too. 10/10. (September 2012, Album of the Month)
TIM HUGHES : Pocket Full of Faith. (Integrity : 64392)
This 12 track CD is the fifth studio album of ordained Anglican minister Tim Hughes, and is claimed to 'capture a theme of explosive celebration and wild adventure with honest emotion and vulnerability'. Tim is well known of course as a prolific and influential Christian songwriter, whose songs such as 'Here I am to worship' are said to be sung weekly by millions around the world. A feature of Tim's songwriting has always been strong melodies. The album certainly doesn't disappoint in this respect, and gets off to a rousing start with the medium paced rock 'Here with me', the one track where friend Phil Wickham is drafted in to share vocals. Things continue in a similar vein with 'Only the brave'. The initially stripped back title track 'Pocketful of faith' follows and is one of the standouts, being lyrically a typical and very effective Tim Hughes personal worship song ('take this pocketful of faith, it is all I have today, I'm giving it all') that has a triumphant climactic ending. As the album continues, it is obvious that Tim is still at the top of his game. 'Set apart' reminds me of another Tim Hughes song, but I'm blowed if I can remember which one! I would imagine with its simple repeating chorus, 'Plans' will go down particularly well live. 'Arms' is absolutely beautiful. Arrangements and production overall are excellent, although sound is a touch compressed for my liking. This is a strong album however and a worthy 9/10. Dave Deeks. (August 2015)
TIM LOVELACE : Piano Praise Vol.1 (StowTown Records)
Piano Praise, Volume 1, was previously released on CD. The album’s long-awaited digital debut puts the scope of Lovelace’s keyboard virtuosity—from show-stopping selections to tender songs of quiet reflection—on full display. Coming from an age when pianists such as Richard Clayderman were so popular, I understand why Tim’s playing is so popular. Delicate and gentle versions of ‘Great is Thy Faithfulness’ and ‘Shout to the Lord’ are in contrast to the Dixie sound of ‘When God Dips His Love.’ On the latter, Tim’s joined by some deep organ sounds and light percussion – they work perfectly together! Other well known tunes include ‘It Is Well with My Soul’ and a quite delightful rendition of ‘Over The Rainbow.’ I listened to this album whilst working on other things, and found it relaxing, as well being musically sound. Well worth a 7/10. (May 2022)
TIM MENZIES : He Reminds Me. (Grace Records)
Born in Mechanicsville, Virginia, Tim Menzies' debut performance was at only three years old – backed by a band of which his mother was a member. Becoming “one of Nashville's most prolific songwriters” and with several albums behind him, in 2014 Tim released his first Christian full length 'His way of loving me'. This was followed in 2019 by 'His name is Jesus', which gained a Grammy nomination. Produced by Ben Isaacs, this latest release consists of “a dozen selections all penned or co-penned by Menzies ….. and features collaborations with some of bluegrass and Gospel music's leading names”. It is common for albums to begin with an upbeat number but here proceedings open with the slow and gentle title track. Led by Tim's beautifully played acoustic guitar, this is a personal reflection on a life being lived aware of the presence of Jesus. This is followed by an increase in pace for 'The Church' (“I thank God I was raised in the Church”) which turns out to be my standout, and is evidently based upon wife Brenda's background. 'What are you waiting for' is the first track where things head towards 'country rock'. As the rest of the album unfolds, the same musical variation is found. The band plays beautifully throughout, with Tim's guitar sometimes brought forward and with frequently featured slide guitar. All songs are well written, structured, delivered and produced. Tim's deep 'country' voice is attractive, and the general feel somehow 'invites the listener in'. 'On my Father's side' is based on Jesus speaking about His life. 'I want to go like that' (“when I go”) is about Tim losing his mum and dad. 'How do I say thank you' expresses gratitude to a teacher and then a soldier. 'Made a mess' is about the state of the world. 'Say something' is asking God to respond after years of praying. Yes, this is a very good album – and for those for whom it matters, everything is delivered with stunning 'live in the studio' sound quality. Even many who don't naturally name 'country style' music as a preference, may well find much to enjoy here. I certainly did. As I can't find anything to criticise, it has to be 10/10! Dave Deeks (April 2023, Record of the Month)
TIM TIMMONS : Here. (Integrity Music)
Tim Timmons’ life has always been one of adventure, but for the first time, the singer songwriter feels awake enough to actually live it. His brand new album 'HERE' encapsulates the honest and beautiful journey of devotion the artist has been on. After two decades of ministry and a lifetime of looking for Jesus, Timmons is no stranger to pain, cancer, sorrow, failure, joy and hope. “For most of my life,” he shares, “I found myself working for God, and not with Him, which lead to my tired soul desperately searching for more." The opening track is such a joyous sound. “This is the Day” revolves around the title, with the added “I will be glad in it” summing up Tim’s feelings. There’s a similar theme to “you Never Let go,” were Tim is joined by Tammi Haddon for a duet of quality. And that quality doesn’t fade on either the title track or “God Alone.” Musically, Tim’s style is pop rock. Production is absolutely first class, with clearly sounding instruments and vocals. “Roar” contains some of my favourite lyrics. “Let my praises roar. Roar like a freight train, louder than all my fears. So this is war, shout to the darkness, you’re not welcome here.” I couldn’t stop playing this track, as it was so good! Most of these songs would make it onto my radio show, if I was still presenting. I couldn’t believe that it was 7 years since I’d listened to Tim’s “Cast My Cares” album. Then, I gave it a 9/10 rating, and I’m pleased to do the same with this one. 9/10. (May 2021)
This CD has a great classic rock feel to it, in the mould of Bob Seger, Nickleback, Bon Jovi et al. Although it does also show up listed as “country rock”, I beg to differ (despite some of the backing straying into Shania Twain territory). It strolls on down the freeway at cruise speed and doesn’t disappoint. I did worry that the opening lines about being on the road again were set for predictability, but instead hit the theme of heading home and living life through a hotel phone (a very evocative lyric). Thematically the CD sticks in that territory: saying goodbye, wanting to go back, driving. There’s no flashy solos (not even on the ballad “All For You”), just solid playing underpinning the vocal on the edge of hoarseness (think Bryan Adams – probably the best reference point). The CD does rather peter out more than rock out but overall, a good one and very deserving of a listen. Best track: “Turn Up”. 7/10 Paul Ganney. (July 2015)
TINA BOONSTRA : My Concrete Heart (Will Beat Again) EP. (7CoreMusic : 7CEP00105)
Growing up as a songwriter in a missionary family, Tina expected her songs to find their home in the church halls she was so familiar with, but it wasn’t until she began performing on the London open mic circuit that she cut her teeth as a performer and honed her craft into a treasure trove of songs with a depth and emotional intensity reminiscent of Damien Rice, PJ Harvey and John Mark McMillan. This EP starts off with “Prodigal.” No prizes for guessing what the song is about! Tina’s vocals are very refrained and rather delicate here, but there’s great feeling within them. Were the musical backing is rather sparse on the opening two tracks, “Occupy Me” features some very nice electric guitar phrases. The song tells of getting rid of all the rubbish in your life and making room for Jesus instead. If a little one-paced at times, there’s a pleasant uplifting chorus towards the end. My favourite song has to be the title track. It reminded me, in style, of Marina & the Diamonds, with an indie sound. Here, Tina prays for people with hardened hearts, that they might find and accept Jesus’ perfect love. Meanwhile, “Only A Human” finds this lady producing a very thought provoking ditty, questioning our responses to people such as homeless and those with mental illness. All too often we make the excuse that they are not our problem, instead of reaching out to them with God’s love. I liked Tina’s writing very much. Closing with the intimate “Castle”, she sings “You are my strength, my safety. You are all that I need.” When you think about it, that’s all any of us needs, isn’t it? 8/10. (February 2018)
Following the success of ‘Find You’ and ‘Flicker’ Tina has released the third song in the ‘Underrated Animals’ series. Second Chance’ draws on influences such as Manchester Orchestra and Julien Baker to deliver a heart-stoppingly honest and raw performance. Sparse guitars and minimal percussion are the backdrop for most of the vocals. Tina’s voice sounds very gentile at first, but bursts into life when joined by some electric guitar FX. The song basically asks God; “How do you love me like this? You never give up on me.” As the song progresses, a full musical assault comes in, and only adds more power to lyrics of the chorus. Definitely one of Tina’s best songs, so far. 8/10. (June 2019)
Opens with sparse guitar chords to accompany her crisp vocals. The lyrics are inspired by a book called “Here I Am” by Jonathan Safran Foer. . It tells the story of a family that’s slowly fragmenting and falling apart. Tina explains; “They lose sight of who they are and what really matters to them. It’s a picture that has really stuck with me, and I can’t help circling back to it. For me, the first step to looking after the inner parts of who we are is to slow down, and for me, that’s what this song invites me to do.” It’s a rather pedestrian paced number, but the overall sound works well. Mid-song, there’s some nice keyboard phrases added. Compared to her previous releases, this song doesn’t immediately grab your attention. To get the full impact of it, you really need to sit down, close your eyes, and take in the words that Tina sings. 7/10. (May 2020)
This 6-track EP showcases both Tina’s song writing and her voice. Her vocal is clear, strong and conveys emotional depth. Her songs are well crafted, nicely varied and tackle themes that tell the story of friends navigating dark days together. Musically it’s incredibly tight with some quirky rhythms that become infectious (the opening “Out Of My Depth” being a good case in point). Production is spot-on, everything being there for a reason and rather than being a vocal over music (I’ve heard too many albums that are) this meshes together as one unit. Tina and her band have been compared favourably to many people and while I’d agree with the likes of Wolf Alice and Sam Fender, I’d add Mabel to the list. I preferred the more up-tempo songs but would recommend lying back with headphones on for “I Love You Like Sunshine In Bangor” (also my favourite title on the EP). It has an almost cinematic feel to it, counterpointing the beats and rhythms around it – it makes the bass line on the following “Talk It Over” better for the comparison. This latter track, the EP closer, is the most poppy of the songs on offer and drives beautifully. I had the EP as a solid 7/10 but this track lifted it up a notch. Should I add Taylor Swift to the list as well? On this evidence, why not? Best track: Talk It Over. 8 /10. Paul Ganney. (September 2020)
TINA BOONSTRA : Call Me Thomas. (7CoreMusic)
'Call me Thomas' is the second single from London-based Tina Boonstra's debut album 'Circle Back, Start Again', coming in April. With previous EPs and singles under her belt – including the new album's first single 'Martha' – ‘Call Me Thomas’ is a song about doubt in a Christian believer (“don't call me Mary, call me Thomas”). Checking through Tina's back catalogue it is apparent that she has a fine way with words. Style-wise I keep being reminded of Sarah Masen's 1990s output, always a favourite of mine. This song is certainly up to Tina's usual standard, well written and with a catchy melody. It is in her more 'pop' oriented style rather than 'singer songwriter'. As the track builds and the production gets busier her lyrics tend to get lost a bit – which is a shame. Enjoyable however, obviously a talented lady. I would encourage anyone who is into 'female singer-songwriters' to give Tina a listen. 8/10. Dave Deeks. (February 2023)
TINA BOONSTRA : Why Do Good Times Fly? (7CoreMusic)
This is the fourth release in a series of singles from Tina’s new album ‘Circle back, start again.’ out on Friday 28 April. On this song, Tina embraces the bittersweet beauty of love, taking listeners on a journey through the complexities of love, reminding us that even in its difficulties, it’s worth cherishing. Tina’s vocals tell the story of a relationship over a backdrop of light guitar and percussion sounds. It’s a very emotional song that is open and honest, looking at all the ups and downs that can happen in life. Yet, as she sings; “I wouldn’t have it any other way.” A very thoughtful, and, intimate song. 7/10. (April 2023)
TINUADE : Adore. (Diadem Multimedia International)
Fast-rising Gospel music minister, Tinuade, has released this much-awaited debut album. The 13-track album contains previously released materials and dominantly new ones prayerfully written, composed, arranged and inspired by the Holy Spirit. The press release states that the album has a “refreshing sound and lyrics that will uplift and encourage in the unprecedented times we are living in.” Certainly, the opening song, ‘Maajo,’ is a happy, praise number. Tinuade launches into her vocals with gusto and the overall sound is very good. On ‘We Give You Glory’ she is joined by Bennie Sam who rather speaks his part, rather than singing. Lyrics include; “When I think of all the things you have done for me, I give you all the glory.” You soon get the theme of the song. ‘Amazing God’ features a nice guitar solo. Either side of it, Tinuade and her backing vocalists praise and worship our Lord in true gospel style. The next song was a bit of a surprise, sound-wise. With a rock backing, the singer fair belts out the lyrics, such as; “Be glorified, exalt the name of Jesus.” Things go a little downhill after such a terrific song. Neither ‘Be Glorified’ or ‘I Don Win’ hit the right spot for me. Indeed, the former features the artist Dare Justified. Now, I’m not sure what he’s saying at times, but it comes over like an argument. Very odd. Thankfully, things get back on track with the mellow love song ‘You Are Beautiful.’ Tinuade certainly can turn her hand to different styles of vocals, and there are enough good songs on this 12 track album that show great promise for future recordings. 6/10. (September 2021)
TITUS : The Ground Had Shook (CD £7.99 inc p&p from: 161 Abbots Way, Preston Farm, North Shields, Tyne & Wear, Newcastle, England, NE29 8LS.
Now here's one to watch out for. This is the debut recording of
a young three piece band from Tyneside, home of YFriday and yours
truly. So what's new? ... Apart from living in a musically talented
area (!). Sometimes when you hear something for the first time,
something grabs you about it - you know there is potential
there. These three lads of far eastern origin have written some
excellent rock worship songs, with nice, mature arrangements -
but not your average D? wannabes, there is originality here. The
recording itself was done on a budget, and I'm afraid it shows
in the production, but that's just me being a perfectionist. The
songs shine through, and so does their faith. 'Time Will Come'
is a great track, and the title track 'The Ground Had Shook' will
go places. 'I Cried Out to God' is another one. If you buy a copy
of this album now, it'll be an investment as I'm sure it will
be a collector's item in years to come. As it says in the song,
'Fame', (boy, doesn't that show my age!), 'Baby,remember my name
....' 8/10 Julie Lord. (March 2002)
TIM TIMMONS : Cast My Cares. (Reunion : 02341-0181-2)
I knew nothing of Tim Timmons before listening to this album. It was only afterwards, that I learnt that this is his first studio recording, and just how personal the songs were to him. For the last 12 years, Tim has been battling against an incurable type of cancer, and ‘Cast My Cares’ is his way of telling the world how God has helped him through it. Musically, it’s contemporary pop in style. The opening ‘It’s Your Revolution’ and ‘Starts With Me’ are both bouncy, positive songs, centering on relationship with God. The title track is the most poignant for me. Here, Tim sings of his Lord as his hope, when all hope is gone. “I cast my cares on you, because you love me”. When doubts rear their ugly heads in our lives, then remember, God remains faithful and constant, on the song ‘You Remain’. I took to Tim’s vocals straight away, as there’s a real warmth to them. And, as the first review of a New Year, it was good to hear some excellent songs. ‘Christ in Me’ had a bit of a Matt Maher feeling about it, while ‘Let’s Be Beautiful’ challenges everyone to show how beautiful they are within, by showing love in action. A sparkling release by a very talented man. 9/10. (February 2014, Album of the Month)
TINA BOONSTRA : Flicker (7coremusic)
Following on from the success of her 2018 EP “My Concrete Heart” and the single “Find You,” Tina Boonstra returns with another brand new song. From the off, she provides a superb vocal delivery, which is aptly backed by a chugging guitar rhythm. I said it about her EP, and I’ll say it again, style-wise, the finished product is very much in the mould of Marina & the Diamonds – and that’s no bad thing. A refrained middle eight is followed by a simple, but excellent sounding, lead guitar. The song asks that age old question; “What is the meaning of life, and where do we fit in?” Based on Ecclesiastes, the song goes on to declare that we shouldn’t just sit on the sidelines. We are part of this world, and we should take part. As producer, Trevor Michael explains; “This life God has given us is worth everything, so Shine your light, even if you feel you’re just a small unworthy flicker, keep flickering because your life matters and your flicker is important in this world.” I loved this song as soon as I heard it, and thinking about the lyrics, have only strengthened that feeling. A terrific release. 10/10. (April 2019, Album of the Month)
Industrial percussion greets the listener to this new song from Tina Boonstra. I wasn’t sure what to make of it at first. The whole song seemed to come over as if Tina was a very angry person. In fact, that is the case! When you listen to the lyrics, you find that Tina has had to rise to many challenges. The sparse, but almost detuned guitars add to the singer’s fury. She says that the song is about a “a period in my life when just getting out of the house felt like an insurmountable challenge. I was in a set of circumstances that I felt ill-equipped to deal with and worst of all, I felt like I was dealing with them completely on my own.” The song pulls no punches, as Tina gives a vocal performance reminiscent of Avril Lavigne. 7/10. (March 2020)
TINA BOONSTRA : Circle Back, Start Again. (7CoreMusic)
Tina’s music has been playing around NFN reviewers for the past 5 years or more. And, looking back at the reviews, her singles and EP releases have always scored highly. This, however, is her debut album, and begins with last year’s single ‘Martha.’ Backed, predominantly, by an acoustic guitar, Tina says that the song is a “song of hope to sing when there seems to be no hope.” It’s the first of a number of songs that tell a story, and I liked this song a lot! Tina’s vocals have always made their mark with me, whether on a super chorus, or even the slightly broken delivery on the verses of ‘If I Could.’ ‘Can People Ever Really Change?’ sees Tina move from her indie/country sound, to a song that moves into light rock. A jangling guitar drives the song along, and this song soon was soon replayed by yours truly. The title track is a simple song that has a bigger production sound than those have gone before. The lyrics tell of the loss of a relationship with God, and then the hope of starting again. Five songs into the album, and I’m loving every one! ‘Why Do Good Times Fly?’ is another relationship story. It’s a very emotional song that is open and honest, looking at all the ups and downs that can happen in life. Yet, as she sings; “I wouldn’t have it any other way.” It would be easy to wax lyrical about each song, because the quality never ceases. From the poignant ‘Grace Riley’ to the Stealers Wheel style ‘Do What We Can’ these songs sounded so fresh. Just when you think that things couldn’t get better, there’s the brilliant electronic pop of ‘Proof of Life.’ That’s followed by the love song called ‘No Time To Wait,’ that I challenge you not to tap your feet too! For a debut album, Tina and 7CoreMusic have produced an early contender for album of the year. 10/10. (May 2023, Record of the Month)
Tina is a Gospel Singer/Songwriter, Minister, Classical music award winner, Microbiologist, Clinical practitioner, Wife and Mum. This EP is a little odd, as there is only one track listed, but there are two definite breaks. It’s all a little confusing. The first track begins with sumptuous vocals from Tina. A real velvet touch in her voice. “I searched all over, couldn’t find nobody; Nobody greater than you.” The spontaneous counter melody, mid-song, does tend to spoil the overall song though. The next part, starts well, but suddenly reverts to the previous song’s chorus. At this point, I really wasn’t sure what to expect next. Some lovely piano playing acts as the backdrop to those rich vocals, as Tina sings; “Hosanna, in the highest; Let our King be lifted up.” The lyrics are quite repetitive, but they don’t become annoyingly so. I’m not sure if this recording was made live, but there certainly seems quite a rawness to the production. Maybe that’s the area where Tina’s music needs improvement. 4/10. (March 2021)
TITUS : I CouldRun A Thousand Miles. (CD £3.50 + £1 p&p from: www.titusmusic.com)
Titus originally began life in 1995 when 4 Christian friends started
playing music together. Since 2001, they've been a 3 piece outfit,
and this e.p is their first release. The title track is full of
driving energy, as are the others, and I'm not too old to appreciate
that. Guitars are full of sound, the drums are solid, and the
vocals just gritty enough to avoid being too nice. We're in the
land of Blink 182 and Sum41 here of what is a short, sharp look
at a band who are delivering the good news through music that
appeals to the youth of today. Let's here more lads because this
has given me a taste for more. 8/10. (April 2003)
TITUS: Point of No Return. (ICC/Elevation)
I managed to catch Titus at Greenbelt 04 and 05 and was mighty impressed. They're a Geordie Chinese three-piece (i.e. in a genre of their own) who play powerful, driving high-tempo rock. Live, they're awesome. But - and here's the clincher - does their recorded sound carry anything like the energy? On first listen, I wasn't too sure, but on second, the answer has to be "yes" (especially if you crank the hi-fi up). Stand-out track is easily "Fight Another Day", with "Take Me Back" a close second. The better songs are definitely towards the end of the CD, making you want to start playing it all over again when it finishes. But what does it all sound like? It's guitar-driven rock, with shades of Guns & Roses (but with better vocals), Nickleback, Nirvana, Ramones and the Bill Mason Band (for those of you old enough). It's fast, it's energetic, it's tuneful (try "Please Forgive Me" for evidence), it's excellent. Buy it now and catch them live. You won't regret it. 9/10 (CD) 10/10 (Live) - Paul Ganney. (November 2005)
TKE3 : Lighthouse. (GTG Entertainment)
TKE3, pronounced 'take 3', has been making music for God since 2020, debuting his first EP 'Amen' in June that year. On the opening title track, the singer launches into the song with some fx’d vocals that, at times, I found difficult to hear. However, I did hear that he did see God as his lighthouse in dark times. For ‘Easy’ the musical style is a cross between afrobeat and hip hop. This time the singer declares that he is nothing without Jesus is his life. The pace of the first, three songs is quite gentle, but picks up a little for ‘I’m Alive.’ At this point, I asked someone else to listen to a couple of tracks, as I was really struggling to hear the lyrics properly. Thankfully, my hearing wasn’t deceiving me, as my colleague confirmed how the vocal delivery wasn’t clear at times. Musically, the sounds are provided by electronic devices and samples, and there is a varied approach throughout. On ‘Free Flying’ TKE3 emcees on the Father, the Son and the Holy Spirit living in him, while ‘City of God’ tells of loving others like God loves us. The latter track is slow and melodic and, probably, my pick of the album. Sorry to harp on about it, but the fx’d vocals and too much echo spoilt what could be a very good album. 6/10. (May 2024)
TO SAVE A LIFE. (New Song Pictures : RM1040099)
To Save a Life is a 2 hour feature following the story of Jake Taylor (played by Randy Wayne - Dukes of Hazard), a guy who seems to have it all...liked by practically everyone, good at sports, a college scholarship and possibly the hottest girlfriend in school. This all changes though after Roger, Jake's childhood best friend takes his own life right in front of his eyes, at the end of the road being fed up of not fitting in & being rejected. Jake is devastated by what he sees and starts to ask some serious life questions, turning away from much of his former way of life, eventually finding faith & feeling compelled to look out for those on the fringe or seem as "uncool". Well, that's a brief synopsis anyhow! If you were to pay a great deal of attention film critics, you may well be tempted to give it a wide berth. The secular crirics seem to take joy is being downright nasty because of the film's Christian content, whilst giving small credit to the production. On the other side, we have the Christian press with a tendency to over-spiritualise, having a go at the lack of biblical content & references to Jesus...the list goes on. Oh come on guys, let's take this film at face value. It is not meant to be a Hollywood blockbuster, nor is it a super-spiritual epic. Get over that & it's a watchable story that does tackle some real life & gritty issues (rejecting those that don't "fit in", drink) plus others which many of us are likely to relate to at some point. It is really geared towards the teen/family audience, but thankfully not as cheesy as Glee or High School Musical, although given the American high school setting it is hard to shake off that image. For a section of the target market though, that could even add to the appeal! Production & acting was very good indeed, with only rare cringe moments. I have to say as well that the flashbacks at the beginning of the film did make my head spin. All in all though, I don't think this deserves the rap it has been getting in the press. It's not so spiritual that it couldn't be watched & enjoyed by a secular viewer, nor is it too weak to offer up challenge to Christian & non-Christian audiences alike. Take it for what it is and it's very watchable. 8/10 Simon Redfern (February 2011)
Toast is a varying collection of musicians that accompany the worship in the Polden Wheel Benefice, a collection of villages in the Polden Hills of Somerset. The core of the group are folk musicians, but they are joined by orchestral and brass band players. As the group say themselves, they don’t expect to set the world alight with their releases, this album gives a depth to the worship in rural churches, where the congregations are small. What we have, then, are 15 songs that vary in vocal quality. ‘May the Blessing’ and ‘Rejoice Rejoice’ took me back to the early 90’s with a sound of typical church praise from that era. A simple acoustic guitar and recorder provide the backing to ‘O Lord Hear My Prayer’ – a hymn that I’ve never liked, while the piano solo in ‘There is a Balm in Gilead’ is very nice. Without wishing to sound harsh, the quality of the whole album lifts with the rendition of ‘The Lord’s My Shepherd’. There’s something about it that is just head and shoulders above everything else on the album. I’m not sure that the sweet vocals really do justice to the traditional spiritual song ‘I Want Jesus to Walk With Me’. However, the similar ‘Steal Away’ is delivered well by a male vocal in the style of Paul Robeson. (August 2015)
The most recent release from this group features 23 tracks of songs and prayer readings. In recent years, I can only think of the lovely Marilla Ness, who has released similar albums in the UK. Again, the market for this type of album maybe small but is so important for that minority. The vocals on ‘Seek Ye First’ are almost angelic and provide a lovely version of this well known tune. As it ends, Variatons on Pachelbel’s Canon provides the backdrop to a short prayer. Of all the prayers featured, I liked the simply titled ‘Prayer’ the best. It’s perfect for starting each new day, and gives God praise and thanks for His creations. Graham Kendrick’s ‘Lord You Are So Precious’ is a joy to hear, but my favourite has to be the ‘Irish Blessing’. With music provided by a mandolin and violin, it’s classic folk number that ends with the line; “May God go with you now my friends, and this blessing stay with you”. I doubt that we’ll ever hear of Toast filling the Royal Albert Hall but, they provide a welcome filling for a niche market. Therefore, both albums get 7/10. (August 2015)
TOBY MAC : Renovating Diverse City. (Forefront : FFD11228)
I've not really enjoyed anything that Toby Mac has released in recent years, and I'm sorry to say that this new release fails to alter my opinion. The music comes across as hip hop but with some Rn'B thrownin for good measure. I suppose that at it's best, it sounds a lot like Eminem. "The Slam" is one such song but I've not the faintest idea just what it's all about. Toby keeps on repeating the phrase "This is the slam" but that's as far as I understand. There's one bright spot, for me, that returns to his heady days with DC Talk. "Burn For You" is a quality song and wouldn't have sounded out of place on the brilliant "Jesus Freak" album. "Gone" features some Oasis style brit-pop singing but I simply loathed the karaoke style of "Intruding Again" which features an annoying child rapping over the top of the track. Although not a fan of Enimem, several tracks do stand up well to his single releases and therefore, I guess this album could be worth you while. Not one for me though. 5/10 (April 2006)
TOBY MAC : Tonight. (EMI : 5099922637123)
This is the 4th solo album from Toby Mac, which debuted at No.6 in the US Billboard 200. Try as he might, poor old Toby can't get away from returning to his DC Talk roots, with songs like 'Changed Forever' and the Latin feel of 'Start Somewhere'. But, there are breaks from tradition, and I particularly liked the opening, action packed title track, about reaching out for more of God. On the other hand, the noisey RnB sounding 'Funky Jesus Music' left me cold, and I didn't like it at all. There's a hip-hop/rock marriage on 'Showstopper, but the next highlight had to be 'Hold On'. It's a really strong song in the RnB genre, and well worth a few plays on your player. If, like most people, you wonder about your relationship with God, then the aptly named 'Wonderin' will at least put your mind at rest that you're not on your own. Perhaps the surprise track of the album, is 'Break Open the Sky'. It's got a reggae feel to it, and asks God to break open the sky so that we can see His face. Toby says that he wants his songs to be said in a way that anyone can relate to them, and move them toward God. He gets the message across, but some of the songs are just over produced. 6/10. (May 2010)
TOBY MAC : Moving Pictures. (Forefront : 5099964206394)
This is a collection of all of Toby Mac's music video's culled from his four successful solo albums. There's a mix of concert footage and staged theatricals, but it was the former that impressed me most. I've neve3r been the biggest Toby Mac fan, but this DVD certainly made me sit up and take note. 'Tonight' opens proceedings, and it's a mixture of the concert footage and the man himself riding a motorbike. It's quite a rock inspired song, and I liked it a lot. There's more RnB to 'Lose My soul' - a song about the trappings of the material world. The live concert experience must have been something special because the thrill of it really does come over on the film. Toby really rocks it up Linkin Park style on songs like 'The Slam' and 'Extreme Days' and it was these songs I liked the most. For fans, it's a must buy. 8/10 (February 2011)
This remix release features fan favourites including his latest RIAA Gold Certified single “I just need U.,” “Everything” & “The Elements.” Multiple producers and artists joined TobyMac to reinvent songs from his latest smash LP The Elements. The eclectic group of guest artists includes Bart Millard (of MercyMe), Crowder, Cory Asbury, Jordan Feliz, Matt Maher & Terrian, LEDGER, Jonathan McReynolds, Aaron Cole, Sarah Reeves and Cochran & Co. Now, I didn’t hear the original album, so I can’t compare the two. However, these remixes include rap, RnB, and pop traits within. Regular readers will know that I’m not a rap fan, but I did like “The Elements.” It’s a song about fighting against today’s material world, and the lyrics plainly tell the listener that God’s world is the only way. The song has been remixed by Neon Feather (Ben Thompson) who is a producer & programmer who has previously remixed for artists like Jordan Feliz and Britt Nicole. “Overflow” is an okay song, but it’s “See the Light” that stands out for me. “It might feel like an uphill climb, always some kind of battle; But you’ve got more than you on your side.” The words tell the story but it’s the triumphant chorus that declares “We’re gonna see the light.” A terrific song featuring Jordan Feliz and Ruslan Odnoralov. There’s a definite Feliz feel to the next song too. “Everything” (remixed by Capital Kings) sounds as if it’s come straight from Jordan himself. Mid-album, I thought that the songs were quite bland, but another Neon Feather remix, “Scars,” lifted my spirits. As a standalone album, this is quite passable, but not startling. Probably one for the fans. 6/10. (September 2019)
TOBY MAC : Life After Death. (Capitol CMG).
First I must copy the comments from his website to put context to the album. “As a long-standing staple in the Christian music industry since for over 30 years and recovering from the tragic loss of his firstborn son in late 2019, TobyMac’s eighth full-length studio album shares a story that has built anticipation for several reasons. The album encapsulates the entire two-and-a-half-year journey from Truett’s passing to the release of Life After Death” I really didn’t know what to expect from this album, especially the subject with other events here in the UK. Truett’s death (Toby’s son) was due to an accidental overdose, a 21 year old. As a parent where do you go with this? Singer/rapper Tobymac went to his Lord and, of course, God was waiting. Track 1 & 2 let you know ‘Help is on the way’ and ‘The Goodness’. Both arepositive reactions to Gods presence in the circumstances. The goodness is such a good song a bit of jazz and blues mixed with regular rap backing featuring anthemic powerful backing vocals. Love the sentiment and the song construction. ‘Deeper’ has a nice line in it: “Deeper, I’m getting tired of the surface.” I love that line. ‘Show up choose love’ is another upbeat song with a gospel feel. Very listenable which draws you into the lyrics. I noticed in the running list that ‘Promised Land’ featured Sheryl Crow and I looked forward with anticipation to this. The overall sound is fantastic, a duet. And, then, Sheryl lifts it to another level, on this country rock song with a crossover beat. It’s the best track yet and I am enjoying this album! The first sad song on the album is ‘Everything about you.’ The song in context is a parents love pouring out for the loss of a child, I miss everything about you. As with everything on the album so far, the production and instrumentation is really good and this track is a reflective viewing, with an acceptance through time, of the tragic loss suffered. You do hear the hope in the vocals particularly in the next song. It would be human to question God in these circumstances yet the trust and commitment to God seems to strengthen the artist. ‘Faithfully’ confirms this. The album continues with ‘21 years,’ ‘I’m sorry (a Lament) and Rest’. Reflections and grateful thanks for a life lived and a God who knows what He is doing. A very touching recording I feel blessed to have heard. Tobymac is a singer/rapper and honestly it is not a musical direction I would normally listen to. So, Toby, I can only say thank you for sharing this. I hope your message is what I heard and my comments respectful to you and your family. Noel Donaldson 10/10 (October 2022)
TODD AGNEW : Reflection of Something. (Ardent : 252627)
Todd Agnew is a new name to me, but what do I know? - evidently his debut album 'Grace Like Rain' has flown off the shelves since its release in the US last year, and this is the follow-up. Memphis-based Todd has a gruff, rock voice - a sort of cross between Chris Rea and Brad Roberts (lead singer and genius behind the Crash Test Dummies). Here we have an album full of overtly Christian lyrics, with the title taken from the first track 'Something beautiful' - pure 'distorted guitar-driven' rock. 'New name' follows - distorted guitars again, medium paced blues rock. 'Blood on my hands' is slow contemporary pop featuring acoustic and electric guitars, and strings. The stand-out track for me is 'Always there', although there are several very strong ones, including 'Unchanging One', 'Isaiah 6', and 'Fullness Found' - and in fact there isn't a duff one. A pity then that overall, the sound is well over-compressed. And incidentally, don't expect only the 12 tracks listed on the sleeve - or the 15 that your CD player displays! Tracks 13 and 14 are each 30 seconds of silence and there then follows a 'bonus track' of the hymn 'When peace like a river' - almost 8 minutes as it's never been heard before! Confusing, but a tremendous closer. For more info, try www.toddagnew.com and www.musichristian.com. 9/10 Dave Deeks. (November 2005, Album of the Month)
TODD AGNEW : 'From Grace to Glory - the music of Todd Agnew. (Provident : B06Y35Q7NG)
I am getting used to the fact that my advancing age makes time pass ever faster - but I was still amazed to discover that it is almost twelve years since I favourably reviewed Memphis-based Todd Agnew's debut album 'Grace like rain'. Since then I have somehow lost touch with his progress, but here we are seven albums later with Todd said to be 'still focused on ministry, using his music to proclaim the gospel'. In the original review I described Todd's voice as a sort of cross between Chris Rea and Brad Roberts (of Crash Test Dummies fame). If anything, the most recently recorded tracks show that it has become even gruffer with the years - but he does a great falsetto that he really should use more! This compendium of new and old tracks begins with one of the best tracks 'Glory to our great redeemer' and ends with the excellent title track of his original very successful album. 'Our great God' is shared with Rebecca James and has a great chorus. 'His eye is on the sparrow' is a particularly strong track with an excellent riff that develops into a bluesy groove at the end - again shared vocally, but with a brilliant singer whose name we don't get to know. There is wide variety here, from quietly reflective to a full-on cover of U2's 'When love comes to town'(!) and from fully produced to the odd demo - and to an extent, the album suffers from this variety. For me, the first six tracks are excellent but I found myself losing interest in some after that - and I can't help wondering if twelve good ones may have been better than the full sixteen on offer. Regrettably, music lovers listening through good headphones or sound systems will find that sound quality varies from passable to poorer than that. A fascinating 'catch up' on Todd's ministry however - there is some very enjoyable music here. 8/10 Dave Deeks (August 2017)
UK artists, Tom & Melissa have releasedtheir first, full-length album. It starts with ‘Face to face,’ a track which has Carpenters style stacked harmonies. It appears to be a love song, searching for the garden of Eden and that original walk with God. I wasn’t overly enamoured by this track, as I couldn’t understand the context. ‘Watchmen’ is a more upbeat song. And, although the language used is largely ‘King James Bible English’ I thought that 21st century, modern phrases would be better. Also, the diction misses occasionally during the song – “Blessed be the name of the lor” sticks in my memory for one. But, the arrangement is great, nice use of guitars, plus those stacked harmonies which I liked. ‘The Woman and the Dragon’ is a folk rock number, warning for end times. A nice violin and mandolin sounds are included here. ‘Road to Zion’ continues the theme, and sounds quite cheerful. ‘Whole Again’ reminded me of Keith Green, while ‘Down in Hinnom,’ is based on Joshua 15:8, a call to repentance. My favourite song on the album was ‘A Thousand Years.’ “I could sing of your love for a thousand years; And I could sing for ten thousand more.” Yes, there’s flavours of the Matt Redmond (10,000 Reasons) song and also Delirious’ ‘I Could sing of your love forever.’ But this track stands up well in its own right favourite. There’s some good chord changes in the rock ballad ‘Ride.’ Indeed, I wouldn’t mind playing this one myself, even if I was disappointed by the lack of a guitar sol. Finally there’s ‘Beloved Prodigal.’ If the lyrics are aimed at ‘churched’ people, then they’re fine. But, anyone outside the church would wonder what some of the phrases refer to. For example, if I said to my daughter “Come, beloved daughter of my heart,” she would probably wonder what was going on? Personally, I wasn’t quite sure about the use of old English, from time to time. However, I did like ‘Beloved Prodigal. In fact, the final 4 songs for me are the best on the album and I actually ended up liking the overall sound. 7/10. Noel Donaldson. (August 2021)
TOM + OLLY : Tom + Olly. (Elevation : ICC1274D)
Tom Logan and Olly Purchase hail from Brighton in the UK. Their hip hop style has been likened, of course, to that of The Streets but for us older music fans, there's a little bit of John Ottaway madness there too. The songs are often difficult to understand, but I am assured that they do have a Christian message! I liked the infectious chorus of 'Little Things' but thought that 'Trouble' disintegrated into an intelligible noise and a waste of precious recording time. 'Love at the Disco' moves along at a fast pace in a sort of US punk style, but I have no idea what the song is about. "The sun is smiling but I don't feel like smiling today", is the hook line from 'Sun is Shining', and I guess that it's just the way the lads feel when they've got out of bed the wrong side. 'Paint a Smile' is 70 seconds of acoustic sweetness, while 'Jamie', 'City Stars', 'Falling' and 'The Beginning' does show more depth in their writing. Not really sure what to make of this duo. Only time will tell if the world is ready for Tom + Olly. 5/10 (August 2009)
I first came across Tom Bonard in 2016, as the lead singer of the band Crossbeam. Their 2Cd & 1 DVD release “Live in Jersey” was a fantastic package. Like many artists over the last year or so, this album came to fruition during the first UK Covid Lockdown. Whereas the Crossbeam release featured a rock sound, the opening track on this solo album has a definite 80’s vibe. The song is about not dwelling on what is past, and the sound is very smooth. The following “Best of It” has more of a driving beat, with some great incidental keyboard sounds. On the worship ballad, “I Surrender,” there’s a more than a passing nod to the Duran Duran sound of the “Ordinary World” era. That aside, the song is one of the strongest on the album, in its own right. The acoustic led “Can’t Wait” shows another side to Tom’s music. At this point, I wasn’t sure if the differing styles were having a positive or negative effect on my listening? Indeed, the song gets a metal reprise later on, complete with searing guitar licks. A big plus on the album was the vocal mix throughout. Tom has a great delivery, and I’m pleased to say that I had no trouble hearing any of the lyrics. “In the Silence” harks back to those halcyon electronic days, but I wasn’t so keen on “We Do Not Stand Alone.” Another rock ballad, the song did seem to drag a little. Closing the album are alternate versions of “I Surrender” (Harmony Mix) and “In the Silence.” Both differ enough from the originals to justify their inclusion, and are very nice, too. So, yes, the running order does sound a little disjointed, given the various, musical, styles. But, at the end of the day, here’s another independent artist who has delivered a very good release. 8/10. (July 2021)
TOM READ : Compass. (Kingsway : KWCD3320).
If you’ve not heard of Tom Read before, it’s probably because he’s been living in Hong Kong for a number of years, and playing as part of The Vine worship band. This debut solo album was recorded in the UK and features 10 songs. I played the album through once, then for a second time, and not one song could I recall as being memorable. Subsequent plays helped but I was left with a feeling of disappointment of the album as a whole. There’s a Matt Redman feel about ‘Over All’ but it’s not a particularly strong number. One song that did become more enjoyable with plays was ‘From Ashes To Beauty’, a song about the spirit of God. ‘Come’ is a bright little number, co-written with Trevor Su, while ‘Broken Hearts Can Sing’ has a nice acoustic feel to it. The closing ‘You Walk Me Out’ is a lengthy track that just seems to amble along without any real destination, and I found myself reaching for the “skip” track button each time I played it. As always, lyrics wise, there’s nothing to complain to about. Tom certainly doesn’t have a problem there, but I was just rather disillusioned by the finished product. 4/10. (January 2013)
It’s been a 5 year wait, but UK based worship leader Tom Read returns with new single ‘Dead Things To Life’ taken from the upcoming Lament EP. Moving from Hong Kong and settling in the UK, Tom has become part of St. Aldates Church, Oxford. In the years since his chart topping 2013 worship album Compass Tom has worked extensively in the secular music market- becoming an in demand song-writer and producer whilst releasing his own music with the CHARIOTS project. This single opens with the lines; “Though I have nothing, my life is an offering. I lay me down.” As the song opens, Tom’s vocals are quiet and gentle. But, like a flower, it blooms as it grows. Musical backing is sparse, at first, but it, too, reaches a crescendo. “Dead Things to Life” was written after the miraculous birth of a friend’s child- a baby that stunned medical professionals who had earlier advised termination during the pregnancy. Tom reflects- “This song is a prayer for those times when it seems hopeless in the world's eyes - a prayer that God would breathe his life on us”. I await the album with interest. 8/10. (May 2018)
TOM READ : Borderless. (Bespoke Records)
“This song is a protest against tribalism, and those that would seek to divide us up” Tom reflects, “What if we choose not to accept those borders and the walls that have been put up between us. Whether you take these words literally or figuratively, I believe that our hope can be found in unity.” Listening, the song definitely gets the message across. While it was playing, my friend said; “Is that Damien Rice?” The more I thought about it, the more I agreed that there was a certain similarity. A nice refrain, mid-track, is good, and I think this is the best thing I’ve heard from Tom. I look forward to hearing the forthcoming “Reorient” EP. 7/10. (November 2019)
TOM READ : Falling. (Bespoke Records)
“Falling” is the 3rd single from Tom, with Bespoke Records. I instantly liked the atmospheric backing, and Tom’s voice fits perfectly. “Your love is where you find me deep into your heart I’m falling.” In style, I thought there was an Ian Yates sound going on – and that’s no bad thing. I think that this is the best song I’ve heard from Tom. 9/10. (February 2020)
TOM READ : Stabal Session Live. (Bespoke Records/Stabal Music)
Oxford-based Tom Read is a singer-songwriter and producer “who has written and collaborated with western and Asian artists, as well as performing and releasing his own music”. Following Tom's last full length release 'Compass' and two EPs, 'Stabal Session' is a seven track live project. Described as a “‘warts and all’ capture of what happened on the night”, the short opener entitled '__restore__' features repeats of the phrase “You restore my soul” and gets things off to a rousing start. Medium paced 'Masks' follows (“no pretending”), a strong song with an earworm chorus. As things continue it is evident that Tom is a capable rock/pop vocalist backed by well sorted musicians, and production and arrangements are to a high standard – appreciated by a small (Covid19 related?!) but enthusiastic audience. Slow ballad 'Dead things to life' (“out of the ruins you're making me whole”) is possibly my standout, being beautifully delivered and building effectively before falling away at the end. The upbeat 'Borderless' (“borderless, breaking down barriers, nothing's going to keep me in, or keep out”). The similarly paced 'Falling' is followed by 'Gravity' (“there's a gravity to Your grace”), and then the slow and lyrically powerful 'We're only human' ends the set. It may be just me, but I found both of these last two songs somewhat disjointed – each sounding like two songs joined together? Overall however, I enjoyed this release and am happy to give it 8/10. Dave Deeks. (January 2021)
TOM SMITH : Everyday. ( Integrity Music)
This is a six track EP, and is Tom's first EP for integrity, but he was featured on last years Soul Survivor album "The Promise". The EP starts with a fairly straightforward pop song called "You in my life". it's quite a catchy tune, and bounces along quite pleasantly. This is followed by more of the same in "1000 years" before the title track, which is a kind of power ballad type worship song, this is followed by "Jesus I love you", which is another slower worship song. The EP concludes with an acoustic song called "Obey", which takes a different direction in style completely, using just a single acoustic guitar, and vocals. This is easily the most intimate song here, and is the one that I liked the most. In fact I found the last four slower tracks to be much more listenable than the faster songs at the beginning, but this is just my personal preference, there is nothing particularly wrong with the faster songs, in fact all the songs have thoughtful lyrics, and are obviously coming from the heart. All in all this is a good collection of songs, and it will appeal to anyone who likes modern pop arrangements. Definitely worth a listen. 8/10. Andy Sayner. (August 2018)
TONEX & the Perculiar People. : Out the Box. (Zomba Recording Company : 8267 6537132)
I must admit at the start that I don't like dance music much,
but even so I tried my best to find something that I liked about
this CD. I have to say that I didn't succeed. The album is a live
double CD, and it starts with a cliche ridden introduction by
Yolanda Adams that is so over the top that it made me cringe before
the music even started. I'm sorry but I'm afraid that I have no
time at all for people who use language such as "Kicking
the devil's butt", It doesn't make me immediately think Wow!
these people have a lot of spiritual authority, which is unfortunate
considering the fairly aggresive style that this guy seems to
adopt while leading worship. After the intro there are several
tracks of stuttering loops and samples that jumped about so much
that they actually had me checking to see if the CD was faulty,
and finally we get to track four, when the first thing that could
be be recognised as an actual song starts. There is a choir featured
on a lot of the tracks but they seem to shout rather than sing,
and every so often there are samples of an American preacher screaming
at the top of his voice about various things that are wrong with
us. In fact apart from odd bits here and there the first disk
is just never ending noise from start to finish, and while the
second disk is a bit more restrained with some slower worship
songs, even this gets tedious very quickly as Tonex (Pronounced
Tonee or if you like toenail without the L at the end) won't let
the worship flow on it's own but keeps butting in with un-needed
encouragement to the audience who, to be fair, seem to be managing
ok on their own. In the end I was glad when this CD ended, I found
it to be extremely hard work to listen to. Perhaps it will appeal
to the American market. Personally I thought it was just too over
the top to bother with. 3/10 Andy Sayner (September 2004)
TONY COOKE & FRIENDS : The Love of Jesus. (CD. Details from: New Life Christian Centre, Bridlington Avenue, Hull, HU2 0DU)
Tony has been a tireless children's worker in the East Riding of Yorkshire for a
number of years and it is, therefore, a disappointment to hear this CD of
Children's Celebration Songs. There's 24 tracks here, mostly with primary school
children accompanying the singing. The result, sadly, is poor on what was,
surely, a good idea. As always, the lyrics are Biblically sound, but the
delivery and interpretation leaves a lot to be desired. "Do Not Be Anxious"
sounds like OMD from the early 80's but that's as good as it gets. "Ask, Seek,
Knock", "Oh Praise the Lord", the list of poor recording and production is just
third rate. Tony will doubt it as he reads this review, but I do love the guy
and his work. It's just a pity that a valuable ministry doesn't always make a
good CD. 1/10. (November 2003)
TONY CORNISH : First Heart. (Private Recording. CD £13 Cass £9 from: Broken Records, 6 Vicarage Road, Llangollen, Denbigshire, Wales, LL20 8HF).
Already likened in style to Phil & John, as well as Eden Burning,
Tony Cornish is another new name to the world of CCM. With 12
self-penned songs, he has released this delicious collection for
a wider audience. For starters, we have the poignant 'The First
Heart to Break', written after the Dunblane tragedy. Here, Tony
carefully puts into words the feelings of those who were hundreds
of miles away from the event, yet still grieved. The main course
is served by the extremely tasty, 'Upside Down'. You can really
get your teeth into the catchy hooks and the foot tapping beat.
After dabbling with some juicy jazz/blues mid-course, presnets
one of the best titles for a song I've heard in some time. 'Windy
Side of Your Welcome Mat' tells of his personal trust and thankfulness
of being IN God's house, rather than outside and open to the elements/temptations.
For desert, we're served up with the quite beautiful 'Oceans of
Forgivenss', a song of meditation that concludes with some prime
saxophone playing. With another batch of songs ready to record,
Tony must be careful if he is to live up to the standards he's
set with this one. 9/10. (January 1999)
TONY CORNISH : Sacrifice. (New Dawn Music : NDD006). £4.00 from: New Dawn Music, 1 Beech Close, Towcester, Northampton, England, NN12 6BL).
Things have certainly started to move for singer/songwriter Tony
Cornish, since the release of his debut album "First Heart".
After signing up with Brian Taylor's New Dawn Music, and gaining
support slots with the likes of Loose Goose, he's ready to release
his EP, "Sacrifice". Four tracks that show that he's
not a man to rest on his laurels, but to build on what he's already
achieved. The lyrics of "Honest Injun" asks for truth
and honesty from world leaders, and the sound is moving towards
that of The Waterboys. From there, we travel into Beautiful South
country, with a laid-back ballad that has some very good backing
vocals. "Swimming With the Dolphins" would be the obvious
track for single material, with it's quiet verse, pressure building
middle eight, and distorted guitar chorus. Great song. It's the
title track that finishes things off and, after it's predecessor,
isn't as strong. However, I think that both new and old fans will
enjoy this release. 8/10. (June 1999)
TONY WILLIS : Rivers of Grace. (£7.99 from www.innocent-records.co.uk)
Tony Willis is a worship leader in Acton, London, and has released
this collection of worship songs that reflect on his personal
discovery that God is "more willing to give, than he (Tony)
is to receive". Not sure of the reason, but the lead vocals
aretaken by Fraser McDermott, while Tony supplies some backing,
plus most of the instrumentation. "For Your Prayers"
opens things up and it's an uptempo song that you can imagine
one of the bigger names in worship performing. The title track
is just contemporary worship at it's best and would go down a
storm at worship events. "Thank You For the Cross" and
"You Died For Me" are really poignant reflections, were
Fraser's vocals are really in their element. As I've recently
settled at a new church, I've re-discovered some of the more simple
truths of god, and albums such as this one have been a boom. Not
sure of Tony's influences but I swear there's a hint of U2 guitar
in "I Worship You". For a new name to the worship circuit,
Tony Willis has produced a good album. 9/10. (July 2003)
Tori is a Christian artist based in Nashville. She says; “Like a lot of artists I started doing church musicals at a very early age. There are two songs on this release, including the title track. With just a piano backing, the track opens gently, before the music is joined by some string sounds. As it does, Tori’s voice lifts to new heights as she sings; “I need to hide away in you; My shelter, my anchor, my Jesus.” The second track is called ‘Fall Afresh,’ were Tori’s voice is quite dusky in comparison to track one. The theme is for the Spirit of the living God to fall afresh on me (Tori). It’s really sung as a prayer, and is quite delightful. Hopefully, there’ll be more from Tori in the future. 8/10. (January 2024)
This is the first album by a new band but with a decent pedigree. The Haynes brothers at the heart of the band previously comprised XD Out but due to an evolution in their sound have decided to change name. The music has indeed evolved, getting a bit gentler in tone and melody, but still with the complexity I previously enjoyed. It the metal riffs (bordering on the funky at times) which morph into guitar figures, prog-style picking, good strong vocal with singable choruses and solos that are melodic as well as powerful. There was more than a hint of Faith No More in there too (the intro to “Breathe” being a good example), but overall the sound is lighter than their previous incarnation – “On Our Way” is almost 60s Californian pop in feel (albeit with modern production and tones) – I especially liked the solo on this one. There seems to be more emphasis on the vocals as well, which is amply demonstrated by the two covers on the album: The Beatles’ “The Word” and Tom Petty’s “I Won’t Back Down” (which displayed some magnificent harmonies and interestingly also turned up on another album I reviewed recently by Johnnyswim and Drew Holcomb & The Neighbors – 2 quite different versions). The punchy riffs of “The Fight” are possibly the strongest link to their previous material but overall they do, indeed, seem to have evolved. The album closes with a tribute to their father who passed away in 2013. It’s poignant and well done without being cloying or maudlin and contains a really good arrangement as it builds towards its crescendo. A very good album – it will be interesting to see where their development takes them next. Best track: Hope. 7/10. Paul Ganney. (November 2019)
Torn Sky scored a creditable 7/10 when NFN reviewed their self-titled album in 2019. The band consists of brothers Chris and Josh Haynes who, have been making music for the better part of 20 years, previously under the name XD Out. A chugging rhythms opens the song, with quiet vocals from Chris. Suddenly, distorted guitars crash in, and the vocals increase in both power and volume. It’s rock meet metal, and reminded me of bands like Red and, the recently reviewed, 32AD. Lyrically, the song talks of the future and the return of Christ. There’s a reminder, too, that the Lord is with us, even in our darkest times. Overall, this song is very well put together, ahead of their duo’s forthcoming album. 7/10. (May 2022)
Chris and Josh Haynes are the brothers behind Torn Sky, and have been making music for the better part of 20 years. This is their latest single which is inspired by the Psalms, and a warning to "Wicked", which might be different than we would conventionally think. It speaks to the condition of our hearts, and our trust in the Lord! Pounding drums and distorted guitars greet the listener, before the vocals kick in. “You give your mouth to evil; You hate, throw My Words away; You better listen up, I’m talking to you; I didn’t make it up, it’s Reality.”The track fairly motors along as the song’s verses take the shape of a biblical message. Just when I thought a guitar solo would suit, one pops up, however short! I likened the duo’s music to Red on a pervious review, and I still stand by that opinion. This track is a little heavier than what I’ve heard before, but I was still impressed. 8/10. (October 2023)
TORONTO AIRPORT CHRISTIAN FELLOWSHIP : Catch the Fire 6 - In Majesty He Rides. (Kingsway : KMCD2250)
This church is known for the 'Toronto Blessing' and has held continuous
nightly revival meetings since January 1994. "Catch the Fire"
is an event where leaders have come from around the world and
been empowered and refreshed by the Holy Spirit. I have to admit
6that this is the first album I have listened to from the fellowship,
and I am quite impressed. There is a good selection of songs,
both traditional and modern, by the likes of Noel Richards, Stuart
Townend, Martin smith etc. Robert Critchely and Jeremy Sinnett
are the worship leaders on this release and they write my favourite
songs. "I Will See Ya" (Sinnett) is a quiet, contemplative
song, while the title track (Critchely) is a powerful praise number.
"In His Majesty He Rides" is a good compilation, catching
some of my own favourite songs. The quality of the singing and
music is excellent and captures what must have been a spirit filled
event. I can only wish that I had been there! 9/10. Pam Robinson. (June 2000)
TORONTO AIRPORT CHRISTIAN FELLOWSHIP : Praise the Mighty Name of Jesus. (Kingsway : KMCD2367)
Featuring senior worship leader Robert Critchley and Jeremy Sinnott
this album comes live from the "Catch the Fire" conference.
Attracting worship leaders from around the world, who wish to
be empowered by the Holy Spirit, the refreshing is often carried
home to bless their own church, city and nation. This collection
of songs isn't quite as good as the previous ones in my opinion,
although I was drawn to one of the male voices. No credits to
which of the leaders sing on which song but, the likes of "I'm
Making Melody" and "Do You Love To Praise the Lord?"
are very powerful indeed. I also liked the old fashioned folky
sound of "There is a Song" which, although 8 minutes
in length, is very thoughtfully delivered. Some songs became much
of a muchness for me and I found some songs rather tedious. "My
Troubled Soul", however, doesn't come into that category
as this big worship number draws the listener instantly into some
great time of worship. As I say, not quite as good as the previous
releases in the series but worth a listen. 6/10.
(February 2002)
Hertfordshire-based Tosé is on her way to becoming a voice to be reckoned with as one of those vocal power-houses championing Contemporary Worship in the UK. Her artistry has been described as a fusion between the energetic on-stage persona of Yolanda Adams and the powerful, passionate vocal renditions of Kim Walker-Smith of Jesus Culture. This 5 track EP was released a couple of weeks ago, and begins with the catchy, reggae feel of “Cast All My Cares.” There’s a definite leaning towards the American influenced “Free to Worship”, where Tose reminded me of Yolanda Adams, in presentation. On the medium paced “Great Love”, I thought that her vocals became a lot warmer, especially when she sings; “We stand in awe of your great love.” Listening to the songs, I got a great sense of how wonderful they would be to hear them sung live, and I guess plus points must be scored by the production team on this recording. “I Don’t Know” centres around what life would be like without God at the centre of it. In fact, life would be so empty! The song itself is an RnB ballad and would be my choice for airplay. Finally, Tose gives her everything, vocally on “You Are My God.” Lung bursting power is matched by gentleness as she celebrates a loving relationship with her heavenly Father. Having recently reached the finals of the Open Mic UK singing competition held at the NEC Birmingham, these songs only enhance Tose’s growing reputation. 8/10. (May 2016)
After taking two years out following the release of her debut EP to focus on her family, London singer / songwriter TOSE returns with a new sound and official video. The heart-felt ‘Broken People’ talks about different types of broken people and how we all need God in every aspect of lives. The song gives hope and reassurance to not give up and that in some way or form we’re all broken without God. It all begins with a lovely piano intro, and Tose’s gentle vocals caress each word. Then, as the song opens up, her voice simply soars to give an excellent vocal performance. Style-wise, the song reminded me a little of Gabrielle, with a pop feel. “At the end of the day, we are Broken people in need of a saviour.” The message is so true, and the song is a little masterpiece. 10/10. (September 2018)
Tosin is a gospel singer, originally from Nigeria, but now residing in the UK. Of this release, she says; “The world has never needed the kingdom of God to come like we do right now. And now is the time for those who proclaim the name of the LORD to take their stand, push back the darkness and make it a fact that the kingdoms of this world is become the kingdom of our LORD and of His Christ, and He reigns forever” The opening ‘We Will’ is a bright and breezy number that rejoices in knowing God in her life. The uptempo beat continues with ‘Greater,’ before things slow down with ‘Alpha and Omega.’ On this song, Tosin is joined by some nice backing vocals. My only negative point here is that she sings a few words in a dialect that I was unable to decipher. Many have put the words to the Lord’s Prayer to music, and Tosin does an admirable job with her version. I really liked the ‘Love Is (H&h Remix).’ Again, we have laid back, reggae sound with the singer joined by Deacon Judah celebrating the power of love. At times, Tosin’s vocals aren’t quite pitched right, but maybe I’m being too picky. The overall theme of the album shines through, and I think that Tosin’s songwriting reflects exactly what she set out to do. 7/10. (January 2022)
Hailing from Anambra State, Uchenna Udoye Ogalue popularly called Touch, is a prolific businesswoman, songwriter, and event anchor who specializes in motivating people and lifting spirits up. “My Everything” is her first single which was “born out of pure awe at the magnificence of God. How He fixes everything in life and does it with splendid precision and timing” The song is one of those simple sounding praise numbers, with light percussion and instrumentation. After a nervy start, Touch becomes more confident in her vocals, as the song progresses. The odd sounding, bass, backing vocals don’t quite sit right ibn the production – which detracts from the main melody. Overall, there’s the basis of a good song there. It just needs a little more polish. 5/10. (December 2020)
TRACEY HARRIS : Keep on Believin'. (Pamplin : PMCD9603)
"I want to cross barriers", says Tracey. "I think
that the music and production of this album are strong and mainstream
enough to catch the ears of people who don't usually listen to
Christian music." Personally, I'm not so sure. At her best,
Oregon born Tracey sounds like Ce Ce Winans, particularly on the
excellent 'Dancin' in the Son'. This song is so smooth, so catchy,
and just head and shoulders above any over track featured. The
problem lies, I believe, with the tired feel of gospel jazz that
is the main style of the album. It's very much a case of one song
sounding the same as the next and, on the whole, not enough feeling
from the lady herself. 'Humbly Before You' would be worthy of
air play but as for the rest......3/10. (January 1998)
TRACY TOLOTA & BUMIE ASUQUO : Lord You Are Good. (1239280 Records DK)
International Act and recording Gospel Music Minister, Tracy Tolota dishes out her long awaited worship duel “Lord You God Good” in collaboration with another international powerhouse BUMIE ASUQUO. With a lovely choir backing the two main singers, this gospel song swings along nicely. Brass led music offers the perfect backdrop to the vocals which offer ad-lib raise without the customary hollering that I personally find annoying. “He’s a faithful God; He’s a mighty God.” And,who can argue with that? This is one of the best gospel singles I’ve heard for a long time. 8/10. (June 2019)
TRAVIS COTTRELL : Unashamed Love. ((Hosanna! Music : 26662)
Travis Cottrell is an experienced worship leader with a warm,
all encompassing style, according to the sleeve notes on the cd.
Not an easy thing to achieve and I speak from experience, so I
was hoping this would make for an interesting listen. To be honest,
I've been a little disappointed; whilst you cannot doubt the technical
ability of Travis and his band, or the anointing of their ministry,
there is little of any real originality here to perhaps warrant
such a high profile. There are one or two good songs, notably
"Better Than Life" and the title track, but on the whole,
most of them are just a little bland. In this sense it, probably
does achieve it's purpose; there is nothing on here that would
cause offence and therefore, in a live setting, it should appeal
to a broad spectrum of worshippers. But the trouble is, as a recording,
this type of album is ten-a-penny. I just know this will go in
my collection and will probably never see the light of day again!
Fine if you want a run of the mill worship album, but for me it's
very American and very middle of the road, and therefore gets
a very middling 5/10. Robin Thompson (October 2003)
TRAVIS GREENE : Broken Record. (RCA Inspiration)
Grammy and Stellar Award Winner Travis Greene is back with his brand new album “Broken Record.” What a title! This album is definitely not broken. A mixture of studio and live recordings, this is a tremendous release. There isn’t one song that dips in quality, in my opinion. From the opening “The Breaker,” with its orchestral backing, to the closing, acoustic “Broken Vessels,” I was enthralled by the music, lyrics and masterful vocals. I had to replay “Great Jehovah” immediately after its first play. Travis almost moves into Celtic jig territory, with a tune that is so infectious. The following duet with Steffany Gretzinger is pure magic. “Good & Loved” is all about being covered by the blood of Jesus, and the couple’s vocal performance is quite stunning. Guest artists appear on the stripped back “Respond,” while a choir work with Travis on the terrific “All Things New.” As each song ended, I was waiting, eagerly, for the next one to begin. I could write about each track, but “No-one Else” and “Loved By You” deserve special mentions. I’ve waited to receive this album for a number of weeks, but the wait has been well worth it! 10/10. (April 2020, Record of the Month)
TRAVIS MALLOY : The Manifestation. (Malloy Entertainment)
This eagerly awaited album is poised to be a beacon of inspiration, encouraging listeners to dream while imparting the transformative power of words, thoughts, feelings, and the divine influence of faith. Travis Malloy's stellar career has earned him the prestigious ASCAP Award and a Grammy nomination, establishing him as a luminary in music. The opening ‘I Ain’t Going Nowhere’ is a fine, radio friendly song in a light RnB style. ‘Sweet Name’ celebrates the name of Jesus, while ‘Without You’ tells of the harsh reality of the break-up of a family unit. The quality of the songs, on the whole, is very good. Various guest artists appear rom ime to time, including Fred Hammond, John P Kee, and Vanessa Bell Armstrong on the uptempo ‘Work in Your Favour.’ I’ve got to admit that RnB isn’t one of my personal favourite genres, but I did quite enjoy Travis’ music. ‘Total Praise’ was a bit of a dirge, but songs like ‘Showed Up For Me’ and ‘Everytime’ were very listenable. As a result, my first taste of Travis Malloy’s music was very favourable. 8/10. (January 2024)
TRAVIS RYAN : Fearless. (Integrity : 00076850642)
This is a no nonsense collection of rock worship songs, dealing with several issues that confront most of us at some point in life. The theme of the album is mainly around the fact that perfect love casts out fear, and on his website Travis says that the whole album is really a prayer that the church would live out 1 John 4:18. The opening track gets off to a powerful start with the intro to the first track "Love That Has Won". Which is about the battle being already won before we fight it. There is a really good track called "Jesus Precious Jesus, which is a simple worship song that could easily be used in any church worship time. "Awaken Us" has a very U2 like guitar riff running through it. This CD is a real change from the endless repeats of the usual songs, which seem to make up most worship CD's these days. It is very well written, well recorded, and played with great sensitivity throughout. There aren't many worship albums that I'd give anything like full marks, this one though deserves in my opinion more than ten points. It really is that good. You need to buy it. 10/10. Andy Sayner. (December 2012)
TRAVIS RYAN : Until My Voice is Gone. (Integrity : B01FGDIJT4)
Travis Ryan is known by the US public as a multi-dove nominated, and recognized #1 hit-songwriter. But to those close to him, he is known as a servant-hearted worshipper of God who fiercely champions the Church, and who has led worship for more than a decade. This predominantly live album will introduce him to a wider UK audience, and fans of Jesus Culture music will enjoy this. Most of the tracks are quite lengthy, and those gathered seem to be well versed in the lyrics. “Holy Spirit Come” begins rather softly, before exploding into life mid-song. The album’s title track sounds triumphant, while “The Cross Was Meant for Me” is one of those songs that was just made for worship. Travis’ vocals reminded me, at times, of a young Neil Diamond, and are very strong throughout. The musicians, too, are very good, and are the driving force on “Soul On Fire.” The “Goodness of the Lord” [“never fails me. It overwhelms me, and is always true.”] is another cracking song, as is “We Believe” – were Travis gives his take on The Creed. For me, there’s a number of times that the production seems to throw in every instrument under the sun into the backing. For me, on “You Are Alone”, gets rather cluttered with the overall sound. There’s no denying that Travis is an excellent song writer and he has put together some very powerful songs for this release. I’m sure that we’re going to hear a lot more of him in the future. 8/10. (September 2016)
TRAVIS TRITT : Country Chapel. (New Beginnings Record Company)
Multi-award-winning artist Travis Tritt has released his long-awaited debut Gospel project, Country Chapel, beckoning listeners on a nostalgic voyage into the depths of his childhood roots. The heartfelt album captures audiences with its genuine renditions and powerful testimonies of redemption, paying tribute to Tritt’s formative years within the warm embrace of the Country Chapel. Instantly grabbing my attention was the foot tappin’ guitar boogie number called ‘When God Dips His Love In My Heart.’ Listening, you can’t help joining in. On ‘Mama Used to Pray For Me’ there’s some nice harmonica playing, the slow moving ‘In the Valley’ benefits from some touching slide guitar. The bluesy ‘Like the Father Loves His Son’ left me cold, and I much preferred the uptempo beat of ‘Uncloudy Day,’ complete with its honky tonk piano solo! With countless mainstream hit albums behind him, there’s no questioning Tritt’s vocals. They’re spot on throughout. There’s a thoughtful theme to ‘Nobody’s Fault But Mine.’ He sings “If I die and my soul be lost; it’s nobody’s fault but mine.” There’s a celebratory feel to ‘The Baptism of Jesse Taylor,’ that reminded me of Kenny Rogers’ ‘Coward of the County’ in story telling style. Closing the album comes ‘Why Me’ and ‘Little Country Chapel.’ The former is a look back at his life and thanking God for His love. The title track has a similar theme with a slow moving tune. The album is a competent release, and I’d expect no less from an artist of Travis’ calibre. A must for country fans. 7/10. (November 2023)
TREE : 63. (Soul Survivor : SURCD037)
Is it just me, or are we getting a whole host of excellent releases
at the moment. Following their UK debut last summer, South Africa's,
Tree present 14 brand new songs. Opening with the U2 sounding
"101", it's easy to see just why the band are proving
so popular. If the Police were together today then, surely, they
would sound like this. The distinctive vocals, the thumping bass
and clever guitars all add up to a great sound. "Sacrifice"
tells of the sacrifice that Jesus paid for us, and it really is
a moving song. The softer, infectious, tones of "Fisherman"
blends in well with the wide range of tempo elsewhere, such as
the most excellent "Earnestly, Earnestly". Throughout,
"63" is an album that will keep your attention - even
if it was to turn down the one blemish ("Scary") on
an otherwise "must buy" album. 9/10. (October 1999)
I didn’t hear Trefor’s 2007 release, ‘Fairweather’ but, apparently, it received critical acclaim. For this album, Trefor has taken 11 of the Psalms and has placed them with inspired melodies from blues to folk on them. I wasn’t quite ready for the old fashioned, upempo gospel of ‘Seen You in the Sactuary’. It didn’t really impress me, although it was nice to hear the harmonica making a comeback. On ‘How Long Will You Forget Me?’, Terfor emerges with a Bono type vocal on an engaging song that sounds like a cross between U2 and Simple Minds. ‘Sing to the Lord’ swings along majestically, and I especially liked the use of the string pads within. Choosing to live in one of the UK’s largest council estates, Trefor works for the charity Criss Cross, which engages children and young people in learning about the Christian faith. I guess that his use of some of these songs will be an excellent tool in communicating some of those relevant Bible stories. I must admit not to liking Trefor’s growly vocals on the blues edged ‘He Has Done It’, but the Dylanesque style of ‘By the Rivers of Babylon’ was excellent. My favourite track comes very late in the track listing. ‘Refuge and Strength’ just has a certain quality that puts it head and shoulders above the rest. I’ve always been a lover of grassroots artists, and Trefor is a very welcome addition. 8/10 (March 2012)
tREmaINe has released this album on the usual download and streaming sites. She is is a talented singer-songwriter/producer who specialises in a unique brand of Gospel/Jazz/Soul music. Tremaine’s influences include Stevie Wonder, Marvin Gaye and Alicia Keys. This talented lady has also provided backing vocals for Beverley Knight, Mica Paris, and Peter Andre. So, how does this solo album stand up? Well, vocally, she’s definitely in the Beverley Knight territory. On the opening “Blessed” her vocals are sweet, on a song that is thankful to God for all that He has done in her life. “Renewed” swings along quite nicely, but I wasn’t so keen on “Driven.” This jazzy number left me quite cold, as tREmaINe’s voice battles against some very annoying music. “Jehovah Yahweh” features just vocals and percussion. The lyrics are praise orientated, and the song reminded me of the music I heard last year, coming out of Africa. I loved the simplicity of “Imparted Words.” Lovely vocals and only a piano for backing, make for a delicious offering. “God’s On Time” features some great brass sounds, before my favourite track is performed. “All Things Are Possible” has a light, pop feel with some lovely voices joining the lead vocals. TREmaINe must be congratulated on not just performing an album of songs that sound the same. The vocal talent is undeniable, and it will be interesting to see how she has progressed when she completes her new album “Something About Love.” 7/10. (April 2020)
TRENT VINEYARD : Unfailing Love. (Vineyard Records : 1280732)
Trent hail from the vineyard fellowship in Nottingham, where according to their website they've been leading worship together for about five years. This is their second CD, and a pretty good job they've made of it too. The music has a rocky edge to it, and is fairly heavily bass led, in fact there are hardly any guitar solos on this CD at all really. Generally the music reminded me of early U2 when they were playing things like "New Years Day" Which is a long time ago to be honest, but I don't mean to suggest that this CD sounds dated at all, the lyrics are well written, and fairly down to earth and direct. There is a CD-ROM section on this CD too, which has
photos, chords/lyrics and some video. In fact the only bad thing about this whole album was the fact that I couldn't seem to play the actual album itself on the computer, just the enhanced bit. But other than that this is a good album. Definitely worth a listen. 9/10 Andy Sayner. (October 2006)
Trent 'Live - Burn Bright' (9Vineyard Records : ELE1462A)
Trent is the worship band for Trent Vineyard Church, based in Nottingham. Featuring songwriter and worship leader Nigel Briggs, previous releases have been albums 'Hold On' (2003) and 'Unfailing Love' (2006) and a five track limited edition EP 'Radio Everything' (2008). In February 2009 The Trent Vineyard Warehouse was the venue for Trent to record their latest project 'Burn Bright'. This is a live DVD and CD album featuring songs from their earlier releases, along with several new tracks. This latest release is an excellent package, very well produced. The dvd features slick editing and a wide range of camera angles, and both dvd and cd have good sound quality. The five band members are clearly well rehearsed, and there are some good songs here. I was reminded of the Casting Crowns dvd/cd that I reviewed favourably a year or so ago - i.e. professionally delivered rock worship presented by a band clearly doing it for Jesus, with a pitch-perfect lead singer and spot-on musicianship including a particularly good drummer, but in this case without the multi-media backdrop. The standout track for me is probably 'Perfect Sacrifice', but others that continued to sound especially strong after a few listenings were 'Jubilee', 'Now and ever', 'Love Divine', 'I will hold on', 'Walk humbly' and the closing 'bonus' acoustic track 'Journey home'. Dvd extras provide a 'behind the scenes' of rehearsals, a documentary about the Trent Vineyard community project 'The Arches', an interview with Trent Vineyard leaders John and Debbie Wright, and 'song teaches' for the songs 'Burn bright' and 'Perfect Sacrifice'. Be warned incidentally that the track numbering on the CD doesn't match what it says on the insert, which overlooks the short intro track so all track numbers are out by 1! 9/10 Dave Deeks (January 2010, Album of the Month)
TRENT : Llive at Spring Harvest' : (Elevation ELE1607D)
I first became belatedly acquainted with Trent when, back in December 2009, I reviewed their excellent live CD/DVD release 'Burn Bright'. The worship band for Trent Vineyard Church in Nottingham and featuring songwriter and worship leader Nigel Briggs, Trent are definitely one of the classier pop/rock bands on the ccm scene. Here we have their latest live offering - this time on CD only. Full lyrics are provided - always a plus point. Trent really are a great live band as a whole, but Nigel Briggs deserves special mention as a gifted songwriter and vocalist, and so does drummer Adam Blundy - together they do much to make Trent a cut above the average. I was disappointed that only four of the ten tracks are Trent originals - all familiar, but very strong. The others are also good and mostly well known worship songs, including ones by Matt Redman, but it was evident as I listened that Trent are most comfortable here with their own songs - these all feature the best arrangements, with more inventive drumming and better delivery and production than the others. One negative aspect regarding Nigel Briggs' singing became apparent as I listened however - his phrasing of the lyrics seems to slavishly follow the phrasing of the tune, rather than attempting to make sentences make sense - so we have for instance 'I will give .... You all my praise' instead of 'I will give You .... all my praise'. A small point, but irritating when you notice it and a shame as everything else is so good! A worthwhile release then as a reminder of Trent's contribution to Spring Harvest, although nothing new for Trent fans. 7/10 Dave Deeks (September 2011)
TRENT : All Things New. (Vineyard Records : VRUKCD32)
Trent consist of Nigel Briggs, Matt Loose, Phil Squires and Adam Blundy. Together, they make quite a joyful noise, with their take on contemporary praise and worship. The first track is quite surprise. It’s not your usual uptempo, exciting, guitar number, but a medium paced, classy song called ‘Glorify’. With Jesus as Lord, “I Will glorify your name”. Warm, inviting vocals, and great music. The title track sounds a like a Manic Street Preachers chorus, but with rather predictable lyrics about “You Make All Things New”. There’s a definite pop sound about ‘Good and Perfect Gift’, while ‘Lift Me Up’ has an 80’s electro sound to it, rather like A Flock of Seagulls. I thought that ‘I Give You My Heart’ was a terrific song, to stir the soul. It’s certainly one that I can see being sung in churches up and down the country. ‘Still Small Voice’ and ‘My Heart Burns’ are slower, meditative numbers, with the latter concentrating on Jesus, Holy Messiah. It’s great to hear a decent British band putting together a fine album like this. The only downside, for me, was the rather flat ‘One Desire’. Lacking any real direction, it fades into some lethargic, ethereal sounds, and drifts into silence. Otherwise, well done Trent! 9/10. (March 2015, Album of the Month)
TREVOR RANGER : Together as One. (Elevation : ELE1661D)
There has been a shift in worship music in recent years towards a more concert-type style that relies heavily on the overall sound and arrangement. As a worship leader this means you often have to work hard to make the melody work with a congregation, practically always have to change the key and need a very good rhythm section. If you're a basic bash and thrash guitarist, you struggle. It's always great therefore when you get an album full of songs that are designed to be sung by a congregation of whatever age, are pitched for such a purpose, and whose strength lies in their melodies not their arrangements. This is one such album. Okay, so it's a little bit variable. The bonus track for instance, “Every Second” features a children's choir, an exception which does not sit with the rest of the album. For the most part, the songs are uptempo and joyful, “The Heaven's Declare” being an excellent and probably the best example but others worthy of note are “Lean on the Lord” and “Together as One”. Trevor is the composer of these songs but not does not perform on the album – vocal duties are spread amongst three singers and the band is made of professional session musicians – Dan Wheeler on guitar being the most notable. The singers do a decent, if unremarkable job, but this sums up the whole album. It's an album of worship, not performance. It doesn't need great singers to make it work, which means it will work with people who aren't great singers – i.e. the majority of us. Lyrically it's pretty basic, but then it's all age worship so doesn't need to be anything complicated. Mind you, all ages usually means parents and pre-teens and they are the groups that will probably get the most out of this. 7/10 Robin Thompson. (December 2011)
THE TRIBE : Take Back the Beat. (Alliance : 1902219)
Here it is then, the first two tracks to be taken from the forthcoming
Tribe album. It may be an all new line-up but is there any difference
to the sound? Not much, if these tow songs are anything to go
by. Saying that, it's quality that counts and there's certainly
enough here to make you want to hear more. Hip hop's at the front
of what's happening and the title track gives the listener just
what they want. I preferred the more dancey "Shout It Out"
but, then, what do I know. The album is due for release on July
30th. we can only wait. (June 2001)
THE TRIBE : Take Back the Beat. (Alliance : 1902212)
So, with a brand new line up, THE TRIBE - as they are now known
- explode back onto the scene with "Take Back the Beat".
The whole album is a mix of hip hop and funky dance tunes, as
well as the obligatory ballad "Turn Around". This track
rates as high as anything UK popsters Westlife or A1 have done
and could really do well, chart wise, given the right push. The
hip hop tracks are my favourite - showing that I'm not such an
old man after all. "God Squad" and "Generation
Rising" are two prime examples of this type of music at it's
best, complete with attack minded vocals and great rhythms. On
the other hand, I can't say that I'm such a fan of the funkier
tunes. "Only You" and "God Made Me Funky"
just don't seem to work as well. The title track is more of the
biting sound we've come to know the Tribe for over the years and
"Fit to Burst" is another. It's still music with a message
for the youth of today and, in that quota, they've done it again.
However, revisiting the classic "Jumping in the House of
God" was a mistake - big time. Forget it people, the new
version is, as my daughter would say, "pants". 8/10. (September 2001)
TRIBUTE QUARTET : Always Grace. (Daywind Records)
Since 2006, multi-award winning and multi-Dove Award nominated recording artist Tribute Quartet has become one of the country's most dynamic, beloved and sought after male quartets in all of gospel music. Gary Casto, Josh Singletary, Gus Gaches and Ian Owens have proven to possess a combination of musical talent, warm and engaging personalities, and a focus that has kept them on the path to continued success since their inception. As with most groups of the same genre, these guys have terrific voices, whether tackling the uptempo ‘Halfway Up the Mountain’ or the gentle ‘Nobody’s Too Broken.’ I loved the 30s feel of ‘Three Little Words.’ Some lovely old fashioned orchestral backing to a song with “oh so smooth” vocals. Brilliant! Listening to these songs, you soon understand why Tribute Quartet are so popular. Sound-wise, they do mix things up. The pop sound of ‘Mercy’s Gonna Meet You There’ is in complete contrast to the slow worship of ‘Glory.’ Now, I’m always a sucker to some banjo playing, and I wasn’t disappointed by its use in the closing ‘Free Indeed.’ Ten tracks, and I really enjoyed this album. 9/10. (March 2023)
TRIP LEE : 20/20. (Infinity/Reach Records)
Trip Lee is a Philadelphia based Christian hip-hop artist who has recorded independently as well as being a founding member of the Reach Records collective 116 Clique. His first solo album was released in 2006 with this CD 20/20 being released in May 08 & performing very well in the i-Tunes music store. Initial impressions were positive with a very slick cover & innovative futuristic graphics. The intro "20/20" & the following "Superstar" reminded me very much of BandWithNoName in style with lots of pumping bass & synth backing. The remaining 13 tracks combine some more hardcore tunes such as "Behold The Spirit" with a few subtle numbers like "Cling To You". On the whole this CD is very typical of the genre which I personally find very hard to relate to in terms of the musical style and keeping up with the lyrics are trying to convey - the 2 elements sometimes just don't mix. You cannot fault the recording quality and die-hard hip-hop fans will probably lap this one up, but for the rest of us appeal will be very limited. 4/10 Simon Redfern (February 2009)
TRIUMPHANT : Thankful. (Stow Town : STR3185)
Triumphant is the face of quality Gospel Music, Christian integrity, family values, friendship and dedication. The group has been that way since their beginnings in 2003, when the four friends first walked out on a stage in Tennessee as a headlining talent. Each current Triumphant group member was there in that defining moment, and has continued together ever since. This new album pulls together all that experience and superb vocal quality, and presents eleven new songs. Although all the voices are great, I couldn’t help but point out the baritone that is, Scotty Inman. How anyone can reach those notes is beyond me. The songs are fairly easy listening, as with the opening “We Welcome Your Holy Spirit.” Following that, comes “Chain Breaker.” Whether your personal chains are chains of hurt or loss, God can break you free. Throughout the track listing, I couldn’t help but think that this was an album of encouragement. God is constant, through every trial. He’s always loving, and always watching – that’s the message behind “God Will Always Be God.” Instrumentally, the musicians are of top quality and include renowned pianist Gordon Mote and Joel Key. The latter provides some excellent banjo playing on the foot tapping ditty “Thankful, So Thankful.” A couple of the ballads left me a little cold, but on the whole, this is a really good southern gospel album. 8/10. (October 2017)
TRIUMPHANT QUARTET : Hymns of Worship. (Stow Town Records)
Continuing their path as musical trailblazers, Triumphant Quartet stays true to their traditional roots while also embracing songs and stylings more commonly heard in churches across America and in the CCM space. First up is a rendition of ‘Amazing Grace (My Chains are Gone)’ which benefits from little musical backing, leaving the guys to show off their great vocals. ‘Less Like Me’ has a bit more of a beat to it, and I thought this one was quite catchy. Following on, is a great ballad called ‘Arise My Love,’ which celebrates the resurrection of Jesus. It’s a powerful song, which features some terrific vocals, and a big production. Similarly, ‘It is Well With My Soul’ blasts out from the speakers with great musical muscle. I’ve said it in previous reviews of this group, that the quality of the vocals never dips. And, it’s true, once more, with this release. The foot tappin’ ‘My Jesus’ is a joyful ditty, while the gentle version of ‘Great is Thy Faithfulness’ is just delightful. The quartet have delivered yet another enjoyable release. 8/10. (March 2023)
TROY DONOCKLEY : The Pursuit of Illusion. (ICC : LNTNCD1)
Blending English, classical and Irish Folk traditions, this release
showcases the work of Troy Donockley who has built up a reputation
as both Composer/Arranger and Musician/Performer, and as a leading
virtuoso of the Uilleann Pipes. As well as his work with Iona,
Troy's orchestral work has been performed in such venues as the
Royal Festival Hall and the Glasgow Concert Hall with soloists
such as Moya Brennan and Lesley Garrett. So with a big build up
like that, you know that I've very little to say about the album.
I'm sorry, I just don't understand it. The press release says
that music from this album has already been used in Film/TV all
over the world and I'm not surprised at all. Indeed, it sounds
like a collection of incidental music that's been culled from
TV/film projects rather than the other way round. The sound of
the ten and a half minute "Floating world" does sound
"floaty" but that's about all I can say. Monotonous
sounds, ethereal movements and an eighteen minute finale fail
to raise this from being nothing more than a mysterious release
that should send even the most avid listener into a state of unconsciousness.
1/10. (January 2005)
TROY DONOCKLEY & DAVE BAINBRIDGE. : From Silence. (Open Sky Records, VPDVD15)
Some of you may recognise Troy and Dave as being members of "Iona", and you may also know that they are not averse to producing solo projects. This DVD is a particularly interesting one - a totally improvised performance recorded live in Lincoln Cathedral in October 2004. Troy provides the melodic elements to the composition, playing a variety of whistles, Uillean Pipes and acoustic guitar which intereave neatly with Dave's chordal and rhythmic underpinning. The clever use of loops and fat orchestral sounds ensure a lush and vast soundscape which reverberates wonderfully within the structure of the building. The binaural recording technique captures these nuances beautifully and there is a real sense of concord within the whole performance. It is a shame that the picture quality doesn't quite match that of the sound, but I found that I didn't seem to notice the visual shortcomings after a while, such is its power both musically and spiritually. I could also mention the numerous typographic errors on the sleeve but these really don't seem to matter in the end. All in all something that is original and unique and a real gem amongst all the usual stuff. I just hope that non-musicians can appreciate it as much as I did. 9/10 Robin Thompson. (April 2006)
TRUCE : TheRefuge. (Integrity : NC002)
This is the second in the series from the Nicky Cruz Outreach and features 18 songs, aimed at young people. Like it's predecessor, many of the songs are in the popular style of Eminem, and the quality is top drawer. The messages within the songs are all evangelistic and offer hope to the lost youth at which they are aimed. "Let's Ride" says that "we've got the green light to save lives tonight", and it's a cry to do just that. No matter who you are or what you've done, Jesus can break your shackles and release you in new life - so say the words of "Come n' Get Him". There's one or two smoother RnB numbers slipped in for good measure, and the female vocalist on "Breathe on Me" is definitely classy. Judging by the two releases I've heard, this music will dig deep into the souls of young people. 8/10. (January 2007)
TRUE VIBE : True Vibe. (Essential : MPCD40504).
With a heavy emphasis on vocals and dance, and led by one of the
founding members of the multi-platinum supergroup 98, Jonathan
Lippmann, True Vibe are the latest US boy band to hit the scene.
Already going down a storm in their home country, with numerous
high profile TV appearances, True Vibe present their debut self
titled album. Full of great rhythms, the sound is very much in
the style of the Backstreet Boys and Plus One. "Now &
Forever" wouldn't be lost in any match against the current
secular equivalents and it's a song that I've played over Andover
again. "Jump, Jump, Jump" is a real dancey number while
"Sweet Jesus" lowers the tempo. "You Are the Way"
has a simple message but the harmonies are just simply first class.
Of the rest, I guess, "Never Again" is the best but
the acappella "I Live For You" strikes home, too. 9/10. (July 2001, Album of the Month)
TRUE WORSHIPPERS : All Things New. (Elevation : ELE1665D)
Now, I'm not sure if I missed this release first time round but this album was recorded live in Jakarta, back in November 2007. It also seems to have been previously released the following year but, Elevation are currently promoting it once again, and I'm glad they have. I've not heard a sound like for some time. It's got a definite American leaning to it's style of praise and worship, but not in a Gaither sort of way. In the purest sense of the word it's pop worship, with the choir and congregation singing as one. The theme of the album seems to be the celebration of Christ and that comes across strongly throughout the track listing. 'Jesus' and 'Celebrate Your love' are particularly strong openers, which are then followed by a smooth ballad, 'All That's Within Me'. 'Redeemer King, Come & worship' is a really strong song and the voices lift you into a place of worship. 'Unto God Be The Glory' is both powerful and gentle at the same time, and made me realise just how much I was enjoying this collection of songs. It such a joy to have something different, with all due respect, to Spring Harvest and the like. There again, I'm not sure that it will appeal to the younger audience. The title track sings about redemption and being set free. It's an old chestnut of a theme, but, once again, the feeling of the song gives you such a lift. Sidney Mohede is the worship leader, but he is ably supported by the rest of the choir. No doubt a bout it, this is a hit, in my book. 9/10 (September 2011)
TRUE WORSHIPPERS : Captivated. (Elevation : ELE1664D)
In last month's NFN Geoff Howlett positively reviewed the True Worshippers 'All things new' re-release from 2007. Having seen and heard this further CD/DVD re-release (also from 2007) I can only agree with Geoff's impressions. In the DVD 'extras' worship leader Sidney Mohede modestly says that True Worshippers are 'not really a band' - but I have to say that they are a better 'band' than I have heard on many ccm releases! Recorded where they are based in Jakarta, Indonesia, what we have in this live recording are well written 'pop worship' songs, well produced, and well delivered to a large audience as (mostly) 'high energy' contemporary worship. Sidney writes/co-writes most of the songs, has an excellent voice, and is supported by 10 backing singers (mostly singing in unison) who occasionally take over lead vocals. Sound quality is excellent - in fact the DVD is one of the best I have heard - including the fact that careful mixing and/or overdubbing means that all vocals (incidentally in perfect non-accented English) can be clearly followed. The insert also includes full printed lyrics, and the title is displayed on the DVD as each song begins. The standout tracks for me are the title track 'Captivated', 'Great and mighty' and 'This is my life' which is very ably delivered by one of the backing vocalists. Downsides? Performance-wise, on one or two tracks there are some vocal tuning problems, and towards the end I sense the vocals starting to sound a bit tired. With everything else so professionally done however, the main surprise is that the (4:3 aspect ratio) dvd picture definition isn't quite sharp, so some might find it slightly tiring to watch. A well recommended release however. 9/10 Dave Deeks. (October 2011)
TRUE WORSHIPPERS : God Is Our Victory. (Elevation : ELE 1666D)
This is a live worship concert, recorded back in 2009 in Jakarta, and this particular version of the CD comes with a DVD thrown in of the same concert. This is a well produced CD, and the performance from the band is very polished, in fact if I hadn't seen the DVD, I would have harboured
suspicions that overdubbing played a major part in it's recording, especially seeing as there were about twenty people onstage from what I could count. I wasn't familiar with any of the tracks on here, but I found them all to be quite enjoyable to listen to, mostly guitar led rock music, laced with power chords, just my kind of style in fact. The only thing I
noticed is that the odd line here and there doesn't sound quite right, but these are all Asian musicians, so I guess it's a translation thing. For example the first song refers to Jesus as "My Majesty" which seemed to be an odd way of putting it, still this is a minor thing and doesn't detract at
all from what's going on, which is a load of God's people enjoying themselves worshipping Him. I found that this album grew on me more after a couple of plays, it's worth listening to, and if you decide to go for it, I'd definitely recommend getting hold of the version with the DVD included.
9/10 Andy Sayner. (February 2012)
TRUE WORSHIPPERS : Glory to glory. (Elevation : ELE1668D)
A few months ago I positively reviewed the True Worshippers 'Captivated' live cd/dvd re-release from 2007, covering a 2007 worship concert. 'Glory to Glory' is a 2010 release, with the cd featuring recordings taken from a range of performances between 2005 to 2010 but the dvd this time featuring only four – i.e. the ones from 2010. True Worshippers' worship leader Sidney Mohede is again in fine voice, with the band continuing their obviously well-developed formula of delivering well written and produced 'pop worship' songs, incorporating 10 or so vocalists. Three songs from 'Captivated' are also on this release – although two of them are different versions. My favourite track is 'You are my Father' which begins quietly and builds – a 2010 recording, therefore on both the cd and dvd. Other standout tracks for me are 'Be glorified' (cd and dvd) and 'Captivated' (cd only) – the latter being a slower version than on the earlier release. The medium-paced title track 'Glory to glory' features a brilliant guitar break, but is spoiled by drums that sometimes 'drag' just behind the beat, and on one or two tracks there are, as with the earlier release, some minor vocal tuning problems. More positive similarities with the earlier 'Captivated' release are that sound quality on the cd is pretty good but even better on the dvd, all the song words can be clearly followed, the insert includes full printed lyrics, and on the dvd each song title is displayed as it begins. Strangely however the dvd picture definition again isn't quite sharp – although this time the picture is widescreen, unlike the earlier 4:3. Despite some minor weaknesses therefore, another recommendation for True Worshippers. 8/10 Dave Deeks. (February 2012)
TRUESONG : Tell Someone. (New Day Records)
TrueSong are The Ark Encounter and the Creation Museum’s resident Gospel group. The group brings great Gospel music to their large daily audiences, infused with worship, southern, and country sounds. TrueSong is nominated as “Favourite New Artist” for the 2023 Singing News Fan Awards. The first song is called ‘Army of Love’ were the album’s title comes from. “Rise up, rise up, everybody go and tell someone; rise up, rise up, tell them what love has done.” It’s a strong start to the album, and I was hopeful that similar, quality songs would follow. ‘I Got Saved’ is a well sung ballad, with the group showing off some nice harmonies. Then, we move into country music territory with ‘Jesus 1, Death 0,’ celebrating Jesus’ resurrection. It’s a medium paced number in a style akin to, say, Rascal Flatts. ‘Grace Talkin’ tells of all your sins being forgotten and all your stains washed away by mercy’s blood. It’s another classy song, and the early signs are of this being a really good album. You can tell how this group and grown in popularity, by the great vocals and the overall production behind them. From the foot tapping ‘Old Church Choir’ to the ballad that is ‘Waiting for Me,’ the quality of the songs continue to the end of the track listing. TrueSong are a class act! 8/10. (August 2023)
“Stronger,” marks the precursor to Tsitsi’s forthcoming album project. Known for her soul-stirring performances and heartfelt lyrics, Tsitsi has consistently delivered powerful messages through her music, touching the hearts of listeners around the world. As soon as the song starts, the singer launches into the lyrics with “Everybody don’t despair; You don’t have to worry now; He is God in every season; Changing every story now; Setting every captive free; Breaking every chain.” From there, we move into a chorus that declares that God is stronger, He can move the maountain, help is on the way. Keyboards provide most of the backing with some brass sounds thrown in for good measure. Backed ably by some great singers, Tsitsi leads everyone in praise in, what is, a really catchy gospel number. 8/10. (May 2024)
TUESDAY'S CHILD : The More Things Change. (Benson/Word : 8441844522).
Previously both solo artists, Linda Elias and Lesley Glassford
met over a dinner at a local restauraunt with their husbands and
Benson A&R director Bill Baumgart. Their first release in
1995 met with a good response and this follow up looks set to
propel them higher. Track 1, "I'm Alive" is such a great
declaration of Jesus in their lives, that it's hard not to immediately
replay the same song. "The Prodigal Daughter" is a strong
pop song but the powerful string arrangement on "A Scarlet
Thread..." is, literally, awesome. The voices of these two
ladies were just meant to be together. "Hopefully, Linda
& I will be able to minister to women who feel they're out
there all alone", says Lesley. Well, this record is not just
for the female sex, and "Love Can Take Us There" goes
to prove that Christ is for everyone, no matter who you are. Beautifully
crafted pop song that is a sure hit for CCM radio. Also included
is the old Cyndi Lauper song "True Colours", and "Soul
To Keep", a simple prayer that shows the depth of the songwriting
overall. 8/10. (April 1998)
TURN OFF THE STARS : Turn off the Stars. (Credential : CLD40376)
Toronto's Turn Off The Stars began a few years ago at Western University in London, Ontario. Lead singer, Mike Walker and his brother, guitarist Andrew met bassist John Dawes while performing an acoustic show on campus. With the later addition of drummer Max Kennedy, Turn off the Stars was born. I liked the initial driving rhythms of the first track, "Wasn't Ready" and had decided by "Falling into You", that here was a band sounding like a cross between Embrace and Keane. What I didn't like a bout the sound was the messy production. At times, there seemed to be too many instruments battling for their own space and, sometimes, the vocals were lost. "30 Days" is a prime example of this, and consequently, a lot of the tracks passion is lost. It's not an evangelistic album, by any means, but there are the usual nods of gratitude in the direction of God in the band member's lives. I didn't find the album too exciting but, then, it wasn't awful either. 6/10. (February 2007)
THE TURNING : Learning to Lose. (RKT/Fierce! : RKT0492)
The Turning formed in Chattanooga, five years ago when members Matt Warren, Jeremy Little and Jeff Goff began playing and writing music in each other's garages. Michael W Smith is quoted as saying that "these songs are infectious", so I was keen to slip the Cd into my player. My first impression was, of this guitar driven rock, that the sound could have been one of a number of US bands that I've heard this year. It may be a sign of old age, that too many bands sound alike. Songs like "Never Again", "Home to You" and "Out of My Hands" are competently performed, but none of them are anything to get excited about. On "Through All the Earth", the band do show that they can write and play with the best. It's a rock praise number that matches highly with anything that the likes of Hillsong have produced. The guitar sound is prominent throughout, but "Lift You down" has a slightly different sound. It's a lot lighter to anything else and contains some nice harmonies. Sadly, that's about all I can say in favour of The Turning. They're nothing out of the ordinary, and I see nothing to make them stand out from the crowd. 5/10. (December 2006)
THE 29th CHAPTER : Louder. (Fierce! : OTRCD5142)
The 2008 Urban Music Award winners for BestGospel Act, return with a 7 track EP that easily sits alongside mainstream acts of similar genre. 'Radio' is true to it's name. It's radio friendly by todays standards and worthy of a place on any MTV channel. There's some Balkan beats on 'Get Strong', a song about rising from the chains of your old life and breaking free. Praise is given to God for His love on 'So Good', while 'Man up' is a message to teenagers who have lost their way and think of themselves of having no hope. The Hip Hop obsession with status, ego and violence gets a roasting in 'Fallback', and it will hit straight at the heart. There might only be seven tracks, but the 29th Chapter hit hard. 8/10 (December 2009)
TWILA PARIS : Greatest Hits. (Sparrow : SPD51825)
Hailed as the 'definitive collection', this album chronicles some
of the highlights of Twila Paris' ministry of the last 20 years.
She's been honoured with 5 Dove Awards, 3 times the Female Vocalist
of the Year, 17 albums, 32 No.1 singles and over 2 million units
in sales to her credit. As well as some of her best known songs,
there are also 3 new tunes on this release but, in all honesty,
it's the former that shine. First up is the triumphant worship
of "God Is In Control". Great pop song, sung with the
great belief that God IS in control of her life. "We Bow
Down" is a pleasant, easy going number but "Not Afraid
Anymore" stands head and shoulders above anything else. From
her 1996 "Where I Stand" album, I'd forgotten just how
good this sounds. Ballads of note include "The Time Is Now"
and "Lamb of God" both delivered with great strength
and heartfelt worship. Even as late on the track listing as 17,
"Destiny" will renew a flagging spirit with it's God
filled honesty. A good album for your collection. 8/10. (December 2001)
TWILA PARIS : Small Sacrifice. (Kingsway : KMCD2850)
If you like your music to be soft pop, and easy listening, then a Twila Paris album or two may well be in your collection. She's been recording the same type of music for years and continues to have a loyal fan base. She writes all the songs herself, and the lyrics are downright, straight down the middle Christian orientated. 'We Know Love' and 'I Can Do All Things' are both about God's love in our lives, and Twila's vocals, although not strong, are very engaging. Mid-album, there are two very simple songs of praise and worship. 'Lord I Need You' and 'Live to Praise' would sit very nicely on any radio station playlist. 'You are A Great God' and 'Alleluia' close the track listing. They are both quite repetitive, yet, somehow highly appealing. One negative point goes to Kingsway for the unreadable sleeve notes. For all I know, they could have been written in Chinese. 7/10. (August 2008)
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